[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"subject-you-se-bian-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6822,"you-se-bian-hua","釉色变化","釉色变化画高清赏析","精选中国历代釉色变化题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaacf28b48fbc050d956390cee7dc84e.jpg",0,2,[14,37],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":36},258678,"qian-long-kuan-yao-bian-you-dai-gai-ying-xiong-zun-yi-ming-258678","乾隆款窑变釉带盖英雄尊","清","佚名","藏地不详","烧造瓷器，凡在开窑后发现不是预期的形状或釉色，以至于传世瓷器有时发生特异的情况者，都可说是“窑变”。《稗史汇编》说：“瓷有同是一质，遂成异质，同是一色，遂成异色者，水土所合，非人力之巧所能加，是之谓窑变。”总而言之，窑变大致可分为变形、变色、变质等数种。\n窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。因由窑变釉出现出于偶然，形态特别，人们又不知其原理，只知于窑内焙烧过程变化而得，故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。",[23,24,25,26,27,28,29,30,7],"陶瓷","窑变釉","器","兽","清代","带盖","尊","双耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe28c6d1630edf1d9c8b991fe2234261a.jpg","未知","Xcm*Xcm","瓷器精选",[34],"795548",{"id":38,"slug":39,"title":40,"dynasty":41,"author":19,"museum":20,"description":42,"tags":43,"thumbUrl":10,"material":32,"size":33,"collection":50,"collections":51,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},231429,"zhai-wan-di-jun-ci-wan-yi-ming-231429","窄碗底钧瓷碗","元","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[23,44,45,25,24,46,47,48,49,7],"钧瓷","元代","蓝釉","瓷碗","古物","窑器","",[],"BDBDBD",1777535796698]