[{"data":1,"prerenderedAt":98},["ShallowReactive",2],{"subject-yin-shi-2079":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2079,"yin-shi-2079","隐士","隐士画高清赏析","精选中国历代隐士题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05b2884f6c2a9d01d65f241584eaf017.jpg",0,4,[14,41,67,80],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},290140,"si-hao-tu-wang-qi-han-290140","四皓图","五代十国","王齐翰","藏地不详","王齐翰(公元10世纪)〔五代·南唐〕金陵(今江苏南京)人，生卒年不详。后主李煜朝(961-975)为宫廷翰林图画院待诏。工画人物、佛道宗教画，兼擅山水、花鸟，以画猿獐出名。好作山林丘壑，隐岩幽谷，无朝市风埃气，其画以笔法工细为特色〔南唐〕金陵（今南京）人。仕南唐李煜（九六一至九七五）在位为翰林待诏。画道释人物多思致，好作山林丘壑，隐岩幽卜。其画以笔法入细者胜，无一点朝市风尘气。开宝末商贾刘元嗣以高价售得齐翰画罗汉十六轴，载入京师，置于僧寺。后僧以过期拒赎与讼。时太宗尹京，督索其画，一见大加赏叹。遂留画厚赐而释之。阅十六日太宗即位，后名其画曰应运罗汉。画花鸟如生，人但以獐猨名。",[23,24,25,26,27,28,29,30,7,31,32,33],"高清","名画","国画","书画","长卷","设色","人物","山水","书法","历史画","山林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f557cd778aa39fa81a39b6899bedb25.jpg","未知","Xcm*Xcm","",[],18,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":20,"description":47,"tags":48,"thumbUrl":63,"material":35,"size":36,"collection":37,"collections":64,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":66},289949,"shan-shui-ren-wu-juan-shi-tao-289949","山水人物卷","清","石涛","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[23,25,24,27,49,26,31,50,30,29,51,52,53,54,55,56,7,57,58,59,60,61,62],"水墨","行书","孤舟","枯树","山峦","流水","怪石","幽林","僧人","渔者","隐逸","闲适","印章","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9823a172113e0e371319b858615943f8.jpg",[],10,"BDBDBD",{"id":68,"slug":69,"title":70,"dynasty":71,"author":72,"museum":20,"description":37,"tags":73,"thumbUrl":77,"material":35,"size":36,"collection":37,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":66},287978,"tao-zheng-shi-lei-tu-juan-yi-ming-287978","陶徵士诔图卷","明","佚名",[23,25,26,27,74,49,29,75,7,31,76],"白描","文人","雅集","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ae277df1687c47c7c53f10fbb01ee5b.jpg",[],5,{"id":81,"slug":82,"title":83,"dynasty":84,"author":72,"museum":20,"description":85,"tags":86,"thumbUrl":95,"material":35,"size":36,"collection":37,"collections":96,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":66},288765,"salvator-rosa-st-paul-hermit-yi-ming-288765","Salvator Rosa--St. Paul, Hermit","不详","幽寂荒野之中，苦修者枯长褴褛的须发与身形融为一体，肢体舒展，仿佛正迎向穿透云霭的灵启之光。晕染的墨色铺陈出诡谲翻涌的云气与虬曲苍劲的林木，明暗拉扯间烘托出沉郁肃穆的神秘张力。\n\n粗粝奔放的线条刻画出苦修者饱经风霜的沧桑模样，将其对信仰的赤诚与执念尽数揉入笔端。远山隐现的朦胧光晕晕开天启的神圣感，让荒蛮野性的自然底色，与澄澈坚定的神性感召形成强烈碰撞，潦草却极具表现力的笔触，定格下隐士在孤寂修行中迎来神性昭示的瞬间，粗朴画面里满溢着虔诚厚重的宗教氛围感。",[87,88,89,7,90,91,92,93,94],"宗教画","宗教人物","圣保禄","人物画","素描","树木","山石","荒野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F991396b6636bc46787f8d172983c7303.jpg",[],1,1777535760566]