[{"data":1,"prerenderedAt":1049},["ShallowReactive",2],{"subject-you-se":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3638,"you-se","釉色","釉色画高清赏析","精选中国历代釉色题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44f7d7c25cdcaa811984c4e420c9b8c3.jpg",0,105,[14,36,53,66,76,89,102,117,127,139,150,158,169,182,195,211,219,226,243,255,267,278,289,306,317,327,337,347,359,371,380,389,402,414,423,430,441,453,463,470,479,487,496,503,511,518,526,533,542,551,559,569,577,585,594,601,609,617,630,637,647,656,663,674,683,691,700,710,725,733,742,750,758,769,778,788,799,811,820,828,837,848,856,864,873,881,891,898,906,913,920,927,934,944,961,971,978,985,994,1002,1010,1017,1025,1034,1042],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":11,"mainColor":35},221207,"liu-ban-cai-pan-yi-ming-221207","六瓣菜盘","宋","佚名","藏地不详","年代： 宋\n种类： 漆器\n规格： H x Diam（整体）2 x 13.2 cm（13\u002F16 x 5 3\u002F16 in）\n材质： 棕色漆木芯，金属边缘\n馆藏： 弗里尔艺术馆",[23,24,25,26,27,28,7],"宋代","陶瓷","器","日用具","六瓣","描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ec5b9dfe66dd4493f1fa5af1c82bfcd.jpg","","瓷器精选",[31],125,2,"37474F",{"id":37,"slug":38,"title":39,"dynasty":40,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":47,"material":48,"size":49,"collection":31,"collections":50,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":52},229501,"yong-zheng-yao-tian-qing-shou-er-zun-yi-ming-229501","雍正窑 天青兽耳尊","清","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[24,43,44,45,46,7,25],"清代","天青釉","兽耳","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb71a85289d2102e0c73b277c93ea1dd7.jpg","未知","Xcm*Xcm",[31],17,"795548",{"id":54,"slug":55,"title":56,"dynasty":57,"author":19,"museum":20,"description":58,"tags":59,"thumbUrl":63,"material":48,"size":49,"collection":31,"collections":64,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":52},228624,"jun-yao-ding-xiang-zi-ci-zun-yi-ming-228624","钧窑丁香紫瓷尊","明","钧窑，即钧台窑，是在柴窑和鲁山花瓷的风格基础上综合而成的一种独特风格，受道家思想深刻影响，在宋徽宗时期达到高峰，其工艺技术发挥到极致。无论是呈色和各种纹理的表现，做到窑变可控随心所欲的表现技术，无人能仿造。宋代受理学的影响，反应在瓷器上就是规整对称，无论是造型或纹理都遵循这一原则，特别是北宋官造钧瓷，不论文房用具或大型祭器都严格遵守这一原则。规整对称，高雅大气，宫廷气势，一丝不苟。其势沉重古朴，明亮而深沉。建窑，耀州窑，钧窑，作为中国传统瓷文化正宗，历史悠久的风格传承。放大镜观察，蚯蚓走泥纹，用气泡一个个串连一体呈立体的爬行状，青蛙卵纹包裹卵核一摞摞正欲孵化而出。还有牛血纹，血色深红暗沉杀气腾腾，庄重威严等等，难以一一叙述。北宋官窑钧瓷的发色和纹理大小和分布，都难以做到人为控制而恰到好处，是北宋瓷艺的最高工艺水平的体现。这批钧瓷工艺早已失传，而窑址也随冰冻积水而下沉。“纵有家财万贯，不如钧瓷一片”。可见当时钧瓷产生的轰动效应。于是各地群相仿效，窑口林立，但仍然不得要领。今研究文章汗牛充栋，考古窑口不计其数，因都未见过这批北宋官造钧瓷，也只能是管中窥豹了。1955年，禹县（今禹州）陶瓷厂开始研制、探索湮没已久的钧瓷胎釉的基本配方与烧成技术，不仅烧制出玫瑰紫，海棠红、天青、月白等传统色釉，还发展了十多种花釉，并增加了现代日用器皿、艺术陈设瓷等新品种。\n有人认为钧窑的必备特点就是釉面具有“蚯蚓走泥纹”，这不完全正确，只能说是特点之一。很多馆藏钧窑的釉面是不具有走泥纹的。因为在当时的官窑，力求釉色均匀，但由于少数器皿在烧制中的窑温、釉色原料配比、烧制环境等因素的影响造成了釉面在温度中的变化还原不一，才形成了走泥纹。\n北宋钧窑做到窑变可控，蚯蚓走泥纹是其特征之一。用气泡串起一条条呈立体状的蚯蚓奔爬，蛙卵纹，\n鱼卵纹包裹正欲孵化而出的鱼籽，等等。北宋钧瓷最重要的价值就是在于它对釉面随心所欲的表现力。钧，即重量，北宋早期官窑钧瓷分量沉重。中华瓷文化的传统风格就是外表朴实而内秀其中。所谓“华夷光暗滋”的含蓄内敛，道出了宋瓷的本质特点。五代柴窑瓷器发色的鲜美以及色调的神奇变化，是中国瓷艺发展史上的一座里程牌。在柴窑瓷的光辉照耀下，宋，元瓷艺向着风格不同，但技艺精深非凡的道路上发展。掀开了中国瓷艺史上最为辉煌的篇章。原创一直贯穿始终，原创是瓷艺生命的灵魂。一个“隐”一个“显”，道出了几千年中华文化的内在本质。从石器时代东方人便对玉石内蕴的无穷魅力深深吸引，拓展了东方人领悟自然奥秘宽度与厚度。可是直到如今，西方人仍然认为只有闪闪发光的东西才有价值。对自然环境的细微观察，并在瓷器上把它们表现出来，是钧瓷的核心技术所在。这种表现艺术的高度让人惊叹，并一直是贯穿北宋和南宋宫廷制瓷的主流技术。瓷器纹理从北宋的“隐”到南宋的“显”，以至官窑，哥窑纹理的表面形式对元代瓷艺产生了直接影响。\n钧窑瓷器历来被人们称之为“国之瑰宝”，在宋代五大名窑中以“釉具五色，艳丽绝伦”而独树一帜。古人曾用“夕阳紫翠忽成岚”等诗句来形容钧瓷釉色灵活、变化微妙之美。传统钧瓷瑰丽多姿，玫瑰紫、海棠红、茄皮紫、鸡血红、葡萄紫、朱砂红、葱翠青……釉中红里透紫、紫里藏青、青中寓白、白里泛青，可谓纷彩争艳。釉质乳光晶莹，肥厚玉润，类翠似玉赛玛瑙，有巧夺天工之美。\n钧窑烧成温度已经达到1350℃-1380℃之间，延承了传统钧窑胎质细腻，釉色绚丽夺目的特点，又结合了现代审美，器形饱满玲珑。独特研制的玛瑙釉水在烧制后形成更加鲜明的层次感，十多种釉色绚丽多彩，周身还布满珍珠点、兔丝纹、鱼子纹和曲折迂回的蚯蚓走泥纹等生动美妙的流纹给人无限遐想的空间。",[24,57,60,61,62,7,25],"钧窑风格","窑变","丁香紫釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37ff346c8c56213daa354c9c10412b52.jpg",[31],16,{"id":67,"slug":68,"title":69,"dynasty":40,"author":19,"museum":20,"description":70,"tags":71,"thumbUrl":73,"material":48,"size":49,"collection":30,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":52},224092,"chui-lv-cha-bei-yi-ming-224092","吹绿茶杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[43,24,72,7,25,26],"吹绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8265136758b96252a53b6d1405d55d0e.jpg",[],10,{"id":77,"slug":78,"title":79,"dynasty":18,"author":19,"museum":20,"description":80,"tags":81,"thumbUrl":86,"material":48,"size":49,"collection":31,"collections":87,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":88},223806,"long-quan-yao-qing-ci-cong-shi-ping-yi-ming-223806","龙泉窑青瓷琮式瓶","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。",[18,24,82,25,83,7,84,85],"青瓷","青绿","仿古造型","开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f46eaf8e9e7a8d6317cc7a06213ab50.jpg",[31],"BDBDBD",{"id":90,"slug":91,"title":92,"dynasty":40,"author":19,"museum":20,"description":41,"tags":93,"thumbUrl":99,"material":48,"size":49,"collection":31,"collections":100,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":52},224102,"yong-zheng-yao-cha-ye-mo-lian-hua-shi-hua-pen-yi-ming-224102","雍正窑 茶叶末莲花式花盆",[24,25,94,95,43,96,7,97,98],"莲花","茶叶末釉","莲花式造型","清代陶瓷","花盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba047a7a89ba0fe3be422189d4bbf015.jpg",[31],9,{"id":103,"slug":104,"title":105,"dynasty":106,"author":19,"museum":20,"description":107,"tags":108,"thumbUrl":114,"material":48,"size":49,"collection":31,"collections":115,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":52},254525,"qiong-yao-huang-you-hou-yi-ming-254525","邛窑黄釉猴","唐","邛窑,中国最古老的民窑之一，是中国彩绘瓷的发源地。其价值堪比三星堆、金沙遗址，被列入国家大遗址重点保护。它始创于东晋，成熟于南朝，盛于唐，是跨越八个多世纪的中国古代陶瓷名窑。\n邛窑分布在我国的四川省境内，以青釉、青釉褐斑、青釉褐绿斑和彩绘瓷为主，始烧于南北朝衰于宋朝，时间踌度约800年的中国古代陶瓷名窑。邛窑是我国著名民间瓷窑之一。器物有各种盘、碗、罐等日用器皿，其中以丰富的小瓷俑最为生动形象，以创造了陶瓷省油灯而闻名全国。\n善于将雕塑艺术的手法运用到瓷器的造型上。纵观邛窑瓷器，雕塑艺术品特别多，例如各类大小动物，胡商俑、武士俑、劳作俑、侍女俑、役仆俑等形象都用雕塑手法作出，就是一些实用生活用具、文房用具、储盛用具等雕塑艺术的作法也处处可见。另一个巨型三彩釉陶砚台，塑成一个伸颈昂首，瞪眼张嘴的大龟，四腿塑成兽蹄形，盖用雕塑手法塑成隆起的龟背，再刻划出背纹和裙边，既实用又具有很高的艺术性。有的执壶，口部以上塑一鼻孔上翻，鼓目张嘴的人头，整齐的牙齿外露，似乎正在歌唱。有的器盖塑成一个天真的儿童，光头，昂首，两眼上视，双臂伸开，两退上翻，脚交织在一起，天真活泼，很像现在的杂技表演。瓷枕也塑造成虎形，下为一个椭圆形底板，上塑的虎，咧嘴露齿，翻鼻鼓睛；作伏卧状，背上的枕面四角圆润，前部较小，后面较大，中间略微低下，虎的前额、眉眼、皮毛和枕面以褐绿彩点画成彩斑装饰。第二，彩绘装饰十分普遍，邛窑陶瓷有单色釉、如青釉、棕黄色釉、褐黑色釉，灰白色釉。由于泥料较粗，普遍含有细沙粒，胎面普遍施化妆土，用当地原料配出浅黄、深黄、棕黄、老绿、翠绿、孔雀蓝、藏蓝、紫黄、黑色等彩在瓷器上作画，大多数是釉下彩。由于邛窑瓷器釉层稀薄，釉下彩或釉上彩不易分辨，但大多数是釉下彩。以大片圆形彩斑、联珠、多层菱形、圆圈构成的图案，有些和刻花、划花、粘贴、捏塑、模印等共同组成装饰面。最突出的是彩画。这些釉下彩绘，由于工匠有深厚的文化根底和书画艺术的功力，以没骨画的技法，率然落笔，粗悍展开，画出的花纹潇洒豪放，韵味无穷。 贴近生活的创造，四川自古以来崇尚读书，学子们多贫寒清苦，邛窑创造出省油灯，陆游说“书灯勿用铜盏，惟瓷盏最省油。蜀有夹瓷盏，注水于盏唇窍中，可省油之半。”受到士大夫文人和广大庶民百姓欢迎。这种创造为文化教育的普及提供了条件。",[106,24,109,110,111,112,7,113],"黄釉","猴","兽","雕塑","动物造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99347c5a8bb3d044de80f307fab7ce3a.jpg",[31],5,{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":121,"tags":122,"thumbUrl":125,"material":48,"size":49,"collection":30,"collections":126,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":52},227652,"ban-dian-cha-wan-yi-ming-227652","斑点茶碗","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[23,24,123,124,7],"茶碗","斑点纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b71888e7e9592e003a24d90e070dd34.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":131,"author":19,"museum":20,"description":58,"tags":132,"thumbUrl":136,"material":48,"size":49,"collection":31,"collections":137,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":52},257073,"jun-yao-tian-lan-you-yu-hu-chun-ping-yi-ming-257073","钧窑天蓝釉玉壶春瓶","元",[131,24,133,60,134,7,135],"天蓝釉","瓶","钧瓷技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2af70e70834ee04a9f3deb49a1d9d0e9.jpg",[31],4,{"id":140,"slug":141,"title":142,"dynasty":18,"author":19,"museum":20,"description":143,"tags":144,"thumbUrl":148,"material":48,"size":49,"collection":30,"collections":149,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":52},227315,"cu-tao-cha-wan-yi-ming-227315","粗陶茶碗","宋代的美学，是以沉静雅素见长。虽有热烈绽放的玫瑰紫、天蓝釉瓷器，但也总是不如唐三彩给人以更为直接的视觉冲击。宋代瓷器釉色绚烂夺目，既有汝窑恬静温润的天青色，又有钧窑热情奔放的玫瑰紫、海棠红；既有定窑自然淳朴的象牙色，又有龙泉窑清新匀净的梅子青、粉青。宋人的审美已经不再是追求简单的透明釉，而是追求精致的乳浊釉和结晶釉。这与宋代的经济发展水平有极大的关系，著名史学家陈寅恪说“华夏民族之文化，历数千载之演进，造极于赵宋之世”。文化的盛极体现在文人的日常生活之中，即点茶、挂画、插花和熏香。以点茶为例，陆游的《临安春雨初霁》，诗中有句云：“矮纸斜行闲作草，晴窗细乳戏分茶”，北宋初年人陶谷在《荈茗录》中已经说到一种叫“茶百戏”的游艺：“茶至唐始盛。近世有下汤运匕，别施妙诀，使汤纹水脉成物象者，禽兽虫鱼花草之属，纤巧如画。但须臾即就散灭。此茶之变也，时人谓之茶百戏。”将饮茶从最初的解毒解渴功能升华成陶冶情操的雅事乐事，唯有宋代达到极致。\n器物的发展依赖于风尚，反过来器物又促进风尚的延续，在相对稳定的政治经济局面和尚古之风影响下，宋代陶瓷业得到了空前的发展。首先是五大名窑汝官哥钧定的异军突起，其次是定窑系、磁州窑系、耀州窑系、钧窑系、龙泉窑系、景德镇窑系、越窑系、建窑系八大窑系的百花齐放。\n除此之外，宋代的陶器发展也呈现出新的局面。宋三彩（为仿唐三彩制作而成。它虽高岭土做胎，但烧成温度低，属于低温铅釉陶，因此也放在陶器之中）、辽三彩是陶器中比较特殊的一类。",[23,24,145,146,123,7,147],"粗陶","日用器","烧制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21e111e77c39593480558118d978eeb5.jpg",[],{"id":151,"slug":152,"title":123,"dynasty":18,"author":19,"museum":20,"description":121,"tags":153,"thumbUrl":156,"material":48,"size":49,"collection":30,"collections":157,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":88},226684,"cha-wan-yi-ming-226684",[23,24,154,146,7,155],"茶器","圈足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F339c88695cd93be841a08ad05adda13d.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":131,"author":19,"museum":20,"description":162,"tags":163,"thumbUrl":166,"material":48,"size":49,"collection":31,"collections":167,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":52},256702,"long-quan-yao-qing-you-dan-shi-ping-yi-ming-256702","龙泉窑青釉胆式瓶","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[131,24,164,25,82,165,7],"青釉","龙泉窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F035d961bf810495bce19725528f9d243.jpg",[31],3,{"id":170,"slug":171,"title":172,"dynasty":40,"author":19,"museum":20,"description":173,"tags":174,"thumbUrl":180,"material":48,"size":49,"collection":30,"collections":181,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":88},256568,"kang-xi-kuan-jiang-dou-hong-you-ju-ban-ping-yi-ming-256568","康熙款豇豆红釉菊瓣瓶","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[24,175,176,43,177,46,178,7,179],"豇豆红釉","菊瓣纹","单色釉","器物","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F748288ff5827e6d93f7ea96e9244d8d2.jpg",[],{"id":183,"slug":184,"title":185,"dynasty":18,"author":19,"museum":20,"description":58,"tags":186,"thumbUrl":193,"material":48,"size":49,"collection":31,"collections":194,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":52},256302,"jun-yao-mei-gui-zi-you-kui-hua-shi-san-zu-hua-pen-tuo-yi-ming-256302","钧窑玫瑰紫釉葵花式三足花盆托",[23,24,187,188,61,189,190,191,7,192],"钧窑","玫瑰紫釉","葵花式","三足","花盆托","器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b12bcd65d4c27929a9ded6863ce4c73.jpg",[31],{"id":196,"slug":197,"title":198,"dynasty":199,"author":19,"museum":20,"description":200,"tags":201,"thumbUrl":209,"material":48,"size":49,"collection":30,"collections":210,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":35},253328,"tao-huang-you-wu-shi-yong-yi-ming-253328","陶黄釉武士俑","隋","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[24,202,203,204,109,205,206,207,7,208],"俑","雕刻","人物","隋代","陶俑","武士形象","立体造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff95cad851acd440b2d3e02beb6929931.jpg",[],{"id":212,"slug":213,"title":214,"dynasty":18,"author":19,"museum":20,"description":173,"tags":215,"thumbUrl":217,"material":48,"size":49,"collection":30,"collections":218,"showCount":168,"zanCount":11,"manualWeight":11,"mainColor":52},223749,"qing-ci-zhan-yi-ming-223749","青瓷盏",[23,24,82,85,7,25,216],"盏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc53348d993a0ac7ce91da59228858311.jpg",[],{"id":220,"slug":221,"title":222,"dynasty":40,"author":19,"museum":20,"description":41,"tags":223,"thumbUrl":224,"material":48,"size":49,"collection":30,"collections":225,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":52},258132,"yong-zheng-kuan-tian-lan-you-guan-er-zhe-fang-ping-yi-ming-258132","雍正款天蓝釉贯耳折方瓶",[43,24,46,133,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e786f0fd19a2721f4bed97faf76f8f2.jpg",[],{"id":227,"slug":228,"title":229,"dynasty":106,"author":19,"museum":20,"description":230,"tags":231,"thumbUrl":241,"material":48,"size":49,"collection":31,"collections":242,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":88},256775,"yue-yao-qing-you-gua-leng-zhi-hu-yi-ming-256775","越窑青釉瓜棱执壶","越窑是中国古代南方著名的青瓷窑，汉族传统制瓷工艺的珍品之一。窑所在地主要在越州境内，即今浙江省宁绍平原上的绍兴、宁波两地。生产年代自东汉至宋。唐朝是越窑工艺最精湛时期，居全国之冠。越窑之名，最早见于唐代，越窑瓷青瓷与唐代的饮茶风尚关系十分密切，其瓷质造型，釉色之美，深受饮茶者的喜爱。饮茶风尚又影响了越窑青瓷的型制。",[232,24,164,25,233,82,234,7,235,236,237,238,239,240],"唐代","瓜棱","执壶","器形","唐代风格","青釉技法","陶瓷器物","瓜棱造型","青瓷工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35504468b475accc67d38eb25bbd3dd1.jpg",[31],{"id":244,"slug":245,"title":246,"dynasty":247,"author":19,"museum":20,"description":230,"tags":248,"thumbUrl":253,"material":48,"size":49,"collection":31,"collections":254,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":88},256696,"yue-yao-xi-qing-you-he-ban-si-xi-hu-yi-ming-256696","越窑系青釉褐斑四系壶","晋",[24,249,164,250,251,25,7,252],"晋代","褐斑","四系","装饰技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F799c27e50a0eadb77cd49c01d6e1bbfa.jpg",[31],{"id":256,"slug":257,"title":258,"dynasty":18,"author":19,"museum":20,"description":259,"tags":260,"thumbUrl":265,"material":48,"size":49,"collection":31,"collections":266,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":52},256241,"ge-yao-mi-huang-you-kui-ban-kou-pan-yi-ming-256241","哥窑米黄釉葵瓣口盘","“哥窑”名列宋代五大名窑，在陶瓷史上有举足轻重的地位。哥窑胎多紫黑色、铁黑色、也有黄褐色。釉为失透的乳浊釉，釉面泛一层酥光，釉色以炒米黄、灰青多见，釉面大小纹片结合。\n经染色后大纹片呈深褐色，小纹片为黄褐色，也称‘金丝铁线’“墨纹梅花片”“叶脉纹”‘文武片’等。这是传世哥窑的主要特征之一。器形有各式瓶、炉、尊、洗及碗、盆、碟等。多见仿古造型，底足制作不十分规整，釉面常见缩釉和棕眼。\n而《中国陶瓷史》这样叙述：\n造型有各式瓶、炉、洗、盘、罐等。论胎有厚薄之分，其胎质有瓷胎和砂胎两种，胎色有黑灰、深灰、浅灰、土黄多种色调，釉色也有粉青、月白、油灰、青黄各色。从时间上讲，这里应有早晚之别，从产地说也有恐非一个瓷窑的作品，情况是比较复杂的。\n记载“哥窑”的古文献主要有：元代的《至正直记》，明代的《格古要论》、《遵生八笺》，清代的《博物要览》以及明代的《浙江通志》等。但究竟哥窑窑址何在？性质如何?一直是陶瓷史研究中众说纷纭、悬而未决的问题。\n流传于世的“哥窑”经典器大多源自清宫旧藏，由于这批器物与古文献中的记载的“哥窑”特征不符，而且没有考古资料佐证，因而造成了中国陶瓷史上最大的悬疑。\n为区别于明、清文献中所记载得哥窑（龙泉章生一窑），宫中名为“哥窑”的传世品，后世鉴赏家称其为“传世哥窑”。\n由于原来被认为哥窑的龙泉黑胎开片瓷被认为是“龙泉仿官”和“龙泉官窑”，宋代似乎就不存在哥窑，文献关于哥窑的记述被认为是以讹传讹。然而，仔细研究和分析，就会发觉事情并非如此简单，其关键在于“龙泉官窑”和杭州郊坛下官窑孰先孰后的问题并未真正得到解决。由于“龙泉官窑”的立论建立在“龙泉仿官”的基础上，认为仿官是不可能的，却又与官窑相一致，自然是官窑，并认为杭州郊坛下不能满足朝廷之需，再在龙泉烧造以充不足。这一观点很自然地派生出杭州郊坛下官窑早于龙泉官窑的定论。\n然而，没有足够的考古资料证明这一观点，并由此还引发出种种疑团：郊坛下不能满足朝廷之需，为什么不就地扩充、就近扩充，而要到千里之外的龙泉建窑烧造？宋室南渡带来了北方工匠，他们惯于圆窑用煤烧造，何以能在杭州建立龙窑用柴烧造？文献关于哥窑的论述难道一定都是空穴来风吗？哥不能仿官，但官却可以仿哥，各朝各代的官窑都建立在民窑的基础上，难道就不存在官仿哥的可能吗？宋室南渡，皇帝漂泊13年，这期间南渡窑工在何处生存？如何生存？是吃皇粮还是自谋出路？这些疑问最终都聚焦在龙泉最初的黑胎开片瓷的年代和性质上，也就是说龙泉最初的黑胎开片瓷会不会是皇帝颠沛流离的十余年中北方工匠和龙泉窑工技艺结合的产物？",[18,24,261,262,263,85,264,7,192],"哥窑风格","米黄釉","葵瓣口","冰裂纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9148f0f436536869343054f2672deace.jpg",[31],{"id":268,"slug":269,"title":270,"dynasty":131,"author":19,"museum":20,"description":271,"tags":272,"thumbUrl":276,"material":48,"size":49,"collection":30,"collections":277,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":88},231864,"qing-ci-shuang-er-hua-ping-yi-ming-231864","青瓷双耳花瓶","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[24,82,273,7,274,178,275],"双耳","元代","象耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92165cc42258fffb1810adbc15aab69d.jpg",[],{"id":279,"slug":280,"title":281,"dynasty":18,"author":19,"museum":20,"description":121,"tags":282,"thumbUrl":287,"material":48,"size":49,"collection":30,"collections":288,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":88},231448,"ding-xing-wan-yi-ming-231448","鼎形碗",[23,24,25,177,46,7,283,284,285,286],"古物","传统工艺","宋瓷","釉器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0960f0d3efc1545063f71bdcd53834e8.jpg",[],{"id":290,"slug":291,"title":292,"dynasty":293,"author":19,"museum":20,"description":294,"tags":295,"thumbUrl":304,"material":48,"size":49,"collection":30,"collections":305,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":88},230687,"shi-qi-shi-ji-qing-hua-shi-nv-hua-ban-kou-xi-yi-ming-230687","十七世纪 青花仕女花瓣口洗","不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[24,296,297,298,204,299,300,301,179,302,7,178,303],"青花","釉下彩","仕女","花卉","花瓣口","十七世纪","古陶瓷","装饰画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9300a8b54771de2232afd2bb5891ee47.jpg",[],{"id":307,"slug":308,"title":309,"dynasty":18,"author":19,"museum":20,"description":173,"tags":310,"thumbUrl":315,"material":48,"size":49,"collection":30,"collections":316,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":52},223761,"qing-ci-kui-kou-wan-5-yi-ming-223761","青瓷葵口碗-5",[23,24,82,311,25,7,312,235,313,314],"葵口","宋瓷风格","施釉","青瓷釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57e70e193d7d5d19daaa1bce4685e9a.jpg",[],{"id":318,"slug":319,"title":320,"dynasty":40,"author":19,"museum":20,"description":173,"tags":321,"thumbUrl":324,"material":48,"size":49,"collection":30,"collections":325,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},258664,"qian-long-kuan-fang-guan-you-chu-ji-hua-gu-yi-ming-258664","乾隆款仿官釉出戟花觚",[24,322,323,43,235,7],"仿官釉","出戟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e6f0727450ba99851dc6a3582f7b264.jpg",[],1,{"id":328,"slug":329,"title":330,"dynasty":40,"author":19,"museum":20,"description":41,"tags":331,"thumbUrl":334,"material":48,"size":49,"collection":30,"collections":335,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":336},258156,"yong-zheng-kuan-lu-jun-you-suan-tou-ping-yi-ming-258156","雍正款炉钧釉蒜头瓶",[43,24,332,333,192,7],"炉钧釉","蒜头瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d0496fb3a3aa05fae12463158354ab8.jpg",[],"FFFFFF",{"id":338,"slug":339,"title":340,"dynasty":40,"author":19,"museum":20,"description":173,"tags":341,"thumbUrl":345,"material":48,"size":49,"collection":30,"collections":346,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":35},257848,"kang-xi-kuan-jiang-dou-hong-you-an-long-wen-tai-bai-zun-yi-ming-257848","康熙款豇豆红釉暗龙纹太白尊",[24,175,342,43,7,343,344,178],"暗龙纹","暗刻纹饰","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e68668af8bd620e7623f41077d74fc9.jpg",[],{"id":348,"slug":349,"title":350,"dynasty":57,"author":19,"museum":20,"description":162,"tags":351,"thumbUrl":357,"material":48,"size":49,"collection":31,"collections":358,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":88},257555,"long-quan-yao-qing-you-fo-kan-yi-ming-257555","龙泉窑青釉佛龛",[24,164,352,25,353,82,354,7,178,355,356],"宗教","刻划纹饰","明代风格","宗教题材","刻花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46a56700060c13aad740c0e2d759d343.jpg",[31],{"id":360,"slug":361,"title":362,"dynasty":40,"author":19,"museum":20,"description":294,"tags":363,"thumbUrl":368,"material":48,"size":49,"collection":30,"collections":369,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":370},257263,"qing-hua-shou-er-wei-jiao-fang-ping-yi-ming-257263","青花兽耳委角方瓶",[24,296,297,364,45,365,179,366,7,367,192],"清代风格","缠枝花卉","方器","装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefc17d2da15e8c21c5cbcc360b74e7f7.jpg",[],"F48FB1",{"id":372,"slug":373,"title":374,"dynasty":247,"author":19,"museum":20,"description":230,"tags":375,"thumbUrl":378,"material":48,"size":49,"collection":31,"collections":379,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},256718,"yue-yao-xi-qing-you-shuang-xi-guan-yi-ming-256718","越窑系青釉双系罐",[24,164,376,249,25,82,377,7,178],"双系","越窑系","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42e9cd0e5d3c0d13f83882919fd76c63.jpg",[31],{"id":381,"slug":382,"title":383,"dynasty":57,"author":19,"museum":20,"description":70,"tags":384,"thumbUrl":387,"material":48,"size":49,"collection":30,"collections":388,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":88},231896,"jiu-bei-yi-ming-231896","酒杯",[385,24,386,7,179,155],"明代","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3ad403e5fcb24bdb66d5a93359879b4.jpg",[],{"id":390,"slug":391,"title":392,"dynasty":40,"author":19,"museum":20,"description":173,"tags":393,"thumbUrl":400,"material":48,"size":49,"collection":30,"collections":401,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},229124,"da-qing-yong-zheng-nian-zhi-kuan-fang-ru-you-qing-ci-shou-mian-xian-huan-ping-yi-ming-229124","「大清雍正年制款」 仿汝釉青瓷兽面衔环瓶",[24,43,394,82,395,396,25,111,397,7,398,399],"仿汝釉","兽面","衔环","仿古釉","兽纹","衔环装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c1507d70a6ea80fe9def89ddfdb4beb.jpg",[],{"id":403,"slug":404,"title":405,"dynasty":57,"author":19,"museum":20,"description":406,"tags":407,"thumbUrl":412,"material":48,"size":49,"collection":30,"collections":413,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":35},228594,"tian-bai-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228594","甜白葫芦形绶带耳扁壶","器仿葫芦形，敛口，短颈，腹圆体扁，侧面平阔，颈旁两方形耳，长方浅圈足。通体施釉，色白莹润略青，口膨大处印有一圈转枝花纹，器腹双钩细刻几何花卉，以长叶与如意首交错排列成一轮形，外有一圈卷叶纹；侧边浅划两道弦纹，耳缘与中脊作细棱，线条细腻雅致。长方圈足底端露胎",[385,24,408,409,410,411,46,7,178],"甜白釉","绶带耳","扁壶","葫芦形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0a78dcc628e4e8a2e7a404e881e21da.jpg",[],{"id":415,"slug":416,"title":417,"dynasty":18,"author":19,"museum":20,"description":271,"tags":418,"thumbUrl":421,"material":48,"size":49,"collection":30,"collections":422,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":88},227484,"gao-jiao-die-yi-ming-227484","高脚碟",[23,24,164,419,203,420,178,7],"莲瓣纹","高足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe349c94162ba13db0b3b471f71ac88c.jpg",[],{"id":424,"slug":425,"title":426,"dynasty":18,"author":19,"museum":20,"description":121,"tags":427,"thumbUrl":428,"material":48,"size":49,"collection":30,"collections":429,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},226675,"hou-xing-bai-jian-yi-ming-226675","猴形摆件",[24,111,110,203,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fa5fb73f19a54c673367e5cfb436386.jpg",[],{"id":431,"slug":432,"title":433,"dynasty":434,"author":19,"museum":20,"description":121,"tags":435,"thumbUrl":439,"material":48,"size":49,"collection":30,"collections":440,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":88},226665,"dai-gai-de-guan-zi-yi-ming-226665","带盖的罐子","五代十国",[24,434,436,437,438,179,7,178],"带盖","浮雕","模印","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e03b6fcc6a44a82dd4c47bfc46d43c9.jpg",[],{"id":442,"slug":443,"title":444,"dynasty":18,"author":19,"museum":20,"description":121,"tags":445,"thumbUrl":451,"material":48,"size":49,"collection":30,"collections":452,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},226656,"liu-ge-pen-kou-de-guan-zi-yi-ming-226656","六个喷口的罐子",[23,24,446,447,448,449,450,178,353,7],"刻划花","多口","卷草纹","花卉纹","青白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2da66808ec4dfa1637e21826dca4358.jpg",[],{"id":454,"slug":455,"title":456,"dynasty":18,"author":19,"museum":20,"description":173,"tags":457,"thumbUrl":461,"material":48,"size":49,"collection":30,"collections":462,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},223779,"qing-ci-xian-wen-zun-yi-ming-223779","青瓷弦纹樽",[23,24,82,458,85,190,459,7,312,460],"弦纹","器皿","釉质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fdd9efe3eba952441f7d1330cae7d9b.jpg",[],{"id":464,"slug":465,"title":466,"dynasty":18,"author":19,"museum":20,"description":173,"tags":467,"thumbUrl":468,"material":48,"size":49,"collection":30,"collections":469,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},223774,"qing-ci-kui-kou-wan-yi-ming-223774","青瓷葵口碗",[23,24,82,25,146,311,7,192],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33f46d4ef80142db0e7f51417bc596fd.jpg",[],{"id":471,"slug":472,"title":473,"dynasty":18,"author":19,"museum":20,"description":173,"tags":474,"thumbUrl":477,"material":48,"size":49,"collection":30,"collections":478,"showCount":326,"zanCount":11,"manualWeight":11,"mainColor":52},223754,"qing-ci-lian-ban-xi-yi-ming-223754","青瓷莲瓣洗",[24,82,475,25,85,476,7,179],"莲瓣","宋代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb1a2b6f07fa8da8650d4c64d8ae76e3.jpg",[],{"id":480,"slug":481,"title":482,"dynasty":40,"author":19,"museum":20,"description":200,"tags":483,"thumbUrl":485,"material":48,"size":49,"collection":30,"collections":486,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},259064,"kang-xi-kuan-huang-you-gai-guan-yi-ming-259064","康熙款黄釉盖罐",[40,24,109,484,7,178],"盖罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ee1fa384f11bf7d7c471ccb958a0526.jpg",[],{"id":488,"slug":489,"title":490,"dynasty":40,"author":19,"museum":20,"description":41,"tags":491,"thumbUrl":494,"material":48,"size":49,"collection":30,"collections":495,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},258469,"yong-zheng-kuan-dong-qing-you-gao-zu-wan-yi-ming-258469","雍正款冬青釉高足碗",[43,24,492,203,164,493,7,178],"冬青釉","高足器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F932c896a759250982877a08b5008ff3c.jpg",[],{"id":497,"slug":498,"title":490,"dynasty":40,"author":19,"museum":20,"description":41,"tags":499,"thumbUrl":501,"material":48,"size":49,"collection":30,"collections":502,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258456,"yong-zheng-kuan-dong-qing-you-gao-zu-wan-yi-ming-258456",[24,492,500,43,353,7,178],"高足碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70b7032b4f9293f2b222ce3f68e899bd.jpg",[],{"id":504,"slug":505,"title":506,"dynasty":40,"author":19,"museum":20,"description":41,"tags":507,"thumbUrl":509,"material":48,"size":49,"collection":30,"collections":510,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258436,"yong-zheng-kuan-ji-lan-you-gao-zu-wan-yi-ming-258436","雍正款祭蓝釉高足碗",[43,24,508,500,7,46],"祭蓝釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2b8bb9d9d0c43fc442a3ec07e67044e.jpg",[],{"id":512,"slug":513,"title":506,"dynasty":40,"author":19,"museum":20,"description":41,"tags":514,"thumbUrl":516,"material":48,"size":49,"collection":30,"collections":517,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258424,"yong-zheng-kuan-ji-lan-you-gao-zu-wan-yi-ming-258424",[43,24,508,177,493,7,515,178],"高温釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e4939f0dd261d8d7c29ccf6637f62ad.jpg",[],{"id":519,"slug":520,"title":521,"dynasty":40,"author":19,"museum":20,"description":173,"tags":522,"thumbUrl":524,"material":48,"size":49,"collection":30,"collections":525,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},258408,"fang-guan-you-shuang-er-ping-yi-ming-258408","仿官釉双耳瓶",[24,322,273,134,43,7,523,46,178],"裂纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac7406a26863ec420b86860c1cef96b.jpg",[],{"id":527,"slug":528,"title":529,"dynasty":40,"author":19,"museum":20,"description":41,"tags":530,"thumbUrl":531,"material":48,"size":49,"collection":30,"collections":532,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},258314,"yong-zheng-kuan-huang-you-ju-ban-pan-yi-ming-258314","雍正款黄釉菊瓣盘",[40,24,109,176,459,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa38a691d254a805f9464e607216b23ac.jpg",[],{"id":534,"slug":535,"title":536,"dynasty":40,"author":19,"museum":20,"description":41,"tags":537,"thumbUrl":540,"material":48,"size":49,"collection":30,"collections":541,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258190,"yong-zheng-kuan-yan-zhi-zi-you-ju-ban-pan-yi-ming-258190","雍正款胭脂紫釉菊瓣盘",[43,24,538,539,177,7,176,46],"胭脂紫釉","菊瓣形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f0ace9a21df652cdbafdd76b92d2c8a.jpg",[],{"id":543,"slug":544,"title":545,"dynasty":40,"author":19,"museum":20,"description":41,"tags":546,"thumbUrl":549,"material":48,"size":49,"collection":30,"collections":550,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258173,"yong-zheng-kuan-ji-lan-you-gu-ding-xi-yi-ming-258173","雍正款祭蓝釉鼓钉洗",[24,508,547,25,43,7,548],"鼓钉","鼓钉装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd62d2efcb03fcd80a1426dfccb02dc17.jpg",[],{"id":552,"slug":553,"title":554,"dynasty":40,"author":19,"museum":20,"description":41,"tags":555,"thumbUrl":557,"material":48,"size":49,"collection":30,"collections":558,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},258141,"yong-zheng-kuan-tian-lan-you-chang-fang-hua-pen-yi-ming-258141","雍正款天蓝釉长方花盆",[43,24,133,556,98,7,178],"长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9fcb139b0c4ad70caadfb3db1ee2454.jpg",[],{"id":560,"slug":561,"title":562,"dynasty":40,"author":19,"museum":20,"description":41,"tags":563,"thumbUrl":567,"material":48,"size":49,"collection":30,"collections":568,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258138,"yong-zheng-kuan-tian-lan-you-dai-zi-you-zuo-bo-gang-yi-ming-258138","雍正款天蓝釉带紫釉座钵缸",[40,24,133,564,565,566,7,177,178],"紫釉","钵缸","座","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff03f4cedd6bd387cd375eee91b1d69d.jpg",[],{"id":570,"slug":571,"title":572,"dynasty":40,"author":19,"museum":20,"description":41,"tags":573,"thumbUrl":575,"material":48,"size":49,"collection":30,"collections":576,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},258137,"yong-zheng-kuan-tian-lan-you-lian-zi-guan-yi-ming-258137","雍正款天蓝釉莲子罐",[24,133,25,43,574,7],"釉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc830d0e82ac6b02930858aeac22cfb2a.jpg",[],{"id":578,"slug":579,"title":580,"dynasty":40,"author":19,"museum":20,"description":41,"tags":581,"thumbUrl":583,"material":48,"size":49,"collection":30,"collections":584,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},258134,"yong-zheng-kuan-tian-lan-you-shuang-er-chu-ji-zun-yi-ming-258134","雍正款天蓝釉双耳出戟尊",[43,24,133,273,323,7,582,25],"官窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05e9793025488edd7496c7eaaa7d0b88.jpg",[],{"id":586,"slug":587,"title":588,"dynasty":40,"author":19,"museum":20,"description":41,"tags":589,"thumbUrl":592,"material":48,"size":49,"collection":30,"collections":593,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},258125,"yong-zheng-kuan-fang-ru-you-ru-yi-er-bian-ping-yi-ming-258125","雍正款仿汝釉如意耳扁瓶",[24,394,590,591,43,7,192],"如意耳","扁瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7a3fe7ad7427e66c6eece35c78c46e9.jpg",[],{"id":595,"slug":596,"title":597,"dynasty":40,"author":19,"museum":20,"description":41,"tags":598,"thumbUrl":599,"material":48,"size":49,"collection":30,"collections":600,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258120,"yong-zheng-kuan-fang-ru-you-shi-liu-zun-yi-ming-258120","雍正款仿汝釉石榴尊",[40,24,394,7,192],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae7ca8660a565de1d379fb0e704e6cb3.jpg",[],{"id":602,"slug":603,"title":604,"dynasty":40,"author":19,"museum":20,"description":41,"tags":605,"thumbUrl":607,"material":48,"size":49,"collection":30,"collections":608,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},258083,"yong-zheng-kuan-fang-guan-you-jiu-shou-er-zun-yi-ming-258083","雍正款仿官釉鸠首耳尊",[24,25,322,43,7,606],"鸠首耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F542f3bdc03aa3aea441adf89da7a9b3b.jpg",[],{"id":610,"slug":611,"title":612,"dynasty":40,"author":19,"museum":20,"description":173,"tags":613,"thumbUrl":615,"material":48,"size":49,"collection":30,"collections":616,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},257997,"fang-ge-you-zhang-jing-ping-yi-ming-257997","仿哥釉长颈瓶",[43,24,25,614,85,7],"仿哥釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79a94412513004e77e3c3a3dd109c45d.jpg",[],{"id":618,"slug":619,"title":620,"dynasty":40,"author":19,"museum":20,"description":621,"tags":622,"thumbUrl":628,"material":48,"size":49,"collection":30,"collections":629,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},257882,"bai-you-an-hua-wen-shuang-er-san-zu-lu-yi-ming-257882","白釉暗花纹双耳三足炉","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[24,25,623,624,273,190,43,625,7,626,627],"白釉","暗花纹","暗刻","三足器","双耳器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82e63f601a2961f2ba794efb4d70966c.jpg",[],{"id":631,"slug":632,"title":633,"dynasty":57,"author":19,"museum":20,"description":162,"tags":634,"thumbUrl":635,"material":48,"size":49,"collection":31,"collections":636,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},257568,"long-quan-yao-qing-you-san-zu-lu-yi-ming-257568","龙泉窑青釉三足炉",[385,24,82,164,190,165,178,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90786efde20f6f11d27cb88f002cf396.jpg",[31],{"id":638,"slug":639,"title":640,"dynasty":57,"author":19,"museum":20,"description":173,"tags":641,"thumbUrl":645,"material":48,"size":49,"collection":30,"collections":646,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},257333,"ji-hong-you-shuang-er-lu-yi-ming-257333","祭红釉双耳炉",[24,642,643,273,644,385,25,203,7],"高温铜红釉","祭红釉","玉石盖钮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F905c3d3e53d8118fb6a1262248986353.jpg",[],{"id":648,"slug":649,"title":650,"dynasty":57,"author":19,"museum":20,"description":294,"tags":651,"thumbUrl":654,"material":48,"size":49,"collection":30,"collections":655,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},257281,"qing-hua-wu-gu-feng-deng-yun-long-wen-wan-yi-ming-257281","青花五谷丰登云龙纹碗",[24,296,652,297,25,653,385,179,7,178],"龙","云龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde6222bd818c3a7d4a2d32f3ed7f4d7d.jpg",[],{"id":657,"slug":658,"title":659,"dynasty":131,"author":19,"museum":20,"description":58,"tags":660,"thumbUrl":661,"material":48,"size":49,"collection":31,"collections":662,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},257075,"jun-yao-mei-gui-zi-you-wan-yi-ming-257075","钧窑玫瑰紫釉碗",[274,24,61,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ffa5e6270dc64e8155515183349c095.jpg",[31],{"id":664,"slug":665,"title":666,"dynasty":18,"author":19,"museum":20,"description":621,"tags":667,"thumbUrl":672,"material":48,"size":49,"collection":30,"collections":673,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},257037,"qing-bai-you-yin-hua-chan-zhi-lian-wen-wan-yi-ming-257037","青白釉印花缠枝莲纹碗",[18,24,450,668,669,670,671,7,179,178],"印花","缠枝莲纹","碗","宋代陶瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F363175d4c50b249f4a59e49a5ad0a2df.jpg",[],{"id":675,"slug":676,"title":677,"dynasty":18,"author":19,"museum":20,"description":162,"tags":678,"thumbUrl":681,"material":48,"size":49,"collection":31,"collections":682,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},257014,"long-quan-yao-qing-you-he-bin-yi-fan-ming-pan-yi-ming-257014","龙泉窑青釉河滨遗范铭盘",[23,24,164,82,178,679,7,680],"盘","宋代瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f29de7984f9c6f4bd03fc1f46e74558.jpg",[31],{"id":684,"slug":685,"title":686,"dynasty":18,"author":19,"museum":20,"description":58,"tags":687,"thumbUrl":689,"material":48,"size":49,"collection":31,"collections":690,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},256991,"jun-yao-tian-lan-you-da-wan-yi-ming-256991","钧窑天蓝釉大碗",[18,24,187,133,85,688,146,178,7],"大碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb215595301a58f9e4a7c45857ca8f82a.jpg",[31],{"id":692,"slug":693,"title":694,"dynasty":18,"author":19,"museum":20,"description":58,"tags":695,"thumbUrl":698,"material":48,"size":49,"collection":31,"collections":699,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},256942,"jun-yao-qing-hui-you-hong-ban-wan-yi-ming-256942","钧窑青灰釉红斑碗",[18,23,24,187,696,697,61,670,178,46,7,574],"青灰釉","红斑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff224018bbcf228741d2760449255ff49.jpg",[31],{"id":701,"slug":702,"title":703,"dynasty":131,"author":19,"museum":20,"description":173,"tags":704,"thumbUrl":708,"material":48,"size":49,"collection":30,"collections":709,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},256907,"hong-you-yin-hua-hua-yun-long-wen-pan-yi-ming-256907","红釉印、划花云龙纹盘",[24,274,705,668,706,344,707,7,179,178],"红釉","划花","云龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c0f8ff8b6c61a684a92a88b6f6a26de.jpg",[],{"id":711,"slug":712,"title":713,"dynasty":40,"author":19,"museum":20,"description":173,"tags":714,"thumbUrl":723,"material":48,"size":49,"collection":30,"collections":724,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},256900,"fang-ge-you-su-tie-san-yang-ping-yi-ming-256900","仿哥釉塑贴三羊瓶",[40,24,614,715,85,716,717,364,718,7,719,720,523,721,178,722],"塑贴技法","羊","三羊","陶瓷器","裂纹釉","贴塑","釉面","兽塑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8cff8833decce9467832dc61c9616f4.jpg",[],{"id":726,"slug":727,"title":728,"dynasty":57,"author":19,"museum":20,"description":621,"tags":729,"thumbUrl":731,"material":48,"size":49,"collection":30,"collections":732,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},256867,"tian-bai-you-dai-gai-seng-mao-hu-yi-ming-256867","甜白釉带盖僧帽壶",[385,24,408,436,730,386,7],"僧帽壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefa659bbd8ebe5c615ef77a30c6d89c0.jpg",[],{"id":734,"slug":735,"title":736,"dynasty":40,"author":19,"museum":20,"description":737,"tags":738,"thumbUrl":740,"material":48,"size":49,"collection":30,"collections":741,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},256617,"fen-qing-you-zun-yi-ming-256617","粉青釉尊","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[24,739,25,43,7],"粉青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa75ae38a8f4e3d3aa06f9860d83d2209.jpg",[],{"id":743,"slug":744,"title":745,"dynasty":40,"author":19,"museum":20,"description":41,"tags":746,"thumbUrl":748,"material":48,"size":49,"collection":30,"collections":749,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},256596,"yong-zheng-kuan-fen-qing-you-lian-ban-kou-ping-yi-ming-256596","雍正款粉青釉莲瓣口瓶",[24,739,475,25,43,7,747],"陶瓷工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1efca802dbd6ad90fc1a586b23811514.jpg",[],{"id":751,"slug":752,"title":753,"dynasty":40,"author":19,"museum":20,"description":173,"tags":754,"thumbUrl":756,"material":48,"size":49,"collection":30,"collections":757,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},256569,"xuan-de-kuan-xian-hong-you-seng-mao-hu-yi-ming-256569","宣德款鲜红釉僧帽壶",[24,755,43,7,25],"鲜红釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0221af85530de862b21b39813760272.jpg",[],{"id":759,"slug":760,"title":761,"dynasty":40,"author":19,"museum":20,"description":173,"tags":762,"thumbUrl":767,"material":48,"size":49,"collection":30,"collections":768,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},256549,"kong-que-lv-you-an-hua-jiao-ye-tao-tie-wen-zun-yi-ming-256549","孔雀绿釉暗划蕉叶饕餮纹尊",[24,763,764,765,766,25,7,252,43],"孔雀绿釉","暗划","蕉叶纹","饕餮纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F792a12f9dddc5f19db84ae6272a83a55.jpg",[],{"id":770,"slug":771,"title":772,"dynasty":57,"author":19,"museum":20,"description":173,"tags":773,"thumbUrl":776,"material":48,"size":49,"collection":30,"collections":777,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},256388,"xian-hong-you-jin-cai-yun-long-wen-pan-yi-ming-256388","鲜红釉金彩云龙纹盘",[57,24,755,774,653,679,652,775,179,7,178],"金彩","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F881ee68e19edbeec29de654887054ac0.jpg",[],{"id":779,"slug":780,"title":781,"dynasty":40,"author":19,"museum":20,"description":173,"tags":782,"thumbUrl":786,"material":48,"size":49,"collection":30,"collections":787,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},256088,"he-you-ci-shou-yi-ming-256088","褐釉瓷兽",[24,783,111,43,784,7,785],"褐釉","瓷塑","兽形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a0a913e420000617f9fc77cb2f6a478.jpg",[],{"id":789,"slug":790,"title":791,"dynasty":18,"author":19,"museum":20,"description":173,"tags":792,"thumbUrl":797,"material":48,"size":49,"collection":30,"collections":798,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},255994,"lv-you-ci-yu-yi-ming-255994","绿釉瓷鱼",[24,793,794,25,23,795,7,796,113],"绿釉","鱼","模制","瓷质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9bf5e32a5eb703c331d66e0e20eff6b.jpg",[],{"id":800,"slug":801,"title":802,"dynasty":106,"author":19,"museum":20,"description":803,"tags":804,"thumbUrl":809,"material":48,"size":49,"collection":30,"collections":810,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},255636,"tao-lan-you-nv-li-yong-yi-ming-255636","陶蓝釉女立俑","春秋战国时期，有一种殉葬用的“俑”，据《礼记·檀弓》，孔子“谓为俑者不仁”。郑玄注：“俑，偶人也，有面目机发，有似于生人。”皇侃疏：“机械发动踊跃，故谓之俑也。”孔颖达正义：“刻木为人，而自发动，与生人无异，但无性灵知识。”又《孟子·梁惠王》：“仲尼曰：始作俑者，其无后乎?为其像人而用之也。”焦循《孟子正义》：《广雅》引(张揖)《埤苍》云：“俑，木人，送葬设关而能跳踊，故名之。”“为其像人者，谓为其像人之转动跳踊也。”可见“俑”就是由简单机械发动能够自己转动跳跃的木人。\n中国古代坟中墓中陪葬用的偶人。是象征殉葬奴隶的模拟品。东周墓中出现渐多，秦汉至隋唐盛行，北宋以后逐渐衰落，但仍沿用到元明时期。俑的质料以木、陶质最常见，也有瓷、石或金属制品。宋代以后纸明器开始流行，陶、木、石质的俑开始渐渐减少。俑的形象，主要有奴仆、舞乐、士兵、仪仗等，并常附有鞍马、牛车、庖厨用具和家畜等模型，还有镇墓胜的神物。俑大多真实地模拟着当时的各种人物，因而可以考见当时社会的生活习俗，也是研究各代舆服制度的重要资料。俑还可以反映出各个时代雕塑艺术的水平。\n秦代的秦始皇陵兵马俑，形体比人略高，陶制，是已知最大的俑；另外还有铜俑等。汉俑种类比以前增多，有兵士、女侍、仆役及乐舞俑。南方以木俑为多，有的彩绘着衣。其他地方多陶、石、木、金属等多种材质的俑，注重传神。两晋南北朝制作多样，南方承中原传统并有了瓷俑；北方出了少数民族形象的陶俑。隋唐俑型大而精美，三彩俑为盛唐时的制作高峰。现在能见到的，是保存在陕西省历史博物馆的唐三彩杰作，有陕西省乾县懿德太子李重润墓出土的、三彩纹胎骑马狩猎俑，和西安市中堡村唐墓出土的唐三彩骆驼戴乐舞俑。这些俑的特点，普遍是形象高大雄健，神态生动富有传神，可谓形神俱佳的作品。并反映了盛唐时期，中华民族富有创造性和豪迈自信的民族性格。五代以后，以俑殉葬的风气开始低落，金元墓葬中出现了陶塑、砖雕表演杂剧的俑，往往成组塑造，还有舞台背景，较为生动，是制作俑的最后一个高潮，以山西出土为多。明清墓葬中俑的出现渐少。在高官王侯墓中出土有木俑和石俑，多以成群人物或辅以仪仗、侍从的庞大场面，用来炫耀死者地位为主，但作为雕塑制品已失去了艺术感染力。秦兵马俑的历史文化价值是独具魅力的。它打开了观察它所产生的那个时代的窗口，大大地改变了人们对那个时代的看法。\n秦兵马俑震撼世人的首推其卓越的艺术成就。几千件魁伟英武的大型陶塑艺术作品，以整体形象排列在将近两万平方米的空间里，其磅礴的气势几乎使所有不同肤色的参观者都从心灵深处产生强烈震颤，体现出艺术家驾驭宏大艺术题材、追求整体气韵和艺术创造的卓越才能。秦俑千人千面、呼之欲出的人物塑造则从形体把握、神韵处理、色彩运用、细部刻画等方面表现出作者的艺术素养和艺术成就。作品写实主义的风格不仅给我们留下了一个高超的古代艺术范本，同时也留下了许多关于那个时代的极富价值的历史记录。严肃划一的军旅题材能够处理得如此生动，产生如此震撼人心的艺术魅力，使人们不得不换一副眼光来审视中国古代艺术发展历程中的特殊规律，重新探索和构架中国古代造型艺术发展的历史。\n秦兵马俑坑文物的出土也较大幅度地改写了人们对秦代的科技水平的认识，以大量的实证材料形象地展现了秦代生产力的发展水平。就科技史而言，秦俑坑发现的许多资料都是令世人震惊的。譬如：1、秦俑坑出土文物所展现的秦代冶金和金属加工技术比我们以往的估计要高出很多，其中青铜涂铬防锈技术的大量应用是最具代表性的一例，它在当时已是一种很成熟的技术，秦俑出土的绝大多数兵器表面都涂有这种保护层。这种绝技似乎从汉代以后就失传了，与之形成鲜明对比的是，两千多年后的1937年，现代镀铬技术才在德国产生，并以专利发明载入了史册。2、秦俑坑出土兵器明确印证了秦简中关于“为器同物者，其小大、短长”是一种标准化概念，秦人在标准化实践方面取得了惊人的成就。这种标准化既是秦人管理艺术发展的代表，也是秦代科技水平的标志。秦人加工的青铜弩机器件精密、形体标准，相同规格的器件完全可以互换。许多特殊的加工工艺，如青铜铍脊上的纹饰生成，纤如毫发的金属小孔钻刻技艺，也都令人叹为观止，一些工艺至今还是不解之谜。由于古代统治者们有重政治、重伦理、崇人事而轻科技的倾向，史书关于科技的记载往往简略残缺，秦代科技资料更是凤毛麟角。正因为如此，秦俑考古的历史文化价值也就更加重要。\n俑坑数千兵马俑所展示的军事内容无疑是军事史研究的最重要的、最形象的资料之一，许多资料使人们对古代军事领域的认识更进一步。譬如，关于当时的兵种构成、组合搭配和结阵形式，兵器、兵器配置形式以及甲具防护装备，军伍组织结构和指挥系统，甚至军伍士卒的来源等，都有珍贵的资料价值。二号坑弩兵的单独结阵，骑兵、轻车兵的编队和配合，是以前有所不知或知之不详的重要资料，以之对照《孙膑兵法》中关于车、步、骑配合原则的论述，给人留下的印象是极其深刻的。古代军事著述中关于兵器配置中长短相杂、相救的原则在秦俑坑兵器配置中也有直观表现，同样有其军事科学上的研究价值。难怪有人将秦俑三坑称为一座内容丰厚的秦代军事博物馆。\n历史本身赋予了秦俑多种历史文化价值。秦俑所折射的历史层面既多又广，在建筑史、服饰史、制度史尤其是王陵制度史等方面，具有独特的认识价值。即使秦俑的身高、体魄、服饰发髻、刻记文字以及秦人在俑坑留下的生产工具和劳作痕迹，都能从不同侧面反映出秦代社会生活的真实影像，反映出一个时代的文化特质，反映出秦兴亡的历史真谛。\n秦俑坑出土文物的精美和丰富，是文物所代表的那个时代物质成就的直接见证。它让人们重新认识和评价那个时代，也提出了许多值得探讨的历史课题，譬如关于帝王权力的重新认识、秦代文化的特质、秦在中国历史发展中的地位等。与之相联系的是，秦始皇的历史评价又一次成为人们关注的话题，秦俑坑出土文物所反映的科技水平和生产能力，在一定程度上反映出秦始皇所起的某种积极作用，同时也从一个侧面证实史书中提到的秦代好大喜功、横征暴敛的统治问题。秦俑考古还在继续，相信对这些问题的研究将会随着考古的进展而不断深入。",[232,24,7,204,202,805,806,807,808],"女俑","立姿","设色","陶塑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee8c1b3f87360d6afc26753976ddef17.jpg",[],{"id":812,"slug":813,"title":814,"dynasty":106,"author":19,"museum":20,"description":815,"tags":816,"thumbUrl":818,"material":48,"size":49,"collection":30,"collections":819,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},253658,"san-cai-zhen-mu-shou-yi-ming-253658","三彩镇墓兽","它昂首雄峙，虬劲双角扶摇而上，额顶圆珠暗蕴玄秘气息，双翼贲张欲振，狞厉面容自带慑人气场。黄绿褐三色釉彩随性流淌交融，褐釉如赭脂凝挂，绿釉似苍苔覆身，素胎留白晕开朴拙古意。\n\n作为幽冥守护之形，它将陶塑的奔放大气与镇祟驱邪的内核相融，匠人意趣与釉色天成的晕染完美契合，沉凝造型藏着古人对生死边界的敬畏，把雄健魂魄封存在陶土之中，尽显造物的雄浑浪漫。",[106,24,817,7,203,111,202,807],"三彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ec7636e180ea0e62d3b8e645be95ddc.jpg",[],{"id":821,"slug":822,"title":823,"dynasty":18,"author":19,"museum":20,"description":200,"tags":824,"thumbUrl":826,"material":48,"size":49,"collection":30,"collections":827,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},253533,"huang-you-ci-zi-mu-hou-yi-ming-253533","黄釉瓷子母猴",[24,109,110,111,23,825,784,7],"动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b20cbcb6327a3edadd0dd55ab9e59c3.jpg",[],{"id":829,"slug":830,"title":831,"dynasty":131,"author":19,"museum":20,"description":271,"tags":832,"thumbUrl":835,"material":48,"size":49,"collection":30,"collections":836,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231923,"cu-ci-bei-yi-ming-231923","粗瓷杯",[24,274,833,386,146,7,834],"粗瓷","手工制作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F484e34342297ee7cb7f1ab4daaf40744.jpg",[],{"id":838,"slug":839,"title":840,"dynasty":131,"author":19,"museum":20,"description":841,"tags":842,"thumbUrl":846,"material":48,"size":49,"collection":30,"collections":847,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231920,"qian-zi-hua-pen-yi-ming-231920","浅紫花盆","元釉里红是元代中国传统瓷器烧造中最具有代表性的一个品种。元釉里红是陶瓷装饰历史上重要发明之一。元代八方龙纹釉里红拔白梅瓶它为釉下铜红彩绘、拔白、打板、接胎而成，烧成难度大，氛围特殊性强，应该说元釉里红瓷器是陶瓷史上的一次伟大创新。流传的元代釉里红瓷器也很少，可见它的历史性、艺术性、珍贵性，堪称华夏文明的瑰宝。",[274,24,843,190,844,459,845,7,747],"浅紫釉","乳钉纹","古代器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad9a37658907891e0b9a95aab4c1ccc7.jpg",[],{"id":849,"slug":850,"title":851,"dynasty":18,"author":19,"museum":20,"description":271,"tags":852,"thumbUrl":854,"material":48,"size":49,"collection":30,"collections":855,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231895,"bai-ci-da-wan-yi-ming-231895","白瓷大碗",[24,146,853,23,7],"白瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07578ada75e1524ed25e4121d869a2b0.jpg",[],{"id":857,"slug":858,"title":859,"dynasty":131,"author":19,"museum":20,"description":841,"tags":860,"thumbUrl":862,"material":48,"size":49,"collection":30,"collections":863,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":370},231880,"da-du-guan-yi-ming-231880","大肚罐",[274,24,25,861,7,85,450],"罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0a230c5b6b2039ad0fc179f8b91a01e.jpg",[],{"id":865,"slug":866,"title":867,"dynasty":131,"author":19,"museum":20,"description":173,"tags":868,"thumbUrl":871,"material":48,"size":49,"collection":30,"collections":872,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231872,"cai-you-shuang-er-guan-yi-ming-231872","彩釉双耳罐",[24,869,273,861,870,274,7,178],"彩釉","镂空","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7dc5950f752d40d3390e842ab107b63.jpg",[],{"id":874,"slug":875,"title":876,"dynasty":131,"author":19,"museum":20,"description":121,"tags":877,"thumbUrl":879,"material":48,"size":49,"collection":30,"collections":880,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},231870,"shuang-er-ping-yi-ming-231870","双耳瓶",[24,25,274,7,747,878],"釉饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1d46d24b6a6b8cc0fb44d8e8ba47552.jpg",[],{"id":882,"slug":883,"title":884,"dynasty":18,"author":19,"museum":20,"description":121,"tags":885,"thumbUrl":889,"material":48,"size":49,"collection":30,"collections":890,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231862,"ping-di-wan-yi-ming-231862","平底碗",[18,24,886,61,178,887,7,888],"黑釉","平底","斑点","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ca87586dcd1071caa530983acba1287.jpg",[],{"id":892,"slug":893,"title":894,"dynasty":131,"author":19,"museum":20,"description":70,"tags":895,"thumbUrl":896,"material":48,"size":49,"collection":30,"collections":897,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231524,"gao-jiao-bei-yi-ming-231524","高脚杯",[24,386,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F609b5d77ff1097eab9fb7a3b47091b7a.jpg",[],{"id":899,"slug":900,"title":901,"dynasty":131,"author":19,"museum":20,"description":271,"tags":902,"thumbUrl":904,"material":48,"size":49,"collection":30,"collections":905,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231502,"ci-wan-yi-ming-231502","瓷碗",[24,25,274,46,7,903],"圆形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3bbdbefe6f0308fbb97eb3b676f0891.jpg",[],{"id":907,"slug":908,"title":909,"dynasty":18,"author":19,"museum":20,"description":271,"tags":910,"thumbUrl":911,"material":48,"size":49,"collection":30,"collections":912,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},231065,"cu-ci-wan-yi-ming-231065","粗瓷碗",[18,24,146,833,178,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39516362436956c47942de3927144f65.jpg",[],{"id":914,"slug":915,"title":916,"dynasty":18,"author":19,"museum":20,"description":271,"tags":917,"thumbUrl":918,"material":48,"size":49,"collection":30,"collections":919,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},231064,"mo-ci-wan-yi-ming-231064","墨瓷碗",[23,24,886,146,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F976edb77fe564f94cb0ab92359798f27.jpg",[],{"id":921,"slug":922,"title":923,"dynasty":40,"author":19,"museum":20,"description":737,"tags":924,"thumbUrl":925,"material":48,"size":49,"collection":30,"collections":926,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},229516,"dong-qing-you-yao-yuan-ping-yi-ming-229516","冬青釉腰圆瓶",[24,492,85,25,134,43,7,264],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4f48baa615c1528a21f7e0d63de1fa0.jpg",[],{"id":928,"slug":929,"title":930,"dynasty":40,"author":19,"museum":20,"description":41,"tags":931,"thumbUrl":932,"material":48,"size":49,"collection":30,"collections":933,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},229484,"yong-zheng-hong-you-wan-6-yi-ming-229484","雍正 红釉碗-6",[24,705,25,43,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71015731da4eb65edf058397e89a901c.jpg",[],{"id":935,"slug":936,"title":937,"dynasty":40,"author":19,"museum":20,"description":271,"tags":938,"thumbUrl":942,"material":48,"size":49,"collection":30,"collections":943,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},229189,"qian-long-fang-guan-qing-ci-guan-er-hu-yi-ming-229189","乾隆 仿官青瓷贯耳壶",[24,939,82,25,940,43,941,7,523],"仿官","仿古","贯耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F230fdba61674625a97e5c672bafd9184.jpg",[],{"id":945,"slug":946,"title":947,"dynasty":57,"author":19,"museum":20,"description":406,"tags":948,"thumbUrl":959,"material":48,"size":49,"collection":30,"collections":960,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},228587,"tian-bai-ru-yi-er-bian-hu-yi-ming-228587","甜白如意耳扁壶",[24,408,385,410,590,623,46,192,949,853,718,7,950,951,177,952,953,954,955,956,957,721,958],"装饰工艺","器物造型","传统陶瓷","明代陶瓷","如意纹饰","耳饰装饰","扁圆形器身","长颈","瓷壶","陶瓷技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5f0f579c5558def59f0579d50605272.jpg",[],{"id":962,"slug":963,"title":964,"dynasty":57,"author":19,"museum":20,"description":965,"tags":966,"thumbUrl":969,"material":48,"size":49,"collection":30,"collections":970,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},228510,"cui-qing-san-xi-gai-guan-yi-ming-228510","翠青三系盖罐","灌的肩部釉三个环形小系。此灌还附有镗锣形的盖子，盖面隆起，这件瓷罐制作规整，胎体细腻，罐里及足内均施青白釉，外施翠青釉。",[385,24,967,968,436,178,7],"翠青釉","三系","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed23d7d4ecb49dd3b1b9a57996db127e.jpg",[],{"id":972,"slug":973,"title":974,"dynasty":131,"author":19,"museum":20,"description":271,"tags":975,"thumbUrl":976,"material":48,"size":49,"collection":30,"collections":977,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},228132,"qing-ci-he-ban-san-zu-hua-nang-yi-ming-228132","青瓷褐斑三足花囊",[274,24,82,250,190,7,178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd37dca5ee432b6f160144a96339bf85.jpg",[],{"id":979,"slug":980,"title":981,"dynasty":131,"author":19,"museum":20,"description":271,"tags":982,"thumbUrl":983,"material":48,"size":49,"collection":30,"collections":984,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},228109,"qing-ci-shuang-er-wan-yi-ming-228109","青瓷双耳碗",[24,25,82,85,274,7,273],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1e79a9f474d68e74b0086c467bff77b.jpg",[],{"id":986,"slug":987,"title":670,"dynasty":18,"author":19,"museum":20,"description":121,"tags":988,"thumbUrl":992,"material":48,"size":49,"collection":30,"collections":993,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},227961,"wan-yi-ming-227961",[18,24,623,989,155,146,990,7,991],"花口","素面","造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7920633d7209c2e7223c3469f76ebc6.jpg",[],{"id":995,"slug":996,"title":997,"dynasty":18,"author":19,"museum":20,"description":173,"tags":998,"thumbUrl":1000,"material":48,"size":49,"collection":30,"collections":1001,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},227669,"lan-you-ci-wan-yi-ming-227669","蓝釉瓷碗",[23,24,999,146,670,7],"蓝釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F219fae6fda7db2754e80972f77006ac4.jpg",[],{"id":1003,"slug":1004,"title":1005,"dynasty":18,"author":19,"museum":20,"description":1006,"tags":1007,"thumbUrl":1008,"material":48,"size":49,"collection":30,"collections":1009,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},227664,"die-zi-yi-ming-227664","碟子","宋朝瓷器，即宋代的瓷器，宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。",[18,24,25,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6535889ab2b6f1d46680e4b21da092b3.jpg",[],{"id":1011,"slug":1012,"title":1013,"dynasty":18,"author":19,"museum":20,"description":173,"tags":1014,"thumbUrl":1015,"material":48,"size":49,"collection":30,"collections":1016,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},227655,"shen-se-you-wan-yi-ming-227655","深色釉碗",[18,24,26,7,25,670],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d0d7bb7b1fd7b43c82ed59c0ee1c786.jpg",[],{"id":1018,"slug":1019,"title":1020,"dynasty":131,"author":19,"museum":20,"description":271,"tags":1021,"thumbUrl":1023,"material":48,"size":49,"collection":30,"collections":1024,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":88},226678,"ci-shui-hu-yi-ming-226678","瓷水壶",[274,24,46,179,146,7,1022],"刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19482a3b14b86918bece17d3360bdc29.jpg",[],{"id":1026,"slug":1027,"title":1028,"dynasty":18,"author":19,"museum":20,"description":173,"tags":1029,"thumbUrl":1032,"material":48,"size":49,"collection":30,"collections":1033,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},223791,"qing-ci-hua-shi-xi-1-yi-ming-223791","青瓷花式洗-1",[18,24,82,85,1030,25,476,46,1031,7],"花式","洗形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dcca555dd719415dc24d81ff15e2668.jpg",[],{"id":1035,"slug":1036,"title":1037,"dynasty":18,"author":19,"museum":20,"description":173,"tags":1038,"thumbUrl":1040,"material":48,"size":49,"collection":30,"collections":1041,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},223768,"qing-ci-zhang-jing-ping-yi-ming-223768","青瓷长颈瓶",[18,24,82,134,956,7,990,1039],"宋代陶瓷风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5476c00f5d0df97119e178cf8372941.jpg",[],{"id":1043,"slug":1044,"title":1045,"dynasty":18,"author":19,"museum":20,"description":1046,"tags":1047,"thumbUrl":10,"material":48,"size":49,"collection":30,"collections":1048,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},223720,"qing-ci-shui-xian-pen-yi-ming-223720","青瓷水仙盆","宋汝窑青瓷水仙盆，椭圆形盆，侈口、深壁，平底凸出窄边稜，四云头形足；周壁胎薄，底足略厚。通体满布天青釉，极匀润；底边釉积处略含淡碧色；口缘与稜角釉薄处呈浅粉色。",[24,82,25,23,7,85],[],1777535704344]