[{"data":1,"prerenderedAt":83},["ShallowReactive",2],{"subject-yi-shu-ru-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},323,"yi-shu-ru-hua","以书入画","以书入画画高清赏析","精选中国历代以书入画题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61fe4f511b2ffd70806e19777051d1e8.jpg",0,4,[14,35,53,69],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":31,"size":31,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},203238,"pi-pa-tu-zhou-qi-bai-shi-203238","枇杷图轴","近代","齐白石","上海博物馆","墨叶如掌，浓淡间见苍劲笔力；金丸缀枝，黄艳中透清甜意趣。几片枇杷叶以泼墨写出，边缘带细碎毛刺，尽显自然野趣；簇簇果实圆润饱满，墨点花心更添灵动。叶隙间隐一螳螂，青身细肢，姿态警觉似欲跃动——白石老人以寥寥数笔捕捉生灵之态，将日常生机凝于尺幅。左侧题字笔墨与画境相融，诗画相生，尽显“妙在似与不似之间”的写意精髓，于朴素中见真趣，简淡中藏深情。",[23,24,25,26,27,28,29,7,30],"国画","花鸟","水墨","设色","写意","枇杷","螳螂","妙在似与不似","",[],18,"c2b5a5",{"id":36,"slug":37,"title":38,"dynasty":39,"author":40,"museum":20,"description":41,"tags":42,"thumbUrl":49,"material":31,"size":31,"collection":31,"collections":50,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":52},202448,"shao-yao-tu-zhou-wu-chang-shuo-202448","芍药图轴","清","吴昌硕","这幅画作以篆籀笔法入画，线条苍劲如铁，暗含篆刻的金石韵味。芍药花瓣晕染饱满鲜活，红妍黄艳与浓墨泼写的叶片相映成趣，艳而不俗；山石以大写意泼墨淡彩勾勒，轮廓粗犷朴拙，与花卉的灵动互补。构图错落疏密有致，尽显文人画的雅致生机，传递出对自然生机的独到体悟与艺术张力。",[23,24,26,43,25,44,45,7,46,47,48],"立轴","篆刻","大写意","金石气","芍药","高清","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dc0917ac5899e229f371f49bdbdab88.jpg",[],2,"b7b2a8",{"id":54,"slug":55,"title":56,"dynasty":39,"author":40,"museum":20,"description":57,"tags":58,"thumbUrl":66,"material":31,"size":31,"collection":31,"collections":67,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":68},202443,"hong-mei-tu-zhou-wu-chang-shuo-202443","红梅图轴","画面中老梅枝干如铁铸般虬曲盘折，以浓淡干湿的墨色挥写，线条藏篆隶笔意，顿挫有力，尽显古拙刚健之姿。枝头红梅点缀，胭脂淡染，或含苞或绽放，艳而不俗，与墨干形成鲜明对比，鲜活灵动。右侧狂草题跋笔墨酣畅，诗画相映，更添文人意趣。整幅作品气骨开张，苍劲中见秀逸，将梅花孤傲品格与画家豪情融为一体，尽显“苦铁画气不画形”的艺术主张，是晚清花鸟画的经典之作。",[23,59,43,25,26,24,60,61,62,63,7,64,65],"书画","梅","篆书","隶书","草书","苍劲","秀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F928e117515d735be386403cfcd3a45de.jpg",[],"bab39f",{"id":70,"slug":71,"title":72,"dynasty":39,"author":73,"museum":20,"description":74,"tags":75,"thumbUrl":79,"material":31,"size":31,"collection":31,"collections":80,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":82},202626,"mo-zhu-tu-zhou-zheng-xie-202626","墨竹图轴","郑燮","几竿墨竹自画面底部向上挺秀，竹竿瘦劲如篆，圆劲中见骨力；竹叶以隶法撇捺挥就，疏密错落间藏章法。墨色浓淡相济，浓墨点染叶尖显精神，淡墨勾勒竹身见空灵。笔意随兴而发，却暗合“胸有成竹”之妙，每一片叶、每一节竿，皆含书法韵味与文人风骨。右侧题跋与竹影交织，诗画相融，更衬出竹子清逸孤傲的气节，尽显板桥画竹“意在笔先，趣在法外”的独特风貌。",[23,25,76,7,77,43,78],"竹","文人画","行","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1c383479b5eff0b214993633ed20423.jpg",[],1,"c9b7a8",1777535760614]