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人生之叹。诗写得苍凉多情，表达了苏轼此时惆怅孤独的心情。此诗的书法也正是在这种心情和境况下，有感 而出的。通篇书法起伏跌宕，光彩照人，气势奔放，而无荒率之笔。《寒食诗帖》在书法史上影响很大， 被称为“天下第三行书”，也是苏轼书法作品中的上乘。正如黄庭坚在此诗后所跋：“此书兼颜鲁公，杨少师， 李西台笔意，试使东坡复为之，未必及此。",[23,24,25,26,27,28,29,30,31,32,33,7,34,35],"高清","书法","行书","长卷","印章","水墨","纸","江","雨","云","寒","乌","小屋","纸本","横34.2厘米，纵18.9厘米","书法精选",[38],452,6,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":18,"author":47,"museum":20,"description":48,"tags":49,"thumbUrl":59,"material":60,"size":61,"collection":38,"collections":62,"showCount":63,"zanCount":64,"manualWeight":11,"mainColor":65},221272,"song-feng-ge-shi-huang-ting-jian-221272","松风阁诗","黄庭坚","松风阁在湖北省鄂州市之西的西山灵泉寺附近，海拔160多米，古称樊山，是当年孙权讲武修文、宴饮祭天的地方。宋徽宗崇宁元年（1102）九月，黄庭坚与朋友游鄂城樊山，途经松林间一座亭阁，在此过夜，听松涛而成韵。",[23,24,25,27,50,51,52,53,54,55,56,7,31,57,58],"松","泉","山","川","野僧","寒溪","坡道","石","楼阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42961cbb5e0e34b9ca3df7fc4aa599c5.jpg","白纸本","纵32．8厘米 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唐寅博学多能，吟诗作曲，能书善画。他的传世绘画较多，书法甚少。其书以行楷见长，学赵孟頫并参以李北海笔意，笔画婉转流畅，风格俊秀潇洒。此书结构严谨，圆转遒丽，丰润优雅，形成了劲骨于内、美形于外、缜密流便的独特风格，词、书并美，堪称珠联璧合，从中可欣赏到往昔“江南第一风流才子”的儒雅韵致及其纯熟的书法功力。",[23,75,24,25,26,28,27,76,77,78,79,80,81,82,83,84,85,86,87,88,89,90,91,92,93,94,95,31,96,32,97,7,98,99,100,101],"明代","明月","夕阳","山水","孤舟","小桥","流水","亭","飞鸟","枯藤","老树","梅","兰","竹","菊","荷","牡丹","桃花","水仙","鱼","风","雪","日","春","夏","秋","冬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47d4bbb43b2575078730ba53af232464.jpg","纸本，行书","纵23.3厘米，横551.3厘米",[38],28,{"id":108,"slug":109,"title":110,"dynasty":70,"author":111,"museum":20,"description":112,"tags":113,"thumbUrl":118,"material":119,"size":120,"collection":119,"collections":121,"showCount":122,"zanCount":11,"manualWeight":11,"mainColor":123},222019,"ming-xuan-zong-yu-bi-xi-zuo-ci-wu-shou-zhu-zhan-ji-222019","明宣宗御笔戏作词五首","朱瞻基","明宣宗朱瞻基生于北平燕王府 。幼年聪颖，深得祖父朱棣喜爱。永乐九年（1411年），册立为皇太孙，多次跟随明成祖朱棣征讨蒙古。 洪熙元年（1425年）即位。宣德元年（1426年），平定汉王朱高煦叛乱。在政治上，重视整顿吏治和财政，提升内阁地位，任用“三杨”、蹇义、夏原吉等；教导宦官读书参政。经济上，实行休养生息，缓和社会矛盾的措施。对外关系上，进行第七次郑和下西洋；停止用兵交趾；于宣德三年（1428年）出塞，并修建永宁、隆庆诸城。明宣宗的一系列措施使得社会经济空前的发展，与其父明仁宗统治时期合称“仁宣之治”。同时明宣宗在书画方面极有造诣，翰墨图书，极为精致。“点墨写生，遂与宣和（宋徽宗）争胜”， 书法能于圆熟之外见遒劲。工于绘事，山水、人物、走兽、花鸟、草虫均佳，曾钤“广运之宝“、”武英殿宝”及“雍熙世人”等印章。\n宣德十年（1435年），明宣宗去世，终年三十八岁，庙号宣宗，谥号宪天崇道英明神圣钦文昭武宽仁纯孝章皇帝，葬于景陵。 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幼年时从师学习，八岁学为文，九岁能缀千言，17岁中举。后从师于康有为，成为资产阶级改良派的宣传家。维新变法前，与康有为一起联合各省举人发动“公车上书”运动，此后先后领导北京和上海的强学会，又与黄遵宪一起办《时务报》，任长沙时务学堂的主讲，并著《变法通议》为变法做宣传。\n戊戌变法失败后，与康有为一起流亡日本，政治思想上逐渐走向保守，但是他是近代文学革命运动的理论倡导者。逃亡日本后，梁启超在《饮冰室合集》《夏威夷游记》中继续推广“诗界革命”，批判了以往那种诗中运用新名词以表新意的做法。在海外推动君主立宪。辛亥革命之后一度入袁世凯政府，担任司法总长；之后对袁世凯称帝、张勋复辟等严词抨击，并加入段祺瑞政府。他倡导新文化运动，支持五四运动。其著作合编为《饮冰室合集》。\n1929年1月19日，梁启超在北京协和医院溘然长逝，终年56岁。",[24,149,25,27,150,151,97,7,152,153],"立轴","东海","红桑","潮","酒城","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26abdd14f264b99622848f1af842c8d4.jpg","未知","Xcm*Xcm",[],{"id":159,"slug":160,"title":127,"dynasty":128,"author":161,"museum":146,"description":162,"tags":163,"thumbUrl":170,"material":36,"size":119,"collection":38,"collections":171,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":42},240707,"shi-juan-zhou-shao-xing-240707","周绍行","此作用狂草挥就，笔墨跌宕恣肆，线条枯湿浓淡变幻万千，提按顿挫间尽展随性意气。字形大小错落、欹正相生，字势连绵缠绕如惊蛇走虺，满纸氤氲着淋漓云烟。\n\n行气舒张贯通毫无滞碍，将胸中豪情尽数倾泻笔端，纵逸挥洒处带着不羁文人气韵。枯笔苍茫与浓墨厚重相映，时而奔放驰骋时而萦回转合，字字连绵却不失章法，视觉张力强烈，将草书抒情写意的特质发挥到极致，尽显书写时的酣畅快意，是极具个性的抒情书法佳构。",[23,24,26,25,164,27,30,165,95,100,7,166,88,50,136,167,168,52,169,32,31,96,86,87,89],"草书","月","梧桐","酒","舟","水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e5d7c59fb8156f7154249e96fd8df63.jpg",[38],1777535742029]