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清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[23,24,25,26,27,7],"衣帽","布料","云鹤纹","暗花","氅衣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2d94dcb59e082da435c468f97777f79.jpg","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":43,"material":29,"size":30,"collection":31,"collections":44,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":45},263854,"yue-bai-se-jin-di-da-hua-wen-duan-yi-ming-263854","月白色锦地大花纹缎","这匹织物以澄澈月白为底，满铺细碎暗纹如漾开的清波，衬得大花团纹样疏妍雅致，暗花隐现于锦地之间，在素净底色中晕开柔婉韵律。细密的织造工艺让面料匀平整洁，色光沉静柔和，尽显丝缎莹润质感。幅脚织就吉祥题识，将传统吉庆意蕴藏于细节，把日用织物的实用属性与雅致审美相融，把旧时造物里的温柔匠心，织进每一缕丝线中，是清代丝织含蓄秀美的绝佳缩影。",[24,41,7,42],"锦缎","花卉纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a0a51d7b131a1a2a5da00d4efe19429.jpg",[],"2A56C6",{"id":47,"slug":48,"title":49,"dynasty":18,"author":19,"museum":20,"description":50,"tags":51,"thumbUrl":54,"material":29,"size":30,"collection":31,"collections":55,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":56},263801,"yue-bai-se-ba-xian-yun-wen-chun-chou-yi-ming-263801","月白色八仙云纹春绸","草木靛蓝晕出月白天色，水色深浅错落如暮春流云落于经纬。八仙云纹以提花隐入纱线肌理，藏而不露，暗合平安吉庆的意趣。\n\n织物垂坠柔滑，带着手工染织独有的温润质感，岁月晕开的色阶晕染出朦胧旧韵，不做张扬装饰，只以含蓄巧思将风雅融于日常织物中，尽显旧时造物的沉静雅致，藏着寻常人家对喜乐安康的朴素期许。",[24,7,52,53],"八仙纹","云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e5c872c316f918130d935d45d35ae5a.jpg",[],"37474F",{"id":58,"slug":59,"title":60,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":65,"material":29,"size":30,"collection":31,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},267695,"yue-bai-se-yong-sheng-wan-kang-wen-luo-yi-ming-267695","月白色永胜万康纹罗","此作色调清润柔和，罗地肌理通透轻薄，尽显织物自带的灵动质感。经纬丝线交织出连绵的几何骨架，将祈福暗纹精巧嵌于其中，纹样排布匀净规整，带着内敛克制的审美意趣。\n织作细密工巧，把世俗间对平安绵长的祈愿，藏进了方寸织物里，让日常实用之物晕染出温婉的吉祥意蕴，尽显旧时织造工艺里藏着的细腻匠心与温柔心意。",[24,63,64,7],"罗织物","永胜万康纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F526d9727ce6087cae730aabba600734d.jpg",[],{"id":68,"slug":69,"title":70,"dynasty":18,"author":19,"museum":20,"description":71,"tags":72,"thumbUrl":75,"material":29,"size":30,"collection":31,"collections":76,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},266442,"yue-bai-se-su-chou-tian-ma-pi-xiao-ao-yi-ming-266442","月白色素绸天马皮小袄","月白素绸清润匀净，如凝住一捧冬月凉辉，暗藏的天马皮衬里将暖意妥帖收纳入衣衫骨相之中。偏襟暗扣隐于衣身肌理，不施多余纹饰，唯以领口米白镶边柔化冷调清寂。\n\n它褪去繁复华饰，将雅致融于日常裁制里，把冬日的温煦藏在素净底色之下，以极简形制诉说东方内敛的审美意趣，熨帖着旧时烟火里的沉静风雅，是日常衣衫里藏着的温柔诗意。",[23,24,73,74,7],"素绸","皮袄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9892b3c0d3fc2d41d1d0733db12af93c.jpg",[],{"id":78,"slug":79,"title":80,"dynasty":18,"author":19,"museum":20,"description":81,"tags":82,"thumbUrl":87,"material":29,"size":30,"collection":31,"collections":88,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},264123,"yue-bai-se-di-qing-se-gou-lian-wen-shan-duan-yi-ming-264123","月白色地青色勾莲纹闪缎","月白底色清润雅致，青色素勾莲缠枝环绕团花铺陈满幅。饱满圆融的团花蕊心晕染浅淡柔光，在缎面光泽之下明暗交叠，漾出浮雕般的立体层次。舒柔卷枝将团花串联成规整锦地，疏密排布间晕开沉静韵律。提花工艺老道精湛，配色清隽和谐，晕染细腻自然，将华贵气度收敛在雅致配色中，尽显内敛温婉的美学意趣，是传统织锦审美与匠造技艺的精妙融合。",[24,83,84,85,86,7],"绸缎","勾莲纹","花卉","青色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd237ea4076440692b2d55215d9ac4b41.jpg",[],"795548",{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":94,"tags":95,"thumbUrl":98,"material":29,"size":30,"collection":31,"collections":99,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},264105,"yue-bai-se-di-tian-hua-jin-yi-ming-264105","月白色地天华锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[24,96,97,7],"织锦","天华纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe4c34aa8d896d88d394bc78b3cbf768.jpg",[],{"id":101,"slug":102,"title":103,"dynasty":18,"author":19,"museum":20,"description":104,"tags":105,"thumbUrl":108,"material":29,"size":30,"collection":31,"collections":109,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},263802,"yue-bai-se-tuan-san-duo-wen-chun-chou-yi-ming-263802","月白色团三多纹春绸","月蓝湖色匀净莹润，历经时光晕染出沉敛温柔的光泽。春绸肌理细密紧致，暗织的团三多纹隐于纱线经纬，将多福多寿多子的吉庆祈愿藏于无形。没有醒目的装饰，只以雅致色调与含蓄暗纹，把日常服用的面料，化为承载东方意趣的载体，尽显旧时织造的细腻匠心，将实用美学与吉祥意蕴相融，晕开中式织物独有的温婉沉静之美。",[24,106,7,107],"绸","团三多纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dc7985f5b955efe928e1a07c3bc3627.jpg",[],{"id":111,"slug":112,"title":113,"dynasty":18,"author":19,"museum":20,"description":114,"tags":115,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":118,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},263772,"yue-bai-se-si-he-ru-yi-wen-chun-chou-yi-ming-263772","月白色四合如意纹春绸","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[24,116,117,7,23],"绸料","四合如意纹",[],1777535737950]