[{"data":1,"prerenderedAt":44},["ShallowReactive",2],{"subject-yu-lu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8159,"yu-lu","御炉","御炉画高清赏析","精选中国历代御炉题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88bbc2bf8edaa3451a106409287e19fd.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},241694,"qi-lv-heng-pi-xu-fu-241694","七律横披","清","徐郙","藏地不详","徐郙（1838—1907），字寿蘅，号颂阁，江苏嘉定（今上海嘉定）人。同治元年（1862）状元，先后授翰林院修撰、南书房行走、安徽学政、江西学政、左都御史、兵部尚书、礼部尚书等职，拜协办大学士，世称徐相国。\n徐颂阁工诗，精于书法，擅画山水，入词馆，被召直南书房。慈禧常谕徐郙字有福气，晚年御笔作画，悉命徐郙题志，传世慈禧画作中多见徐郙行楷诗题。因兼具金石派学养，黄宾虹评价徐郙云：“徐颂阁、张野樵一流，为乾嘉画家所不逮”。\n徐郙收藏金石拓片珍本与名画甚多。据李寿民《还珠楼丛谈》记载，庚辰本《脂砚斋重评石头记》也曾为徐郙旧藏。\n徐郙与康熙状元王敬铭、乾隆状元秦大成并称“嘉定三状元”。",[23,24,25,26,27,28,29,30,31,32,7,33,34,35,36,37],"书法","楷书","横披","设色","瑶池","日","龙","柳","春水","宫花","金壶","玉碗","殿","云","凤","未知","Xcm*Xcm","",[],6,"37474F",1777535845949]