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的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[43,44,7,23,45,46,47,48],"夏代","古玉","兽面纹","礼器","器","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84f699c6829f280c2ab97dc7558c7998.jpg","未知","Xcm*Xcm",[],408,1,"795548",{"id":57,"slug":58,"title":59,"dynasty":60,"author":19,"museum":20,"description":41,"tags":61,"thumbUrl":65,"material":50,"size":51,"collection":30,"collections":66,"showCount":67,"zanCount":68,"manualWeight":11,"mainColor":55},224006,"hong-shan-wen-hua-wan-qi-yue-ju-jin-5500-5000-nian-niao-xing-yu-pei-yi-ming-224006","红山文化晚期 约距今5500-5000年 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Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[7,23,78,480,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfc387d8bd3ea53f2d3b1c9245701ced.jpg",[],{"id":562,"slug":563,"title":564,"dynasty":60,"author":19,"museum":20,"description":565,"tags":566,"thumbUrl":567,"material":50,"size":51,"collection":30,"collections":568,"showCount":569,"zanCount":54,"manualWeight":11,"mainColor":55},226721,"yue-ju-jin-7000-5500-nian-song-hei-di-qu-san-lian-bi-yi-ming-226721","约距今7000-5500年松黑地区三连璧","玉質溫潤瑩透，製作古雅，由玉質和製作技法觀察，應為紅山文化遺物。",[60,7,64,23,27,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F704c18a2e3cb36f19d9fffdc31d0a19c.jpg",[],40,{"id":571,"slug":572,"title":573,"dynasty":18,"author":19,"museum":20,"description":574,"tags":575,"thumbUrl":577,"material":30,"size":30,"collection":31,"collections":578,"showCount":569,"zanCount":54,"manualWeight":11,"mainColor":55},221648,"yu-ji-yi-ming-221648","玉鸡","玉色匀净，糖色晕染过渡自然，将雄鸡蜷曲成圆融一团，柔化了禽鸟的英武，尽显温润沉静。\n匠人以阴刻细细勾勒冠羽与翎毛，纹理疏密有致，写实中带着宋韵雅致，把雄鸡的勃勃生机藏于玉身之内。将日常祥禽化作可赏可玩的掌中清玩，把雅致的赏玩意趣凝于一方玉料中，古朴静雅间暗涌鲜活意趣，尽显宋代玉雕写实又不失温婉的审美意致。",[90,7,23,576,423],"鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82445f6a3c5171102ccd5debe060039e.jpg",[31],{"id":580,"slug":581,"title":582,"dynasty":73,"author":19,"museum":20,"description":583,"tags":584,"thumbUrl":587,"material":30,"size":30,"collection":104,"collections":588,"showCount":589,"zanCount":11,"manualWeight":11,"mainColor":35},251518,"bi-yu-shi-ba-luo-han-zu-cha-ba-na-ta-ga-zun-zhe-yi-ming-251518","碧玉十八罗汉-租查巴纳塔嘠尊者","此作取料碧玉，色泽匀净苍润，凝腻莹泽。罗汉结跏趺坐，面容清癯高古，长髯垂胸，眉眼低垂，正潜心运笔落于砚板之上，神态沉静安然，将高僧著述时的专注澹定刻画入微。衣褶流转自然，线条柔婉却暗含挺括质感，褶皱层次分明，写实生动。座侧衬饰莲华，更添出尘清雅之态。\n\n整器刀法浑朴老辣，造型浑厚沉稳，形神兼备，尽显清代玉雕写实功力，将尊者内敛超脱的气度诠释得淋漓尽致，是一件极具匠心的玉雕精品。",[7,23,434,102,76,585,586],"罗汉","玉雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F431c0c74a69aed6d7015915a97022c06.jpg",[104],37,{"id":591,"slug":592,"title":593,"dynasty":60,"author":19,"museum":20,"description":594,"tags":595,"thumbUrl":597,"material":50,"size":51,"collection":30,"collections":598,"showCount":599,"zanCount":11,"manualWeight":11,"mainColor":35},226719,"su-xi-bi-yi-ming-226719","素系璧","青玉，灰脂色，滿布深淺不一的褐絲紋，半透明。全器為一單面鑽孔所剩下的鑽心所作成，外緣斜壁有多個磨面和磨稜；中孔單面桯鑽，方向與原器之鑽孔方向相反，孔壁亦斜而有旋轉紋，上口大，底口小而留有毛邊。表面光素溫潤。可能係用製作大璧中孔所剩之圓片加工而成。",[7,47,23,596,60],"素面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbff59e66b31215d293507e01c23b9f35.jpg",[],36,{"id":601,"slug":602,"title":603,"dynasty":73,"author":19,"museum":20,"description":604,"tags":605,"thumbUrl":609,"material":50,"size":51,"collection":610,"collections":611,"showCount":612,"zanCount":54,"manualWeight":11,"mainColor":55},270515,"yao-bian-you-pen-yu-shi-he-hua-pen-jing-yi-ming-270515","窑变釉盆玉石荷花盆景","烧造瓷器，凡在开窑后发现不是预期的形状或釉色，以至于传世瓷器有时发生特异的情况者，都可说是“窑变”。《稗史汇编》说：“瓷有同是一质，遂成异质，同是一色，遂成异色者，水土所合，非人力之巧所能加，是之谓窑变。”总而言之，窑变大致可分为变形、变色、变质等数种。\n窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。因由窑变釉出现出于偶然，形态特别，人们又不知其原理，只知于窑内焙烧过程变化而得，故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。",[606,7,23,489,607,608],"陶瓷","荷叶","盆景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4309ecdb93eb52d598c88d6247e7df0.jpg","瓷器精选",[610],35,{"id":614,"slug":615,"title":616,"dynasty":73,"author":19,"museum":20,"description":617,"tags":618,"thumbUrl":619,"material":30,"size":30,"collection":31,"collections":620,"showCount":612,"zanCount":11,"manualWeight":11,"mainColor":55},241919,"cui-yan-zui-yi-ming-241919","翠烟嘴","这件烟嘴以满色浓翠为材，色泽匀净幽深，如将一汪碧潭凝于方寸之间。形制简约规整，线条利落圆融，自上而下缓缓收放，贴合握持手感，将实用性与观赏性相融相生。\n\n整器无过多赘饰，全然以翡翠本身的莹润质感发声，内敛宝光在表面晕开，尽显沉静雅致的东方意趣，把寻常日用之物，打磨成可赏可玩的掌中清玩，藏着旧时的闲适余韵，尽显含蓄克制的中式美学格调。",[76,7,23,27,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a5735dd2bb562964717b654b8d7b19d.jpg",[31],{"id":622,"slug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汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[299,375,23,7,27,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b04653f4af6d87789941376a9ac9ece.jpg",[],{"id":902,"slug":903,"title":904,"dynasty":73,"author":19,"museum":20,"description":905,"tags":906,"thumbUrl":914,"material":50,"size":51,"collection":30,"collections":915,"showCount":916,"zanCount":54,"manualWeight":11,"mainColor":94},272942,"hua-li-mu-bian-qian-yu-ya-bo-gu-tu-gua-ping-yi-ming-272942","花梨木边嵌玉牙博古图挂屏","以素帛为底，将玉、牙诸珍料精巧嵌作博古清供。瓶梅横斜生韵，瑞兽憨态宛然，各式清供错落排布，复刻文房闲赏之景。瓷瓶莹润雅致，玉雕灵动细腻，搭配精巧铜座，将案头雅趣凝于屏间。匠者以镶嵌之工，把文人耽爱的清居意趣定格，件件小品细节入微，尽显手作精妙心思，将文玩雅韵与工艺巧思相融，满溢古韵闲情。",[907,908,909,7,910,606,23,911,912,47,913],"挂屏","博古图","木质","象牙","兔","花鸟","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa47b74d35afb69c7607b1f7c045c8498.jpg",[],17,{"id":918,"slug":919,"title":920,"dynasty":921,"author":19,"museum":20,"description":922,"tags":923,"thumbUrl":928,"material":50,"size":51,"collection":30,"collections":929,"showCount":916,"zanCount":11,"manualWeight":11,"mainColor":55},251969,"bai-yu-tou-diao-shuang-feng-mu-dan-wen-qian-jian-yi-ming-251969","白玉透雕双凤牡丹纹嵌件","唐","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[7,23,24,924,925,926,927],"双凤","牡丹","唐代","嵌件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc43e9d805a281b8525ac3d3f03fb7600.jpg",[],{"id":931,"slug":932,"title":933,"dynasty":700,"author":19,"museum":20,"description":557,"tags":934,"thumbUrl":935,"material":50,"size":51,"collection":30,"collections":936,"showCount":916,"zanCount":11,"manualWeight":11,"mainColor":94},226747,"tu-yuan-bi-yi-ming-226747","凸缘璧",[7,23,46,47,702],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1fe4d3bb05fa28d676c57ecd8e6b231.jpg",[],{"id":938,"slug":939,"title":940,"dynasty":60,"author":19,"museum":20,"description":941,"tags":942,"thumbUrl":943,"material":50,"size":51,"collection":30,"collections":944,"showCount":916,"zanCount":11,"manualWeight":11,"mainColor":94},226726,"yue-guan-shi-yi-ming-226726","钺冠饰","玉造形颇相似于半个倒梯形器。外缘上方作阶梯状，再以内凹的弧形收折至一定的宽度。底线平直，并于底面挖入长椭形的凹槽，以利套嵌。 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珠宝工艺的匠心造诣。",[76,27,200,7,310,3944],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43c5ce795d2c595376963947e42ab46a.jpg",[],{"id":7660,"slug":7661,"title":7662,"dynasty":73,"author":19,"museum":20,"description":7663,"tags":7664,"thumbUrl":7665,"material":50,"size":51,"collection":30,"collections":7666,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":35},241828,"cui-xiang-nang-yi-ming-241828","翠香囊","满色翠绿莹润通透，以透雕技法镌出缠枝纹样，灵动雅致，既为妆饰，又可纳香散芬，将装饰性与实用性精妙结合。配搭朱红珊瑚圆珠，与翠绿主石冷暖相映，鎏金饰件与米珠串联其间，更添华贵质感。下端珊瑚流苏缀以翠色小珠收尾，轻摇间流光婉转，尽展匠人之巧思，将玉石、珠宝工艺相融，藏着旧时雅致的生活意趣，是配饰工艺里的精巧之作。",[76,7,23,27,200,978,1608,1797,3218],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b8140b2755193f8b59c087212ec3bb9.jpg",[],{"id":7668,"slug":7669,"title":7670,"dynasty":73,"author":19,"museum":20,"description":7671,"tags":7672,"thumbUrl":7674,"material":50,"size":51,"collection":30,"collections":7675,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":94},241790,"huang-bi-xi-dai-zhu-cui-shi-shi-ba-zi-shou-chuan-yi-ming-241790","黄碧玺带珠翠饰十八子手串","黄碧玺珠体澄澈莹润，缕缕金丝状内含物流转其间，似凝住了细碎日光，自带温婉柔光。暖橘配珠匀净饱满，撞色鲜活亮眼，间以翠绿饰珠柔和过渡，配色明丽和谐，尽显巧思。佛头、佛塔成套呼应，素绳收尾简约耐看，将天然材质的清灵美感烘托恰到好处。它是天然珍宝与审美巧思的合璧，温婉又带着明艳生机，藏着旧时雅致的东方意趣，静静晕开从容雅致的古韵。",[76,7,7673,135,27,821,23],"黄碧玺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65a15360bb92e0107c890e326439d5bc.jpg",[],{"id":7677,"slug":7678,"title":7679,"dynasty":73,"author":19,"museum":20,"description":7680,"tags":7681,"thumbUrl":7683,"material":50,"size":51,"collection":30,"collections":7684,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":183},241788,"mao-yan-shi-yi-ming-241788","猫眼石","它凝萃天地灵韵，莹润肌理仿若凝脂，表层裹着岁月摩挲出的柔亮包浆。深橄榄色泽如陈酿晕开，中心晕出蜜蜡般暖黄光韵，恰似子夜蛰伏的猫眼，敛着幽幽精光，静谧里暗含灵动生机。\n\n形制随形就势，无刻意雕琢的匠气，带着古拙随性的质感，将天然晶石的通透澄澈，与旧时光浸润出的厚重融于一体，静静晕开沉静雅致的东方意趣，藏着被反复摩挲过的温热记忆。",[76,7,23,7682,376,27],"抛光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4edbc5898d9fba44616157ce8fb27316.jpg",[],{"id":7686,"slug":7687,"title":3894,"dynasty":73,"author":19,"museum":20,"description":7688,"tags":7689,"thumbUrl":7691,"material":50,"size":51,"collection":30,"collections":7692,"showCount":68,"zanCount":54,"manualWeight":11,"mainColor":94},241778,"bi-xi-dai-cui-shi-shi-ba-zi-shou-chuan-yi-ming-241778","粉碧玺珠体清透莹润，冰裂纹理晕开桃花初绽般的柔粉氤氲，恰如春日朝露凝在瓣间。正阳翡翠珠点缀其间，浓绿似山涧新翠，冷暖撞色，艳而不妖，将柔婉与清刚融于一身。\n\n佛头与隔珠取同料翠玉，圆融饱满，配缠金丝与米珠流苏，精巧华贵。这手串藏着旧时闺阁的温婉意趣，触手温润，观之明秀，把玉石天然灵韵与匠心工艺揉合，尽现雅致端庄的东方配饰美学。",[76,27,7,203,23,131,125,135,3102,7690],"金属配件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2510a9ce19972253b35399b9473bd674.jpg",[],{"id":7694,"slug":7695,"title":7696,"dynasty":73,"author":19,"museum":20,"description":7697,"tags":7698,"thumbUrl":7701,"material":50,"size":51,"collection":30,"collections":7702,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":183},241768,"ga-nan-xiang-dai-zhu-shi-cui-pei-yi-ming-241768","伽南香带珠饰翠佩","古人的很多生活器具都是由玉雕成的，能常戴在身上的惟有玉佩。繁钦诗中“美玉”是指玉做的佩，或写作“佩”。古人对玉佩的热爱不是因为玉的贵重，而是源于玉的品格，所以古语有“君子无故，玉不去身”。",[76,27,23,909,489,7,136,7699,7700],"翠佩","伽南香","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3abd6d688af0b3c93bd12fdc0bbfc88.jpg",[],{"id":7704,"slug":7705,"title":7706,"dynasty":73,"author":19,"museum":20,"description":7697,"tags":7707,"thumbUrl":7708,"material":50,"size":51,"collection":30,"collections":7709,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":35},241766,"bi-xi-dai-cui-hu-lu-pei-yi-ming-241766","碧玺带翠葫芦佩",[76,23,125,7,1608,27,548],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8e957ac8f64aa747d158941b281a84f.jpg",[],{"id":7711,"slug":7712,"title":7713,"dynasty":73,"author":19,"museum":20,"description":7714,"tags":7715,"thumbUrl":7716,"material":50,"size":51,"collection":30,"collections":7717,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":35},241761,"ye-zi-dai-cui-shi-wu-fang-fu-chao-zhu-yi-ming-241761","椰子带翠饰五方佛朝珠","整体形制规整端雅，以匀净质朴的椰子珠为主体串制，自带天然温润质感。湖绿色翠质结珠与背云莹润通透，中和椰珠沉哑色调，明丽清新。鲜亮珊瑚小珠错落垂下，配搭小巧翠坠，层次分明，与主珠相映成趣。下方背云所缀红料坠角浓艳饱满，利落收尾。\n整套朝珠选材杂糅却和谐统一，清隽不失华贵，恪守礼制规制的同时，尽显旧时匠人巧思，将天然材质的质感与配色美学融合，静静诠释着古典雅致的审美风尚。",[76,27,7,434,23,909],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59dd3e0d7b4c407fe0fcbec7e36ebce3.jpg",[],{"id":7719,"slug":7720,"title":7721,"dynasty":73,"author":19,"museum":20,"description":1279,"tags":7722,"thumbUrl":7724,"material":50,"size":51,"collection":30,"collections":7725,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":35},241724,"cui-shuang-shi-ru-yi-bei-yun-yi-ming-241724","翠双柿如意背云",[76,7,23,203,7723,966,27,344,132],"柿子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55e1c44915eb85951f157f91ea4b98fa.jpg",[],{"id":7727,"slug":7728,"title":7729,"dynasty":73,"author":19,"museum":20,"description":7730,"tags":7731,"thumbUrl":7732,"material":50,"size":51,"collection":30,"collections":7733,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":242},241723,"cui-he-ye-bei-yun-yi-ming-241723","翠荷叶背云","这枚翠饰满色浓绿，莹润鲜亮，似将盛夏荷塘的鲜活翠色凝于方寸之上。以透雕结合浅浮雕工艺琢出荷叶造型，叶身卷折柔婉，脉络舒展自然，暗合水波漾开的灵动感。镂空处疏密有致，让整件器物古雅精巧又不失通透灵气。佩于衣襟时，翠色随光影流动，将莲池清趣藏于随身，把夏日荷塘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问起这一风俗的来历，传说，还是三国时期貂蝉传下来的呢。 貂蝉原是东汉末汉献帝时司徒王允的一名歌伎，她长得相貌出众、能歌善舞，色伎俱佳，很受王允的宠爱，以亲女看待。当时，董卓专权，挟天子以令诸侯，大臣们对他恨之入骨，但是敢怒而不敢言。王允为此事也闷闷不乐，终日不思茶饭。 貂蝉虽是女流，可王允的心事，她却宗宗看在眼里，件件记在心中。她很会察言观色，为主人分忧解愁。在一个月光皎洁的夜晚，貂蝉在花园里设下香案，为主人祝祷。她虔诚地燃起三柱香火，仰天一拜说道：“明月呀明月，你虽昭昭洁白如洗，可知我家老爷心中烦恼？苍天呀苍天！我貂蝉虽乃女流之辈，老爷婢女，若能为老爷分担忧愁，我愿万死不辞。”恰在此时，王允因忧国心烦，夜不能寐，来到后花园赏月散心。他听见有人祝祷，连忙躲在一座假山后面，静听起来。他听完貂婶的祝愿，心情无比激动和感激，忙上前来，搀扶起这一歌女。 王允问貂婢：“你向苍天明月祈告，为我分忧解愁，可知我忧在何处？愁为何事呀！” 貂蝉说：“当然知道。” 王允又问：“既然知道，又有什么妙法替我杀了董卓？” 貂婢说：“只要老爷相信得过我，奴婢愿效犬马之劳，即使赴汤蹈火，也心甘情愿。” 王允听了，顿时为这女子的仗义和气魄所感动，当即认貂蝉为女儿。后来王允与貂蝉合议：先将貂蝉献于董卓，后再暗许吕布，以离间两人之交，让这董吕两人勾心斗角，互相杀害。 貂蝉耳垂小，怕自己美中不足，使董、吕二人看不上，使密谋落空。她想办法弥补，想了很久，终于想出了良法，就在家中拿了些碎银子，叫银匠给自己作了一对银耳坠，挂在耳垂上。这样过了不久，耳垂果然变大了，为她的美容又增添了不少姿色。 董卓一见貂蝉大喜！吕布一见貂蝉着迷，使董卓和吕布因争夺这一美女而激烈相斗。又因吕布貂蝉私通，恐事发觉，心神不安。王允设计使吕布为内应，结果董卓被杀了。 从此，戴耳坠也就传到了民间。",[73,27,7,128,203,127,2446,13055,23,13056],"福字","翠色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9985d0e4f7c2191e8257c9a2d927ee22.jpg",[],{"id":13060,"slug":13061,"title":13052,"dynasty":73,"author":19,"museum":20,"description":13053,"tags":13062,"thumbUrl":13063,"material":50,"size":51,"collection":30,"collections":13064,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},242127,"cui-qiu-ye-xing-er-zhui-yi-ming-242127",[76,7,310,127,23,2446,27,1608],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a690521035ee679382393d3f7c86457.jpg",[],{"id":13066,"slug":13067,"title":13068,"dynasty":73,"author":19,"museum":20,"description":13069,"tags":13070,"thumbUrl":13071,"material":50,"size":51,"collection":30,"collections":13072,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},242126,"mi-la-chao-zhu-yi-ming-242126","蜜蜡朝珠","莹润蜜蜡串起主链，暖棕柔光沉敛雅致，三颗湖水绿翡翠结珠错落点缀，清透翠色撞出亮眼层次。佛头以翡翠雕琢，配套背云内嵌翡翠圆牌，金饰镶边晕开华贵气质。\n\n细浅米珠拧成的记捻垂落，末端悬垂翡翠与宝色坠饰，轻晃时灵动生姿。整串配饰配色和谐，暖润蜜蜡衬得冷翠愈显清透，金饰细节尽显匠心巧思，将礼制规整与雅致审美融于一体，尽显旧时配饰的温婉华贵，是传统工艺的精巧缩影。",[76,27,9791,7,7590,978,1797],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f4d3ffb8834173c16494849f36bd6df.jpg",[],{"id":13074,"slug":13075,"title":13076,"dynasty":73,"author":19,"museum":20,"description":1071,"tags":13077,"thumbUrl":13078,"material":50,"size":51,"collection":30,"collections":13079,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},242088,"yin-du-jin-hu-lu-wen-zan-yi-ming-242088","银镀金葫芦纹簪",[73,27,645,2087,132,23,2714,7,114,310,309],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca996780caad9017b0629fed50fe3393.jpg",[],{"id":13081,"slug":13082,"title":13083,"dynasty":73,"author":19,"museum":20,"description":1071,"tags":13084,"thumbUrl":13086,"material":50,"size":51,"collection":30,"collections":13087,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},242081,"yin-du-jin-qing-ting-wen-zan-yi-ming-242081","银镀金蜻蜓纹簪",[76,309,310,27,129,132,23,13085,7,127,114],"蜻蜓纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbafe9be182b40a7ce573dd21035fe9f.jpg",[],{"id":13089,"slug":13090,"title":13091,"dynasty":73,"author":19,"museum":20,"description":13092,"tags":13093,"thumbUrl":13095,"material":50,"size":51,"collection":30,"collections":13096,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":183},241990,"dai-mao-xiang-zhu-shi-cui-hua-hui-wen-bian-fang-yi-ming-241990","玳瑁镶珠石翠花卉纹扁方","此扁方取玳瑁为材，自带琥珀般温润的天然晕纹，古雅沉静。两端以累丝为地，铺陈出精巧花境：粉润碧玺作花苞，莹绿翡翠雕就柔枝卷叶，点翠勾勒出秀逸题字，珍珠攒成花蕊，诸色相映成趣。\n花丝细工与宝石镶嵌相融，素净底色衬得珠翠愈发明媚，把闺阁的精致意趣凝于发间，尽显东方妆饰美学的雅致华贵，是旧时女子鬓畔的一抹流光。",[76,13094,7,132,480,27,165],"玳瑁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d29e9712ee42585e8a6faefdf738040.jpg",[],{"id":13098,"slug":13099,"title":13100,"dynasty":73,"author":19,"museum":20,"description":13101,"tags":13102,"thumbUrl":13103,"material":50,"size":51,"collection":30,"collections":13104,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241954,"ye-zi-dai-cui-nian-zhu-yi-ming-241954","椰子带翠念珠","主体椰子珠匀净饱满，棕调古朴沉静，自带内敛温润的质感。四颗粉碧玺分珠柔粉透亮，中和厚重底色，凭添华贵雅致。\n背云以银镶翠玉为芯，翠色澄澈莹润，提亮整体气韵。侧挂珊瑚记捻串缀米珠络子，下坠翡翠小坠，橙红与碧色相衬，在端庄制式里晕开明艳层次。\n整体排布规整考究，配色和谐精妙，工艺细腻入微，将材质天然质感与传统珠串礼制美学相融，尽显雅致清隽的古韵风华。",[73,27,909,7,434,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bc3956b1ae05a218a3b05665adce928.jpg",[],{"id":13106,"slug":13107,"title":13108,"dynasty":73,"author":19,"museum":20,"description":13109,"tags":13110,"thumbUrl":13113,"material":50,"size":51,"collection":30,"collections":13114,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241921,"yin-du-jin-xiang-cui-fa-jia-yi-ming-241921","银镀金镶翠发夹","莹润的翠条匀净通透，碧色澄澈内敛，带着玉石独有的清灵水气。银镀金底托扭纹走线细腻复古，以四枚卡扣稳稳衔住翠身，将贵金属的华贵与美玉的温婉柔和相融。\n\n修长的形制婉约雅致，藏着晚清闺阁的细腻审美。历经岁月淘洗，金底凝出温润包浆，翠色却依旧鲜亮莹润，静静晕开旧时的温婉意趣，将东方首饰的含蓄雅致凝于方寸之间。",[76,13111,13112,7,27],"银镀金工艺","镶嵌技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2b2f938ad633f2e7783c46f7e4c7e5f.jpg",[],{"id":13116,"slug":13117,"title":13118,"dynasty":285,"author":19,"museum":20,"description":13119,"tags":13120,"thumbUrl":13121,"material":50,"size":51,"collection":30,"collections":13122,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":94},241912,"jin-xiang-zhu-cui-er-zhui-yi-ming-241912","金镶珠翠耳坠","这款耳坠雅致清丽，以金为底托串联珠宝。颗颗珍珠饱满莹润，晕开柔润珠光，自带温婉质感。一端以金托镶嵌翠色莲叶，绿意澄澈通透，生机灵动，托举圆润珍珠，相映成趣。另一端以水滴形碧色翠石收尾，色泽匀净浓郁，搭配小颗珍珠与镶饰，和前端设计遥相呼应。双坠形制工整对称，金的华贵、珍珠的柔润与翠石的清翠相融，尽显东方首饰的精巧匠心，带着古典婉约的灵秀韵味，将旧时雅致审美藏于方寸之间。",[132,310,7,742,1608,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ff15045ee82d626f5600bd567d9f1e7.jpg",[],{"id":13124,"slug":13125,"title":13126,"dynasty":73,"author":19,"museum":20,"description":13127,"tags":13128,"thumbUrl":13129,"material":50,"size":51,"collection":30,"collections":13130,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":94},241910,"bai-jin-xiang-cui-xiang-lian-yi-ming-241910","白金镶翠项链","颗颗翡翠饱满匀净，浓绿似凝住的深潭春水，莹润光泽里晕开东方玉石独有的温婉沉静。简洁的白金包边勾勒出翠珠的圆润轮廓，利落贴合着玉质的温柔弧线。链身点缀的几何银饰切割利落，带着明快的西洋金工质感，将东方玉韵与西式精巧融于一身。\n\n它是西风东渐浪潮里的精致注脚，既有中式珠宝含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致相融，清丽贵气兼具礼制器物的庄重与配饰的雅致美感。",[76,27,7,133,23,132],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90a863b183d94731fcbc45ad75b08b40.jpg",[],{"id":13200,"slug":13201,"title":13202,"dynasty":73,"author":19,"museum":20,"description":41,"tags":13203,"thumbUrl":13206,"material":50,"size":51,"collection":30,"collections":13207,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":183},241834,"cui-yu-lou-diao-shuang-mian-xiang-nang-yi-ming-241834","翠玉镂雕双面香囊",[76,7,1297,23,27,78,978,113,13204,3898,13205],"橙色","双面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6edc879ac57d6cf623c26fa72ce60ec.jpg",[],{"id":13209,"slug":13210,"title":13194,"dynasty":73,"author":19,"museum":20,"description":13211,"tags":13212,"thumbUrl":13213,"material":50,"size":51,"collection":30,"collections":13214,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241831,"song-shi-chao-zhu-yi-ming-241831","这串朝珠以莹润绿松石为主珠，匀净苍绿如凝苍山翠色，沉静雅致。四颗浓红玛瑙隔珠错落点缀，冷暖相映，衬得整串层次分明，鲜活亮眼。\n\n佛头下的背云尤为精巧，缠金丝镶就轮廓，内嵌青金石晕开幽蓝，如藏夜空中的星芒，内敛又带着华贵气度。四串记捻以米珠串联，垂坠小巧嵌宝坠角，轻晃间自带灵动雅韵。\n\n整体制式规整肃穆，尽显旧时仪制的端庄华贵，松石的温润中和了礼制的严苛，将清雅意趣与朝堂仪轨相融，静静沉淀着岁月打磨过后的内敛风华。",[76,27,5999,7,3102,4868,114,203],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89133faa297896d0e3971128a6e553ab.jpg",[],{"id":13216,"slug":13217,"title":7662,"dynasty":73,"author":19,"museum":20,"description":13218,"tags":13219,"thumbUrl":13220,"material":50,"size":51,"collection":30,"collections":13221,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241827,"cui-xiang-nang-yi-ming-241827","这枚香囊以满色高翠雕琢而成，玉色浓莹鲜亮，水头饱满澄澈，尽显顶级老坑翡翠的绝佳质地。通体透雕缠枝纹样，刀工婉转流畅，镂刻出通透空灵的层次，既为香气留出散逸的缝隙，更衬出翠色清透灵动。\n\n配搭颇见巧思，珊瑚圆珠温婉润丽，与金质米珠错落串联，冷暖色调相映，更衬得翠色愈发娇妍。下端珊瑚米珠流苏垂落，间以翠绿饰条点缀，摇曳间尽显灵动雅致。当年悬于衣襟帐中，暗香随步履轻漫，将世家闲雅意趣凝于一身，是玉作与佩饰工艺交融的上乘之作。",[73,7,23,27,310,200,978,480],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2606a3122f301b94d43f525c82f7d0ea.jpg",[],{"id":13223,"slug":13224,"title":13225,"dynasty":73,"author":19,"museum":20,"description":41,"tags":13226,"thumbUrl":13228,"material":50,"size":51,"collection":30,"collections":13229,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":183},241822,"dai-mao-xiang-zhu-qian-yu-shi-hua-hui-wen-bian-fang-yi-ming-241822","玳瑁镶珠嵌玉石花卉纹扁方",[76,13094,2705,5185,6481,23,132,27,489,5358,136,7,11339,4868,13227,4871],"装饰艺术","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5144edf8853a97983847b1a997a95dfe.jpg",[],{"id":13231,"slug":13232,"title":13233,"dynasty":73,"author":19,"museum":20,"description":13234,"tags":13235,"thumbUrl":13237,"material":50,"size":51,"collection":30,"collections":13238,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241812,"jin-lei-si-xiang-cui-zhai-jie-pai-yi-ming-241812","金累丝镶翠斋戒牌","斋戒牌，中国古代行斋戒礼时所置示警牌。明洪武五年（1372）令诸衙门各制作木斋戒牌，刻文于上，文为“国有常定，神有鉴焉”。\n凡行祭祀则设置。清沿明制，凡大祀、中祀皇帝致祭，事前应斋戒，由太常寺进斋戒牌。斋戒牌为木质，饰以黄纸，以清汉文书写斋戒日期。圜丘、祈谷、常雩，皇帝宿内廷斋宫，于乾清门设斋戒牌二日，置于黄案。坛所斋宫设斋戒牌一日。皇后亲蚕，亦进斋戒牌，由太常寺进递到乾清门交给内监，置于交泰殿。各衙门官员斋戒，大祀斋于公署，于大堂正中设案置斋戒红牌；中祀斋于私署。行祀之日各佩斋戒牌，不理刑名，不宴会，不作乐，不入内寝，不问疾吊丧，而有疾有服者不与戒",[76,310,7,13236,1704,27,23],"累丝工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e2b2dde931b48d73e644d8185bf4172.jpg",[],{"id":13240,"slug":13241,"title":13242,"dynasty":73,"author":19,"museum":20,"description":1071,"tags":13243,"thumbUrl":13244,"material":50,"size":51,"collection":30,"collections":13245,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241807,"cui-lou-kong-pan-chang-wen-zan-yi-ming-241807","翠镂空盘肠纹簪",[76,7,515,23,10162,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15f3515560ef87e1d68cd4279f67da91.jpg",[],{"id":13247,"slug":13248,"title":13249,"dynasty":73,"author":19,"museum":20,"description":1071,"tags":13250,"thumbUrl":13251,"material":50,"size":51,"collection":30,"collections":13252,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241801,"cui-lou-kong-bian-fu-fo-shou-shi-liu-wen-zan-yi-ming-241801","翠镂空蝙蝠佛手石榴纹簪",[7,23,515,1963,443,2045,76,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12bbf1806a2a0c45ee76331a14d6b4f6.jpg",[],{"id":13254,"slug":13255,"title":7679,"dynasty":73,"author":19,"museum":20,"description":13256,"tags":13257,"thumbUrl":13258,"material":50,"size":51,"collection":30,"collections":13259,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241798,"mao-yan-shi-yi-ming-241798","这枚石品如凝冻的晓月，呈柔润蛋形，清透底色晕着乳白雾调，似将朝霭封存在肌理之中。一抹灵动光带如睡猫微醒的眼眸，随光影流转悄然变幻，内敛不彰却暗蕴生机。石面莹润细腻，仿佛裹挟着经年的温凉质感，未作繁复雕琢，仅以天然形态尽显沉静雅致的气韵，似藏着旧时光里的温柔意趣，静静晕开岁月沉淀下来的温润风华。",[76,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e6201d0ea88aa99153b209347b2b76e.jpg",[],{"id":13261,"slug":13262,"title":7679,"dynasty":73,"author":19,"museum":20,"description":13263,"tags":13264,"thumbUrl":13265,"material":50,"size":51,"collection":30,"collections":13266,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":35},241797,"mao-yan-shi-yi-ming-241797","这枚石品凝润如饴，澄澈黄调晕开，恰似将落日余晖封存在石心。灵动的猫眼效应横贯其身，如同灵猫半睁双眸，明暗交界晕开绒绒柔光，仿佛轻触便会漾开细碎涟漪。\n\n石身隐有天然肌理，裹着时光沉淀的温润包浆，褪去棱角的弧面，是岁月摩挲留下的温柔痕迹。静立之时，仿佛在呼吸间吞吐旧时光晕，将百年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跃于盒身，笔触细腻雅致。盒内青玉册页碾刻精工，字纹隽秀挺括，玉质莹润温糯，与外盒漆绘相映成趣。御制文辞凝于良玉，髹金漆饰衬其雅韵，将文辞深意与工艺巧思相融，尽显制器的细腻匠心，藏纳着传统文人的隐逸意趣，又不失端整气度，是文房清玩中的上乘佳制。",[1261,7,950,375,23,771,2927,102,743,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3310cf501b0a8a8ce5e085abe5d49198.jpg",[],{"id":24518,"slug":24519,"title":24520,"dynasty":73,"author":19,"museum":20,"description":24521,"tags":24522,"thumbUrl":24523,"material":50,"size":51,"collection":30,"collections":24524,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},275822,"qing-yu-yu-bi-ning-shou-gong-ming-ce-yi-ming-275822","青玉御笔宁寿宫铭册","此盒以黑漆为底，描金为饰，盖面开光题字，通身游龙腾跃于流云骇浪之中。描金线脚细密灵动，龙躯矫健遒劲，云纹舒卷连绵，海涛翻涌磅礴，繁丽纹饰排布严整不乱，金辉与乌漆相映，华贵雍容尽显。器形规整沉稳，将皇家威严气度与漆作工艺的极致工巧相融，尽显宫廷造物的精巧匠心，是清代漆艺的上乘之作。",[1261,78,23,1305,7,950,375,952],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6303b3a1442d34bda9e622bc6ca677cc.jpg",[],{"id":24526,"slug":24527,"title":24528,"dynasty":73,"author":19,"museum":20,"description":24529,"tags":24530,"thumbUrl":24531,"material":50,"size":51,"collection":30,"collections":24532,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},275821,"qing-yu-yu-zhi-jie-de-tang-ji-ce-yi-ming-275821","青玉御制戒得堂记册","这套装帧沉静古雅的册匣，裹饰碎花函套，素绳缚系，尽显内敛意蕴。其内册页取匀净温润的青玉为材，御制铭文以精妙刀工镌刻而就，笔画劲挺隽秀，字口深峻清晰，将御笔文思与治玉匠心相融无间。\n\n文字寄寓着戒慎修身的哲思，清透莹润的玉质，与工整书意相得益彰，是宫廷玉作与御制文玩结合的上乘之作，内敛华贵间彰显着旧时宫中文玩的雅致格调，沉淀着传统器物审美意趣与精神内核。",[7,950,375,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2677a4a5e61a1686c1ed1e26fffc1151.jpg",[],{"id":24534,"slug":24535,"title":24536,"dynasty":73,"author":19,"museum":20,"description":24537,"tags":24538,"thumbUrl":24539,"material":50,"size":51,"collection":30,"collections":24540,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":630},275818,"qing-yu-yu-zhi-long-quan-si-zhan-li-er-shi-yun-ce-yi-ming-275818","青玉御制龙泉寺瞻礼二十韵册","此作取青玉为材，摹古籍册页形制，木包皮封面满琢云龙纹饰，祥云迤逦环绕，龙姿矫健遒劲，錾刻线条锋芒内敛却劲力十足，将皇家威仪暗藏其间。封面题签填金虽有斑驳，仍见华贵底色。\n\n玉册仿古籍装裱成册，玉质莹润凝脂，与古朴装帧相得益彰，融宫廷重工雕琢与文籍雅韵于一身。它将治玉匠心与典籍形制妙然合一，既是精巧陈设，亦是清代玉雕工艺的具象缩影，尽显彼时手作技艺的巅峰水准，静诉礼制审美与工艺匠心的交融。",[7,950,23,78,952],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05eacd39027d872426a1f8c3632cfe02.jpg",[],{"id":24542,"slug":24543,"title":24544,"dynasty":73,"author":19,"museum":20,"description":24545,"tags":24546,"thumbUrl":24547,"material":50,"size":51,"collection":30,"collections":24548,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},275817,"qing-yu-yu-zhi-kai-tai-shuo-ce-yi-ming-275817","青玉御制开泰说册","以凝润青玉裁为册页，御制文字以精妙刀工镌于玉面，笔锋苍劲端方，刀痕隐于字间，将书法的笔墨意趣完美留存于莹润玉质当中。外配提梁红木箱，铜质构件雅致古朴，内置抽屉以明黄锦缎为衬，尽显规整大气的典藏格调。\n\n玉册承载祈福开泰的美好寄寓，玉的沉静温润与文字的厚重意蕴相融，是匠心工艺与礼制意涵的集萃，静静晕开往昔的雅致气韵。",[7,950,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca2daa8b1610b7df1eeaf144f0511d6c.jpg",[],{"id":24550,"slug":24551,"title":24552,"dynasty":73,"author":19,"museum":20,"description":24553,"tags":24554,"thumbUrl":24555,"material":50,"size":51,"collection":30,"collections":24556,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},275815,"qing-yu-cao-zhen-yong-shu-yu-zhi-yang-xin-dian-ji-ce-yi-ming-275815","青玉曹振镛书御制养心殿记册","此作以青玉裁为书页，以泥金题字，莹润青玉与灿然金彩相映，清贵雅致。函套织锦纹样繁丽规整，尽显装裱工艺的考究用心。书法取馆阁体风貌，笔力稳健端方，排布齐整庄重，将御制文辞的肃穆意蕴尽显无遗。它将玉石的温润质感、书法的笔墨意趣与装帧工艺相融，是宫廷匠心的凝练之作，尽显皇家器物的端庄大气，藏着清代宫廷美学的雅致风骨。",[7,950,375,398,952],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d022b25116a19e01f6cecaab123a105.jpg",[],{"id":24558,"slug":24559,"title":24560,"dynasty":73,"author":19,"museum":20,"description":24561,"tags":24562,"thumbUrl":24563,"material":50,"size":51,"collection":30,"collections":24564,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},275814,"qing-yu-yu-zhi-xiao-chun-shuo-ce-yi-ming-275814","青玉御制小春说册","以温润青玉为纸，以刀代笔，将文辞凝于莹泽玉面。刀工匀净细腻，复刻笔墨端凝风骨，把小春岁时的清雅致怀藏于方寸册页之间。\n\n配套红木盛箱铜饰雅致，榫合严密，暗合着对这套雅玩的珍视。整体将玉之温润、文之隽秀、木之沉敛相融，尽显华贵精巧，静静诉说着岁序里的悠然意韵。",[7,950,952,909,23,375],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c910b1aadc3164044c82764d06eba6b.jpg",[],{"id":24566,"slug":24567,"title":24568,"dynasty":73,"author":19,"museum":20,"description":24569,"tags":24570,"thumbUrl":24571,"material":50,"size":51,"collection":30,"collections":24572,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},275813,"qing-yu-yu-zhi-wu-liu-tian-di-zhi-zhong-he-fu-ce-yi-ming-275813","青玉御制五六天地之中合赋册","以青玉裁册，岁月晕出温润包浆，墨玉册盖精雕云纹辗转环绕，衬得中部题额愈发庄重沉静。册身平整厚重，每片玉页皆经精心砣刻，辞隽语秀镌于玉面，笔画端凝方正，与玉质清润相融，尽显宫廷制器的庄重典雅。\n\n触手凉润，仿佛能触到旧时案头的沉静时光，将文学意趣与治玉匠心精妙相合，把礼制风雅悄然藏于一方玉册之中，是文心与工艺交融的上乘之作。",[7,950,23,952,375],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd52f24e616200cedbab05d9eeb2b6ea3.jpg",[],{"id":24574,"slug":24575,"title":24576,"dynasty":73,"author":19,"museum":20,"description":24577,"tags":24578,"thumbUrl":24579,"material":50,"size":51,"collection":30,"collections":24580,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":94},275812,"qing-yu-yu-zhi-shi-ce-yi-ming-275812","青玉御制诗册","红木函盒内敛温润，漆面题签古雅沉静，晕开旧时光的厚重质感。玉质匀净凝润，墨笔诗文镌刻隽秀端庄，刀工细腻妥帖，笔画舒展雅致。\n\n诗文的翰墨风雅与玉石的清润内敛相融，将宫廷文玩的雅致意趣静静沉淀。形制规整装帧考究，以精工细作尽显匠心，把玉石温润之美与御制文字的端方气度合为一体，带着沉静内敛的古典气韵，藏着不彰自显的华贵质感，是玉作与文心相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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[73,7,1430,23,1308,29797,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0909d3c0a69ccc8a99dcc63ed3ea551d.jpg",[],{"id":30897,"slug":30898,"title":30899,"dynasty":73,"author":19,"museum":20,"description":27899,"tags":30900,"thumbUrl":30901,"material":50,"size":51,"collection":30,"collections":30902,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},251941,"shui-jing-wo-zi-yuan-yang-shi-shui-cheng-yi-ming-251941","水晶卧姿鸳鸯式水丞",[7,23,1183,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F539ef101e2d6490bdd6fbfcc1b98c352.jpg",[],{"id":30904,"slug":30905,"title":30906,"dynasty":73,"author":19,"museum":20,"description":30892,"tags":30907,"thumbUrl":30908,"material":50,"size":51,"collection":30,"collections":30909,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":94},251935,"qian-long-kuan-ma-nao-hai-tang-shi-pan-yi-ming-251935","乾隆款玛瑙海棠式盘",[7,47,23,1308,73],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ffbbb46a994ee67d0eadcae4770f03d.jpg",[],{"id":30911,"slug":30912,"title":30913,"dynasty":73,"author":19,"museum":20,"description":6692,"tags":30914,"thumbUrl":30915,"material":50,"size":51,"collection":30,"collections":30916,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},251934,"ma-nao-tou-diao-lian-hua-er-he-ye-shi-bei-yi-ming-251934","玛瑙透雕莲花耳荷叶式杯",[7,1430,24,23,1356,2135,607,79,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b540baeed65798002df9ac1834c53d9.jpg",[],{"id":30918,"slug":30919,"title":30920,"dynasty":73,"author":19,"museum":20,"description":30921,"tags":30922,"thumbUrl":30924,"material":50,"size":51,"collection":30,"collections":30925,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},251931,"ma-nao-hua-cha-yi-ming-251931","玛瑙花插","此作巧用玛瑙天然色分，以浓艳赤砂色雕就虬曲桃枝，圆硕桃实垂缀枝间，鲜活饱满。奶白玉体随形琢成双花插，仿若古拙老干，苍雅朴质。\n\n红白两色相映，将材质天工与匠意精妙结合，枝蔓缠绕错落，生机暗藏。器型兼顾陈设雅趣与插花实用，把春日桃林的鲜活截取凝固，置放文房，暗香与雅色相衬，尽显清隽雅致的中式意韵，是俏色玉雕的精巧之作。",[76,7,23,480,47,30923],"陈设器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d4f3db29f15551f4b4b0434e109f7bf.jpg",[],{"id":30927,"slug":30928,"title":30929,"dynasty":1380,"author":19,"museum":20,"description":6692,"tags":30930,"thumbUrl":30931,"material":50,"size":51,"collection":30,"collections":30932,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":94},251930,"ma-nao-ling-zhi-er-bei-yi-ming-251930","玛瑙灵芝耳杯",[7,23,79,773,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff44f31d020111feea7b161893618ab35.jpg",[],{"id":30934,"slug":30935,"title":30936,"dynasty":73,"author":19,"museum":20,"description":30937,"tags":30938,"thumbUrl":30939,"material":50,"size":51,"collection":30,"collections":30940,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},251928,"ma-nao-qiao-zuo-san-guo-wen-hua-cha-yi-ming-251928","玛瑙巧作三果纹花插","此作巧用玛瑙天然双色，艳红部分琢就饱满桃实，圆浑丰硕，虬曲枝桠盘绕错落，肌理苍古尽显老木之态。莹白玉料化作舒展叶片，脉络隐见，鲜活灵动。\n\n匠人依形施艺，刀工柔婉细腻，将玛瑙温润质地尽情展现。以福寿桃寄寓吉祥意趣，静穆里藏着生机。搭配雕花红木底座，纹饰呼应主题，更衬玛瑙明丽质感，将材质之美与美好寓意相融，尽显俏色工艺的精妙巧思，雅韵自生。",[76,7,1430,23,4657,26645,876,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea308889ddcef99337aba99c55d66e69.jpg",[],{"id":30942,"slug":30943,"title":30944,"dynasty":73,"author":19,"museum":20,"description":1692,"tags":30945,"thumbUrl":30946,"material":50,"size":51,"collection":30,"collections":30947,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},251924,"fei-cui-guang-su-yuan-he-yi-ming-251924","翡翠光素圆盒",[7,47,23,76,3686],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d64543d3308714a5ccc63411cb1b175.jpg",[],{"id":30949,"slug":30950,"title":30951,"dynasty":73,"author":19,"museum":20,"description":30952,"tags":30953,"thumbUrl":30954,"material":50,"size":51,"collection":30,"collections":30955,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},251923,"hong-ma-nao-fu-diao-pan-chi-wen-feng-shou-gong-yi-ming-251923","红玛瑙浮雕蟠螭纹凤首觥","此件器物取色匀净的红玛瑙琢就，浓红莹润，凝腻如脂。以凤首为执柄，神目圆睁，翎丝纤毫毕现，尽显瑞鸟威仪。杯身随玉料走势赋形，凤尾翻卷包裹器身，浮雕蟠螭攀附其上，身姿灵动矫健，利爪遒劲有力，与凤纹呼应成趣。\n\n器型刚柔相济，利落棱角衬出挺拔风骨，柔婉杯沿又添温润雅致。下配海浪纹底座，暗合瑞兽游弋江海的祥瑞意境，将玉石天然之美与匠人的精妙雕工融为一体，古意盎然，尽显清代玉雕的巧思匠心。",[7,321,23,1420,13675,79,28,1574],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff624f3f9168c03e0e0fa11a148eddfba.jpg",[],{"id":30957,"slug":30958,"title":30959,"dynasty":73,"author":19,"museum":20,"description":30960,"tags":30961,"thumbUrl":30962,"material":50,"size":51,"collection":30,"collections":30963,"showCo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感。背云以翡翠为底，明黄系带彰显礼制规格。整体配色浓艳和谐，工艺规整雅致，是兼具装饰性与等级象征的精巧佳作，将吉庆寓意与匠心工艺融于一身。",[76,27,200,7,23,1609,39380],"喜字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07a8cf90f7d8e7b9e11c215a84d78106.jpg",[],{"id":39384,"slug":39385,"title":13194,"dynasty":73,"author":19,"museum":20,"description":39386,"tags":39387,"thumbUrl":39388,"material":50,"size":51,"collection":30,"collections":39389,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},241708,"song-shi-chao-zhu-yi-ming-241708","主链由绿松石串制而成，颗颗饱满匀净，色泽澄澈如深谷幽潭，自带清润灵秀之气。朱红玛瑙作为佛头与隔珠，冷暖色调交织碰撞，让整体视觉层次分明，沉稳中透出明艳张力。\n\n珊瑚串就的小坠角搭配翠玉、青金石小饰，雅致精巧。鎏金錾花背云纹样规整华丽，下悬的青金石坠饰沉稳古朴，呼应整体气韵。\n\n整组器物制式严整，将礼制规制与工艺巧思相融，既有松石自带的清雅文气，又尽显仪典所需的端方华贵，藏着旧时手工艺人的极致匠心。",[76,27,46,7,5999,200,23,132,114],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2371597fc912b648fd52b56d9e2ddb92.jpg",[],{"id":39391,"slug":39392,"title":39393,"dynasty":73,"author":19,"museum":20,"description":39394,"tags":39395,"thumbUrl":39396,"material":50,"size":51,"collection":30,"collections":39397,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},241704,"cui-chi-yi-ming-241704","翠螭","这件带钩取冰种飘阳绿翠料雕琢，水头莹润澄澈，浓翠绿色凝于纹饰之上，俏色运用颇为精妙。钩首作苍龙形貌，宽吻突睛，鬃须翻卷，威严灵动。钩身浮雕小螭，身姿蜿蜒矫健，与苍龙呼应成趣，暗合苍龙教子的吉祥意涵。整体线条婉转流畅，刀工细腻利落，将玉石的温润质感与瑞兽的威严灵秀相融，既带着庄重雅致之气，又尽显玉料天然之美，尽显古时匠人对玉料肌理的精准把控与对美好寓意的巧思寄寓。",[76,7,23,1592,28,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fb34184d026539b9cc10cd032ed6f6d.jpg",[],{"id":39399,"slug":39400,"title":39401,"dynasty":73,"author":19,"museum":20,"description":39402,"tags":39403,"thumbUrl":39405,"material":50,"size":51,"collection":30,"collections":39406,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},241698,"huang-bi-xi-chao-zhu-yi-ming-241698","黄碧玺朝珠","此朝珠以黄碧玺为主体，珠体澄澈匀净，明黄底色自带仪典的庄重华贵。粉碧玺佛头、结珠与坠角柔润鲜活，以暖粉调和明黄的肃穆，两相映衬更见灵动。\n\n中央背云以累丝金托镶就，朱色碧玺为芯，环饰蓝宝石与绿松石，方寸间尽显花丝工艺的精妙瑰丽。三串记捻缀以色泽各异的宝石坠脚，红绿蓝三色错落点缀，于严整制式里暗藏精巧细节。\n天然晶石的通透肌理与宫廷细作完美相融，尽显旧时礼制之下的奢华审美意趣。",[76,27,7,114,3102,132,134,39404,167],"金属件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05a2295fd0a4d6b6ef3002852cb6497f.jpg",[],{"id":39408,"slug":39409,"title":28940,"dynasty":18,"author":19,"museum":20,"description":41,"tags":39410,"thumbUrl":39411,"material":50,"size":51,"collection":30,"collections":39412,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":94},231933,"yu-lu-yi-ming-231933",[7,23,1337,28,3409],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9610012a65877a4e9288e145db10d887.jpg",[],{"id":39414,"slug":39415,"title":39416,"dynasty":2144,"author":19,"museum":20,"description":39417,"tags":39418,"thumbUrl":39420,"material":50,"size":51,"collection":30,"collections":39421,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":94},231919,"lian-hua-zuo-pu-sa-yi-ming-231919","莲花座菩萨","元釉里红是元代中国传统瓷器烧造中最具有代表性的一个品种。元釉里红是陶瓷装饰历史上重要发明之一。元代八方龙纹釉里红拔白梅瓶它为釉下铜红彩绘、拔白、打板、接胎而成，烧成难度大，氛围特殊性强，应该说元釉里红瓷器是陶瓷史上的一次伟大创新。流传的元代釉里红瓷器也很少，可见它的历史性、艺术性、珍贵性，堪称华夏文明的瑰宝。",[3143,434,23,7,102,2135,321,39419],"宗教艺术","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F175cc8a5cbfe4d193c668405e507525d.jpg",[],{"id":39423,"slug":39424,"title":39425,"dynasty":18,"author":19,"museum":20,"description":41,"tags":39426,"thumbUrl":39427,"material":50,"size":51,"collection":30,"collections":39428,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":94},231539,"yu-pei-yi-ming-231539","玉配",[90,7,23,64,48,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa66128a09f0238f2952cb1987fe488cf.jpg",[],{"id":39430,"slug":39431,"title":39432,"dynasty":285,"author":19,"museum":20,"description":922,"tags":39433,"thumbUrl":39435,"material":50,"size":51,"collection":30,"collections":39436,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},230773,"xiang-bai-yu-leng-xing-zi-tan-mu-he-yi-ming-230773","镶白玉棱形紫檀木盒",[47,909,7,132,23,3909,39434,1835],"棱形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5656102c13eacb6b41b46d439a9dccbf.jpg",[],{"id":39438,"slug":39439,"title":39440,"dynasty":285,"author":19,"museum":20,"description":41,"tags":39441,"thumbUrl":39442,"material":50,"size":51,"collection":30,"collections":39443,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},230768,"yu-ya-bi-yi-ming-230768","玉牙璧",[7,23,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1ddccc46a0ae9129a344ddecd807dc9.jpg",[],{"id":39445,"slug":39446,"title":39447,"dynasty":285,"author":19,"museum":20,"description":39448,"tags":39449,"thumbUrl":39451,"material":50,"size":51,"collection":30,"collections":39452,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":94},230763,"da-xiao-hong-lan-bao-shi-yi-ming-230763","大小红蓝宝石","这些红蓝宝原石带着未经修饰的粗粝野趣，深浅不一的蓝调凝在石身里，像将深海暮色揉入肌理。棱面原石带着磨砂质感，棱角间藏着沉郁幽蓝，仿佛攒着深夜星芒；被摩挲出弧面的石身晕开雾感柔光，深浅色块交织如暗涌洋流，内敛光泽漫过表面，漾开静谧光晕。\n\n它们是地质淬炼的馈赠，每一块纹路都独一无二，没有匠造雕琢的刻意，只留存着亿万年时光沉淀下的沉敛质感，朴素间藏着隐秘的贵重，静述着岩层深处的岁月变迁。",[7,27,23,114,39450,1174,39094,422],"原石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27f3364148e8dded26bfe6d57657fba7.jpg",[],{"id":39454,"slug":39455,"title":39456,"dynasty":285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