[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"subject-yin-qian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9641,"yin-qian","银嵌","银嵌画高清赏析","精选中国历代银嵌题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F070e1fe20d833801b0da11a131515283.jpg",0,4,[14,35,49,60],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},252811,"shi-sou-kuan-tong-qian-yin-si-guan-yin-pu-sa-zuo-xiang-yi-ming-252811","“石叟”款铜嵌银丝观音菩萨坐像","明","佚名","藏地不详","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[23,24,7,25,26,27,28],"明代","铜制","雕刻","宗教","人物","坐像","未知","Xcm*Xcm","",[],1,"795548",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":47,"material":29,"size":30,"collection":31,"collections":48,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273280,"hei-se-pi-qian-yin-shao-lan-he-bao-shi-huo-lian-yi-ming-273280","黑色皮嵌银烧蓝荷包式火燫","清","荷包是中国汉族传统服饰中，人们所随身佩带的一种装零星物品的小包，后发展为爱情信物，荷包的图案有繁有简，花卉、鸟、兽、草虫、山水、人物以及吉祥语、诗词文字都有，装饰意味很浓。\n在民间荷包中，占相当比重的是香包，香包里装有香草之类的药品，包面上绣制着“五毒”，即蝎子、蛇、蜈蚣、壁虎和蟾蜍，它原是五月端午的节令物品，为了防止各种毒虫猖獗，侵害人体，人们相互馈赠，挂在衣襟或帐勾上，以避除“五毒”。就形状来看，有虎形的、鸡形的、如意形的、寿桃形的、蝙蝠形的，以取意于福、禄、寿、喜、吉祥、如意等。富有深厚民族心理基础的绣荷包，在民间文化中，显示着旺盛的生命力。",[42,43,44,7,45,46],"日用具","火镰","皮制","烧蓝","金属饰件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c0a1c3541083f3d49c09102cad7ea31.jpg",[],{"id":50,"slug":51,"title":52,"dynasty":39,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":58,"material":29,"size":30,"collection":31,"collections":59,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},269359,"zi-tan-qian-yin-feng-wei-lian-wen-chang-fang-he-yi-ming-269359","紫檀嵌银凤尾莲纹长方盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[55,56,7,25,57],"器","木质","凤尾莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02354778c9eea6b80bf1d935200c0945.jpg",[],{"id":61,"slug":62,"title":63,"dynasty":39,"author":19,"museum":20,"description":21,"tags":64,"thumbUrl":66,"material":29,"size":30,"collection":31,"collections":67,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},254003,"tong-qian-yin-si-guan-yin-pu-sa-zuo-xiang-yi-ming-254003","铜嵌银丝观音菩萨坐像",[65,24,7,25,26,27,28],"清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F689b6e04793778eabf6f379b1a28c79f.jpg",[],"37474F",1777535764569]