[{"data":1,"prerenderedAt":75},["ShallowReactive",2],{"subject-yang-qun":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7389,"yang-qun","羊群","羊群画高清赏析","精选中国历代羊群题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0792a4de4426d538713a909d665e62c6.jpg",0,3,[14,39,55],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},288634,"jean-baptiste-deshays-shepherds-dreaming-of-the-flight-into-egypt-yi-ming-288634","Jean-Baptiste Deshays--Shepherds Dreaming of the Flight into Egypt","不详","佚名","藏地不详","前景里牧羊人正沉酣入梦，姿态松弛倦怠，羊群依偎身侧，晕开乡野深夜的宁和慵懒。岩洞深处，圣母子与约瑟暂作休憩，圣母垂首凝望着怀中圣婴，神色温柔缱绻。云霭之上天使悄然浮现，柔光漫过岩壁，将神性的静谧揉进山野的粗粝肌理里。\n\n画作笔触奔放写意，暖棕底色晕开沉沉暮色，明暗对比朦胧柔和，将凡间日常的松弛安然与神迹的圣洁温柔相融，让逃亡的奔波在此刻暂缓，梦境与神性交织晕染，为这段旅途晕开一抹治愈的乡野暖意。",[23,24,25,26,27,28,7,29,30,31],"油画","宗教画","圣母","圣婴","天使","牧羊人","洞穴","梦境","休憩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf7c5bcb3d4bf9ae830f17a4759e34f8.jpg","未知","Xcm*Xcm","",[],4,"795548",{"id":40,"slug":41,"title":42,"dynasty":18,"author":19,"museum":20,"description":43,"tags":44,"thumbUrl":51,"material":33,"size":34,"collection":35,"collections":52,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":54},289510,"bartolome-carducho-st-jerome-penitent-recto-accounts-verso-yi-ming-289510","Bartolomé Carducho--St. Jerome Penitent (recto); Accounts (verso)","枯瘦的苦修者垂立林下，骨节毕现的躯体浸满忏悔的沉郁，左手托住骷髅，右手垂落器物，隐在浓墨晕开的树荫里。远景牧群淡如烟痕，右侧的小人仓皇趋走，淡墨晕染的林野朦胧漫漶。\n\n钢笔淡墨的笔触粗粝松弛，枯笔勾画出苦修者的清癯虔诚，明暗晕染带着即兴的张力。潦草却精准的笔意，将苦修的孤寂揉入荒疏野境，未完成的随性笔触里藏着克制的悲悯，把虔敬的忏悔和荒野的沉寂融为一体，肃穆的苦修氛围跃然纸上。",[24,45,46,47,48,49,7,50],"人物","白描","素描","忏悔","荒野","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1d7177b1bcf49deb825f274f463dba4.jpg",[],1,"BDBDBD",{"id":56,"slug":57,"title":58,"dynasty":18,"author":59,"museum":20,"description":60,"tags":61,"thumbUrl":10,"material":33,"size":34,"collection":35,"collections":74,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":54},232387,"he-er-bai-yin-46-he-er-bai-yin-232387","荷尔拜因46","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[62,46,63,64,45,65,7,66,67,68,69,70,71,72,73],"册页","木刻","宗教","床榻","帐篷","山地","树木","建筑","室内场景","户外场景","卧榻","小屋",[],1777535773397]