[{"data":1,"prerenderedAt":120},["ShallowReactive",2],{"subject-yin-shi-qi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3646,"yin-shi-qi","饮食器","饮食器画高清赏析","精选中国历代饮食器题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91e03ccea368d84c10df9f8264d08d15.jpg",0,8,[14,33,50,64,75,83,96,108],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":11,"manualWeight":11,"mainColor":32},221213,"lian-hua-jia-shi-de-bei-jia-yi-ming-221213","莲花荚式的杯架","宋","佚名","藏地不详","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[18,23,24,25,26,7],"漆器","雕刻","莲花","器","未知","Xcm*Xcm","",[],3,"BDBDBD",{"id":34,"slug":35,"title":36,"dynasty":37,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":46,"material":27,"size":28,"collection":29,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},245681,"jin-wan-yi-ming-245681","金碗","清","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[40,41,42,7,43,44,45],"清代","金器","日用品","铸造","捶揲","光素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa3ead3dedacd7606013ef2ef17ef3b9.jpg",[],2,"37474F",{"id":51,"slug":52,"title":53,"dynasty":37,"author":19,"museum":20,"description":38,"tags":54,"thumbUrl":60,"material":27,"size":28,"collection":29,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},259517,"ou-he-di-fen-cai-hua-niao-wen-gao-zu-wan-yi-ming-259517","藕荷地粉彩花鸟纹高足碗",[55,56,57,58,59,7,26],"陶瓷","粉彩","花鸟","设色","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7119e6ccef17acb089f68df8bca58e3.jpg",[],1,"795548",{"id":65,"slug":66,"title":67,"dynasty":37,"author":19,"museum":20,"description":38,"tags":68,"thumbUrl":72,"material":27,"size":28,"collection":29,"collections":73,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},269652,"qian-long-kuan-pao-zhi-zhe-zhi-hua-die-wen-wan-yi-ming-269652","乾隆款匏制折枝花蝶纹碗",[26,69,24,70,71,59,7],"匏器","折枝花卉","蝴蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe81e560ec29b2c07290ffd3d109de5e0.jpg",[],"F48FB1",{"id":76,"slug":77,"title":78,"dynasty":37,"author":19,"museum":20,"description":79,"tags":80,"thumbUrl":81,"material":27,"size":28,"collection":29,"collections":82,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},259855,"bai-you-wan-yi-ming-259855","白釉碗","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[103,24,42,7,104,105,26],"玉石","兽","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a386f4e3d38b3fa4a53dce2cfbb31f9.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":37,"author":19,"museum":20,"description":38,"tags":112,"thumbUrl":118,"material":27,"size":28,"collection":29,"collections":119,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},246837,"ti-hong-fan-wen-chan-zhi-lian-wen-tong-li-wan-yi-ming-246837","剔红梵文缠枝莲纹铜里碗",[23,113,24,114,115,116,117,7],"剔红","梵文","缠枝莲纹","铜制","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F306de35b6b31eb303e0824b340e38b79.jpg",[],1777535740793]