[{"data":1,"prerenderedAt":131},["ShallowReactive",2],{"subject-yuan-ye":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1631,"yuan-ye","原野","原野画高清赏析","精选中国历代原野题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73803a2a23303d09f6632e929ceaef3c.jpg",0,6,[14,41,62,84,98,113],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},222792,"jiao-yuan-mu-ma-tu-lang-shi-ning-222792","郊原牧马图","清","郎世宁","北京故宫博物院","此画又称《八骏图》，画面上八匹骏马散放于郊外旷野之中，或卧，或立，或吃草，或嬉戏，自在悠闲，放牧者在树下休憩观望。放牧题材的画作不是对单匹马的写生，而是综合、融汇了各种马匹的形象，所以在创作过程中画家更能充分地发挥想象力，使马匹显得活泼自然、生动有趣。\n画家借助了西方追求如实表现物象体积感和立体感的绘画技巧，将马的各种姿态刻画得活灵活现，甚至连毛发的光泽也清晰地呈现在观者眼前，令人有呼之欲出之感，这是中国艺术史中以郎世宁为首的“海西画派”所独有的艺术风格。图中背景的树木、山石、花草全用明暗变化来表现形态，由此判断该画应是郎氏在雍正年间所创作，因为到了乾隆时期，在郎世宁的绘画中往往自己仅画出人物、鞍马，背景则由中国画家补绘。\n骏马是郎世宁作品中常见的绘制对象，他笔下的马匹真实生动，更重要的是他领会了马在中国传统文化中的象征意义。自古以来，马是社会贤良的象征，封建帝王命宫廷画家以马为题材进行创作寓意着尊重社会栋梁、求贤若渴的殷切希望。郎氏以“八骏”入画并非偶然，渊源有自。据传古代周穆王有八匹良骥，一说是绿耳、盗骊、白义、逾轮、山子、渠黄、华骝和赤骥（见《穆天子传》），另一说为绝地、翻羽、奔宵、超影、逾辉、超光、腾雾、挟翼（见《拾遗记》），周穆王曾经驾驭这八匹骏马遨游西方。于是，图写八骏亦有为君主歌功颂德、彰显威仪的含义。",[23,24,25,26,27,28,29,30,31,32,7],"高清","工笔","设色","马","柳树","人物","草地","岩石","树木","红叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1bf9e7ff804c6db6e3bc52b86461389.jpg","绢本，设色","纵51.2厘米，横166厘米","花鸟画精选",[36,38],"设色画精选",56,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":56,"material":57,"size":58,"collection":59,"collections":60,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":40},221846,"yuan-shi-zu-chu-lie-tu-zhou-liu-guan-dao-221846","元世祖出猎图轴","元","刘贯道","台北故宫博物院","《元世祖出猎图》属于全景式大尺幅作品，取材于元世祖行猎的场面，即元世祖忽必烈与帝后及其侍从狩猎情景。 画中忽必烈着红衣白裘，乘着黑马。画中有十人，有弯弓搭箭，有驾鹰纵犬，人物分散，似做围猎状。\n《元世祖出猎图》中人物、马骑无论衣着、装备皆刻画精细，表情神态自然生动。 所画人和马作各种不同的姿态，转侧俯仰，富有变化",[23,50,51,52,53,25,24,28,26,54,55,7],"国画","书画","名画","立轴","兽","狩猎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f29856d91d375b99fed5b050f99805e.jpg","绢本,设色","182.9x104.1","人物画精选",[59,38],49,{"id":63,"slug":64,"title":65,"dynasty":66,"author":67,"museum":68,"description":69,"tags":70,"thumbUrl":77,"material":78,"size":79,"collection":80,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":83},226003,"poppy-field-in-giverny-03-1890-v2-mo-nai-226003","Poppy Field in Giverny 03, 1890 v2","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[71,72,73,74,7,31,75,76],"油画","印象派","风景","罂粟花田","远山","天空","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabce1683b6c405e21bf83d870ccaec23.jpg","未知","Xcm*Xcm","油画精选",[80],11,"BDBDBD",{"id":85,"slug":86,"title":87,"dynasty":66,"author":88,"museum":68,"description":89,"tags":90,"thumbUrl":95,"material":78,"size":79,"collection":80,"collections":96,"showCount":82,"zanCount":97,"manualWeight":11,"mainColor":40},225862,"two-women-on-the-heath-october-fan-gao-225862","Two women on the heath (October - )","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[71,91,92,28,93,7,94],"后印象派","厚涂","飞鸟","农具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f8ec4c58cdf6f728604abd47685f82b.jpg",[80],1,{"id":99,"slug":100,"title":101,"dynasty":102,"author":103,"museum":47,"description":104,"tags":105,"thumbUrl":109,"material":57,"size":110,"collection":111,"collections":112,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":40},218145,"wen-ji-gui-han-tu-ce-18-li-tang-218145","文姬归汉图册-18","宋","李唐","这本画册由18张图片组成，以上下系列的形式。每张图片大小不一，是独立的画作，与其他画作一起构成一个完整的故事。",[50,51,106,25,24,28,26,107,108,7],"册","帐篷","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8bef9b7e061ed409391791fc111ed8f.jpg","50.7x39.7","",[],{"id":114,"slug":115,"title":116,"dynasty":18,"author":117,"museum":20,"description":118,"tags":119,"thumbUrl":126,"material":127,"size":128,"collection":111,"collections":129,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":83},233068,"ping-ding-yi-li-hui-bu-zhan-tu-ce-yi-ming-233068","平定伊犁回部战图册","佚名","《平定伊犁回部战图册》（平定准噶尔回部得胜图）是乾隆皇帝炫耀武功的作品，其宏大的战争场面，荣耀的献俘场景，皆彰显出清帝国极盛时代的不可一世。乾隆三十年（1765年），“传旨西洋人郎世宁等四人起得胜图稿十六张，着丁观鹏等五人用宣纸依照原稿着色画十六张”。这一批画由西洋传教士起稿，后又送至法国制版印刷成铜版画，是当时受西洋技法影响较深的画作。",[25,24,28,107,120,31,121,122,123,124,125,7],"山峦","旗帜","马匹","士兵","兵器","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54e433b39c47d74bde64f8e9d2cdd2f4.jpg","纸本","纵55.4cm，横90.8cm",[],4,1777535746801]