[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"subject-you-deng":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10430,"you-deng","油灯","油灯画高清赏析","精选中国历代油灯题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9208a1b110fe94f4767b05cf4df11faf.jpg",0,3,[14,34,47],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},258581,"qian-long-kuan-qing-hua-shui-cao-wen-dai-tuo-you-deng-yi-ming-258581","乾隆款青花水草纹带托油灯","清","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,7,26],"陶瓷","青花","水草纹","托","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ad7cf600c0fcf6d1a5a38e42bbc7cea.jpg","未知","Xcm*Xcm","",[],4,"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":43,"material":28,"size":29,"collection":30,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},274705,"yin-gao-zu-you-deng-yi-ming-274705","银高足油灯","它形制雅致舒展，敞口灯盘以几圈弦纹勾勒层次，利落不失柔和，束颈圆珠承接起上下结构，柔化了金属的冷硬质感。深沉哑光的银面晕开厚重包浆，那是被灯火与时光浸润出的温润印记。钟形底座沉稳端凝，托举器物稳稳伫立。\n\n整器无繁复雕饰，以极简形制诠释清寂古雅的审美，作为供灯，它曾明灭过无数次灯火，静穆中自带着肃穆安然的禅意。周身磨损都是岁月摩挲的痕迹，将日常信仰与质朴匠心温柔相融，静默诉说着被烟火焐热的过往。",[40,41,42,7],"银器","器","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F733c5c7ba400217b88cb80fe9aea1ad0.jpg",[],2,"795548",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":10,"material":28,"size":29,"collection":55,"collections":56,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},260955,"de-hua-yao-bai-you-gang-shi-you-deng-yi-ming-260955","德化窑白釉缸式油灯","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[23,42,7,53,54],"白釉","德化窑","瓷器精选",[55],1777535773578]