[{"data":1,"prerenderedAt":124},["ShallowReactive",2],{"subject-yu-fu-1901":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1901,"yu-fu-1901","渔夫","渔夫画高清赏析","精选中国历代渔夫题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff401afbb8d4135e28c5b6c7fbd098648.jpg",0,4,[14,65,89,108],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":56,"material":57,"size":58,"collection":59,"collections":60,"showCount":62,"zanCount":63,"manualWeight":11,"mainColor":64},222241,"yu-le-tu-ding-yu-chuan-222241","渔乐图","明","丁玉川","台北故宫博物院","这张画是一件无款作品，在过去的著录中，一直被当成宋人画。不过，很幸运地，在画幅的右上角，发现一颗“玉川”的印章，经过风格及印章的比对，证实画家的身份为明代中期浙派的丁玉川。\n这幅画采用元代典型的“一河两岸”横图，空阔的河面将画面切割成上下两段，前景是长满芦苇的坡岸，远景则为弥漫云雾的低矮山峦。岸边停泊一艘渔船，有文人在船上饮酒，一副悠闲自乐的模样。这幅画的横图和题材都令人想起吴镇《渔父图轴》（国立故宫博物院藏），由此可以看到他的绘画受到元人的影响。除此之外，本幅画也运用了“斧劈皴”的笔法来描绘山石，及藉助大量的水墨烘染云雾，这些技法则是延续南宋院体的风格。丁玉川的绘画吸收浙江画派在宋、元时代的源流，而他的题材也偏向抒情山水或文人田园生活，这些都让他的艺术拥有一种古典的美感。",[23,24,25,26,27,28,29,30,7,31,32,33,34,35,36,37,38,39,40,41,42,43,44,45,46,47,48,49,50,51,52,53,54,55],"高清","国画","设色","山水","工笔","孤舟","渔乐","竹","远山","云雾","流水","岸","树","草","芦苇","小船","岸石","枯树","汀渚","渔人","舟楫","烟波","浅滩","丛竹","近岸","远岫","霭气","水域","坡岸","草木","舟船","垂钓","渔家","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3943b3f13349188ff3f7f565630f3e55.jpg","绢","纵270厘米、横174.4厘米","山水画精选",[59,61],"水墨画精选",48,1,"795548",{"id":66,"slug":67,"title":68,"dynasty":69,"author":70,"museum":71,"description":72,"tags":73,"thumbUrl":83,"material":84,"size":85,"collection":86,"collections":87,"showCount":88,"zanCount":11,"manualWeight":11,"mainColor":64},225747,"fisherman-and-boats-from-the-pont-de-clichy-fan-gao-225747","Fisherman and boats from the Pont de Clichy","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[74,75,25,76,7,77,78,33,79,80,29,81,82],"名画","油画","后印象派","船","桥","树木","黄叶","人物","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb8c3f712674167c7884bf0e358d5cee.jpg","未知","Xcm*Xcm","油画精选",[86],32,{"id":90,"slug":91,"title":92,"dynasty":93,"author":94,"museum":71,"description":95,"tags":96,"thumbUrl":104,"material":105,"size":105,"collection":105,"collections":106,"showCount":107,"zanCount":11,"manualWeight":11,"mainColor":64},227983,"ze-pan-ji-feng-tu-xia-gui-227983","泽畔疾风图","宋","夏圭","取景偏于一隅，以少胜多尽显空灵意蕴。坡岸古松欹斜偃蹇，枝叶被劲风催动翻卷，将无形疾风化作可见的动势。滩头渔人躬身急收渔具，在仓促忙乱间把江上风急的冷寂氛围具象化。对岸远山以淡墨晕染，崖顶隐于朦胧间，不着一笔却见江天辽远。留白化作淼淼烟波与空阔长天，以虚代实，寥寥数笔便将骤风起于泽畔的瞬态凝固，把江野的清寂苍劲藏在简淡水墨中，尽显山水小景的写意妙趣。",[74,24,97,98,99,25,26,100,28,29,101,102,79,7,103],"书画","扇面","水墨","老树","皴法","山石","疾风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee58dbb89ce2c636b498ecbaa6feb6ca.jpg","",[],25,{"id":109,"slug":110,"title":111,"dynasty":93,"author":112,"museum":71,"description":113,"tags":114,"thumbUrl":119,"material":120,"size":121,"collection":105,"collections":122,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":64},232882,"chun-xiao-bu-yu-tu-zhou-zhao-gou-232882","春晓捕鱼图轴","赵构","宋高宗赵构（1107年6月12日－1187年11月9日），字德基，宋朝第十位皇帝、南宋第一代皇帝，在位三十五年。北宋皇帝宋徽宗第九子，宋钦宗之弟；曾获封为“康王”。在位初期因为眼见金朝强势，为了保持江山，起用主战派李纲、岳飞等等。但恐惧将领权力过大，为了强化中央集权，采取求和政策，终于绍兴十一年（1141年）与金朝达成绍兴和议，重用主和派黄潜善、汪伯彦、王伦、秦桧等人，并处死岳飞，罢免李纲、张浚、韩世忠等主战派大臣，对金称臣。从此南宋与金朝形成南北对峙之格局。",[23,74,24,97,115,99,101,26,28,29,79,31,116,7,117,118,38],"立轴","水面","河流","山峦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe763ad8aae0080dc493a95d5237f9554.jpg","纸本","97x53 厘米",[],17,1777535759144]