[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"subject-you-lin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},14304,"you-lin","幽林","幽林画高清赏析","精选中国历代幽林题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9823a172113e0e371319b858615943f8.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":45,"size":46,"collection":47,"collections":48,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":50},289949,"shan-shui-ren-wu-juan-shi-tao-289949","山水人物卷","清","石涛","藏地不详","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,7,38,39,40,41,42,43,44],"高清","国画","名画","长卷","水墨","书画","书法","行书","山水","人物","孤舟","枯树","山峦","流水","怪石","隐士","僧人","渔者","隐逸","闲适","印章","皴法","未知","Xcm*Xcm","",[],10,"BDBDBD",1777535839693]