[{"data":1,"prerenderedAt":141},["ShallowReactive",2],{"subject-ye-ya":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},684,"ye-ya","野鸭","野鸭画高清赏析","精选中国历代野鸭题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe468ae8db1929f1c687923aaa8b3ab9a.jpg",0,7,[14,43,65,82,98,108,122],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":41,"zanCount":12,"manualWeight":11,"mainColor":42},222392,"si-ji-hua-niao-tu-xia-lv-ji-222392","四季花鸟图-夏","明","吕纪","日本京都国立博物馆","吕纪（1429～1505），字廷振，号乐愚，鄞（今浙江宁波）人。明代画家。\n其花鸟初师边景昭，又学林良，并广泛师法唐宋诸家，所作有工笔重彩和水墨写意两种画法，前者描绘精工，色彩富丽，法度谨严；后者粗笔挥洒，随意点染，简练奔放，富有气势和动感。其山水宗法马远、夏圭，以大斧劈皴画山石，苍劲有力。人物亦法南宋院体，衣纹线条简练顿挫。初学边景昭工笔法，亦受林良水墨法影响，后临仿唐宋诸家名迹，遂自成一体，独步当代。其花鸟画风呈两种面貌，一作工笔重彩，精工富丽，多绘凤鹤、孔雀、鸳鸯之类，辅以树木坡石、滩渚流泉背景，既具法度，又富生气。另一类为水墨写意画，粗笔挥洒，简练奔放，接近林良的风格。他亦兼善人物、山水，宗法南宋马远、夏圭画法。他的花鸟画风在当时宫廷内外影响甚大，继承者不乏其人。\n明弘治年间，入值仁智殿，官至锦卫指挥使，是明代与边景昭、林良齐名的院体花鸟画代表画家。其绘画风格可分为两大类，一类是以水墨为主略淡彩，用笔较为豪纵，另一类则是设色浓丽，用和工致，具有富丽的宫廷装饰趣味。吕纪由水墨淡色画转为工笔重设色画，更直接的原因是为了适应不同皇帝的不同口味，具体说来就是弘治皇帝朱祐樘的欣赏口味不同于他的父辈成化皇帝朱见深，从而造成了吕纪多画凤凰、雉鸡、仙鹤、孔雀、鸳鸯之类，杂以花木草石，具有生气。工笔着色与水墨写意能，并善于将两体结合。吕纪初学唐宋各家和同时代的边景昭，后形成自己的风格。他的花鸟设色鲜艳，生气奕奕，被称为明代花鸟画第一家。据说吕纪在画作上常用寓意手法对皇帝劝谏，皇帝知其用心，曾说：“工执艺事以，谏吕纪有之。”其代表作品有《新春双雉图》《桂花山禽图》《残荷鹰鹭图》《秋鹭芙蓉图》《五德大吉图》 《狮头鹅图》等。\n吕纪，1477年生，鄞州（今浙江宁波）人。字廷振，号乐愚，弘治间（1488-1505）供事仁智殿，弘治间征入宫廷，为宫廷作画，供奉仁智殿，官锦衣卫指挥。擅画临古花鸟，初学边景昭，后研习唐宋诸家名作，继承两宋“院体”，以工笔重彩，又在水墨写意方面受林良影响。\n远宗南宋院体格，廷续了黄筌工整细致的画风及钩勒笔法，并予以发扬，多以凤凰、仙鹤、孔雀、鸳鸯之类鸣禽为题材，杂以浓郁花树，画面绚丽。亦作粗笔水墨写意者，笔势劲健奔放，与林良相近，与边景昭同为明代院体花鸟画中的临古派代表。传世作品有《桂菊山禽图》《榴花双莺图》《雪景翎毛图》《浴凫图》等。除画花鸟外，偶尔也画人物山水。他主要是以工整精丽的院体传统作画，造型准确，设色鲜艳。但也能画活泼生动兼工带写的花鸟画。他的画生动，笔墨清新，是当时与边景昭、林良齐名的花鸟名家。他作画时，常以寓意手法规谏皇帝，故明孝宗曾说：“工执艺事从谏，吕纪有之”。他是与边景昭、林良齐名的院体花鸟画代表作家。《狮头鹅图》，绢本，设色。纵191厘米，横104厘米。工笔画狮头鹅，侧身曲颈回顾古梅，鹅身洁白如玉，眼睛刻划有神，形象生动。古梅干枝苍劲，生机勃勃。树下衬以太湖石、月季花，石后有双勾竹隐露，色彩艳丽，衬托出狮头鹅之白身红冠。是明代院体花鸟画的杰作。款署“吕纪”。现藏辽宁省博物馆。\n《榴花双莺图》写石榴一枝，蘩花盛开，一对黄鹂栖于枝头，一上一下，鸣啼相应，神态活泼。工笔重彩，钩勒填色，绚丽多彩为明代中期院体画的典型风格。\n相比画家，吕纪的另一个身份更令人吃惊——历经明代成化、弘治、正德三代，官至锦衣卫指挥使(秘密警察头目)。吕纪的花鸟绘画，水墨淋漓，气势宏大，甚至是日本屏风画的来源之一。《柳荫双鸭图》和《幽涧双鹭图》曾在日本出版的《听松清鉴》中著录，郑振铎在上世纪四十年代遍访流传在海外的中国名画，并在其所编的《域外所藏中国名画》中收录。吕纪的两幅作品不仅是明代全景花鸟画的杰作，也是中国绘画影响日本绘画的证据代表作。",[23,24,25,26,27,28,29,7,30,31,32,33,34],"高清","国画","名画","花鸟画","工笔","设色","黄莺","芙蓉","杜鹃","山石","水岸","夏季","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47f39703be94e381648560a821fb184e.jpg","绢本设色","176.0×100.8","花鸟画精选",[38,40],"设色画精选",358,"795548",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":49,"description":50,"tags":51,"thumbUrl":59,"material":60,"size":61,"collection":62,"collections":63,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":42},289371,"mei-shi-xi-fu-tu-ma-yuan-289371","梅石溪凫图","宋","马远","藏地不详","此图设色画幽僻的崖涧，石壁上梅花盛开。一群野鸭在涓涓的溪水中或追逐嬉戏，或梳理羽毛，或振羽欲飞，其中一对幼凫伏在母凫的背上，十分动人，全图兼工带写，构图简洁巧妙，所画石壁运用虚实相间的表现手法，使咫尺画面产生了旷阔之感。在用笔上也颇有特色，画山石用大斧劈皴，爽利峭劲；作梅树用方折笔写拖枝之势，苍劲老辣，姿态横生，绘溪水则用细笔中锋，从而表现出微风吹拂，清波荡漾的意境。",[23,24,52,28,53,54,55,56,7,57,58],"水墨","山水","花鸟","梅","溪石","皴法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b6b3219127298d25f87288b0a581d21.jpg","未知","Xcm*Xcm","",[],28,{"id":66,"slug":67,"title":68,"dynasty":69,"author":70,"museum":71,"description":72,"tags":73,"thumbUrl":78,"material":79,"size":80,"collection":38,"collections":81,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":42},218821,"chun-tang-qin-le-tu-sheng-mao-218821","春塘禽乐图","元","盛懋","台北故宫博物院","图绘塘中一斜坡，坡上一棵柳树，下有野鸭栖息著。燕子逐著春光，一派春日景象。本幅画有「子昭」款，惟画风似与其他盛懋作品不同，疑为后人所加。",[24,25,74,52,54,53,75,76,7,58,77],"书画","飞鸟","柳树","春景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F907a0e23a9917f1bca565613adcaa56d.jpg","纸本,水墨","52x28.3cm",[38],{"id":83,"slug":84,"title":85,"dynasty":47,"author":86,"museum":87,"description":88,"tags":89,"thumbUrl":93,"material":36,"size":94,"collection":62,"collections":95,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":97},223572,"xi-lu-ye-ya-tu-yi-ming-223572","溪芦野鸭图","佚名","北京故宫博物院","图绘溪边芦苇、茨菰丛生，枝繁叶茂，生机勃勃。雄鸭在岸边单足站立小憩；雌鸭于水中回首梳羽，姿态闲适，气度雍容。此图意在表现一种祥和安定的气氛，应是南宋画院点缀升平之作。构图成熟简练，画面左中部为芦苇所荫蔽，给人安全之感；右上方则留出一片水面，启人遐思，以免闭塞。敷色精细写实，雄鸭毛羽的表现尤见功力。今色彩虽已暗旧，尚可想见当年斑斓生辉之状。",[23,24,27,28,54,7,90,91,92],"芦苇","水草","水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06a845e7b9c4e3e32739c5b931a4db59.jpg","26.4x27",[],10,"BDBDBD",{"id":99,"slug":100,"title":101,"dynasty":47,"author":86,"museum":49,"description":102,"tags":103,"thumbUrl":106,"material":60,"size":61,"collection":62,"collections":107,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":42},289227,"he-tang-yu-fu-tu-yi-ming-289227","荷塘浴凫图","此作以简淡笔墨铺就幽寂水泽之境，大片绢色晕作烟霭漾漾的湖面，似有无尽秋水漫延开去。近岸以浅青绿点染汀石，暗含水畔苍苔幽意，远渚仅以淡墨轻扫，隐在朦胧水雾间，虚虚实实晕出水天辽远。\n\n水面凫鸟两两相逐，翅羽轻掠波心，灵动姿态将寂寥秋水点活，野逸闲趣扑面而来。全作用笔含蓄克制，以虚写实，把江南水泽的清寂空阔尽数铺陈，带着独有的雅致禅意，观之如临其境，仿佛能听闻水禽振羽、水波轻响，将闲淡幽远的诗意藏在浅淡笔墨之中。",[23,24,25,27,28,54,104,7,105,32],"荷","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e832b15a5de9c66a6dced0233e6ec0f.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":47,"author":86,"museum":49,"description":112,"tags":113,"thumbUrl":119,"material":60,"size":61,"collection":62,"collections":120,"showCount":121,"zanCount":11,"manualWeight":11,"mainColor":97},290247,"han-tang-fu-lv-tu-yi-ming-290247","寒塘凫侣图","该图左侧塘岸土坡，白梅一枝斜出，枝上梅花怒放，枝下茶花、水仙盛开。两只野鸭嬉戏于水中，顾盼生姿，逗人喜爱。对岸土坡败苇稀疏，两只蓝色的小鸟前后相随飞向远方，从而把观赏者的视线引向画外，达到画有尽而意无穷的艺术效果。",[23,24,25,74,114,28,27,54,55,7,115,116,117,58,118],"册","寒塘","行书","书法","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7d9f6860c1a5791e0c0d0f9ac00a1a4.jpg",[],5,{"id":123,"slug":124,"title":125,"dynasty":126,"author":86,"museum":49,"description":127,"tags":128,"thumbUrl":138,"material":60,"size":61,"collection":62,"collections":139,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":97},289271,"pieter-stevens-huntsmen-and-company-observing-dogs-retrieving-ducks-yi-ming-289271","Pieter Stevens--Huntsmen and Company Observing Dogs Retrieving Ducks","不详","虬曲古槐横亘画面，垂枝掩映出郊野猎归的松弛午后。猎手们斜靠木桥栏，目光追着水面叼回水禽的猎犬。石墙旁有人调笑着打理猎具，白犬亲昵蹭着主人裤腿。水面上群犬划破涟漪，扎入水中争抢猎物，对岸堤岸挤满围观村人，远处河湖交错，坡间小镇在淡彩晕染里朦胧柔和。\n\n细密素描勾出鲜活细节，淡彩晕开水汽与树荫的暖调，将郊野狩猎后的闲散日常揉进暮色里，不见猎杀的紧绷，只剩同侪打趣的松弛、乡邻围观的热闹，把质朴鲜活的乡野烟火气凝于纸面。",[129,130,28,131,132,133,134,135,7,136,137],"西洋画","素描","人物","木桥","老树","流水","猎犬","河畔","狩猎场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127f9839eb0b47413a4107bfda047cd6.jpg",[],1,1777535742081]