[{"data":1,"prerenderedAt":217},["ShallowReactive",2],{"subject-ying-zhang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3035,"ying-zhang","营帐","营帐画高清赏析","精选中国历代营帐题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F077b9e9d01ac61cce9d171c5922ad00c.jpg",0,12,[14,38,59,90,109,120,137,150,167,177,190,204],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},216843,"zhan-zheng-tong-ban-hua-5-lang-shi-ning-216843","战争铜版画-5","清","郎世宁","藏地不详","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[23,24,25,26,27,28,29,7,30,31],"铜版画","战争画","历史画","人物","马","山地","河流","战场","军事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe08a96a4a454605b60f07827bf939dce.jpg","水墨","",[],15,"BDBDBD",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":20,"description":21,"tags":42,"thumbUrl":10,"material":33,"size":34,"collection":34,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":37},216842,"zhan-zheng-tong-ban-hua-6-lang-shi-ning-216842","战争铜版画-6",[23,43,44,45,46,47,48,49,50,51,52,53,54,55,56,7,30],"写实","战争场景","士兵","战马","帐篷","营地","山峦","树木","城堡","旗帜","人群","建筑","田野","队列",[],8,{"id":60,"slug":61,"title":62,"dynasty":18,"author":63,"museum":64,"description":65,"tags":66,"thumbUrl":85,"material":86,"size":87,"collection":34,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":37},233065,"ping-ding-yi-li-hui-bu-zhan-tu-ce-yi-ming-233065","平定伊犁回部战图册","佚名","北京故宫博物院","《平定伊犁回部战图册》（平定准噶尔回部得胜图）是乾隆皇帝炫耀武功的作品，其宏大的战争场面，荣耀的献俘场景，皆彰显出清帝国极盛时代的不可一世。乾隆三十年（1765年），“传旨西洋人郎世宁等四人起得胜图稿十六张，着丁观鹏等五人用宣纸依照原稿着色画十六张”。这一批画由西洋传教士起稿，后又送至法国制版印刷成铜版画，是当时受西洋技法影响较深的画作。",[67,68,69,70,26,71,46,72,50,29,73,74,30,75,47,76,77,78,79,45,80,81,7,82,83,43,84],"国画","设色","工笔","册","山水","骆驼","军队","兵器","山脉","植被","战斗场景","远山","近树","将领","驮兽","山石","草木","精细刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcccc5b4c9f0a016973cfbc4b7dcbef3e.jpg","纸本","纵55.4cm，横90.8cm",[],7,{"id":91,"slug":92,"title":93,"dynasty":94,"author":95,"museum":96,"description":97,"tags":98,"thumbUrl":103,"material":104,"size":105,"collection":34,"collections":106,"showCount":107,"zanCount":11,"manualWeight":11,"mainColor":108},218150,"wen-ji-gui-han-tu-ce-13-li-tang-218150","文姬归汉图册-13","宋","李唐","台北故宫博物院","这本画册由18张图片组成，以上下系列的形式。每张图片大小不一，是独立的画作，与其他画作一起构成一个完整的故事。",[67,99,69,68,100,71,26,47,50,101,102,7,33],"宋代","皴法","坡地","古道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b5de7837f87a3fac2e2260818c33ac8.jpg","绢本,设色","50.7x39.7",[],5,"795548",{"id":110,"slug":111,"title":112,"dynasty":18,"author":19,"museum":20,"description":21,"tags":113,"thumbUrl":117,"material":33,"size":34,"collection":34,"collections":118,"showCount":119,"zanCount":11,"manualWeight":11,"mainColor":37},216817,"zhan-zheng-tong-ban-hua-30-lang-shi-ning-216817","战争铜版画-30",[23,43,44,26,45,80,54,114,71,50,52,56,7,78,79,115,116,55],"中式建筑","道路","开阔地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F713097541fac6b4e0f68df27674f79bf.jpg",[],4,{"id":121,"slug":122,"title":123,"dynasty":18,"author":19,"museum":20,"description":21,"tags":124,"thumbUrl":134,"material":33,"size":34,"collection":34,"collections":135,"showCount":136,"zanCount":11,"manualWeight":11,"mainColor":37},216829,"zhan-zheng-tong-ban-hua-13-lang-shi-ning-216829","战争铜版画-13",[125,23,43,44,47,26,126,49,29,50,52,127,45,128,56,82,76,30,129,130,46,131,28,53,132,133,7],"清代","马匹","军营","武器","阵列","旌旗","营帐群","军阵","兵士","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7a29802c212af21ea1589e6b4d414ea.jpg",[],3,{"id":138,"slug":139,"title":62,"dynasty":18,"author":63,"museum":64,"description":65,"tags":140,"thumbUrl":147,"material":86,"size":87,"collection":34,"collections":148,"showCount":149,"zanCount":11,"manualWeight":11,"mainColor":37},233069,"ping-ding-yi-li-hui-bu-zhan-tu-ce-yi-ming-233069",[67,141,69,68,26,142,143,50,7,56,144,54,145,146],"长卷","楼阁","小桥","服饰","界画","开阔场地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0f097642794586561b6e219993e0706.jpg",[],2,{"id":151,"slug":152,"title":153,"dynasty":154,"author":63,"museum":20,"description":155,"tags":156,"thumbUrl":162,"material":163,"size":164,"collection":34,"collections":165,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":37},289210,"giuseppe-piattoli-scene-from-ancient-history-yi-ming-289210","Giuseppe Piattoli--Scene from Ancient History","不详","营地支起的帐幕与猎猎旌旗，烘托出肃杀的战地氛围。前景处两名士兵粗暴拖拽瘫倒的俘虏，将他按在石台上，绝望与暴戾的张力瞬间拉满。左侧持矛披甲的卫兵森然伫立，右侧将官或坐或骑，神色冷漠地俯视这一切，阶层分明的排布暗含权力的威压。\n\n作者以迅疾灵动的棕褐线条，顿挫勾勒出铠甲的冷硬褶皱、战马贲张的肌肉起伏，晕开的墨色晕染区分光影层次。无需繁复敷色，仅凭速写粗粝的质感，便将古战场的残酷戏剧感、人物神态间的紧绷张力传递尽致，定格下这裹挟暴力与权力威慑的历史切片。",[157,158,25,159,46,45,160,7,44,161],"素描","速写","人物画","伤员","西洋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86ac31d281a80fc89e21a256d1fe3f9e.jpg","未知","Xcm*Xcm",[],1,{"id":168,"slug":169,"title":170,"dynasty":154,"author":63,"museum":20,"description":171,"tags":172,"thumbUrl":175,"material":163,"size":164,"collection":34,"collections":176,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":37},288896,"giovanni-battista-tiepolo-illustration-for-a-book-meeting-between-two-generals-yi-ming-288896","Giovanni Battista Tiepolo--Illustration for a Book Meeting Between Two Generals","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[157,26,25,80,45,173,174,73,7],"城门","塔楼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c7d855c15212592a530dced1e7daba3.jpg",[],{"id":178,"slug":179,"title":180,"dynasty":18,"author":63,"museum":20,"description":181,"tags":182,"thumbUrl":187,"material":34,"size":188,"collection":34,"collections":189,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":37},233107,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233107","平定西域战图页","《平定西域战图》又称《平定准噶尔回部得胜图》、《平定伊犁回部战图》等。册页装，一函。图版十六幅，法国铜板制印，图版下署画家、刻工姓名。本馆藏有两部，一部首为乾隆御制序，乾隆诗文墨题画上，末有大学士傅恒、尚书舒赫德、于敏中等跋；另一部前为御制序，每图后附御题诗文，后为傅恒等跋，清内府造办处木版刷印。\n清廷在入主中原后，康、雍、乾三朝屡屡用兵西北，以肃清厄鲁特蒙古噶尔部割据势力。乾隆二十年至二十六年间（公元1755-1761年），两次平定准噶尔部叛乱的战役，对于维护国家稳定起到重要作用。 为了纪念平叛的胜利，乾隆让宫廷中的西洋画家郎世宁创作了大型历史纪实组画《平定西域战图册》。并决定将它送往欧洲制作成铜版画。",[23,183,25,184,185,73,46,7,71,26,186],"册页","战图","平定西域","纪实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5143d8023e1b1623ef1eb28e2f5f095.jpg","87.3×50cm",[],{"id":191,"slug":192,"title":193,"dynasty":18,"author":63,"museum":20,"description":194,"tags":195,"thumbUrl":202,"material":34,"size":34,"collection":34,"collections":203,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},238610,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238610","平定两金川得胜图册","这幅全景铜版画以环形营寨为核心，细密线条铺展出排布规整的帐幕，兵卒往来各司其职，操练值守、打理营务的细节清晰分明。连绵山峦环抱着战地营盘，将整座驻点框入苍茫山野间，零星驻点散落远景，呼应主寨的宏大格局。笔触冷峻写实，既复刻出征讨大军的整肃军容，也以开阔构图烘托出战事之下的雄浑气场，如实定格了平叛战事里的军营实景，兼具纪实的严谨质感与战地的厚重氛围感。",[196,197,73,47,49,50,26,52,29,82,198,45,46,30,199,76,53,7,200,128,201],"木刻","线描","营寨","山谷","围栏","动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60f3a3a919d8a5194982b18d8572bfca.jpg",[],{"id":205,"slug":206,"title":180,"dynasty":18,"author":63,"museum":20,"description":181,"tags":207,"thumbUrl":215,"material":34,"size":188,"collection":34,"collections":216,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},233104,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233104",[125,208,43,209,71,26,52,47,73,210,50,49,56,30,211,212,7,28,213,214],"版画","线条勾勒","战阵","群像","战旗","平原","战争题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac4969d6a1cd8835650a29c261ca9be.jpg",[],1777535730525]