[{"data":1,"prerenderedAt":255},["ShallowReactive",2],{"subject-yue-bai-you":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4257,"yue-bai-you","月白釉","月白釉画高清赏析","精选中国历代月白釉题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4afeb5fcb5af53d96cf568b9a8f228e.jpg",0,24,[14,35,46,61,70,80,91,104,115,123,132,142,152,160,168,176,184,193,200,212,220,230,240,248],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},227424,"jin-yuan-jun-yao-yue-bai-chu-ji-zun-yi-ming-227424","金-元 钧窑 月白出戟尊","宋","佚名","藏地不详","钧窑，即钧台窑，是在柴窑和鲁山花瓷的风格基础上综合而成的一种独特风格，受道家思想深刻影响，在宋徽宗时期达到高峰，其工艺技术发挥到极致。无论是呈色和各种纹理的表现，做到窑变可控随心所欲的表现技术，无人能仿造。宋代受理学的影响，反应在瓷器上就是规整对称，无论是造型或纹理都遵循这一原则，特别是北宋官造钧瓷，不论文房用具或大型祭器都严格遵守这一原则。规整对称，高雅大气，宫廷气势，一丝不苟。其势沉重古朴，明亮而深沉。建窑，耀州窑，钧窑，作为中国传统瓷文化正宗，历史悠久的风格传承。放大镜观察，蚯蚓走泥纹，用气泡一个个串连一体呈立体的爬行状，青蛙卵纹包裹卵核一摞摞正欲孵化而出。还有牛血纹，血色深红暗沉杀气腾腾，庄重威严等等，难以一一叙述。北宋官窑钧瓷的发色和纹理大小和分布，都难以做到人为控制而恰到好处，是北宋瓷艺的最高工艺水平的体现。这批钧瓷工艺早已失传，而窑址也随冰冻积水而下沉。“纵有家财万贯，不如钧瓷一片”。可见当时钧瓷产生的轰动效应。于是各地群相仿效，窑口林立，但仍然不得要领。今研究文章汗牛充栋，考古窑口不计其数，因都未见过这批北宋官造钧瓷，也只能是管中窥豹了。1955年，禹县（今禹州）陶瓷厂开始研制、探索湮没已久的钧瓷胎釉的基本配方与烧成技术，不仅烧制出玫瑰紫，海棠红、天青、月白等传统色釉，还发展了十多种花釉，并增加了现代日用器皿、艺术陈设瓷等新品种。\n有人认为钧窑的必备特点就是釉面具有“蚯蚓走泥纹”，这不完全正确，只能说是特点之一。很多馆藏钧窑的釉面是不具有走泥纹的。因为在当时的官窑，力求釉色均匀，但由于少数器皿在烧制中的窑温、釉色原料配比、烧制环境等因素的影响造成了釉面在温度中的变化还原不一，才形成了走泥纹。\n北宋钧窑做到窑变可控，蚯蚓走泥纹是其特征之一。用气泡串起一条条呈立体状的蚯蚓奔爬，蛙卵纹，\n鱼卵纹包裹正欲孵化而出的鱼籽，等等。北宋钧瓷最重要的价值就是在于它对釉面随心所欲的表现力。钧，即重量，北宋早期官窑钧瓷分量沉重。中华瓷文化的传统风格就是外表朴实而内秀其中。所谓“华夷光暗滋”的含蓄内敛，道出了宋瓷的本质特点。五代柴窑瓷器发色的鲜美以及色调的神奇变化，是中国瓷艺发展史上的一座里程牌。在柴窑瓷的光辉照耀下，宋，元瓷艺向着风格不同，但技艺精深非凡的道路上发展。掀开了中国瓷艺史上最为辉煌的篇章。原创一直贯穿始终，原创是瓷艺生命的灵魂。一个“隐”一个“显”，道出了几千年中华文化的内在本质。从石器时代东方人便对玉石内蕴的无穷魅力深深吸引，拓展了东方人领悟自然奥秘宽度与厚度。可是直到如今，西方人仍然认为只有闪闪发光的东西才有价值。对自然环境的细微观察，并在瓷器上把它们表现出来，是钧瓷的核心技术所在。这种表现艺术的高度让人惊叹，并一直是贯穿北宋和南宋宫廷制瓷的主流技术。瓷器纹理从北宋的“隐”到南宋的“显”，以至官窑，哥窑纹理的表面形式对元代瓷艺产生了直接影响。\n钧窑瓷器历来被人们称之为“国之瑰宝”，在宋代五大名窑中以“釉具五色，艳丽绝伦”而独树一帜。古人曾用“夕阳紫翠忽成岚”等诗句来形容钧瓷釉色灵活、变化微妙之美。传统钧瓷瑰丽多姿，玫瑰紫、海棠红、茄皮紫、鸡血红、葡萄紫、朱砂红、葱翠青……釉中红里透紫、紫里藏青、青中寓白、白里泛青，可谓纷彩争艳。釉质乳光晶莹，肥厚玉润，类翠似玉赛玛瑙，有巧夺天工之美。\n钧窑烧成温度已经达到1350℃-1380℃之间，延承了传统钧窑胎质细腻，釉色绚丽夺目的特点，又结合了现代审美，器形饱满玲珑。独特研制的玛瑙釉水在烧制后形成更加鲜明的层次感，十多种釉色绚丽多彩，周身还布满珍珠点、兔丝纹、鱼子纹和曲折迂回的蚯蚓走泥纹等生动美妙的流纹给人无限遐想的空间。",[23,24,25,7,26,27],"器","陶瓷","钧窑","出戟","宋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ed11817130e627c902b618567e13ca2.jpg","未知","Xcm*Xcm","瓷器精选",[31],21,"37474F",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":43,"material":29,"size":30,"collection":31,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":34},256331,"jun-yao-yue-bai-you-mei-ping-yi-ming-256331","钧窑月白釉梅瓶","元",[41,24,25,7,42],"元代","梅瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60477f0b8ca1164b6954281f30f0c7b5.jpg",[31],7,{"id":47,"slug":48,"title":49,"dynasty":50,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":57,"material":29,"size":30,"collection":31,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":60},256530,"yi-xing-yao-yue-bai-you-he-hua-shi-xi-yi-ming-256530","宜兴窑月白釉荷花式洗","明","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[24,7,53,54,23,55,56],"荷花","洗","施釉","荷花式造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed302f9541a88995309a0dfb85a8790c.jpg",[31],5,"F48FB1",{"id":62,"slug":63,"title":64,"dynasty":18,"author":19,"museum":20,"description":21,"tags":65,"thumbUrl":67,"material":29,"size":30,"collection":31,"collections":68,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":69},256295,"jun-yao-yue-bai-you-ping-yi-ming-256295","钧窑月白釉瓶",[18,24,66,7,25],"瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c6acfd25134bae4d4d7bc01e852253e.jpg",[31],"795548",{"id":71,"slug":72,"title":73,"dynasty":50,"author":19,"museum":20,"description":51,"tags":74,"thumbUrl":77,"material":29,"size":30,"collection":31,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":34},257498,"yi-xing-yao-yue-bai-you-chu-ji-hua-gu-yi-ming-257498","宜兴窑月白釉出戟花觚",[50,24,7,26,75,76],"花觚","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbf3d401977c6a8ca2742857ab60b1e7.jpg",[31],4,{"id":81,"slug":82,"title":83,"dynasty":50,"author":19,"museum":20,"description":51,"tags":84,"thumbUrl":88,"material":29,"size":30,"collection":31,"collections":89,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":90},256838,"yi-xing-yao-yue-bai-you-ke-hua-zhe-zhi-lian-wen-mei-ping-yi-ming-256838","宜兴窑月白釉刻花折枝莲纹梅瓶",[24,85,7,86,42,87],"刻花","折枝莲纹","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5e56b1fde143f63d83d4de6693363ea.jpg",[31],"BDBDBD",{"id":92,"slug":93,"title":94,"dynasty":39,"author":19,"museum":20,"description":95,"tags":96,"thumbUrl":101,"material":29,"size":30,"collection":102,"collections":103,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":69},228106,"yue-bai-qing-ci-yu-er-lu-yi-ming-228106","月白青瓷鱼耳炉","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[24,97,7,98,99,100,41,23],"青瓷","开片","鱼耳","炉形器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c4ad1b44b37e95b6a37224705c70bd9.jpg","",[],{"id":105,"slug":106,"title":107,"dynasty":39,"author":19,"museum":20,"description":21,"tags":108,"thumbUrl":112,"material":29,"size":30,"collection":31,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":34},260613,"jun-yao-yue-bai-you-ti-ke-duo-hua-wen-lu-yi-ming-260613","钧窑月白釉剔刻朵花纹炉",[24,25,23,109,110,111,7,76],"剔刻","朵花纹","双耳三足炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1573d102539d837e9d515516ff1a8e05.jpg",[31],3,{"id":116,"slug":117,"title":118,"dynasty":18,"author":19,"museum":20,"description":21,"tags":119,"thumbUrl":121,"material":29,"size":30,"collection":31,"collections":122,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":69},256193,"jun-yao-yue-bai-you-chang-fang-hua-pen-tuo-yi-ming-256193","钧窑月白釉长方花盆托",[18,24,25,7,120,23],"长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F530b46e35e23e9105ef7bd6cfbf2cb13.jpg",[31],{"id":124,"slug":125,"title":126,"dynasty":50,"author":19,"museum":20,"description":51,"tags":127,"thumbUrl":129,"material":29,"size":30,"collection":31,"collections":130,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":34},257499,"yi-xing-yao-yue-bai-you-cong-shi-ping-yi-ming-257499","宜兴窑月白釉琮式瓶",[24,7,128,87],"琮式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ef47552812b127c22e93e0edb6cd52d.jpg",[31],2,{"id":133,"slug":134,"title":135,"dynasty":18,"author":19,"museum":20,"description":21,"tags":136,"thumbUrl":140,"material":29,"size":30,"collection":31,"collections":141,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":69},256862,"jun-yao-yue-bai-you-zi-hong-ban-wan-yi-ming-256862","钧窑月白釉紫红斑碗",[27,24,25,7,137,138,139,23],"紫红斑","窑变","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd73dca01bfa209522c023129bcb80561.jpg",[31],{"id":143,"slug":144,"title":145,"dynasty":50,"author":19,"museum":20,"description":146,"tags":147,"thumbUrl":149,"material":29,"size":30,"collection":31,"collections":150,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":34},257505,"shi-wan-yao-yue-bai-you-bi-ping-yi-ming-257505","石湾窑月白釉壁瓶","石湾窑在今广东佛山市石湾镇，明清著名民窑之一。以陶塑和建筑陶瓷著称。始于宋代（亦有一说始于唐），极盛于明清两代。\n石湾窑以善仿钧窑而着称。仿钧釉色以蓝色、玫瑰紫、翠毛釉等为佳，但仿中有创。钧窑的窑变釉是一层釉色，而石湾窑变釉却有底釉与面釉之分。寂圆叟在其《陶雅》中盛赞石湾窑变釉色："广窑谓之泥均，其蓝色甚似灰色┅┅于灰釉中旋涡周遭，故露异彩，较之雨过天晴尤极浓艳，目为云斑霞片不足以方厥体态。┅┅又有时于灰釉中露出深蓝色之星点，亦足玩也。"\n石湾窑不仅善仿钧，而且善仿宋代各大名窑，宋代官、哥、汝、钧诸名窑产品，从材质运用、技法处理、艺术造型等各方面都仿得惟妙惟肖，而且有创造性的发展，梅建鹰评价曰："石湾集宋代各大名窑之大成，仿钧而青出于蓝，独创石湾自已的艺术风格。"",[24,148,7,23],"石湾窑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccb995a80888e45fee8ef1f3706430f1.jpg",[31],1,{"id":153,"slug":154,"title":155,"dynasty":39,"author":19,"museum":20,"description":146,"tags":156,"thumbUrl":158,"material":29,"size":30,"collection":31,"collections":159,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":69},257072,"shi-wan-yao-yue-bai-you-pie-kou-ping-yi-ming-257072","石湾窑月白釉撇口瓶",[24,7,41,23,66,157,55],"釉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd78ac65a9a5c6a0c9bdce897df03041e.jpg",[31],{"id":161,"slug":162,"title":163,"dynasty":18,"author":19,"museum":20,"description":21,"tags":164,"thumbUrl":166,"material":29,"size":30,"collection":31,"collections":167,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":90},256296,"jun-yao-yue-bai-you-zha-dou-shi-hua-pen-yi-ming-256296","钧窑月白釉渣斗式花盆",[27,24,7,138,165],"器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffc3b4f2e2073f4cfe5d05a49af0922b.jpg",[31],{"id":169,"slug":170,"title":171,"dynasty":39,"author":19,"museum":20,"description":95,"tags":172,"thumbUrl":174,"material":29,"size":30,"collection":102,"collections":175,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":69},228103,"yue-bai-qing-ci-pan-gu-zi-ming-yi-ming-228103","月白青瓷盘(「古」字铭)",[24,97,7,98,173,41,23],"铭文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc934b563080113a1d981c0aa0391ddc1.jpg",[],{"id":177,"slug":178,"title":179,"dynasty":18,"author":19,"museum":20,"description":180,"tags":181,"thumbUrl":10,"material":29,"size":30,"collection":102,"collections":183,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":69},223789,"yue-bai-qing-ci-hua-shi-xi-yi-ming-223789","月白青瓷花式洗","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[18,24,97,7,98,182,54],"花式口",[],{"id":185,"slug":186,"title":187,"dynasty":18,"author":19,"museum":20,"description":21,"tags":188,"thumbUrl":191,"material":29,"size":30,"collection":31,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},261523,"jun-yao-yue-bai-you-die-yi-ming-261523","钧窑月白釉碟",[24,189,23,190,7],"日用具","碟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2a9f8fd8f5aca848b287d4a67707c5c.jpg",[31],{"id":194,"slug":195,"title":196,"dynasty":50,"author":19,"museum":20,"description":146,"tags":197,"thumbUrl":198,"material":29,"size":30,"collection":31,"collections":199,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257507,"shi-wan-yao-yue-bai-you-cong-shi-ping-yi-ming-257507","石湾窑月白釉琮式瓶",[24,148,7,128,23,87],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff707994bddad1cfe351754986a41a914.jpg",[31],{"id":201,"slug":202,"title":203,"dynasty":204,"author":19,"museum":20,"description":205,"tags":206,"thumbUrl":210,"material":29,"size":30,"collection":102,"collections":211,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},256570,"yue-bai-you-ke-hua-tuan-kui-long-feng-wen-tai-bai-zun-yi-ming-256570","月白釉刻花团夔龙凤纹太白尊","清","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[204,24,7,85,207,208,209,23],"夔龙","凤纹","团纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22a3ae2ca82e2efba71a20c3ff9e2460.jpg",[],{"id":213,"slug":214,"title":215,"dynasty":18,"author":19,"museum":20,"description":21,"tags":216,"thumbUrl":218,"material":29,"size":30,"collection":31,"collections":219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},256301,"jun-yao-yue-bai-you-dan-bing-xi-yi-ming-256301","钧窑月白釉单柄洗",[18,24,25,7,217,23,138,189],"单柄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa9f0a8298612b2e4d2b85c19b760fa3.jpg",[31],{"id":221,"slug":222,"title":223,"dynasty":204,"author":19,"museum":20,"description":224,"tags":225,"thumbUrl":228,"material":29,"size":30,"collection":102,"collections":229,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},229073,"yue-bai-shuang-er-san-zu-xiao-lu-yi-ming-229073","月白双耳三足小炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[204,24,23,226,227,7],"双耳","三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F288567e483ce8751fe45b78bfc985ec6.jpg",[],{"id":231,"slug":232,"title":233,"dynasty":50,"author":19,"museum":20,"description":205,"tags":234,"thumbUrl":238,"material":29,"size":30,"collection":102,"collections":239,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},228567,"yue-bai-you-yuan-yan-fu-qian-yu-yan-he-yi-ming-228567","月白釉圆砚 附嵌玉砚盒",[50,24,7,235,236,237,23],"嵌玉","砚","文房器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdfe06d0352fd679e7a6baf0b6144a99.jpg",[],{"id":241,"slug":242,"title":243,"dynasty":39,"author":19,"museum":20,"description":95,"tags":244,"thumbUrl":246,"material":29,"size":30,"collection":102,"collections":247,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},228105,"yue-bai-qing-ci-kui-kou-die-yi-ming-228105","月白青瓷葵口碟",[39,24,23,97,7,98,245],"葵口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddef45e436f50274348ea9845c89a4bb.jpg",[],{"id":249,"slug":250,"title":251,"dynasty":39,"author":19,"museum":20,"description":95,"tags":252,"thumbUrl":253,"material":29,"size":30,"collection":102,"collections":254,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},228104,"yue-bai-qing-ci-kui-kou-pan-wen-zi-ming-yi-ming-228104","月白青瓷葵口盘(「文」字铭)",[24,23,97,7,245,98,173],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb93c4e7ee9ba761c397609a404b0b551.jpg",[],1777535718150]