[{"data":1,"prerenderedAt":46},["ShallowReactive",2],{"subject-ye-su-shou-nan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7473,"ye-su-shou-nan","耶稣受难","耶稣受难画高清赏析","精选中国历代耶稣受难题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1574fcf67a5eaf67e4d1ddb0d6b6d467.jpg",0,2,[14,33],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":31,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":32},232504,"he-er-bai-yin-163-he-er-bai-yin-232504","荷尔拜因163","不详","荷尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,24,25,7,26,27],"宗教画","人物画","素描","十字架","写实","未知","Xcm*Xcm","",[],"BDBDBD",{"id":34,"slug":35,"title":36,"dynasty":18,"author":37,"museum":20,"description":38,"tags":39,"thumbUrl":43,"material":28,"size":29,"collection":30,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":32},288660,"attributed-to-francesco-allegrini-figures2-yi-ming-288660","attributed to Francesco Allegrini--Figures2","佚名","这幅速写以枯淡墨线起形，顿挫勾勒间定格满幅张力。前景扭抱拉扯的人物肌肉紧绷，粗粝排线晕开衣物褶皱，将争执的拉扯感具象化。画面虚实对比强烈，远景的人物与十字架仅用细碎点染带过，如同将骤然浮现的骚乱瞬间，从恍惚记忆中攥住。\n\n没有精描细绘，却把慌乱躁动的氛围传递得淋漓尽致，每一道即兴的线条都带着鲜活的动感，仿佛下一秒这些身影就要冲破纸面，将这动荡瞬间永久封存在方寸纸间，尽显速写捕捉气韵的独特生命力。",[25,40,24,41,7,42],"速写","宗教题材","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f21b85fd1faffb6a12b03bfee4695e5.jpg",[],1,1777535797397]