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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[46,87,7,25,88,89],"五彩","荷花","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8d5e545e6dc195cd6a2282cbf9db4cc.jpg",[],3,{"id":94,"slug":95,"title":96,"dynasty":18,"author":19,"museum":20,"description":97,"tags":98,"thumbUrl":100,"material":34,"size":35,"collection":36,"collections":101,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":103},263498,"qian-long-kuan-fen-cai-ying-xi-tu-gai-guan-yi-ming-263498","乾隆款粉彩婴戏图盖罐","盖顶描金宝珠圆润华贵，盖面缠枝洋彩娇妍雅致。罐身通景铺展婴戏仪仗，稚童们或鸣鼓吹乐、或掌旗执伞，衣饰敷彩明丽柔润，晕染出鲜活的衣褶肌理。庭院花木扶疏，枝芽灵动写意，将孩童嬉闹的融融烟火气凝于瓷上。\n\n器型挺拔周正，彩料匀净鲜亮，构图繁而不紊，既带着制瓷工序的规整精细，又以满溢的童趣图景，晕开吉庆安乐的氛围，是融工艺美感与吉祥意趣于一身的瓷中佳物。",[46,60,7,48,99,26],"盖罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23f10b70da28bf3ffccab6dee311e24d.jpg",[],2,"795548",{"id":105,"slug":106,"title":107,"dynasty":84,"author":19,"museum":20,"description":44,"tags":108,"thumbUrl":110,"material":34,"size":35,"collection":36,"collections":111,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":39},261803,"qing-hua-ying-xi-tu-pan-yi-ming-261803","青花婴戏图盘",[46,47,7,25,89,109],"童趣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4163134ee644b4b43499b367cd04094d.jpg",[],{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":20,"description":44,"tags":116,"thumbUrl":119,"material":34,"size":35,"collection":36,"collections":120,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":39},261514,"qing-hua-ying-xi-tu-wan-yi-ming-261514","青花婴戏图碗",[46,47,7,48,62,117,31,118],"菊","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdba1ff37a8f414dc946d81e368bc700.jpg",[],{"id":122,"slug":123,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":124,"thumbUrl":126,"material":34,"size":35,"collection":36,"collections":127,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":39},260777,"qing-hua-ying-xi-tu-bi-tong-yi-ming-260777",[46,47,7,48,125,27,49],"芭蕉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4eed586d00934771c433b416e1a5be8.jpg",[],{"id":129,"slug":130,"title":131,"dynasty":84,"author":19,"museum":20,"description":44,"tags":132,"thumbUrl":135,"material":34,"size":35,"collection":36,"collections":136,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":53},260316,"qing-hua-zhu-shi-ba-jiao-ying-xi-tu-wan-yi-ming-260316","青花竹石芭蕉婴戏图碗",[46,47,7,48,62,133,125,134,31],"石","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb8f2b6a530da23aa79dc99402b097b2.jpg",[],{"id":138,"slug":139,"title":140,"dynasty":18,"author":19,"museum":20,"description":141,"tags":142,"thumbUrl":146,"material":34,"size":35,"collection":36,"collections":147,"showCount":102,"zanCount":11,"manualWeight":11,"mainColor":103},259191,"yong-zheng-kuan-jiao-huang-you-an-hua-yuan-lin-ying-xi-tu-wan-yi-ming-259191","雍正款浇黄釉暗划园林婴戏图碗","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[46,134,143,7,144,145,31,25],"暗划","园林","浇黄釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1ac5f6411d860c10a08414204b0d253.jpg",[],{"id":149,"slug":150,"title":151,"dynasty":18,"author":19,"museum":20,"description":44,"tags":152,"thumbUrl":156,"material":34,"size":35,"collection":36,"collections":157,"showCount":158,"zanCount":11,"manualWeight":11,"mainColor":53},261791,"qing-hua-kai-guang-ying-xi-lian-tu-hu-yi-ming-261791","青花开光婴戏莲图壶",[46,47,153,7,154,155,25,31],"饮酒器","莲花","开光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F187666dc14e3b96ad96eab5d7095fa65.jpg",[],1,{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":20,"description":163,"tags":164,"thumbUrl":169,"material":34,"size":35,"collection":36,"collections":170,"showCount":158,"zanCount":11,"manualWeight":11,"mainColor":103},261166,"wu-cai-ying-xi-tu-zhi-kou-ping-yi-ming-261166","五彩婴戏图直口瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[46,87,7,48,165,166,167,168],"唢呐","瓶","花卉","嬉戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1206650dc6974f145abffa0248b4fa3.jpg",[],{"id":172,"slug":173,"title":174,"dynasty":18,"author":19,"museum":20,"description":44,"tags":175,"thumbUrl":177,"material":34,"size":35,"collection":36,"collections":178,"showCount":158,"zanCount":11,"manualWeight":11,"mainColor":39},260974,"jia-jing-kuan-qing-hua-ying-xi-tu-l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釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[46,256,257,7,134,258,25],"青白釉","划花","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F759754fdd5031d29bf7af35dff654483.jpg",[],1777535718820]