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《东山草堂图》画于元顺帝至正三年，即王蒙四十岁以后所作。\n此时，王蒙已初具自家风貌，用笔切实稳厚、灵活松快，笔墨已有一种稳重苍郁的意象。画面上松树、柏树以及山石都刻画得极其密实、精细。全图以淡赭色罩染，“水晕墨章”的绘画方法丰富了中国绘画的表现技法。",[56,23,26,57,27,28,31,58,29,59,36,60,61,7,62,63],"高清","设色","松树","建筑","山峦","房屋","林木","小径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18bd6ec16eba615a58d99aa211fdc5e2.jpg","纵111.4cm，横86.1cm",[43,67],"水墨画精选",94,"BDBDBD",{"id":71,"slug":72,"title":73,"dynasty":74,"author":75,"museum":53,"description":76,"tags":77,"thumbUrl":83,"material":84,"size":85,"collection":86,"collections":87,"showCount":88,"zanCount":11,"manualWeight":11,"mainColor":47},288371,"chang-jiang-wan-li-tu-hou-juan-xia-gui-288371","长江万里图后卷","宋","夏圭","《长江万里图》是一幅长超过11公尺的手卷，画卷的前半段，以接近平视的角度近景特写岩块、林木，以及江行的舟船，表现长江三峡险峻和波涛汹涌的景观；后半段则是以俯视和远观的角度描绘江面上的活动，以及沿途所见秀丽的景色。从逼近观者的景物，转换到辽阔空旷的视野，这种构图的方式具有戏剧性的效果。在画卷最后，有元代鉴藏家柯九思的题字，鉴定这幅画作者是南宋夏珪。但是柯九思题字是后人伪造，所以这样的意见值得强烈怀疑。从时代风格来看，这种山水长卷的构图方式流行于明初，而在笔墨技巧方\n宋夏圭长江万里图卷\n宋夏圭长江万里图卷\n面，本幅的“斧劈皴”用同一方向的侧锋表现，而水纹的描绘也刻意强调浪花的造型和装饰效果，这些特征显示〈长江万里图〉的创作时代为十四世纪末至十五世纪初，可能是一张与明代宫廷画院风格密切相关的作品。",[56,23,78,26,79,27,60,80,30,81,58,82,7,38],"长卷","山水画","江景","亭台","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc17ed61dd6a5972ee7a6aea3bd1ee1f2.jpg","绢","该幅26.8x1115.3公分；隔水一 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的雅致意境。线条细腻处藏匠心，意境深远中蕴野趣，将地域山水的奇秀与灵韵融为一体，读之如临其境，感自然之美与画者对山水的深情体悟。",[23,28,188,27,176,189,129,62,7,57],"写生","小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F483ee0416902cd8d12b8bb1b17e24f36.jpg",[],"9d8365",{"id":194,"slug":195,"title":196,"dynasty":197,"author":126,"museum":95,"description":198,"tags":199,"thumbUrl":205,"material":103,"size":104,"collection":86,"collections":206,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":69},289514,"bartholomeus-breenbergh-view-of-an-italian-town-yi-ming-289514","Bartholomeus Breenbergh--View of an Italian Town","不详","这幅画以棕褐墨色晕染出明暗层次，暖光铺洒在崖壁与石屋之上，将粗糙的岩石肌理与砖石棱角晕出柔和暖意，背光的峡谷与林木沉在浓郁的棕调阴影里，明暗拉扯出深邃纵深感。\n\n依山错落的屋舍顺着崖坡排布，峡谷间隐现细瀑流泉，野树虬曲扎根岩壁，荒蛮野趣与烟火聚落融为一体。随性的笔触精准抓住南欧山城的慵懒质感，仿佛能听见山风裹着溪水声漫过石墙，将松弛沉静的乡野氛围娓娓道来，藏着旧时光里山城独有的安然意韵。",[200,201,202,7,203,31,130,204],"风景画","素描","山城","民居","写实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe3a2ef1108fe29ec6bd2a85a4334ea1.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":151,"author":211,"museum":185,"description":212,"tags":213,"thumbUrl":218,"material":86,"size":86,"collection":86,"collections":219,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":220},202433,"ce-zhang-guan-pu-tu-zhou-wang-zhi-rui-202433","策杖观瀑图轴","汪之瑞","画面以纵轴式构图铺展山水景致，陡峭崖壁用简练皴法勾勒，线条劲挺，凸显山石嶙峋质感。山间瀑布如白练倾泻，添得几分灵动。前景树木枝干虬曲，叶染丹红，似含秋意；一文人策杖立于岩畔，神情悠然，仿佛沉醉于瀑声山光间，尽显文人寄情山水的雅致心境。笔墨简淡却意境悠远，设色清雅中见生机，将传统山水画的韵味与文人意趣融于一体。",[79,57,27,130,31,214,215,7,216,217],"文人","策杖","笔墨","意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F623b2175c0fbeddf62b2928c3eeaf670.jpg",[],"99866d",{"id":222,"slug":223,"title":224,"dynasty":151,"author":126,"museum":95,"description":225,"tags":226,"thumbUrl":231,"material":103,"size":104,"collection":86,"collections":232,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":233},272964,"zi-tan-mu-bian-hua-bo-li-ren-wu-tu-gua-ping-yi-ming-272964","紫檀木边画玻璃人物图挂屏","这幅玻璃反画以细腻笔触铺就林下闲趣，老者身披素黄披帛，侧耳凝神静听，苍然神态间尽显悠然意趣。红衣童子握笛轻吹，曲调似随晚风漫过古拙山石，引得灵鹿驻足垂耳，流连不去。\n\n画面糅合西洋写实技法与东方隐逸意境，衣褶晕染柔润自然，须发肌理分毫毕现，灵鹿的皮毛纹路写实生动。背景花树朦胧晕染，将山林幽寂晕染开来，冷暖色调交织，既保留中式林下雅趣的禅意，又带着西洋光影的精致质感，把世外寻幽的静谧氛围勾勒得恰到好处，尽显东西方审美交融的别致韵味。",[227,228,57,115,229,230,31,7],"玻璃画","挂屏","鹿","乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b83b8ad516c2246ab47c3b878e5c12e.jpg",[],"37474F",1777535727542]