[{"data":1,"prerenderedAt":101},["ShallowReactive",2],{"subject-ye-wai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7506,"ye-wai","野外","野外画高清赏析","精选中国历代野外题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad6b8f93a02995a7c20dd34d22aa609a.jpg",0,5,[14,38,61,75,88],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},232535,"mi-lai-si-79-yue-han-ai-fu-li-te-mi-lai-si-232535","米莱斯79","不详","约翰·埃弗里特米莱斯","藏地不详","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,24,25,26,27,28,29,7,30],"素描","速写","写实","炭笔","兽群","动物","草地","自然","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89ec42e12202c8e8cbd776087157721b.jpg","未知","Xcm*Xcm","",[],4,"BDBDBD",{"id":39,"slug":40,"title":41,"dynasty":18,"author":42,"museum":20,"description":43,"tags":44,"thumbUrl":58,"material":32,"size":33,"collection":34,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":37},288708,"william-blake-the-rest-on-the-flight-into-egypt-yi-ming-288708","William Blake--The Rest on the Flight into Egypt","佚名","柔和水彩晕开晨昏朦胧暖意，逃亡的圣家依偎椰影暂作休憩。伫立的父亲垂首祈祷，虔诚轮廓在浅衣下静静舒展，坐石的母亲怀拥圣婴，眉目舒展卸下奔波惶然。一旁的驴垂首饮着清浅河水，衬得此刻宁和愈发温柔。\n\n远景红日沉在墨色丘峦旁，粼粼水光晕开暖调余晖，椰叶轻曳，石边小花悄然绽露生机。画作以淡彩铺就松弛柔缓的氛围，将逃亡中的片刻安宁揉进细腻笔触，把宗教题材的肃穆，晕染为带着烟火暖意的浮生一隅，让神性叙事藏在俗世的温柔日常之中。",[45,46,47,48,49,50,51,52,53,54,55,56,57,7],"宗教画","水彩画","人物画","基督教题材","圣家族","逃亡埃及","休憩","夕阳","河流","棕榈树","驴","婴孩","宁静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F952001a5d0ed0838f5446435396f139c.jpg",[],3,{"id":62,"slug":63,"title":64,"dynasty":18,"author":42,"museum":20,"description":65,"tags":66,"thumbUrl":72,"material":32,"size":33,"collection":34,"collections":73,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":37},289169,"goya-rabbit-hunter-with-a-retriever-from-images-yi-ming-289169","Goya--Rabbit Hunter with a Retriever, from Images","暖棕调晕开朦胧野林，将镜头凝在这方狩猎余韵里。猎人佝偻着脊背，粗糙的指尖轻触猎犬衔来的野兔，粗粝衣褶晕染出赶路与狩猎的风尘，斜倚的猎枪还带着刚卸下的紧绷。猎犬昂首递来猎物，脖颈绷起的线条满是邀功的灵动，一人一犬间无需言语的默契漫开。\n画家以松弛的单色晕染，摒弃繁复修饰，寥寥几笔便将乡野猎手的日常瞬间定格，粗朴笔触裹着鲜活的生活温度，把郊野猎归的沉静暖意揉进画面里。",[24,67,68,69,70,71,7],"淡彩","猎人","狗","兔","狩猎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6a63d1a4018cc6f6b8ef2f2b5601d90.jpg",[],1,{"id":76,"slug":77,"title":78,"dynasty":18,"author":42,"museum":20,"description":79,"tags":80,"thumbUrl":86,"material":32,"size":33,"collection":34,"collections":87,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":37},289158,"goya-waking-from-sleep-in-the-open-air-from-images-yi-ming-289158","Goya--Waking from Sleep in the Open Air, from Images","奔放淋漓的棕墨晕染出朦胧郊野，将梦境与现实揉碎在湿润晨雾里。男子抬手驱散未褪的困意，惺忪还凝在眉眼间，女子慵懒倚靠身侧，躯体舒展松弛，仍沉在余韵未散的睡梦之中。\n\n没有精致的轮廓勾勒，肆意晕开的墨迹将晨间初醒的暧昧拉扯到极致，仿佛能触到林间微凉的水汽，听见两人初醒的轻喘，把松弛慵怠的瞬间定格在氤氲墨迹中，恍惚朦胧的氛围顺着墨色漫开，将半梦半醒的松弛永远停驻。",[81,82,83,84,7,85,24],"人物","水墨","户外","惊醒","双人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58860d929d6f641b0b8c13a877ba0326.jpg",[],{"id":89,"slug":90,"title":91,"dynasty":18,"author":42,"museum":20,"description":92,"tags":93,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":99,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":100},288704,"william-trost-richards-sketchbook-of-pacific-northwest-landscape-subjects-yi-ming-288704","William Trost Richards--Sketchbook of Pacific Northwest Landscape Subjects","这幅速写以松弛排线勾勒苍劲巨木，左侧用淡晕留白晕开林间晨雾，将幽寂空濛的山野氛围铺陈开来。右侧原木小屋带着质朴烟火气，烟囱、木栏的细节描摹，让荒野拓荒的日常暖意跃然纸上。\n\n画面虚实相映，朦胧雾林与写实木屋形成巧妙反差，既刻画出古木的雄浑苍古，也以淡柔笔触晕染出林间氤氲的湿气。寥寥几笔将原始森林的清寂与人居暖意相融，仿佛能听见穿林风响，窥见避世栖居的悠然日常，简淡笔触下藏着饱满的自然诗意。",[23,24,94,95,96,97,7,98],"风景画","森林","木屋","树木","静谧",[],"795548",1777535754767]