[{"data":1,"prerenderedAt":221},["ShallowReactive",2],{"subject-ying-er":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4107,"ying-er","婴儿","婴儿画高清赏析","精选中国历代婴儿题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28b11b8ef4628a62aa0c11093093e5b0.jpg",0,13,[14,39,57,70,95,109,125,145,159,171,188,199,210],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":34,"collection":34,"collections":35,"showCount":36,"zanCount":37,"manualWeight":11,"mainColor":38},227372,"yu-ying-shi-nv-tu-yi-ming-227372","浴婴仕女图","宋","佚名","藏地不详","《浴婴图》南宋，佚名，绢本设色，纵35.8厘米，横35.9厘米，美国弗瑞尔美术馆藏。\n\n画面中共三个妇人，四个小孩，当中摆一长形浴盆。画面设色淡雅明快，气氛温馨和谐，妇人的神情慈祥、婴儿的天真无邪，无不充满了浓郁的人情和现实意义。",[23,24,25,26,27,28,29,30,7,31,32],"高清","名画","国画","书画","工笔","设色","人物","美人","印章","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a808fa71ca6fd850c6dafb4642ee508.jpg","",[],73,1,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":18,"author":19,"museum":43,"description":44,"tags":45,"thumbUrl":10,"material":51,"size":52,"collection":53,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":56},223354,"fang-zhou-fang-xi-ying-tu-yi-ming-223354","仿周昉戏婴图","美国大都会艺术博物馆","周昉《戏婴图》已失传，本卷为宋人摹本，技法设色均有周昉风骨。图绘五个女子与七个幼孩嬉戏、为幼孩洗浴、穿衣的生活场景。中国古代人物画，有“婴戏图”这一种类。“婴”字，作“孩童”解。以小孩的生活、游戏为描绘对象，表现孩童的天真、稚拙、活泼、可爱，画面生动、有趣，寄托了人们对于美好生活--“多子多福”的向往，所以历来很受大众的欢迎，在唐、宋时期无论题材还是技法都已相当成熟。如宋苏汉臣的《秋庭戏婴图》可谓杰作。",[23,25,24,27,28,29,30,7,46,47,48,49,50],"猫","孩童","服饰","孩童嬉戏","绢本","绢本设色","纵30.5厘米，横111.8厘米","宋画精选",[53],56,"795548",{"id":58,"slug":59,"title":60,"dynasty":18,"author":19,"museum":61,"description":62,"tags":63,"thumbUrl":66,"material":51,"size":67,"collection":34,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":56},223550,"yu-ying-tu-yi-ming-223550","浴婴图","美国弗瑞尔美术馆","图绘婴儿洗澡场景。画面共三个妇人，四个小孩，当中摆一长形浴盆。画面设色淡雅明快，气氛温馨和谐，妇人的神情慈祥、婴儿的天真无邪，无不充满了浓郁的人情和现实意义",[23,25,26,64,27,28,29,7,65,48,31],"宋代","浴盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1adebda59fef40ba30b6d41a58cc6f31.jpg","纵35.8厘米，横35.9厘米",[],21,{"id":71,"slug":72,"title":73,"dynasty":74,"author":75,"museum":20,"description":76,"tags":77,"thumbUrl":89,"material":90,"size":91,"collection":92,"collections":93,"showCount":94,"zanCount":11,"manualWeight":11,"mainColor":38},225804,"roulin-s-baby-1888-painting-fan-gao-225804","Roulin's Baby 1888 Painting","不详","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[78,79,80,81,7,82,83,84,85,86,87,88],"油画","后印象派","厚涂","人物肖像","织物纹理","色彩对比","暖色调","冷色调","婴儿服饰","手部细节","色彩鲜明","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0553a358031b2eddeb0c59556795d3a.jpg","未知","Xcm*Xcm","油画精选",[92],16,{"id":96,"slug":97,"title":98,"dynasty":74,"author":75,"museum":20,"description":76,"tags":99,"thumbUrl":106,"material":90,"size":91,"collection":92,"collections":107,"showCount":108,"zanCount":11,"manualWeight":11,"mainColor":56},225797,"portret-van-madame-augustine-roulin-en-baby-marcelle-fan-gao-225797","Portret van Madame Augustine Roulin en Baby Marcelle",[78,29,80,88,100,7,101,102,103,104,105],"母亲","坐姿","室内","黄色背景","绿色服饰","白色婴儿服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b972097583b8c1edb812c0dabe92694.jpg",[92],8,{"id":110,"slug":111,"title":112,"dynasty":74,"author":113,"museum":20,"description":114,"tags":115,"thumbUrl":122,"material":90,"size":91,"collection":34,"collections":123,"showCount":124,"zanCount":11,"manualWeight":11,"mainColor":56},232582,"wei-lian-a-dao-fu-bu-ge-luo-196-wei-lian-a-dao-fu-bu-ge-luo-232582","威廉·阿道夫·布格罗196","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[116,78,28,29,7,117,118,119,120,121],"新古典主义","鹿","草地","树木","绿叶","户外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06e96a69807e963527c89f3e916aa864.jpg",[],6,{"id":126,"slug":127,"title":128,"dynasty":74,"author":129,"museum":20,"description":130,"tags":131,"thumbUrl":142,"material":90,"size":91,"collection":34,"collections":143,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":56},232357,"he-er-bai-yin-16-he-er-bai-yin-232357","荷尔拜因16","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[132,29,133,134,135,136,137,138,139,140,141,7],"宗教","铜版画","写实","线条","衣纹","光环","布料","建筑局部","地面","长发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F728fa25c57b66fd439f7f6ae7b58c9d7.jpg",[],4,{"id":146,"slug":147,"title":148,"dynasty":74,"author":149,"museum":20,"description":150,"tags":151,"thumbUrl":156,"material":90,"size":91,"collection":34,"collections":157,"showCount":158,"zanCount":11,"manualWeight":11,"mainColor":56},232533,"mi-lai-si-77-yue-han-ai-fu-li-te-mi-lai-si-232533","米莱斯77","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[78,134,152,7,153,154,155],"洪水","黑猫","摇篮","乡村水域","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f2cd7095e30e464081464c0223dd795.jpg",[],2,{"id":160,"slug":161,"title":162,"dynasty":74,"author":19,"museum":20,"description":163,"tags":164,"thumbUrl":169,"material":90,"size":91,"collection":34,"collections":170,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},289022,"luca-cambiaso-the-holy-family-with-the-infant-baptist-yi-ming-289022","Luca Cambiaso--The Holy Family with the Infant Baptist","淡墨线条随性铺展，勾勒出松弛鲜活的群像氛围。站立老者身形凝练粗粝，几笔顿挫刻画出沉静肃穆的神态。坐席上的妇人姿态柔婉舒展，指尖轻托婴孩，落笔便晕开亲昵温存的母子羁绊。攀附在侧的幼童身形稚拙，将孩童娇憨灵动的模样尽数显现。斜向排线轻描出空间层次，整幅速写以极简的笔墨取舍，精准捕捉人物互动的温情瞬间，将静谧又温暖的氛围定格在纸面，尽显随性却传神的表现力，把细碎日常里的脉脉温情揉入笔墨之间。",[132,165,166,167,168,7],"人物画","素描","白描","圣家庭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3554e8e4946736f00f342c232febfeca.jpg",[],{"id":172,"slug":173,"title":174,"dynasty":74,"author":129,"museum":20,"description":130,"tags":175,"thumbUrl":186,"material":90,"size":91,"collection":34,"collections":187,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":56},232459,"he-er-bai-yin-118-he-er-bai-yin-232459","荷尔拜因118",[132,78,134,28,29,176,177,7,178,179,180,181,182,183,184,185,83],"圣母","圣子","人物群像","长袍","冠冕","项链","念珠","地毯","建筑元素","服饰纹理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b51523cdfef2abc3966573c0b7064a7.jpg",[],{"id":189,"slug":190,"title":191,"dynasty":18,"author":19,"museum":20,"description":192,"tags":193,"thumbUrl":197,"material":90,"size":91,"collection":34,"collections":198,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},255773,"bai-you-ci-wo-ying-yi-ming-255773","白釉瓷卧婴","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[18,194,195,29,7,196],"陶瓷","白釉","卧姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a4f9bfbd69584d709c7567910d5c004.jpg",[],{"id":200,"slug":201,"title":202,"dynasty":74,"author":203,"museum":20,"description":204,"tags":205,"thumbUrl":208,"material":90,"size":91,"collection":34,"collections":209,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},231293,"su-miao-547-xi-fang-231293","素描547","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[166,134,29,7,206,207],"肖像","黑白","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ae40396902055b202217a20d24a57c6.jpg",[],{"id":211,"slug":212,"title":213,"dynasty":74,"author":203,"museum":20,"description":204,"tags":214,"thumbUrl":218,"material":90,"size":91,"collection":34,"collections":219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":220},231201,"su-miao-455-xi-fang-231201","素描455",[166,215,134,29,216,7,217],"色粉","女性","母子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50d47670b3f72502ddd7203077fc3fb8.jpg",[],"F48FB1",1777535727806]