[{"data":1,"prerenderedAt":33},["ShallowReactive",2],{"subject-yu-mao-sha":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11865,"yu-mao-sha","羽毛纱","羽毛纱画高清赏析","精选中国历代羽毛纱题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa769f1972fefa8e6ad64a6ae8dd5a206.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":31,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},268150,"huang-se-yu-mao-sha-dui-jin-jia-ma-gua-yi-ming-268150","黄色羽毛纱对襟夹马褂","清","佚名","藏地不详","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 “短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[23,24,25,26,27,7],"衣帽","马褂","对襟","夹衣","布料","未知","Xcm*Xcm","",[],"BDBDBD",1777535896500]