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[2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[173,25,26,7,128],"珐琅彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8714efd87a9a73acc9c2c3eb75ed107b.jpg",[],{"id":177,"slug":178,"title":179,"dynasty":180,"author":82,"museum":65,"description":181,"tags":182,"thumbUrl":196,"material":104,"size":105,"collection":35,"collections":197,"showCount":198,"zanCount":11,"manualWeight":11,"mainColor":61},288708,"william-blake-the-rest-on-the-flight-into-egypt-yi-ming-288708","William Blake--The Rest on the Flight into 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and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[224,128,225,226,24,7,151,227],"明代","青花","釉下彩","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81a939f4eccf41aedc30f651b314cf73.jpg","瓷器",[],{"id":232,"slug":233,"title":234,"dynasty":45,"author":82,"museum":65,"description":235,"tags":236,"thumbUrl":241,"material":104,"size":105,"collection":35,"collections":242,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":40},261893,"wu-cai-shi-nv-shuang-ying-tu-bi-tong-yi-ming-261893","五彩仕女双婴图笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[128,237,213,25,26,116,7,238,239,240],"笔筒","飞鸟","绿植","石块","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce39e20099898db77ba691ca213d393e.jpg",[],{"id":244,"slug":245,"title":246,"dynasty":45,"author":82,"museum":65,"description":247,"tags":248,"thumbUrl":253,"material":104,"size":105,"collection":35,"collections":254,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},258527,"qian-long-kuan-fen-cai-ying-xi-tu-gai-guan-yi-ming-258527","乾隆款粉彩婴戏图盖罐","此罐描金饰彩，华贵雅致。盖钮作莲苞状，盖面、颈足部饰缠枝宝相花与回纹，勾勒出匀整富丽的边饰。\n器身通景婴戏图，孩童们或燃爆竹、或抬花灯，嬉游于蕉梅庭院间，神态灵动鲜活，衣色鲜妍明快，粉彩晕染柔润细腻，将稚子嬉闹的吉庆童趣铺陈开来。整器绘工精湛考究，把祥瑞意趣融于瓷绘，尽显彩瓷妍丽精巧的典型风貌，藏着旧时匠人的细腻巧思与雅致审美。",[114,128,129,25,7,136,151,249,250,26,251,252],"回纹","缠枝纹","植物","装饰纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff99ca14894554181f39cc59dd79f34d3.jpg",[],{"id":256,"slug":257,"title":258,"dynasty":18,"author":82,"museum":65,"description":259,"tags":260,"thumbUrl":265,"material":104,"size":105,"collection":35,"collections":266,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":78},254769,"tao-lv-you-qian-ying-ren-xiang-yi-ming-254769","陶绿釉牵婴人像","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[23,128,261,262,263,26,7,264],"绿釉","釉陶","雕塑","俑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d3f012988157e604e8010282289a329.jpg",[],{"id":268,"slug":269,"title":270,"dynasty":45,"author":82,"museum":65,"description":271,"tags":272,"thumbUrl":278,"material":104,"size":105,"collection":35,"collections":279,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":40},246426,"ti-hong-song-shi-ying-xi-tu-yuan-he-yi-ming-246426","剔红松石婴戏图圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[45,273,274,275,276,277,7,26,138],"漆器","雕刻","剔红","松树","石头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56caa1ea590d1f278cafb2197355f928.jpg",[],{"id":281,"slug":282,"title":283,"dynasty":45,"author":82,"museum":65,"description":284,"tags":285,"thumbUrl":290,"material":104,"size":105,"collection":35,"collections":291,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":78},269129,"zhu-gen-diao-qi-ying-shou-xing-shan-zi-yi-ming-269129","竹根雕七婴寿星山子","依循竹根天然盘结瘿瘤的肌理，仿摹湖石玲珑奇崛之态，匠者于苍朴褶皱间穿凿出通透洞天。又以细巧刀工，在岩穴错落处隐刻七婴与寿星，稚子或探身嬉闹、或提灯随行，神态灵动憨稚，寿星安坐于深坳，与孩童相映成趣。\n\n将竹根自带的古拙苍润质感，与人工雕饰的精妙小景相融，既保留了自然造物的野趣，又借童寿同游的图景，暗合福寿绵长的吉庆意蕴，尽显清代文房雅玩的隽永意趣。",[274,286,287,7,288,289],"竹根雕","山子","寿星","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F472c4792d3293560a7a3bc8c041090aa.jpg",[],{"id":293,"slug":294,"title":295,"dynasty":45,"author":82,"museum":65,"description":211,"tags":296,"thumbUrl":299,"material":104,"size":105,"collection":35,"collections":300,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":78},258307,"huang-di-lv-cai-yuan-lin-ying-xi-tu-wan-yi-ming-258307","黄地绿彩园林婴戏图碗",[114,128,297,25,87,298,7,136,138],"黄地绿彩","园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa334274d849f636f047b8ad226e119c4.jpg",[],{"id":302,"slug":303,"title":304,"dynasty":45,"author":82,"museum":65,"description":305,"tags":306,"thumbUrl":311,"material":104,"size":105,"collection":35,"collections":312,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":78},258198,"bai-you-su-tie-ying-hai-er-zhang-jing-xi-kou-ping-yi-ming-258198","白釉塑贴婴孩耳长颈洗口瓶","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[45,128,307,308,7,309,310],"白釉","塑贴","长颈","洗口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0791811aa9fc58f637a8f396cfad9bbb.jpg",[],{"id":314,"slug":315,"title":316,"dynasty":18,"author":82,"museum":65,"description":305,"tags":317,"thumbUrl":321,"material":104,"size":105,"collection":35,"collections":322,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},255774,"bai-you-ci-wo-ying-yi-ming-255774","白釉瓷卧婴",[23,307,128,318,26,229,7,319,320],"卧婴","宋瓷风格","白釉瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fd69c9c1e4834c4519dde636a1dcb4a.jpg",[],{"id":324,"slug":325,"title":326,"dynasty":45,"author":82,"museum":65,"description":271,"tags":327,"thumbUrl":328,"material":104,"size":105,"collection":35,"collections":329,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248581,"ti-hong-ying-xi-tu-yuan-he-yi-ming-248581","剔红婴戏图圆盒",[114,273,274,275,25,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ccb70c63b63abdd226886135a6332aa.jpg",[],{"id":331,"slug":332,"title":333,"dynasty":221,"author":82,"museum":65,"description":334,"tags":335,"thumbUrl":338,"material":104,"size":105,"collection":35,"collections":339,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},228503,"diao-qi-xi-ying-tu-xiao-yuan-he-yi-ming-228503","雕漆戏婴图小圆盒","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[224,336,274,273,138,26,7,337,249,25],"雕漆","戏婴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F169024c36ce14527cf3bf9e1b2db2305.jpg",[],1777535717906]