[{"data":1,"prerenderedAt":108},["ShallowReactive",2],{"subject-yi-pao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},444,"yi-pao","衣袍","衣袍画高清赏析","精选中国历代衣袍题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72cee28d272fdd08ce6fef51c49cc082.jpg",0,5,[14,43,63,82,96],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},221880,"pin-cha-tu-li-zhou-chen-hong-shou-221880","品茶图立轴","明","陈洪绶","北京故宫博物院","画中两人相对而坐,似是一主一客。蕉叶铺地,主人坐于其上,旁置茶炉壶具，炉中炭火正炽。客人坐一怪石上，又以一方奇石为琴台，古琴已收入锦缎琴套中。此时，琴弦歇，茶正熟，两人手持茶盏，四目相视，正闻香品啜，耳边琴声犹在。此中乐趣,任凭读者遐思。读陈洪绶《品茶图》,至少能读出三点明代茶事信息来。",[23,24,25,26,27,28,29,30,31,32,7,33,34,35],"高清","名画","国画","书画","立轴","设色","工笔","人物","器","荷花","石桌","花瓶","卷轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F561d2687f6bef527a3ee9c1f39e3b3a0.jpg","绢本设色","纵150厘米，横67.3厘米","山水画精选",[39],157,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":18,"author":19,"museum":47,"description":48,"tags":49,"thumbUrl":57,"material":58,"size":58,"collection":58,"collections":59,"showCount":60,"zanCount":61,"manualWeight":11,"mainColor":62},228281,"wu-lao-tu-chen-hong-shou-228281","五老图","藏地不详","此作用奇石为席案，铺陈开五位老者的雅集场景。对弈者捻须凝思，观局者或倾身注目、或垂手静立，情态生动各别，尽显林下高贤的散淡意趣。\n画作以清劲高古的游丝铁线勾勒衣纹，造型奇崛古拙，设色浅淡沉静。老者面容刻画入微，须眉灵动鲜活，既带着明代人物画的高逸格调，又尽显作者标志性的古雅奇谲，将文人雅集的闲情逸致烘托得淋漓尽致，尽显晚明文人画的高妙意趣。",[23,25,29,28,50,30,51,52,53,54,55,56,7],"白描","文人","对弈","棋局","器物","桌子","坐具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf837e79b295fad40272b805d470ec78.jpg","",[],37,1,"795548",{"id":64,"slug":65,"title":66,"dynasty":67,"author":68,"museum":47,"description":69,"tags":70,"thumbUrl":76,"material":77,"size":78,"collection":58,"collections":79,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":81},236032,"di-shi-wu-guo-ba-ga-zun-zhe-ding-guan-peng-236032","第十五锅巴嘎尊者","清","丁观鹏","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[24,25,26,27,71,29,28,30,72,7,73,74,75],"宗教","孤石","坐垫","鞋子","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F812ef70a8bc1f8e633dc4ddf0adb9e60.jpg","未知","Xcm*Xcm",[],2,"F48FB1",{"id":83,"slug":84,"title":85,"dynasty":86,"author":87,"museum":47,"description":88,"tags":89,"thumbUrl":94,"material":77,"size":78,"collection":58,"collections":95,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":42},289075,"joseph-marie-vien-kneeling-figure-wearing-a-cope-yi-ming-289075","Joseph Marie Vien--Kneeling Figure Wearing a Cope","不详","佚名","这幅单色粉笔衣纹写生，以细腻笔触捕捉法衣垂坠的万千形态。画家精准拿捏布料张力与重力的博弈，肩头的衣料如瀑布倾泻，褶皱或松或紧、或宽或窄，随着隐含的躯体姿态舒卷蜷曲。淡晕的明暗层次衬出绸缎暗纹的华贵肌理，隐约勾勒出底下身形轮廓，让静止衣袍暗伏人体动态的余韵。画面留白克制，将目光尽数引向衣褶流动的韵律中，落笔松弛却不失精准，把织物的厚重柔软感尽显无疑，尽显对物象形态的透彻理解，是兼具写实功底与审美意趣的写生佳作。",[90,91,92,7,93],"素描","西洋画","宗教服饰","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa87ab77ea82f0f89517dc76c12e431fc.jpg",[],{"id":97,"slug":98,"title":99,"dynasty":86,"author":87,"museum":47,"description":100,"tags":101,"thumbUrl":106,"material":77,"size":78,"collection":58,"collections":107,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":62},289060,"karl-rudolphe-henrich-lehmann-study-for-the-figure-of-sarah-yi-ming-289060","Karl-Rudolphe-Henrich Lehmann--Study for the figure of Sarah","这帧素描以白粉笔在灰蓝纸面上铺陈，灵动的线条捕捉住女性侧身舒展的瞬间。头巾垂覆的曲线柔缓贴合轮廓，舒展的手臂带着松弛的韵律感。衣褶用笔虚实相生，简练线条精准交代出布料的垂坠重量，既勾勒躯体起伏，又烘托出温婉沉静的气质。淡去的边缘让人物仿佛晕融在背景里，留白恰到好处，带着速写独有的鲜活质感，将动态凝固在松弛的笔触间，寥寥几笔就赋予人物鲜活的呼吸感。",[90,102,103,104,105,7],"人物画","女性","宗教人物","线描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95e93aae1cc5fd62d17cf1e1537f60b7.jpg",[],1777535751217]