[{"data":1,"prerenderedAt":73},["ShallowReactive",2],{"subject-ying-xi-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9991,"ying-xi-wen","婴戏纹","婴戏纹画高清赏析","精选中国历代婴戏纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe72c79598a199553cace61ab972a29b0.jpg",0,4,[14,32,45,59],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":11,"manualWeight":11,"mainColor":31},256196,"jing-de-zhen-yao-qing-bai-you-ke-hua-ying-xi-wen-wan-yi-ming-256196","景德镇窑青白釉刻花婴戏纹碗","宋","佚名","藏地不详","景德镇窑是中国传统窑炉之一，景德镇窑系属于宋代六大窑系之一。诞生于今江西省景德镇，故称景德镇窑，实际上由数个窑口组成。\n景德镇有着悠久的制瓷历史，完备的陶瓷产业体系，广泛的国际影响，是一座因瓷而生、因瓷而兴、因瓷而名的城市，也是一座“因开放而生，因开放而兴”的深度开放城市。\n景德镇窑据记载始烧于唐武德(618一626)年间。建国后发现瓷窑遗址多处，以杨梅亭窑、石虎湾窑、黄泥头窑最早，均为五代时期。\n中国传统的陶瓷可分为三大类：龙窑（倾斜式隧道窑）、阶级窑（倾斜式冷底多室窑）以及景德镇窑（平焰窑）。 景德镇窑为我国传统窑炉中独具风格的窑。它的烧成室型呈一头大一头小的长椭圆形，近窑门处宽而高，靠近烟囱则逐渐狭窄矮小，故有&quot;鸭蛋窑&quot;之称，全长约15-20米，容积为300-400立方米，是以松柴为燃料，火焰长而灰分少，因不含硫或者含量极少，适宜烧还原焰，对于白瓷、青花瓷、颜色釉瓷等传统瓷的釉面呈色效果良好，可装烧高火、中火、低火的瓷坯。因窑内腔较高（最高高度不超过6米），便于装烧大件制品，适合多品种生产的条件。因此，景德镇窑（在景德镇也叫柴窑）单位公斤瓷的燃料消耗量小。另外，其结构简单，镇窑建筑速度快，基建费用少，产量大，周转期快，可以快速烧成和快速冷却，适应于景德镇附近制瓷原料的特性和瓷器的传统风格。对南方某些瓷窑来说，在控制烧成气氛和瓷器质量，以及燃料（松柴）消耗等方面，镇窑均较龙窑、阶级窑和倒焰窑等优点。",[23,24,25,7],"陶瓷","青白釉","刻花","未知","Xcm*Xcm","瓷器精选",[28],7,"BDBDBD",{"id":33,"slug":34,"title":35,"dynasty":18,"author":19,"museum":20,"description":36,"tags":37,"thumbUrl":41,"material":26,"size":27,"collection":28,"collections":42,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},256832,"yao-zhou-yao-qing-you-ke-hua-ying-xi-wen-wan-yi-ming-256832","耀州窑青釉刻花婴戏纹碗","耀州窑是中国传统制瓷工艺中的珍品，宋代六大窑系。位于今陕西省铜川市的黄堡镇，唐宋时属耀州治，在唐代就是中国陶瓷烧制的著名产地，宋代更进一步达到鼎盛，成为我国“宋代六大窑系”中的一个窑系。\n耀州窑是北方青瓷的代表。唐代开始烧制黑釉、白釉、青釉、茶叶末釉和白釉绿彩、褐彩、黑彩以及三彩陶器等。宋、金以青瓷为主。北宋是耀州的鼎盛时期，据记载且为朝廷烧造“贡瓷”。金代延续北宋时期继续发展，元代开始转型，走向末落，经明代、清代，终于民国。\n耀州窑始于唐代，北宋末为鼎盛期，宋代六大窑系，终于民国。其窑址位于陕西省铜川市黄堡镇，旧称同官，宋代时属耀州，故名“耀州窑”，包括陈炉镇、立地镇、上店镇及玉华宫等窑在内。是宋代北方民间青瓷的主要产区之一。\n宋代晚期以青瓷为主，胎薄质坚，釉面光洁匀静，色泽青幽，呈半透明状，十分淡雅。装饰有刻花、印花，结构严谨丰满，线条自由流畅。纹饰多满布器内外，种类繁多，有牡丹、菊花、莲花、鱼、鸭、龙凤等，风格粗放健美，生动自然。器形有碗、盘、瓶、罐、壶、香炉、香熏、盏托、注子温碗、钵等。\n耀州窑在宋时北方的青瓷窑场中最负盛名，堪称翘楚。于神宗元丰（1078-1085）至徽宗崇宁（1102-1106）的三十来年间，曾为朝廷烧制贡瓷。其不凡的制瓷技巧和洒脱活泼的风格对当时各地窑场产生了很大影响，得到广泛推广，由此形成了一个自北而南的范围广阔的耀州窑系。耀州窑系以黄堡镇为中心，襄括了河南宜阳窑、宝丰窑、新安城关窑、广东西村窑、广西永福窑、内乡大窑店窑等多个窑场。各窑制品均与铜川窑相似，仅由于所用原料有差别，胎质与釉色也有些微不同。",[38,23,39,25,7,40],"宋代","青釉","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b705050dea67d9d32e06a296f1eb029.jpg",[28],6,"795548",{"id":46,"slug":47,"title":48,"dynasty":49,"author":19,"museum":20,"description":50,"tags":51,"thumbUrl":56,"material":26,"size":27,"collection":57,"collections":58,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":31},261134,"qing-hua-dan-miao-ying-xi-wen-wan-yi-ming-261134","青花淡描婴戏纹碗","明","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,52,53,7,54,55],"青花","淡描","人物","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa756dac464d392a413bb9e35b66cec67.jpg","",[],{"id":60,"slug":61,"title":62,"dynasty":63,"author":19,"museum":20,"description":64,"tags":65,"thumbUrl":71,"material":26,"size":27,"collection":57,"collections":72,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":31},256979,"huang-di-fa-lang-cai-kai-guang-ying-xi-wen-ping-yi-ming-256979","黄地珐琅彩开光婴戏纹瓶","清","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[66,23,67,68,7,54,69,70],"清代","珐琅彩","开光","设色","黄地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ff4226b4ca66f8a624408fbace97061.jpg",[],1777535761653]