[{"data":1,"prerenderedAt":80},["ShallowReactive",2],{"subject-yuan-guang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3479,"yuan-guang","圆光","圆光画高清赏析","精选中国历代圆光题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefa49bf9e4867c98d5d04acfefbcda89.jpg",0,3,[14,42,63],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},220209,"shi-jia-chu-shan-tu-ma-lin-220209","释迦出山图","宋","马麟","台北故宫博物院","马麟，麟一作驎，钱塘（今浙江杭州）人。南宋画家。马世荣之孙，马远之子。\n生卒年不详。其父马远是宋光宗、宋宁宗两朝（1190～1224）画院待诏，马麟画承家学，擅画人物、山水、花鸟，用笔圆劲，轩昂洒落，画风秀润处过于乃父。宁宗嘉泰间（1201～1204）授画院祗候，颇得宁宗赵扩、恭圣皇后杨氏及杨妹子称赏，每于父子画上题句。在《层叠冰绡图》中题诗云：“浑如冷蝶宿花房，拥抱檀心忆旧香。开到寒梢尤可爱，此般必是汉宫妆。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7],"高清","国画","书画","立轴","设色","工笔","皴法","宗教","人物","山水","瀑布","孤石","树木","绢本,水墨","","人物画精选",[38],43,"37474F",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":58,"material":59,"size":60,"collection":37,"collections":61,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":62},236029,"di-shi-er-bi-na-zha-la-ba-ha-la-zhui-za-zun-zhe-ding-guan-peng-236029","第十二毕那楂拉拔哈喇缀杂尊者","清","丁观鹏","藏地不详","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[51,24,25,52,30,31,53,54,7,55,56,28,27,57],"名画","清代","尊者","袈裟","坐具","手持器物","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4607db41dcd297cdc6c5911656f5cf6.jpg","未知","Xcm*Xcm",[],"795548",{"id":64,"slug":65,"title":66,"dynasty":46,"author":67,"museum":68,"description":69,"tags":70,"thumbUrl":76,"material":37,"size":37,"collection":37,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":79},202334,"dou-lao-tian-zun-tu-zhou-ren-xiong-202334","斗姥天尊图轴","任熊","上海博物馆","画面中央斗姥天尊端坐莲台，六臂分持法器，身后圆光赫赫，神态庄穆慈悲。周围护法神祇或持械护卫，或捧物随侍，衣袂飘举于云气之间，姿态各异却井然有序。线条工细如丝，衣纹转折灵动；设色淡雅温润，圆光与莲台的金辉更衬出神圣氛围。人物造型精准生动，细节刻画入微——无论是天将的威武、玉女的温婉，还是云气的缥缈，皆显工笔之精湛。整幅作品将宗教题材的肃穆与艺术的灵动完美融合，尽显传统工笔人物画的魅力。",[28,31,30,27,71,72,73,7,74,75,23],"法器","云气","莲台","护法","神祇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F463ac5a1d864dd744ed8b9bd208b3674.jpg",[],1,"d2cfc3",1777535768542]