[{"data":1,"prerenderedAt":119},["ShallowReactive",2],{"subject-yin-li":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9148,"yin-li","银里","银里画高清赏析","精选中国历代银里题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F572b7467489244651538656e26bc1ab0.jpg",0,9,[14,36,49,59,73,80,91,103,110],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},248653,"hei-qi-miao-jin-ba-xian-tu-yin-li-wan-yi-ming-248653","黑漆描金八仙图银里碗","清","佚名","藏地不详","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[23,24,25,26,27,28,7],"清代","漆器","黑漆描金","人物","神仙","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb91542f06bc7e819b275d46b5fe50abb.jpg","未知","Xcm*Xcm","",[],4,"795548",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":46,"material":30,"size":31,"collection":32,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":35},248847,"hei-qi-qian-luo-dian-shan-shui-ren-wu-tu-fang-xing-wei-jiao-yin-li-bei-yi-ming-248847","黑漆嵌螺钿山水人物图方形委角银里杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[24,42,7,43,44,45,26],"嵌螺钿","方形委角","饮酒器","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12894a6bd2a384cc43b162fdfdcfe61b.jpg",[],1,{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":21,"tags":53,"thumbUrl":57,"material":30,"size":31,"collection":32,"collections":58,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":35},248664,"hei-qi-qian-luo-dian-hua-niao-tu-yin-li-wan-yi-ming-248664","黑漆嵌螺钿花鸟图银里碗",[23,24,42,54,55,28,56,7],"花鸟","兽","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c42d9a419de41a36dadcf183d7e52e6.jpg",[],{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":71,"material":30,"size":31,"collection":32,"collections":72,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},248867,"ti-hong-shou-zi-lian-hua-bian-fu-wen-yin-li-bei-die-yi-ming-248867","剔红寿字莲花蝙蝠纹银里杯碟","此套杯碟以剔红为主体，银质镶边衬里，朱漆莹润厚重，与银色清莹相映成趣。通体满饰锦地，杯身缠枝莲花蜿蜒舒展，蝙蝠翩跹于花叶之间，暗寄福寿双全的吉庆寓意。口沿与底足回纹环绕，规整雅致，圈足纹饰与碟心呼应，层次分明。雕刻刀锋利落爽利，纹饰饱满立体，细密锦地衬得主纹鲜活灵动，将祈福之意融于日常茶事。整体古雅沉静，尽显雕漆工艺的精巧匠心，是吉祥意趣与造物美学的绝妙融合。",[18,24,65,66,67,68,69,7,70,56,44],"剔红","雕刻","寿字","莲花","蝙蝠纹","杯碟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb86c546203ee5d4cb4e091c508d513e1.jpg",[],{"id":74,"slug":75,"title":62,"dynasty":18,"author":19,"museum":20,"description":76,"tags":77,"thumbUrl":78,"material":30,"size":31,"collection":32,"collections":79,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},248862,"ti-hong-shou-zi-lian-hua-bian-fu-wen-yin-li-bei-die-yi-ming-248862","髹朱漆如凝脂，刀工圆熟利落。杯身以回纹饰边，锦地之上莲花托寿，蝙蝠穿行其间，暗合福寿双全的吉意，内壁包银，兼顾雅致与实用。\n\n碟面雕刻铺陈舒展，盘心承台恰好契合杯足，环绕纹饰与杯身呼应统一，满工却不显繁冗。朱红漆色沉穆莹润，纹饰细腻婉转，将祈福愿景藏入刀痕沟壑之中，尽显古朴华贵的雅致意韵。",[18,65,66,67,68,69,7,70,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff46a09bb0106922dc9c247290262f965.jpg",[],{"id":81,"slug":82,"title":83,"dynasty":18,"author":19,"museum":20,"description":21,"tags":84,"thumbUrl":89,"material":30,"size":31,"collection":32,"collections":90,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},248657,"hei-qi-qian-luo-dian-chan-zhi-hua-hui-wen-yin-li-wan-yi-ming-248657","黑漆嵌螺钿缠枝花卉纹银里碗",[23,24,42,85,86,7,87,28,88],"黑漆","缠枝花卉纹","碗","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09b434e7c7eb899391ce7b1ddd1d1af1.jpg",[],{"id":92,"slug":93,"title":94,"dynasty":18,"author":19,"museum":20,"description":21,"tags":95,"thumbUrl":101,"material":30,"size":31,"collection":32,"collections":102,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},248493,"qian-long-kuan-hong-qi-miao-jin-dan-feng-mu-dan-wen-yin-li-pie-kou-wan-yi-ming-248493","乾隆款红漆描金丹凤牡丹纹银里撇口碗",[23,24,96,97,98,7,99,100],"红漆描金","丹凤","牡丹纹","撇口碗","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0d50668761b16ec4127f8cc2e8829df.jpg",[],{"id":104,"slug":105,"title":94,"dynasty":18,"author":19,"museum":20,"description":21,"tags":106,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},248481,"qian-long-kuan-hong-qi-miao-jin-dan-feng-mu-dan-wen-yin-li-pie-kou-wan-yi-ming-248481",[23,24,96,97,107,7,99,28],"牡丹",[],"BDBDBD",{"id":111,"slug":112,"title":94,"dynasty":18,"author":19,"museum":20,"description":21,"tags":113,"thumbUrl":116,"material":30,"size":31,"collection":32,"collections":117,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":118},248478,"qian-long-kuan-hong-qi-miao-jin-dan-feng-mu-dan-wen-yin-li-pie-kou-wan-yi-ming-248478",[23,114,24,115,97,107,7,28],"红漆","描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3bacd5263cde54b13fb4bf28bac5cf2.jpg",[],"37474F",1777535737409]