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humbUrl":532,"material":45,"size":45,"collection":45,"collections":533,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":48},235106,"shan-shui-ce-wang-yuan-qi-235106","山水册","王原祁","此作以平远之法铺展湖山景致，烟波浩渺的水面占据画面大半，留白尽显清旷空濛之意。近岸怪石错落，幽篁杂木傍水而生，茅庐隐于林麓间，暗合幽居之趣。远山以淡墨轻勾浅染，简淡空灵，与开阔水面相映，烘托出萧疏静谧的秋郊水岸氛围。\n\n笔墨苍润松秀，干笔皴擦间带着浑朴意韵，淡墨晕染铺就空濛水色，不着浓艳设色，以简淡之笔追摹元人山水的隐逸格调，于极简构图里藏悠远意境，将江南水畔的清寂之美娓娓道来，尽显文人画的平淡天真之趣。",[24,25,327,57,58,491,61,62,212,216,107,202,7,393,280,531],"平淡天真","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3aab3bbf105bb9a8c681b98a225361f.jpg",[],{"id":535,"slug":536,"title":537,"dynasty":18,"author":538,"museum":539,"description":540,"tags":541,"thumbUrl":546,"material":547,"size":548,"collection":45,"collections":549,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":45},220669,"feng-a-shan-fang-tu-ce-wu-li-zhu-yi-zun-lu-zun-deng-220669","凤阿山房图册","吴历,朱彝尊,陆遵等","香港中文大学文物馆","吴历 ，字渔仙，号桃溪居士，后号墨井道人，江苏常熟人。曾笃信天主教，并往澳门逗留。工诗、善画山水，师事王时敏 (1592-1680)与王鉴 (1598-1677) ，连同王翚 (1632-1717)、王原祁 (1642-1715)和恽寿平 (1633-1690) 合称「四王吴恽」或称「清初六家」，为清代正统派绘画代表。\n\n该画为吴历应友人侯大年（约1641-约1710）之命所作，并以友人之号「凤阿」命名，绘于康熙十六年（1677）之后，为吴氏中晚年之作。画面山峦起伏，高树竹丛、屋舍数间，屋前小桥流水，一人策杖过桥。整幅作品尺幅虽不大，却构图繁密，墨色苍润，流露对笔墨的追求与讲究，是吴历的精品。事实上，吴历与侯大年交谊深厚，曾应命绘制多幅《凤阿山房图》，以表达侯氏「述祖德，守先业」并归隐的志向，然而凤阿山房终未建成。据记载，侯大年在吴历绘制完立轴后，另请他绘制小册并请诸友题咏，正是此册。全册共分上、下两册，引首朱彝尊　(1629-1709) 书「凤阿山房」，后有吴历、朱彝尊、姜宸英、梁佩兰、宋骏业、王撰、陆遵、梅庚、钱大昕等六十六家诗题，其中陆遵、梅庚补图并题诗。吴历此作无疑是全册点睛之笔，见证了他与侯大年的交谊。",[23,24,26,327,57,58,197,542,543,238,282,62,544,65,407,7,545],"高树","竹丛","策杖人物","苍润","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F176492039e9c19654dbf2a5e8cea088b.jpg","水墨,设色,纸本,册页","18×34.5厘米",[],{"id":551,"slug":552,"title":553,"dynasty":18,"author":554,"museum":555,"description":556,"tags":557,"thumbUrl":559,"material":45,"size":45,"collection":45,"collections":560,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":561},202735,"tao-ling-shang-ju-tu-zhou-lu-qian-202735","陶令赏菊图轴","陆乾","上海博物馆","松枝垂覆之下，长者宽袍博带，长髯垂胸，目光温和望向童子手中菊；两童或捧盆侍立，或蹲身抚弄菊枝，神态天真。笔墨写意传神，衣纹线条简练流畅，设色淡雅清润。松的苍劲、菊的疏秀与人物的闲逸相融，勾勒出东篱赏菊的悠然图景，蕴藉着文人雅士对隐逸之趣的追慕，尽显传统文人画的雅致意境。",[24,57,29,59,438,123,149,558,7,202,23],"童子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee680faf5833c5cac414413b1319034f.jpg",[],"b09c85",1777535712605]