[{"data":1,"prerenderedAt":6210},["ShallowReactive",2],{"subject-yue-qi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},58,"yue-qi","乐器","乐器画高清赏析","精选中国历代乐器题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a962013eacd2f7977170a75784d0ae2.jpg",2,712,[14,42,63,80,97,117,134,151,165,180,190,204,217,228,242,255,268,278,297,308,320,331,345,356,365,380,392,406,418,430,439,450,462,476,489,501,512,526,536,552,563,573,586,600,611,623,633,645,660,670,682,695,708,724,738,752,761,771,782,794,810,829,839,862,872,885,896,905,914,923,934,947,957,969,981,997,1008,1017,1027,1035,1045,1054,1067,1080,1088,1098,1109,1120,1132,1140,1149,1159,1168,1179,1189,1199,1209,1219,1228,1247,1257,1270,1285,1293,1300,1313,1325,1334,1348,1357,1367,1377,1386,1394,1403,1413,1424,1436,1445,1455,1476,1485,1491,1501,1513,1522,1529,1550,1559,1565,1575,1585,1593,1601,1612,1620,1628,1639,1651,1657,1666,1674,1682,1695,1707,1716,1724,1732,1742,1751,1762,1768,1776,1783,1792,1820,1831,1840,1847,1856,1862,1876,1885,1893,1904,1913,1923,1932,1941,1951,1958,1966,1974,1983,1993,2001,2010,2018,2027,2039,2049,2058,2067,2073,2082,2091,2102,2109,2122,2136,2146,2155,2163,2173,2183,2193,2207,2215,2224,2234,2245,2255,2271,2280,2287,2294,2301,2309,2315,2324,2347,2357,2364,2372,2380,2390,2401,2409,2419,2429,2440,2453,2463,2470,2478,2487,2498,2507,2515,2524,2530,2538,2546,2553,2562,2570,2576,2589,2607,2625,2636,2650,2658,2667,2675,2683,2690,2697,2705,2713,2721,2732,2742,2751,2762,2775,2788,2797,2806,2816,2826,2834,2846,2857,2868,2879,2888,2897,2907,2916,2925,2934,2944,2956,2963,2970,2978,2985,2994,3001,3008,3015,3023,3032,3039,3048,3056,3064,3074,3084,3095,3106,3115,3122,3139,3148,3155,3163,3172,3181,3188,3197,3203,3210,3217,3225,3233,3240,3247,3254,3260,3267,3274,3280,3288,3294,3300,3309,3316,3322,3329,3335,3341,3348,3354,3362,3369,3376,3384,3391,3399,3406,3414,3423,3433,3447,3456,3467,3477,3484,3493,3500,3513,3522,3535,3544,3551,3560,3567,3575,3583,3592,3600,3608,3616,3624,3632,3640,3648,3656,3664,3672,3680,3688,3697,3705,3714,3723,3731,3739,3748,3757,3766,3773,3780,3788,3795,3803,3811,3819,3827,3835,3843,3850,3857,3865,3875,3883,3891,3898,3906,3913,3920,3927,3934,3943,3951,3961,3968,3975,3982,3989,3996,4003,4010,4017,4025,4032,4039,4047,4054,4061,4068,4076,4084,4091,4100,4108,4115,4122,4131,4138,4144,4150,4157,4163,4170,4177,4184,4191,4198,4205,4212,4219,4225,4232,4238,4244,4250,4258,4264,4270,4276,4282,4288,4294,4300,4306,4312,4320,4328,4335,4343,4351,4358,4366,4374,4381,4389,4397,4405,4412,4419,4427,4433,4439,4445,4451,4457,4463,4469,4475,4481,4487,4493,4500,4507,4514,4520,4527,4534,4541,4549,4556,4563,4570,4577,4584,4591,4598,4605,4612,4619,4626,4632,4639,4646,4653,4660,4667,4674,4681,4688,4694,4701,4708,4714,4720,4726,4733,4739,4745,4751,4757,4763,4769,4775,4781,4787,4793,4799,4805,4811,4817,4823,4829,4835,4841,4847,4853,4859,4865,4871,4877,4883,4889,4896,4903,4910,4917,4924,4931,4938,4944,4951,4957,4964,4971,4978,4985,4992,4999,5006,5015,5023,5031,5038,5047,5055,5063,5075,5081,5087,5094,5102,5109,5118,5127,5137,5144,5154,5163,5171,5179,5189,5197,5204,5210,5218,5226,5234,5242,5253,5263,5272,5279,5286,5295,5303,5311,5319,5327,5334,5343,5351,5360,5367,5375,5383,5392,5401,5409,5418,5425,5432,5438,5445,5452,5462,5469,5475,5485,5492,5501,5510,5516,5523,5529,5536,5543,5552,5562,5570,5577,5584,5592,5600,5608,5617,5628,5637,5645,5653,5661,5669,5676,5683,5691,5699,5707,5715,5723,5730,5738,5744,5751,5758,5764,5770,5777,5783,5791,5797,5803,5809,5815,5821,5828,5838,5844,5850,5856,5864,5871,5877,5883,5889,5897,5906,5912,5919,5925,5931,5939,5947,5953,5960,5966,5973,5979,5986,5992,5998,6004,6010,6016,6022,6028,6035,6043,6050,6057,6064,6070,6077,6083,6090,6096,6103,6109,6115,6121,6128,6134,6140,6153,6161,6168,6180,6187,6194,6202],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":40,"mainColor":41},216930,"han-xi-zai-ye-yan-tu-gu-hong-zhong-216930","韩熙载夜宴图","五代十国","顾闳中","台北故宫博物院","他出生于江南，在南唐时担任元宗父子的御史，与周文儒同时。据传说，韩熙载是一个很好的声乐表演者，他是夜里喝酒的特殊客人。后者想看看台阶灯、台阶蜡烛和摇曳的筹码，所以他命令马德在晚上监视他，上面画的就是这幅画。这是人物画的最后一部分，只有八个人物，没有任何痕迹，这幅画非常古老，虽然不是顾雏军的原作，但可能是很早的一个大师的摹本。",[23,24,25,26,27,28,29,30,31,7,32],"高清","国画","名画","长卷","工笔","设色","人物","美人","衣帽","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87c3e16a6989ea7dc1166ef8b9300366.jpg","绢本,设色","27.9x69","人物画精选",[36],6027,25,0,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":55,"material":56,"size":57,"collection":58,"collections":59,"showCount":60,"zanCount":61,"manualWeight":40,"mainColor":62},232933,"han-xi-zai-ye-yan-tu-juan-song-mo-ben-song-gong-ting-hua-jia-232933","韩熙载夜宴图卷(宋摹本)","宋","宋宫廷画家","北京故宫博物院","原作为南唐画家顾闳中的绘画作品。此卷据各方面考证，当属南宋孝宗至宁宗朝（1163—1224年）摹本，其风格基本反映出原作面貌，且达到相当高水平，堪称流传有绪的古代绘画珍品。\n作品如实地再现了南唐大臣韩熙载夜宴宾客的历史情景，细致地描绘了宴会上弹丝吹竹、清歌艳舞、主客揉杂、调笑欢乐的热闹场面，又深入地刻划了主人公超脱不羁、沉郁寡欢的复杂性格。全图共分为五个段落，首段“听乐”，韩熙载与状元郎粲坐床榻上，正倾听教坊副使李家明之妹弹琵琶，旁坐其兄，在场听乐宾客还有紫微朱铣、太常博士陈致雍、门生舒雅、家伎王屋山诸人；二段“观舞”，众人正在观看王屋山跳“六幺舞”，韩熙载亲擂“羯鼓”助兴，好友德明和尚不期而遇此景，尴尬地拱手背立；三段“暂歇”，韩熙载与家伎们坐床上休息，韩正在净手；四段“清吹”，韩熙载解衣盘坐椅上，欣赏着五个歌女合奏；五段“散宴”，韩氏手持鼓槌送别，尚有客人在与女伎调笑。全卷以连环画的形式表现各个情节，每段以屏风隔扇加以分隔，又巧妙地相互联结，场景显得统一完整。布局有起有伏，情节有张有弛，尤其人物神态刻画栩栩如生，如“听乐”段状元郎粲的倾身细听动姿、李家明关注其妹的亲切目光、他人不由自主的合手和拍；“观舞”段王屋山娇小玲珑的身姿、德明和尚背身合掌低首而立的尴尬状等等，传尽心曲，入木三分。最出色的还是主人公韩熙载的刻画，长髯、高帽的外形与文献记载均相吻合，举止、表情更显露出他复杂的内心。一方面，他在宴会上与宾客觥筹交错，不拘小节，如亲自击鼓为王屋山伴奏，敞胸露怀听女乐合奏，送别时任客人与家伎厮混，充分反映了他狂放不羁、纵情声色的处世态度和生活追求；另一方面又心不在焉、满怀忧郁，如擂鼓时双目凝视、面不露笑，听清吹时漫不经心，与对面侍女闲谈，这些情绪都揭示了他晚年失意、以酒色自汙的心态。画家塑造的韩熙载，不仅形象逼肖，具肖像画性质，而且对其内心挖掘深刻，性格立体化，可以说真实再现了这位历史人物的原貌。\n作品的艺术水平也相当高超。造型准确精微，线条工细流畅，色彩绚丽清雅。不同物象的笔墨运用又富有变化，尤其敷色更见丰富、和谐，仕女的素妆艳服与男宾的青黑色衣衫形成鲜明对照。几案坐榻等深黑色家具沉厚古雅，仕女裙衫、帘幕、帐幔、枕席上的图案又绚烂多采。不同色彩对比参差，交相辉映，使整体色调艳而不俗，绚中出素，呈现出高雅、素馨的格调。",[25,24,51,26,52,27,28,29,30,7,32,31,53,54],"书画","临摹","印章","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f01749acfaf6449c0e92a8477239224.jpg","绢本，设色","纵28.7厘米，横335.5厘米。","",[],2675,16,"795548",{"id":64,"slug":65,"title":66,"dynasty":46,"author":47,"museum":67,"description":49,"tags":68,"thumbUrl":76,"material":58,"size":58,"collection":58,"collections":77,"showCount":78,"zanCount":79,"manualWeight":40,"mainColor":62},226698,"han-xi-zai-ye-yan-tu-song-mo-ben-song-gong-ting-hua-jia-226698","韩熙载夜宴图(宋摹本)","藏地不详",[23,52,27,28,26,69,53,29,30,70,7,32,71,72,73,31,74,75],"书法","文人","床榻","屏风","桌案","墨","纸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8df2423c850e2ffa06c685670994844.jpg",[],1302,14,{"id":81,"slug":82,"title":83,"dynasty":84,"author":85,"museum":86,"description":87,"tags":88,"thumbUrl":93,"material":58,"size":58,"collection":58,"collections":94,"showCount":95,"zanCount":96,"manualWeight":40,"mainColor":41},220495,"zhang-da-qian-lin-mo-dun-huang-bi-hua-wan-tang-ji-le-pu-sa-er-shen-xiang-heng-pi-zhang-da-qian-220495","张大千临摹敦煌壁画晚唐伎乐菩萨二身像横批","民国","张大千","四川博物院","两位伎乐菩萨乘云飞渡，左者擎磬抬手，身姿劲挺，青绿朱红的飘带随风夭矫。右者怀拥弦乐，眉眼柔婉，暖橙长裙如流火舒展。\n\n配色沿用壁画古雅石色，石青与朱砂晕染出厚重的岁月质感，婉转游丝勾勒出菩萨丰腴端丽的体态，复刻出晚唐飞天雍容灵动的神韵，将佛国伎乐的缥缈清姿凝于素纸，让千年前的敦煌雅韵重绽华彩，尽显东方佛境的空灵曼妙。",[23,24,51,89,52,90,91,28,29,92,7],"横批","敦煌","壁画","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6710f185c0c825ce5735949a2356da6.jpg",[],735,5,{"id":98,"slug":99,"title":100,"dynasty":101,"author":102,"museum":20,"description":103,"tags":104,"thumbUrl":112,"material":113,"size":114,"collection":36,"collections":115,"showCount":116,"zanCount":96,"manualWeight":40,"mainColor":62},290847,"han-xi-zai-ye-yan-tu-zhou-tang-yin-290847","韩熙载夜宴图轴","明","唐寅","作品如实地再现了南唐大臣韩熙载夜宴宾客的历史情景，细致地描绘了宴会上弹丝吹竹、清歌艳舞、主客揉杂、调笑欢乐的热闹场面，又深入地刻划了主人公超脱不羁、沉郁寡欢的复杂性格。全图共分为五个段落，首段“听乐”，韩熙载与状元郎粲坐床榻上，正倾听教坊副使李家明之妹弹琵琶，旁坐其兄，在场听乐宾客还有紫微朱铣、太常博士陈致雍、门生舒雅、家伎王屋山诸人；二段“观舞”，众人正在观看王屋山跳“六幺舞”，韩熙载亲擂“羯鼓”助兴，好友德明和尚不期而遇此景，尴尬地拱手背立；三段“暂歇”，韩熙载与家伎们坐床上休息，韩正在净手；四段“清吹”，韩熙载解衣盘坐椅上，欣赏着五个歌女合奏；五段“散宴”，韩氏手持鼓槌送别，尚有客人在与女伎调笑。全卷以连环画的形式表现各个情节，每段以屏风隔扇加以分隔，又巧妙地相互联结，场景显得统一完整。布局有起有伏，情节有张有弛，尤其人物神态刻画栩栩如生，如“听乐”段状元郎粲的倾身细听动姿、李家明关注其妹的亲切目光、他人不由自主的合手和拍；“观舞”段王屋山娇小玲珑的身姿、德明和尚背身合掌低首而立的尴尬状等等，传尽心曲，入木三分。最出色的还是主人公韩熙载的刻画，长髯、高帽的外形与文献记载均相吻合，举止、表情更显露出他复杂的内心。一方面，他在宴会上与宾客觥筹交错，不拘小节，如亲自击鼓为王屋山伴奏，敞胸露怀听女乐合奏，送别时任客人与家伎厮混，充分反映了他狂放不羁、纵情声色的处世态度和生活追求；另一方面又心不在焉、满怀忧郁，如擂鼓时双目凝视、面不露笑，听清吹时漫不经心，与对面侍女闲谈，这些情绪都揭示了他晚年失意、以酒色自汙的心态。画家塑造的韩熙载，不仅形象逼肖，具肖像画性质，而且对其内心挖掘深刻，性格立体化，可以说真实再现了这位历史人物的原貌。\n作品的艺术水平也相当高超。造型准确精微，线条工细流畅，色彩绚丽清雅。不同物象的笔墨运用又富有变化，尤其敷色更见丰富、和谐，仕女的素妆艳服与男宾的青黑色衣衫形成鲜明对照。几案坐榻等深黑色家具沉厚古雅，仕女裙衫、帘幕、帐幔、枕席上的图案又绚烂多采。不同色彩对比参差，交相辉映，使整体色调艳而不俗，绚中出素，呈现出高雅、素馨的格调。",[24,25,105,28,27,29,106,107,108,70,7,109,110,111,53,69],"立轴","宴饮","夜宴","仕女","庭院","飞鸟","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f5764fa2f3d6a90547aede86322e61e.jpg","未知","Xcm*Xcm",[36],691,{"id":118,"slug":119,"title":120,"dynasty":46,"author":121,"museum":48,"description":122,"tags":123,"thumbUrl":126,"material":56,"size":127,"collection":128,"collections":129,"showCount":132,"zanCount":11,"manualWeight":40,"mainColor":133},221329,"ting-qin-tu-zhou-zhao-ji-221329","听琴图轴","赵佶","此幅作品描绘官僚贵族雅集听琴的场景。作者以琴声为主题，巧妙地用笔墨刻画出“此时无声胜有声”的音乐的意境。画面背景简洁，如盖的青松和摇曳的绿竹衬托出庭园高雅脱俗的环境，而几案上香烟袅袅的熏炉与玲珑石上栽植着异卉的古鼎与优雅琴声一道，营造出一种清幽的氛围。\n画面上方有宰相蔡京手书七言绝句一首，右上有宋徽宗赵佶瘦金书题“听琴图”三字。作品构图简净，人物举止形貌刻画生动传神，衣纹线描劲挺略带战笔，树石器具描写工致而毫无呆板，着色浑厚而不失清丽，是宋代宫廷人物画的代表作品。由于作品本幅有徽宗题名与画押，一度被认为是赵佶所画，后经学者考证，此幅为宣和画院画家描绘徽宗赵佶宫中行乐的作品，而图中抚琴者， 正是赵佶本人。",[23,24,25,51,105,27,28,29,124,125,7,69,53],"松","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18e608fe314a1f03d1034a41f0882fbf.jpg","纵147.2 厘米，横51.3 厘米","宋画精选",[128,130,131],"花鸟画精选","设色画精选",656,"F48FB1",{"id":135,"slug":136,"title":137,"dynasty":46,"author":138,"museum":67,"description":139,"tags":140,"thumbUrl":146,"material":34,"size":147,"collection":36,"collections":148,"showCount":149,"zanCount":150,"manualWeight":40,"mainColor":62},218652,"song-xia-tan-qin-tu-ma-yuan-218652","松下弹琴图","马远","这幅画的构图是马远的绘画风格，有岩石、松树和一个和尚，或者是 伯牙鼓琴 的典故。树木的叶子是用双钩和填充的方法进行层压和绘画的。石头的纹理是用斧头表达的，这使它们具有很好的质感。松针画得非常仔细，笔法严谨而纯粹。",[23,24,51,28,29,141,142,111,143,7,144,27,145],"松树","山石","童子","皴法","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaf693032a9cf5c8cec0275d6ef70b42.jpg","166.50x99厘米",[36],402,4,{"id":152,"slug":153,"title":154,"dynasty":155,"author":156,"museum":20,"description":157,"tags":158,"thumbUrl":160,"material":34,"size":161,"collection":36,"collections":162,"showCount":163,"zanCount":164,"manualWeight":40,"mainColor":62},223394,"tang-ren-gong-le-tu-zhou-yi-ming-223394","唐人宫乐图轴","唐","佚名","图描写後宫嫔妃十人，围坐於一张巨型的方桌四周，有的品茗，也有的在行酒令。中央四人，则负责吹乐助兴。所持用的乐器，自右而左，分别为筚篥、琵琶、古筝与笙。旁立的二名侍女中，还有一人轻敲牙板，为她们打著节拍。从每个人脸上陶醉的表情来推想，席间的乐声理应十分优美，因为连蜷在桌底下的小狗，都未被惊扰到！\n这件作品并没有画家的款印，原本的签题标为「元人宫乐图」。仔细观察画中人物的发式，有的发髻梳向一侧，是为「坠马髻」，有的把发髻向两边梳开，在耳朵旁束成球形的「垂髻」，有的则头戴「花冠」，凡此，都符合唐代女性的装束。另外，绷竹席的长方案、腰子状的月牙几子、饮酒用的羽觞，还有琵琶横持，并以手持拨子的方式来弹奏等，亦在在与晚唐的时尚相侔。所以，现在画名已改定成「唐人宫乐图」画题《韩干呈马图》",[23,25,24,51,105,27,28,29,30,7,32,159],"猫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb907e859af37c3582daa5bb82bd4794.jpg","48.7x69.5",[36],342,6,{"id":166,"slug":167,"title":168,"dynasty":46,"author":138,"museum":20,"description":169,"tags":170,"thumbUrl":174,"material":34,"size":175,"collection":176,"collections":177,"showCount":178,"zanCount":179,"manualWeight":40,"mainColor":62},218286,"yue-ye-bo-ruan-tu-ma-yuan-218286","月夜拨阮图","淡墨晕染的远山如黛，似笼着一层薄纱，与昏黄天色相融成朦胧梦境。左侧山石嶙峋，几竿修竹斜逸而出，枝叶疏朗，墨线劲挺如剑。竹下茅舍半隐，一人凭栏拨阮，指尖流转间，琴声似随晚风漫过江面，与竹影婆娑和鸣。画面构图简括，以边角之景见天地辽阔，留白处尽是月夜空寂与悠远。山石用斧劈皴勾勒，笔触刚健；竹子笔法灵动，尽显生机；人物神态闲适，藏着文人清雅况味。整幅画于简约中蕴无限情韵，将月夜静谧与文人诗意诠释得淋漓尽致，是南宋山水小品的妙笔，尽显水墨写意的空灵之美。",[23,24,25,51,105,171,28,145,125,142,172,110,173,7,53],"水墨","远山","明月","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe316cc25382668a97677ff3d3ec2d844.jpg","111.5x53.1cm","山水画精选",[176],308,3,{"id":181,"slug":182,"title":183,"dynasty":84,"author":85,"museum":86,"description":184,"tags":185,"thumbUrl":187,"material":58,"size":58,"collection":58,"collections":188,"showCount":189,"zanCount":40,"manualWeight":40,"mainColor":41},220497,"zhang-da-qian-lin-mo-dun-huang-bi-hua-chu-tang-ji-le-pu-sa-si-shen-xiang-zhang-da-qian-220497","张大千临摹敦煌壁画初唐伎乐菩萨四身像","四身伎乐菩萨环立莲台，眉目温婉静穆，气韵安然祥和。诸人各执乐器，或按排箫、或拨琵琶、或持拍板、或摇铃鼓，神态各殊却皆浸在丝竹雅韵之中。\n\n画作敷色浓烈妍丽，朱砂石青交相辉映，承袭初唐敦煌壁画的富丽厚重。铁线描勾勒衣袂婉转流动，晕染沉实细腻，精准复刻出古壁画的庙堂质感，将盛唐伎乐的雍容之美凝于绢上，让千年敦煌的梵音雅乐跃然眼前。",[23,24,51,52,90,27,28,92,29,186,7],"菩萨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F203948a899df0e2d4917b8f5c73e4421.jpg",[],304,{"id":191,"slug":192,"title":193,"dynasty":46,"author":194,"museum":48,"description":195,"tags":196,"thumbUrl":199,"material":200,"size":201,"collection":128,"collections":202,"showCount":203,"zanCount":150,"manualWeight":40,"mainColor":62},220260,"song-xia-ting-qin-tu-zhao-meng-fu-220260","松下听琴图","赵孟頫","此作用青绿晕染铺展山水，层叠远山淡逸朦胧，坡岸苔点疏密错落，漾出幽寂林下氛围。几株古松虬曲苍劲，鳞皴老干垂挂松萝如翠帘轻垂，框出一方雅集天地。\n\n松下四人围坐，抚琴者垂目拨弦，听者或支颐凝思，或侧耳静聆，侍童恭立一旁，尽显文人雅聚的闲淡意趣。衣袂线条清隽简雅，暗合魏晋林下风流。题画诗与山水人物相映，笔墨间浸透知音相逢、寄怀林泉的雅兴，将丝竹之韵融在松风山色里，淡远悠长的文人情思溢满卷间。",[23,25,24,51,105,28,27,124,29,145,197,198,111,7],"琴","石头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3759b8e137635ec8416cf0cc39860ba.jpg","设色,绢本","纵123.6厘米、横60.4厘米",[128],265,{"id":205,"slug":206,"title":207,"dynasty":101,"author":102,"museum":208,"description":209,"tags":210,"thumbUrl":213,"material":34,"size":214,"collection":36,"collections":215,"showCount":216,"zanCount":164,"manualWeight":40,"mainColor":62},219530,"tao-gu-zeng-ci-tu-tang-yin-219530","陶穀赠词图","大英博物馆","唐寅（1470—1523年），字伯虎，一字子畏，号六如居士，吴县（今江苏苏州）人。出身商人家庭，自幼聪明伶俐。20余岁时家中连遭不幸，父母、妻子、妹妹相继去世，家境衰败，在好友祝允明的规劝下收心读书，29岁参加应天府公试，得中第一名“解元”，30岁赴京会试，却受考场舞弊案牵连被斥为吏。此后遂绝意进取，以卖画为生。正德九年（1514年）曾应宁王朱宸濠之请赴南昌半年余，后察觉宁王有图谋不轨，遂佯狂得以脱身而归。晚年生活困顿，54岁即病卒。他玩世不恭而又才气横溢，诗文擅名，与祝允明、文徵明、徐祯卿并称“江南四才子”，画名更著，与沈周、文徵明、仇英并称“吴门四家”。 其绘画擅长山水、人物、花鸟各科。画法早年受沈周、文徵明影响，多“吴派”痕迹，30余岁时拜周臣为师，主宗南宗“院体”一路，后泛学宋元诸家，自成一体。山水画有粗、细两种风格：粗笔一路源自周臣，仿学南宋“院体”，然于刚劲雄健中别具清俊秀逸之韵；细笔画属其本色，更多文人画笔意，景色简约清朗，用笔纤细有力，皴法灵活多变，墨色淋漓多变，风格奇峭而又秀润。人物画造诣也很深，兼善工笔重彩、工笔淡彩、白描、水墨写意诸法，形神俱备。",[23,24,25,105,28,27,29,30,211,212,54,31,7],"树","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee4160d60f87f2087cb65dd4c2c4d435.jpg","纵171横103.8厘米",[36],231,{"id":218,"slug":219,"title":220,"dynasty":155,"author":221,"museum":67,"description":222,"tags":223,"thumbUrl":225,"material":58,"size":58,"collection":58,"collections":226,"showCount":227,"zanCount":150,"manualWeight":40,"mainColor":62},223650,"diao-qin-chuai-ming-tu-zhou-fang-223650","调琴啜茗图","周昉","画面铺陈出一段安闲的深闺日常，丰腴端丽的仕女们浸在松弛的氛围里。左侧女子正俯身调弦，指尖起落间，仿佛已有泠泠琴音将要漫开，身侧侍女垂首持物，屏气静待。右侧仕女凭坐支颐，默然凝神，似在等候琴音漫入耳畔，身旁侍女低首伫立，敛声待命。\n画作设色柔雅清和，衣纹细劲流畅，将女子丰肌秀骨的仪态勾勒尽致。浅淡花木点缀背景，留白恰到好处，把庭院的静谧雅致烘托尽显。只以极简场景，将深闺女子慵懒温婉的情态，与平淡悠长的闲居意趣，细腻晕染，尽显仕女画的隽永韵致。",[23,24,25,27,28,30,29,7,224,111],"孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F370401cc1eb8d1d6c4fbccb225172add.jpg",[],220,{"id":229,"slug":230,"title":231,"dynasty":101,"author":232,"museum":233,"description":234,"tags":235,"thumbUrl":238,"material":34,"size":239,"collection":58,"collections":240,"showCount":241,"zanCount":40,"manualWeight":40,"mainColor":62},216357,"xi-xiang-ji-tu-ye-7-chou-ying-216357","西厢记图页-7","仇英","美国弗利尔美术馆","清人绘，款仇英",[25,24,51,28,27,29,236,237,30,125,109,111,7],"楼阁","流水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c2092ecff88dc4c51551d1cdeaf7c87.jpg","18.5*38",[],212,{"id":243,"slug":244,"title":245,"dynasty":18,"author":246,"museum":20,"description":247,"tags":248,"thumbUrl":251,"material":34,"size":252,"collection":36,"collections":253,"showCount":254,"zanCount":179,"manualWeight":40,"mainColor":62},218748,"an-le-tu-zhou-wen-ju-218748","按乐图","周文矩","这幅画描绘了一个有朱色栅栏的花园，花台上种着一棵香蕉，还有五个宫廷女乐师，两个人吹着竹笛和琵琶，一个人打着拍板，另外两个人拍着手掌，很和谐。这些人物身着双球，头发上插着半月形的角梳，每个人都有丰富的色彩。笔触如丝，色彩优雅明快，说明是南宋绘画大师所作。女士坐在朱漆的方凳上，藤椅的轮廓在两腿之间巧妙地形成了壶门的形状，腿和脚则是如意的形状。院子里的帐篷，有一根长长的横杆，两端都有灵芝花的装饰，上面挂着带有莲花图案的锦缎披风。",[23,24,249,27,28,29,30,7,224,250],"扇面","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0036a38b7087699df87e8643fee08137.jpg","23.5x24.9",[36],210,{"id":256,"slug":257,"title":258,"dynasty":259,"author":194,"museum":20,"description":260,"tags":261,"thumbUrl":262,"material":263,"size":264,"collection":36,"collections":265,"showCount":266,"zanCount":267,"manualWeight":40,"mainColor":41},216973,"chui-xiao-shi-nv-tu-zhao-meng-fu-216973","吹箫仕女图","元","这幅画宋濂定为是赵孟頫的真迹，并把它与《道德经》小卷前的老子画像和行书《赤壁赋》前的东坡画像逐一进行了比较。宋濂的碑文越老，越是笨拙，全盛时期的亭子里的楷书越是小。",[24,51,105,28,29,30,224,7,250,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53774ccebb8879781edf0e87cf8e7962.jpg","纸本,设色","75.1x26",[36],190,1,{"id":269,"slug":270,"title":271,"dynasty":18,"author":246,"museum":67,"description":272,"tags":273,"thumbUrl":274,"material":58,"size":58,"collection":58,"collections":275,"showCount":276,"zanCount":277,"manualWeight":40,"mainColor":62},228384,"guan-wu-shi-nv-tu-zhou-wen-ju-228384","观舞仕女图","松奇石秀的庭院中，仕女们各尽其态，晕开一段闲雅深闺意趣。前景舞女立在红毡之上，扬袖振腕，身姿柔婉灵动，将舞蹈的曼妙尽致展现。侧旁侍女跪坐调鼓，应和节拍，另有仕女相携私语，目光流连。远景榻上仕女斜偎观舞，侍女垂手侍立身侧，尽显松弛慵闲。\n\n画作以铁线描勾勒衣袂裙裾，线条细劲流畅，设色古雅沉静，晕染柔和雅致，将仕女温婉娟秀的仪态，贵族深闺宴乐的慵懒柔靡尽数铺陈，把闺中日常的悠然意趣定格在古绢之上，尽显精工雅致的笔情墨韵。",[23,24,51,105,28,27,29,30,108,7,111,142,109,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeba11e752bd59ac0714e9fc60eac044.jpg",[],171,8,{"id":279,"slug":280,"title":281,"dynasty":282,"author":156,"museum":67,"description":283,"tags":284,"thumbUrl":292,"material":58,"size":58,"collection":293,"collections":294,"showCount":295,"zanCount":40,"manualWeight":40,"mainColor":296},242601,"fu-wu-jiang-zhong-yi-ming-242601","福无疆钟","周","它青锈裹身，带着岁月浸淫出的沉郁肌理，甬部兽面纹古拙威严，静静衔着这份来自上古的庄重。舞部之下枚乳齐整排布，如列队的仪兵，将规整礼制藏进细节。篆间铭文虽已漫漶，却依旧凝着祈福的温热心意。\n\n曾在庙堂之上振鸣的钟体，将对绵长福泽的祈愿熔铸进青铜筋骨。冷硬铜料被赋予礼乐神魂，青褐锈迹是时光镌下的勋章，静立便带着三代庙堂的肃穆底蕴，将千年前的虔诚礼制凝于一身。",[282,285,286,287,7,288,289,290,291],"青铜器","铜制","雕刻","礼器","纹饰","乳钉纹","铭文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ad8f1fdee1ab36894c68ca2088a8805.jpg","青铜器精选",[293],161,"37474F",{"id":298,"slug":299,"title":300,"dynasty":155,"author":156,"museum":20,"description":301,"tags":302,"thumbUrl":305,"material":34,"size":161,"collection":36,"collections":306,"showCount":307,"zanCount":11,"manualWeight":40,"mainColor":62},288360,"gong-le-tu-yi-ming-288360","宫乐图","本图描写后宫嫔妃十人,围坐于一张巨型的方桌四周,有的品茗,有的在行酒令。中央四人,则负责吹乐助兴。所持用的乐器,自右而左,分别为筚篥、琵琶、古筝与笙。",[23,24,51,28,27,29,30,108,7,159,303,304],"宫廷宴乐","室内场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39857b914581e42221c8c2d3a920666e.jpg",[36],159,{"id":309,"slug":310,"title":311,"dynasty":259,"author":312,"museum":67,"description":313,"tags":314,"thumbUrl":317,"material":58,"size":58,"collection":58,"collections":318,"showCount":319,"zanCount":150,"manualWeight":40,"mainColor":62},228054,"bai-mei-tu-shou-juan-wang-zhen-peng-228054","百美图手卷","王振鹏","此作以长卷舒展，仕女群像错落排布，或展卷挥毫、调弦抚琴，或拈花私语、临案观画，尽现闺中清趣。线条细劲如春蚕吐丝，将云鬓花钗、襦裙飘带勾勒得柔婉细腻，仕女顾盼间尽显温婉秀逸之态。设色古雅淡和，赭黄绢底衬得朱蓝粉白衣袂清雅脱俗，与满卷题字错落呼应，诗画相映成趣，将深闺日常的娴静雅意缓缓铺陈，晕染出女子的幽微心绪与雅致韵致，宛如一卷鲜活的闺中清欢图，余韵悠长。",[23,24,51,26,27,28,29,30,31,7,315,316],"案几","笔墨纸砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff76a94e092ff1a1c143055113ceff3b.jpg",[],152,{"id":321,"slug":322,"title":323,"dynasty":259,"author":156,"museum":48,"description":324,"tags":325,"thumbUrl":327,"material":34,"size":328,"collection":176,"collections":329,"showCount":330,"zanCount":11,"manualWeight":40,"mainColor":62},214314,"dong-shan-si-zhu-tu-yi-ming-214314","东山丝竹图","此图画东晋谢安东山丝竹故事。\n图绘崇山峻岭，连绵不绝，云雾缭绕，溪流蜿蜒山间。下部绘庭院一座，华屋数楹，院中仕女多抱管弦乐器，院外主人正携仆恭迎远来的贵宾们。全图表现了谢安迎客于东山、丝竹管弦高奏的情节，动态鲜明，仿佛有丝丝乐声流溢而出。而山水佳景清逸幽雅，衬托出主人高逸的情怀。图中人物刻画细腻，画法近于元末盛懋一路，具体作者不得而知。",[23,24,51,28,145,144,29,236,111,237,326,7],"亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b23ad1f9ddfe456c8d38d90674e4715.jpg","纵188.5厘米，横103.3厘米",[176],149,{"id":332,"slug":333,"title":334,"dynasty":46,"author":335,"museum":20,"description":336,"tags":337,"thumbUrl":341,"material":34,"size":342,"collection":36,"collections":343,"showCount":344,"zanCount":267,"manualWeight":40,"mainColor":62},219975,"ting-ruan-tu-li-song-219975","听阮图","李嵩","此图园中高木奇石，枝叶掩映翁郁，树下士人持拂闲坐于榻上，左腿盘起，聆听拨阮演乐并赏古玩。旁有仪态娇美仕女，焚香、拈花、持扇随侍。人物线条流畅，绘法近似明代画家杜蓳、唐寅。",[24,25,51,105,27,28,29,70,108,338,7,211,339,212,73,340,31,250],"侍女","芭蕉","家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f429ae99228b49a6346c6be40873864.jpg","177.5x104.5公分",[36],142,{"id":346,"slug":347,"title":348,"dynasty":155,"author":349,"museum":20,"description":350,"tags":351,"thumbUrl":352,"material":34,"size":353,"collection":36,"collections":354,"showCount":355,"zanCount":11,"manualWeight":40,"mainColor":62},218614,"hu-guo-tian-wang-xiang-yu-chi-yi-seng-218614","护国天王像","尉迟乙僧","本幅画手托宝塔的托塔天王，即世所谓之北方天王，为盛唐以后极受尊奉的佛像之一，其旁环侍之人物造型已为佛道相参之势。原谓尉僧乙僧所画，然细审其笔墨，应属明人风格。",[25,24,51,105,92,28,29,27,53,90,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefc1080a34fa72ca4f6198a683dc47ce.jpg","109x39.2cm",[36],129,{"id":357,"slug":358,"title":359,"dynasty":18,"author":246,"museum":67,"description":360,"tags":361,"thumbUrl":362,"material":58,"size":58,"collection":58,"collections":363,"showCount":364,"zanCount":179,"manualWeight":40,"mainColor":41},227269,"he-le-shi-nv-tu-juan-zhou-wen-ju-227269","合乐仕女图卷","周文矩，善于深入观察和体会现实生活中的各色人物，把握他们的思想感情和性格特征，因此塑造出来的人物各不相同，达到形神兼备的艺术境界。他的仕女画从题材内容到表现形式，都继承了唐代周昉的传统。",[23,25,24,51,26,27,28,29,30,7,69,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F926a4a4fc246817c7f82bed9a7d2c919.jpg",[],126,{"id":366,"slug":367,"title":368,"dynasty":101,"author":369,"museum":370,"description":371,"tags":372,"thumbUrl":376,"material":34,"size":58,"collection":36,"collections":377,"showCount":379,"zanCount":164,"manualWeight":40,"mainColor":41},219451,"xing-yuan-ya-ji-tu-xie-huan-219451","杏园雅集图","谢环","美国大都会艺术博物馆","描绘了明正统二年（1437年）三月初一，时值阁臣们的沐休假期，杨士奇、杨荣、王直、杨溥、王英、钱习礼、周述、李时勉、陈循9位朝中大臣以及画家谢环雅集于杨荣在京师城东的府邸——杏园聚会之情景。其中，杨士奇、杨荣、杨溥时人合称“三杨”，三人均历事永乐、洪熙、宣德、正统四朝，先后位至台阁重臣，正统时以大学士辅政，权倾一时。“三杨”还是当时“台阁体”诗文的代表人物。时人称杨士奇有学行，杨荣有才识，杨溥有雅操。又以居第所处，称杨士奇为西杨，杨荣为东杨，杨溥为南杨。按照当时《翰林记》的记载，当时谢环作画，与会者人手一画，也就是说至少有九幅（画家不算）《杏园雅集图》存世（现存世两幅）。",[23,24,51,26,28,27,373,374,53,69,29,111,326,375,7,316,31,250],"行书","楷书","桌椅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff366cd140ea847bfbf260d622bdcd92a.jpg",[36,378],"书法精选",123,{"id":381,"slug":382,"title":383,"dynasty":46,"author":384,"museum":48,"description":385,"tags":386,"thumbUrl":387,"material":388,"size":389,"collection":58,"collections":390,"showCount":391,"zanCount":267,"manualWeight":40,"mainColor":62},233211,"lin-liu-fu-qin-tu-ye-xia-gui-233211","临流抚琴图页","夏圭","宋代郭熙《林泉高致》云：“山以水为血脉”、“山得水一活”，水是山的眼睛，关乎画面的神采，最难画活。宋代的山水画中多以密致的线条勾出水纹，如现存李唐的《江山小景图》、马远的《水图》等都是以工致的笔法画出水纹。在这幅画中，溪水则以简练的线条勾勒，部分留白，盘曲掩映，时隐时现，难觅其踪，表现出流水的清澈和流动感。夏圭是善于在绘画中“用虚”的大师，在这幅画中，他利用了留自来表现江山湖泊的辽阔深远，虽未着一笔，却能“无画处皆成妙境”，给人无限遐想的空间。画中的人物也很有特点，没有过多地描绘细节，而是注重表现身体的动势，笔简而神全。抚琴者似在弹奏，让人不禁联想到琴声的悠扬。\n作为一个欣赏者，我们可能更多地关注的是画面的内容和技法的运用，往往忽视了绘画材料本身。古人云：“皮之不存，毛将焉附?”画面的效果和气氛的营造，一方面取决于画家的精神境界和绘画技巧，另一方面取决于绘画的材料即媒材。唐、宋时期绘画尚用绢，至明末，画家皆用熟纸。夏圭此画作于熟绢之上，绢本细腻的质地适于表现笔墨的流利劲健，他充分利用了绢的特性，笔势纵横生动。\n元代庄肃的《画继补遗》中评价夏圭：“画山水人物极俗恶。宋末世道凋丧，人心迁革，圭遂滥得时名，其实无可取，仅可知时代姓名而已。”此论可谓偏颇至极。夏圭的山水画，用笔外露，非是缺点，而是其特点。夏文彦《图绘宝鉴》称赞夏圭说：“院人中画山水，自李唐以下，无出其右者也。”宋代绘画是中国传统绘画的精华，它来源于画家“外师造化，中得心源”，并非是抛弃自然的笔墨游戏。如宋代郭熙的《林泉高致》中提到画家对待绘画用“敬”的态度“凡一景之画，不以大小多少，必须注精以一之”、“必神与俱成之”、“必严重以肃之”、“必恪勤以周之”，不可“以轻心挑之”、“以慢心忽之”。夏圭正是以这种敬业的精神以及“心源”颖悟，在方寸之内，写出如此之大气象、大境界。\n宋、元以后文人画开始居于画坛的主流地位，夏圭的山水画不断遭到文人画家不公正的指责和排挤，虽偶有师法者，但已是落日余晖，失去了往日的辉煌。然而被文人画家“嗤之以鼻”的夏圭的山水画却跨越了国界，深深地影响了日本的绘画，出现了周文、雪舟等一批绘画大家，纷纷模仿夏圭的山水画。\n《临流抚琴图》是画家夏圭创作的一幅作品，该图是国家一级文物，图中绘一高士临流而坐，气象萧疏，意境深远。\n墨笔急扫之后，迅速以水笔接染，笔墨衔接自然，一气呵成。由于墨与水的使用恰到好处，使得整幅画面颜色透亮，一股清新之气扑面而来。画树木，得其形而又取其势，意笔写出枝干，偃仰屈曲，苍健老硬，有蛟龙惊虬之势；树叶点染而成，疏密有致，虚实相生，浓淡相宜，看似不经意，实则惨淡经营。茅屋隐现于树后，以墨笔勾出轮廓，再施以规则的点皴，极具装饰意味。画水有独特之处。",[24,25,51,249,171,144,145,29,237,211,142,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10b6e2189c33e42f16457ba45586676b.jpg","纸本","25.5X26厘米",[],121,{"id":393,"slug":394,"title":395,"dynasty":101,"author":156,"museum":396,"description":397,"tags":398,"thumbUrl":401,"material":402,"size":403,"collection":58,"collections":404,"showCount":405,"zanCount":96,"manualWeight":40,"mainColor":62},223381,"qian-qiu-jue-yan-tu-yi-ming-223381","千秋绝艳图","中国国家博物馆","此卷在六米多长的画面上，绘写了近七十位古代仕女形象，画中女子采用工笔重彩，多用铁线描钩勒衣纹。服饰敷彩妍丽鲜明。每个人物都手持或配有最能代表和体现她们身份的配物，并在右上方，各题有七言绝句一首。",[23,24,51,26,27,28,29,30,7,316,399,31,340,212,400],"饰品","珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca25007acf93fb2441506aa6e02095e.jpg","绢本设色","29.5x667.5厘米",[],120,{"id":407,"slug":408,"title":409,"dynasty":46,"author":156,"museum":410,"description":411,"tags":412,"thumbUrl":414,"material":415,"size":58,"collection":36,"collections":416,"showCount":417,"zanCount":11,"manualWeight":40,"mainColor":62},219578,"fang-zhou-wen-ju-gong-zhong-tu-yi-ming-219578","仿周文矩宫中图","哈佛艺术博物馆","纯以铁线白描写就，线条细劲如春蚕吐丝，将仕女丰腴温婉的体态、罗衣垂坠的柔滑质感尽数勾勒。\n画面分作两段，左畔是闺阁梳妆日常：仕女对镜理鬓、净面匀妆，侍女捧具随侍，慵懒柔媚的深闺情态呼之欲出；右畔是宴乐场景，乐伎拨弹箜篌、吹奏丝竹，凝神专注的姿影静中藏动，恍若有清乐绕梁。\n素笔无彩却形神兼备，精准复刻出唐风仕女的雍容韵致，将深宫闲雅日常铺陈开来，尽显古典白描人物画的线条表现力与叙事意趣。",[23,24,51,26,413,29,30,7,52],"白描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a0e9606ed2bb57682b7a0e21098e2c3.jpg","纸本,水墨",[36],117,{"id":419,"slug":420,"title":421,"dynasty":422,"author":423,"museum":67,"description":424,"tags":425,"thumbUrl":427,"material":113,"size":114,"collection":36,"collections":428,"showCount":429,"zanCount":267,"manualWeight":40,"mainColor":41},235120,"hua-hua-yan-shi-nv-tu-ce-wang-su-235120","画华严仕女图册","清","王素","王素（1794—1877）字小梅，晚号逊之，甘泉（今江苏扬州）人。幼拜师鲍芥田，又多临华岩，凡人物、花鸟、走兽、虫鱼，无不入妙。道光初与魏小眠、王应祥并驾。自悔书拙，每晨必临数百字，至老无间。 咸丰三年（1853）太平天国克扬州，迁邵伯，又迁郭村，逾年返扬。有请画南北斗星君像，乃诣蕃厘观图其塑像为稿本，其虚心若此。篆刻效法汉印，为画名所掩。卒年八十四。",[24,51,426,27,28,29,30,7],"册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bcbec6b44d875f6875f0d4a4e8faa49.jpg",[36],113,{"id":431,"slug":432,"title":433,"dynasty":155,"author":221,"museum":20,"description":434,"tags":435,"thumbUrl":436,"material":34,"size":437,"collection":36,"collections":438,"showCount":429,"zanCount":267,"manualWeight":40,"mainColor":62},221114,"yan-le-tu-zhou-zhou-fang-221114","演乐图轴","大松下五位士人围长案雅聚，童子张琴，仕女抱阮或备茶，人物器用俱以中锋细笔钩勒，顿起顿收，转折挺劲，如画树的枝桠。画上无作者款印，旧传周昉作。按周昉（活动于八世纪末）是陕西长安人，唐代著名人物画家，画史称其人物善于刻画个别的性格，并能掌握特定环境下的情态。本幅构图似是取自其他作品拼凑而成，如士人围坐的构图便是摹仿传世十八学士的一段。",[23,24,51,105,27,28,29,7,141,110,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb21b1bfe7ff31574b4855b09db89917a.jpg","165.6x84.4",[36,131],{"id":440,"slug":441,"title":442,"dynasty":101,"author":156,"museum":443,"description":444,"tags":445,"thumbUrl":448,"material":34,"size":58,"collection":36,"collections":449,"showCount":429,"zanCount":179,"manualWeight":40,"mainColor":62},219577,"ting-zhong-shang-le-tu-yi-ming-219577","庭中赏乐图","费城艺术博物馆","画面绘闺中闲景，四位仕女各得幽趣。二人对坐似行猜枚之戏，指尖轻扬，情态灵动鲜活；侧坐仕女支臂观戏，慵懒悠然；侍立婢女持扇静候，恭谨安恬。衣褶线条柔婉舒展，晕染出绫罗软缎的垂坠质感，鬓间花钿衬出闺阁佳人的柔秀雅致。布景简淡，仅以浅绘草卉点染庭中清寂，古褐底色晕出庭院静谧松弛的氛围。笔致清逸简淡，将深闺日常的闲散意趣娓娓道来，尽显温婉含蓄的古典仕女审美意韵。",[24,51,27,28,29,30,446,7,447],"水仙","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86260b0dda74b3817ea2971ec93bb2fa.jpg",[36],{"id":451,"slug":452,"title":453,"dynasty":422,"author":454,"museum":48,"description":455,"tags":456,"thumbUrl":457,"material":458,"size":459,"collection":36,"collections":460,"showCount":461,"zanCount":11,"manualWeight":40,"mainColor":41},238287,"yu-lan-shi-nv-qing-yu-tu-ce-yu-lan-238287","喻兰仕女清娱图册","喻兰","此图册共八幅。从精美的器皿、工巧的家具、华丽的服饰可知作者表现的是富贵人家女子，通过女子在室内品茗、吹箫、梳妆、投壶等行乐活动，说明了优越的生活环境不仅保障了她们衣食无忧，亦为她们提供了种种休闲条件，从而令她们具有多方面的修养。",[25,24,51,426,28,27,29,30,110,7,54,31,339],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f754f2a14cd591c9ca80e5a781de197.jpg","纸本、设色","每开纵17厘米，横22.7厘米",[36,131],101,{"id":463,"slug":464,"title":465,"dynasty":46,"author":466,"museum":20,"description":467,"tags":468,"thumbUrl":473,"material":388,"size":474,"collection":58,"collections":475,"showCount":461,"zanCount":267,"manualWeight":40,"mainColor":62},231401,"xi-yuan-ya-ji-tu-liu-song-nian-231401","西园雅集图","刘松年","宋刘松年西园雅集卷绘宋代雅士高僧苏轼、黄庭坚、米芾、圆通大师等盛会于王诜西园。十六人分四组：王诜、蔡肇和李之仪围观苏轼写书法；秦观听陈景元弹阮；王钦臣观米芾题石；苏辙、黄庭坚、晁补之、张耒、郑靖老观李公麟画陶潜归去来图；刘泾与圆通大师谈无生论。西园雅集世传多个版本。\n西园为北宋驸马都尉王诜之第，当代文人墨客多雅集于此。元丰初，王诜曾邀同苏轼、苏辙、黄庭坚、米芾、蔡肇、李之仪、李公麟、晁补之、张耒、秦观、刘泾、陈景元、王钦臣、郑嘉会、圆通大师（日本渡宋僧大江定基）十六人游园。苏轼是宋代著名诗人、文学家、书画家。京中文人学士围绕在苏轼周围，拥戴他为文坛盟主。史称“西园雅集”，众人认为可与晋代王羲之“兰亭集会”相比。",[23,24,51,26,27,28,144,29,145,469,237,211,470,141,198,326,7,471,316,472],"小桥","竹子","饮酒","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0ec0fd785b62b366399fa57e2029f4f.jpg","34×191cm",[],{"id":477,"slug":478,"title":479,"dynasty":18,"author":246,"museum":67,"description":480,"tags":481,"thumbUrl":486,"material":113,"size":114,"collection":58,"collections":487,"showCount":488,"zanCount":179,"manualWeight":40,"mainColor":41},289987,"gong-zhong-tu-zhou-wen-ju-289987","宫中图","周文矩（约907年－975年），五代十国时南唐的宫廷画家，句容（今江苏句容县）人。南唐李昪异元年间（937—943），已在宫中作画。后主李煜（961—975年）朝任翰林待诏，擅人物仕女，多以宫廷贵族或文士生活为题材，兼画山水、屋木、佛道。绘画风格接近唐代画家周昉而更纤丽，多用颤动的“颤笔”画衣纹，线条挺健又略带抖动和顿挫。宋人称其“用笔深远，于繁富则尤工”。",[23,25,24,26,413,29,30,482,483,484,7,485,373,69],"宫女","孩童","犬","宫廷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd82c5d2ffc57e3999164c6f4a0c240dd.jpg",[],96,{"id":490,"slug":491,"title":492,"dynasty":422,"author":156,"museum":67,"description":493,"tags":494,"thumbUrl":497,"material":34,"size":498,"collection":36,"collections":499,"showCount":500,"zanCount":179,"manualWeight":40,"mainColor":62},218281,"ting-yuan-chun-se-tu-yi-ming-218281","庭苑春色图","画面铺展雅致庭苑景致，暖棕底色晕染时光温润。端坐的女子轻抱琵琶，指尖似凝住弦上余韵，眉眼神情专注而娴静；旁侧侍女俯身案前，动作轻柔如春风拂过，案上器物错落，笼中雀鸟似待和鸣。枝间梅花疏影横斜，点点春意悄然入画，与古朴陈设相映成趣。细腻笔触勾勒人物情态，器物细节精致传神，将春日庭苑里的闲适雅致娓娓道来，尽显古典生活的温婉诗意，仿佛能闻得弦音与花香交织，静享一段时光的从容。",[23,24,28,27,495,29,30,236,496,54,7,109],"界画","梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F029dbcde4f6cb854e31576e88c28885e.jpg","24x24",[36],94,{"id":502,"slug":503,"title":504,"dynasty":422,"author":156,"museum":67,"description":505,"tags":506,"thumbUrl":509,"material":113,"size":114,"collection":58,"collections":510,"showCount":511,"zanCount":11,"manualWeight":40,"mainColor":62},230301,"wu-tun-si-bi-hua-yi-ming-230301","五屯寺壁画","壁画，墙壁上的艺术，即人们直接画在墙面上的画。作为建筑物的附属部分，壁画的装饰和美化功能使它成为环境艺术的一个重要方面。壁画为人类历史上最早的绘画形式之一。\n早在汉朝就有在墙壁上作画的记载，多是在石窟、墓室或是寺观的墙壁，到了现在结合了现代工艺和文化气息，墙壁作画越来越多元、个性地发展，更多地被人们在装修时应用。",[91,92,28,27,29,507,508,7],"兽","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef9b800e912ccd3d8292c2cba716e374.jpg",[],93,{"id":513,"slug":514,"title":515,"dynasty":84,"author":516,"museum":517,"description":518,"tags":519,"thumbUrl":522,"material":523,"size":524,"collection":58,"collections":525,"showCount":511,"zanCount":40,"manualWeight":40,"mainColor":41},220481,"li-ren-xing-fu-bao-shi-220481","丽人行","傅抱石","中国现当代美术文献研究中心","泼墨晕染出如烟林木，虚实相生间铺展游春盛景。人物错落排布，文人儒雅、仕女娇妍，乐伎持乐相随，神态灵动鲜活，衣袂飘举尽显唐风古韵。色彩冷暖交织，石青、朱红的明艳衣袍，晕融在水墨氤氲的林野间，既有传统写意笔墨的空灵，又融入现代构图的章法韵律。将踏青的雍容闲适铺陈开来，古雅诗意漫溢林间，把人物雅集与山水意境融为一体，尽显华丽雅致的盛唐气象。",[23,24,28,26,29,111,7,520,521],"扇子","古代服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a0bde7dd2c3b8917c7f9b70c3d499f9.jpg","纸本设色","纵61.7厘米，横219厘米",[],{"id":527,"slug":528,"title":529,"dynasty":46,"author":335,"museum":67,"description":530,"tags":531,"thumbUrl":533,"material":113,"size":114,"collection":58,"collections":534,"showCount":535,"zanCount":40,"manualWeight":40,"mainColor":62},288495,"fen-xiang-bo-ruan-tu-li-song-288495","焚香拨阮图","李嵩（1166—1243），中国南宋画家，钱塘（今浙江杭州）人。少年时曾为木工，后成为画院画家李从训的养子，绘画上得其亲授，擅长人物、道释，尤精于界画，为光宗、宁宗、理宗（1190一1264）时期画院待诏。\n李嵩画过许多表现下层社会生活的风俗画，及表现农民劳动生活的《春溪渡牛图》、《春社图》和组画《服田图》等。传日的《货郎图》是李嵩传世的重要作品。他以货郎为题材，创作过多幅货郎图。除故宫博物院藏的一幅横卷外，余皆为小幅，分别藏于台北故宫博物院、美国堪萨斯州阿肯博物馆的尼尔逊美术馆及美国纽约大都会美术馆。\n李嵩具有多方面才能，尤其善于通过绘画，表达自己对生活的感受和态度，他的《夜湖图》《水殿招凉图》《观潮图》《西湖图》《仙山瑶涛图》《骷髅幻戏图》《观灯图》《柳塘聚禽图》《花篮图》等，都显示出他卓越的绘画技巧。其中《骷髅幻戏图》则以其不易被人理解的深刻的寓意，为美术史留下了一个画谜。",[25,24,51,105,28,29,30,7,27,109,111,339,70,532,73],"焚香","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e91c925d5a97ce7aba2fd11b9a72400.jpg",[],92,{"id":537,"slug":538,"title":539,"dynasty":155,"author":156,"museum":540,"description":541,"tags":542,"thumbUrl":548,"material":549,"size":58,"collection":58,"collections":550,"showCount":551,"zanCount":40,"manualWeight":40,"mainColor":62},217287,"jiang-mo-bian-dun-huang-tu-juan-3-yi-ming-217287","降魔变·敦煌图卷-3","法国国家图书馆","树影婆娑间，故事徐徐铺展。墨线勾勒的衣袂翻飞里，左侧人群神色各异——或凝神静听，或交头接耳，衣袍的赭黄与青绿晕染出人间烟火气。\n\n帐幔轻垂，裹着一室虔诚：帐内人物或合十默祷，或低语交谈，虬髯者的粗犷与稚童的灵动相映成趣。旁侧大象纹饰古雅，背上的图案似藏玄机，卧于茵席间，添了几分神圣静谧。\n\n右侧僧众团坐，赭红衣袂与墨色僧袍交织，光头的圆润衬着肃穆神情，仿佛法音正缓缓流转。他们或指或听，姿态各异却皆凝向中心，将叙事的焦点引向那份庄严。\n\n淡彩晕染的纸页上，线条如行云流水，把宗教的神圣与人间的鲜活揉作一处。每一笔都藏着敦煌艺术的古朴韵致，让千年前的故事，在今日仍能触到那份温热的虔诚与生动。",[25,24,51,26,28,27,92,29,90,543,7,111,544,545,546,547],"大象","莲花","帐篷","僧侣","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe78417d9a75ae607f87c5184762deb39.jpg","设色,拓本",[],91,{"id":553,"slug":554,"title":555,"dynasty":101,"author":232,"museum":67,"description":556,"tags":557,"thumbUrl":560,"material":58,"size":58,"collection":58,"collections":561,"showCount":562,"zanCount":40,"manualWeight":40,"mainColor":62},228443,"ting-qin-tu-ye-chou-ying-228443","听琴图页","青绿晕染的崖谷间，飞瀑漱石，古松虬曲横斜。松下石台之上，抚琴人信手拨弦，对面听者垂眸凝神，将身心都浸在松风声与琴音里。侧旁童子正俯身溪畔汲水，浑然不觉周遭雅韵。\n画面以静取景，以动点染，明丽的设色衬出林涧清寂，人物神态宛然生动，将山林雅集、知音相和的悠然意趣，尽藏于尺幅之间，把文人寄情丘壑的雅致心境铺陈得淋漓尽致。",[23,24,51,426,27,28,558,145,29,7,237,111,142,559],"青绿","瀑布","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa31aa149186a2d0e6c5d0c2565807183.jpg",[],87,{"id":564,"slug":565,"title":566,"dynasty":101,"author":156,"museum":233,"description":567,"tags":568,"thumbUrl":569,"material":34,"size":570,"collection":36,"collections":571,"showCount":572,"zanCount":267,"manualWeight":40,"mainColor":62},218275,"ji-le-tu-yi-ming-218275","伎乐图","衣袂相偎处，古调似欲漫出绢素。一人执杖而立，衣纹沉郁如暮云垂落；一人抱阮斜倚，弦上仿佛栖着未散的余音。线条简淡却藏韵致，服饰褶皱如流水舒展，古雅色调晕染出时光的温润。两人姿态亲昵，似共守一段静谧辰光，又或在乐声里彼此慰藉。无繁复布景，仅以人物相依与乐器呼应，便勾勒出伎乐生涯中的一抹温情——让千年后的观者，仍能触到那份含蓄暖意与悠然古意，于绢素间听见岁月的轻吟。",[24,105,28,27,29,30,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb577d3e5073e741217357fcfbccf10a8.jpg","83.4x38.2",[36],86,{"id":574,"slug":575,"title":576,"dynasty":101,"author":577,"museum":48,"description":578,"tags":579,"thumbUrl":583,"material":402,"size":58,"collection":58,"collections":584,"showCount":585,"zanCount":267,"manualWeight":40,"mainColor":41},234105,"shi-nv-juan-chen-hong-shou-234105","仕女卷","陈洪绶","仕女画是我国古代一类重要的人物画题材。我们能从各朝画家所画的仕女形象中，看到当时的社会风貌。\n陈洪绶笔下的仕女因其独特的画风被后世画家效仿。本期艺狮·画事就来带你看看陈洪绶笔下的仕女画。\n陈洪绶的仕女画与“吴门画派”诸家所绘仕女不同，吴门画派更注重写实与写意的结合，仕女雍容华丽，艳而不俗，侧重画中的文人气韵。",[24,51,26,27,28,29,108,7,580,212,581,582],"荷花","器物","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8d1e094bb0f8b30d59b656ae34f18f5.jpg",[],82,{"id":587,"slug":588,"title":589,"dynasty":422,"author":156,"museum":48,"description":590,"tags":591,"thumbUrl":597,"material":58,"size":58,"collection":36,"collections":598,"showCount":599,"zanCount":11,"manualWeight":40,"mainColor":62},238431,"fu-gui-sui-chao-tu-zhou-yi-ming-238431","福贵岁朝图轴","孩童们有的手举鱼、龙等各种形象的彩灯；有的胆大的孩子点燃炮竹，周围孩子掩耳观望；有的孩子登高折梅枝，树下的孩子将花枝插入瓶中，寓意岁岁平安；湖面已结冰，孩子们在冰面滑动冰车，打打闹闹，不小心滑倒还哈哈大笑；还有孩子吹拉弹唱，奏响乐器，妙趣横生。欢度佳节的喜气跃然纸上，仿佛能听到孩子们嬉闹的笑声。",[24,28,27,29,236,326,496,483,592,593,7,547,594,595,596],"彩灯","炮竹","鱼","喜乐","岁朝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60d8b1d3424982278598217ea629c0f2.jpg",[36,131],81,{"id":601,"slug":602,"title":603,"dynasty":46,"author":604,"museum":20,"description":605,"tags":606,"thumbUrl":607,"material":34,"size":608,"collection":128,"collections":609,"showCount":610,"zanCount":40,"manualWeight":40,"mainColor":62},219965,"du-zuo-tan-qin-tu-yang-wu-jiu-219965","独坐弹琴图","扬无咎","扬无咎（1097─1169年），字补之，号逃禅老人，又号清夷长者，清江（今属江西省）人，寓居南昌。自称为东汉著名文学家扬雄之后，故其姓氏从“手”而不从“木”。生平事迹不详。他为人正直耿介，绍兴（1131─1162年）年间，奸相当道，朝廷对外妥协苟安，无咎“不直秦桧，累征不起”，一生没有作官，是一位藐视权贵的画家。他为梅花传神写照，以“墨梅擅天下，身后寸纸千金”，成为中国梅画的初始者之一。事实上，“画如其人”，无咎笔底高标清韵的梅花，正是画家素洁坚贞的高尚操守的化身。",[23,24,51,105,171,144,373,69,53,29,7,145,224],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8dca1f72c4020db5b4154f5b7b91632.jpg","40x25.5",[128,176],80,{"id":612,"slug":613,"title":614,"dynasty":18,"author":615,"museum":48,"description":616,"tags":617,"thumbUrl":618,"material":619,"size":620,"collection":36,"collections":621,"showCount":622,"zanCount":40,"manualWeight":40,"mainColor":62},221152,"lang-yuan-nv-xian-tu-juan-ruan-gao-221152","阆苑女仙图卷","阮郜","“阆苑”是传说中仙人的住处，有时也指宫苑。此图描绘的当是仙山阆苑，为仙女生活游玩之地。图中描绘苍松翠竹间，一群女仙休闲的情景，其中三个地位显赫，在小仙女的陪侍下坐在一起，或执卷欲书，或展卷凝视，或拨弄三弦。四周有乘鸾女仙、乘龙女仙、驾云女仙，还有在海面上凌波漫步，缓缓而来的女仙，与地上群仙互为呼应。\n画中女仙体态纤弱，衣纹勾描细密圆软，一反唐周昉时代侍女之丰肥与衣纹线条之方硬。树枝多画成蟹爪状，画法略似李成。坡石以墨线勾，染青绿色。水纹繁复，刻划极为生动，有唐人遗风。清人高士奇在跋中云：“五代阮郜畫，世不多見。《閬苑仙女圖》曾入宣和御府，筆墨深厚，非陳居中、蘇漢臣輩所可比擬。”",[23,25,24,51,26,27,28,29,30,145,111,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde423de1a5e6f1d004a4e19fd7e97f3e.jpg","绢本","纵42.7厘米，横177.2厘米。",[36,131],77,{"id":624,"slug":625,"title":626,"dynasty":101,"author":577,"museum":67,"description":627,"tags":628,"thumbUrl":630,"material":388,"size":58,"collection":36,"collections":631,"showCount":632,"zanCount":40,"manualWeight":40,"mainColor":62},237222,"chen-hong-shou-jin-jue-tu-juan-chen-hong-shou-237222","陈洪绶晋爵图卷","陈洪绶（1599年—1652年），字章侯，幼名莲子，一名胥岸，号老莲，别号小净名，晚号老迟、悔迟，汉族，浙江绍兴府诸暨县枫桥陈家村（今 明代著名书画家、诗人。\n年少师事 明亡入 一生以画见长，尤工 所画人物躯干伟岸，衣纹 花鸟等描绘精细，设色清丽，富有装饰味。亦能画 还长于为文学作品创作 其画手法简练，色彩沉着含蓄，其人物画成就，人谓“力量气局，超拔磊落，在仇（英）、唐（寅）之上，盖明三百年无此笔墨”；当代国际学者推尊他为“代表十七世纪出现许多有彻底的个人独特风格艺术家之中的第一人”。",[24,51,26,27,28,29,30,7,142,111,237,629],"亭台","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcddd38d94f0d83cb4ba3169e2191ffee.jpg",[36],75,{"id":634,"slug":635,"title":636,"dynasty":259,"author":637,"museum":638,"description":639,"tags":640,"thumbUrl":642,"material":34,"size":643,"collection":130,"collections":644,"showCount":632,"zanCount":40,"manualWeight":40,"mainColor":62},218239,"cang-jiang-heng-di-tu-sheng-mao-218239","沧江横笛图","盛懋","南京博物院","此图所描绘的是一幅江畔秋景。画面远处烟波浩渺，青山伏卧，一派江南平淡幽远的山水景色。近处岸边斜伸出几棵大树，阵风吹过，落叶萧然，惊起的三、五只雀鸟，或飞或栖，自在悠然。树下渔人临风横笛，神情专注。",[24,105,28,145,29,211,110,7,641,172,144],"江水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f90e787aa60094f0aca0e0ed0c9958b.jpg","纵84.8厘米，横47.1厘米",[130,176],{"id":646,"slug":647,"title":648,"dynasty":101,"author":156,"museum":370,"description":649,"tags":650,"thumbUrl":656,"material":34,"size":657,"collection":58,"collections":658,"showCount":659,"zanCount":267,"manualWeight":40,"mainColor":62},218277,"ba-xian-tu-dui-fu-zhi-you-yi-ming-218277","八仙图对幅之右","这幅画描绘了铁拐李、汉钟离、曹国舅和蓝采和，铁拐李的宝葫芦露出了他的替身。",[25,24,51,105,651,27,28,29,652,7,653,654,655],"明代","八仙","花篮","云纹","传统服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9be561a77dd0809ce682eb36fbac64b.jpg","139.7x78.7",[],72,{"id":661,"slug":662,"title":663,"dynasty":101,"author":577,"museum":20,"description":664,"tags":665,"thumbUrl":666,"material":34,"size":667,"collection":36,"collections":668,"showCount":669,"zanCount":267,"manualWeight":40,"mainColor":41},290358,"fu-qin-tu-zhou-chen-hong-shou-290358","抚琴图轴","插图》《水浒叶子》《博古叶子》等版刻传世，工诗善书，有《宝纶堂集》。",[24,105,28,27,29,30,7,197,53,496],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7228c7b03a44f4c904a47c8ffa7994b6.jpg","107.7x52.3",[36],71,{"id":671,"slug":672,"title":673,"dynasty":46,"author":674,"museum":67,"description":675,"tags":676,"thumbUrl":680,"material":113,"size":114,"collection":58,"collections":681,"showCount":669,"zanCount":179,"manualWeight":40,"mainColor":62},289337,"song-ren-ying-xi-tu-su-han-chen-289337","宋人婴戏图","苏汉臣","细审画中人物五官、发型、服饰，率皆钩染细腻，神情毕具，然配景花树、湖石苔点，失之刻镂，画法已近明人习气。 饶有苏汉臣一派“著色鲜润、体度如生”的意趣。惟配景花树，失之刻镂、少自然，加以湖石上附加的苔点，画法已近乎明人习气。此图表现出儿童游戏轻松诙谐的一面。以是，推断此幅原应有所本，当属明代仿宋的佳作。",[24,27,28,29,677,678,679,111,212,7,109],"婴戏","童趣","蝴蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72cbb027ec6f04ae9381a03904106a8b.jpg",[],{"id":683,"slug":684,"title":685,"dynasty":422,"author":156,"museum":67,"description":686,"tags":687,"thumbUrl":692,"material":58,"size":58,"collection":693,"collections":694,"showCount":669,"zanCount":267,"manualWeight":40,"mainColor":62},241701,"cui-xiao-yi-ming-241701","翠箫","此器莹润似春水初凝，仿竹修形，线条清隽舒展，自带出尘之态。深浅翠色晕染通透玉身，如同将江南烟霭凝于骨中，素净无饰，尽展天然雅致。匀整开孔暗含音律章法，仿佛仍留存着丝竹萦耳的旧时余韵。静置于此，温润泽光里晕开岁月痕迹，似能窥见昔年执管奏乐的光景，将东方雅骨融于一管翠玉，缄默诉说着旧时风月清欢。",[688,689,7,287,690,691],"清代","玉石","玉器","翠玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1d5d38e4274032046e5ab062807eb0d.jpg","玉器精选",[693],{"id":696,"slug":697,"title":698,"dynasty":101,"author":156,"museum":699,"description":700,"tags":701,"thumbUrl":705,"material":58,"size":58,"collection":36,"collections":706,"showCount":707,"zanCount":267,"manualWeight":40,"mainColor":41},238562,"ming-ren-sheng-ping-yi-zan-tu-bing-shu-zan-ce-yi-ming-238562","明人升平翊赞图并书赞册","德国国立柏林民俗博物馆","此作工笔重彩，设色妍丽沉稳。朱漆楼宇界画工致，飞檐翼然，堂内宾主雅集宴乐，丝竹相和、把盏酬唱，一派闲雅升平。另一侧甲胄武士整队而来，鞍饰鲜亮、仪仗严整，赳赳威仪和宴饮雅趣相映成趣。\n山石松瀑勾勒细致，草木布景层次分明，人物衣纹走线考究，武士的英挺、宴客的雍容皆被细致摹写。以工致笔触铺陈出承平之世的礼乐典仪，将朝堂酬酢的盛大描摹尽致，处处流露着对盛世安稳的由衷赞颂。",[24,28,27,495,426,29,236,469,702,703,326,237,704,7],"马","老树","狗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6599ab556ad7494df2f3406cc7785279.jpg",[36,131],70,{"id":709,"slug":710,"title":711,"dynasty":46,"author":156,"museum":712,"description":713,"tags":714,"thumbUrl":720,"material":402,"size":721,"collection":58,"collections":722,"showCount":723,"zanCount":11,"manualWeight":40,"mainColor":62},223525,"ge-le-tu-yi-ming-223525","歌乐图","上海博物馆","《歌乐图卷》描绘了南宋宫廷歌乐女伎演奏、排练的场景。画面中九位女伎、一位老乐官和二位女童于庭院中一字排开，手持笛、鼓、排箫、琵琶等多种乐器。画中人物均穿着南宋时期的典型服饰：九位女伎身材修长，穿着红色窄袖背子，高髻上饰以角状配饰；男性乐官佩戴朝天幞头，女童则戴簪花幞头。此卷所绘的人物及场景是南宋社会文化生活的生动写照。\n在技法上，《歌乐图》设色细腻鲜艳，用笔精细而能够随物应形，通过不同的笔法表现不同物象的特定质感，如衣纹流畅、竹叶劲挺、树石沉雄，写实且富于意趣。画面构图疏朗简洁，节奏感强，整体上呈现出相当高的艺术水平。而以歌乐女伎为表现题材的作品在南宋人物画中极为少见，具有相当高的历史、艺术价值。\n画面右侧为一棵棕榈树，树干以淡墨晕染，树叶双钩，并填以石绿色，上层的树叶以树身为轴呈对称状；地面上点缀了几丛花草，草叶以没骨写意法画出，地面上白色的小花以浑点点出；地面局部晕染石青，并勾勒有平行的水平线表现地面质理。画面左侧的配景，靠右边为太湖石和竹丛的组合，地面点缀花草，花草的描绘方式与右侧配景中的花草一致。太湖石的轮廓线比较粗犷、写意，石面以石青晕染，局部施以皴擦表现质理。太湖石后的竹子，竹竿和竹叶双钩，中间几株竹竿以石青晕染。太湖石和后面的竹丛也呈中轴对称状。左边有一段栏杆，栏杆后绘有一棵盛开着白色花朵的树，似为梨树，树干双钩，树身晕染，树叶为瓜子形点叶，白色的花瓣以椭圆形的点进行表现，画面美感十足。\n画中所绘九女子，皆披褙子外衣，此服饰出现于北宋年间，流行于南宋时代。在河南禹县白沙一号北宋墓壁画《伎乐图》，和传世的南宋《瑶台步月图》页中都可见到。此外，女子梳高髻并簪有三朵花状饰物的发式与南宋《瑶台步月图》页和《荷亭儿戏图》页中的女子发式相近。图中另二个女孩装扮官员样，所戴直脚幞头也是宋时官帽样式。另一位手抱琵琶的男艺人，穿圆领窄袖袍衫，戴曲脚幞头，与河北宣化辽墓壁画《散乐图》中的吹乐艺人相同。从此图人物的服饰和幞头考察，有宋制和辽制混合的形迹。",[23,24,51,26,28,27,29,30,483,7,125,211,715,716,109,447,717,718,719],"石","栏杆","发饰","桌子","棕榈树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88da24574fef71de8346deb557e6bfd1.jpg","25.5x158.7厘米",[],69,{"id":725,"slug":726,"title":727,"dynasty":422,"author":454,"museum":67,"description":728,"tags":729,"thumbUrl":734,"material":34,"size":735,"collection":36,"collections":736,"showCount":737,"zanCount":267,"manualWeight":40,"mainColor":62},218491,"ting-qin-tu-yu-lan-218491","听琴图","幽篁入镜，琴音似萦。室内雅集间，主人横琴而坐，指下弦动；侧畔听者凝神，眉宇间尽是悠然。侍女轻持乐器侍立，案上文玩罗列，红萼点缀其间，更添几分雅致。窗外竹影婆娑，与镜中幽林相映，虚实交织间，尽显文人闲逸之趣。笔墨细腻，器物精描，人物神态宛然，将一段琴韵中的闲适时光，凝于绢素之上，引人沉醉于这清寂又温暖的雅境里。",[24,25,27,28,29,338,7,197,125,730,731,732,733],"文玩","雅集","闲逸","室内","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd79ea1cf75ecae2ee4a8c203cf5dc219.jpg","88x41.7",[36],67,{"id":739,"slug":740,"title":741,"dynasty":155,"author":221,"museum":67,"description":742,"tags":743,"thumbUrl":749,"material":113,"size":114,"collection":58,"collections":750,"showCount":751,"zanCount":11,"manualWeight":40,"mainColor":62},230932,"lao-zi-wan-qin-tu-zhou-fang-230932","老子玩琴图","周昉（生卒年不详），字仲朗、景玄，京兆（今陕西西安）人，唐代著名画家。出身显贵，先后任越州、宣州长史。\n他能书，擅画人物、佛像，尤其擅长画贵族妇女，容貌端庄，体态丰肥，色彩柔丽，为当时宫廷士大夫所喜爱；是中唐时期继吴道子之后而起的重要人物画家，当时有名的宗教画家兼人物画家。早年效仿过张萱，后来加以变化，别创一体。周昉创造的最著名的佛教形象是“水月观音”。\n周昉的佛教画曾成为长期流行的标准，被称为“周家样”。传世作品有《簪花仕女图》卷、《挥扇仕女图》卷、《调琴啜茗图》卷等。",[24,51,28,27,29,7,197,744,745,746,581,747,748],"卷轴","笔筒","花瓶","老者","侍从","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeb93b889377a7553bda57900933d925.jpg",[],66,{"id":753,"slug":754,"title":755,"dynasty":101,"author":577,"museum":67,"description":756,"tags":757,"thumbUrl":758,"material":58,"size":58,"collection":58,"collections":759,"showCount":760,"zanCount":267,"manualWeight":40,"mainColor":62},237908,"ting-qin-zhou-chen-hong-shou-237908","听琴轴","《陈洪绶听琴轴》是明代画家陈洪绶创作的一幅绫本设色画，该画现藏于 。\n款署：“枫溪弗迟老人陈洪绶写于定香桥畔。\n”钤“字章侯”白文印。\n图绘一端庄文弱的女子在专心抚琴的场景。\n其优美的琴音吸引了周围的人，侍女驻足恭听，不愿打扰动听的旋律；男子侧耳静听，不愿落掉每一个音符。\n“弹”与“听”构成了画作的主题，也表达了文人所向往的一种娱乐情趣和他们日常的家居生活状态。\n此幅所绘人物形象古拙，线描造型准确传神，显现出作者深厚的艺术功底和既写实又独具韵味的笔墨特点，是其仕女人物画的代表作之一。",[24,51,25,105,28,27,413,29,30,7,496,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f517614b1bbd46132ab010b3fe9ea3e.jpg",[],63,{"id":762,"slug":763,"title":764,"dynasty":46,"author":121,"museum":67,"description":765,"tags":766,"thumbUrl":769,"material":58,"size":58,"collection":58,"collections":770,"showCount":760,"zanCount":40,"manualWeight":40,"mainColor":62},227489,"ting-qin-tu-li-zhou-zhao-ji-227489","听琴图立轴","徽宗一朝，在中国绘画发展历史上具有重要意义。熟悉徽宗宫中艺事的邓椿在《画继》中载徽宗之言：“朕万几余暇，别无他好，惟好画耳。”赵佶以皇帝之尊提倡绘画，广招天下贤士进翰林图画院，提高院画家地位，并将“画学”前所未有地纳入科举的轨道，中国绘画的职业化至此达至极盛。",[23,24,51,105,28,27,29,124,125,7,53,70,767,768,31,715],"琴桌","盆栽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F305792b178f52b137d5657051444750f.jpg",[],{"id":772,"slug":773,"title":774,"dynasty":259,"author":156,"museum":775,"description":776,"tags":777,"thumbUrl":778,"material":34,"size":779,"collection":36,"collections":780,"showCount":781,"zanCount":267,"manualWeight":40,"mainColor":41},219584,"ting-yuan-chui-di-tu-yi-ming-219584","庭院吹笛图","耶鲁大学艺术博物馆","淡墨轻勾围栏，赭石晕染庭阶，古奇湖石倚立一旁，皴笔苍劲朴拙，带着幽古意态。仕女团髻簪花，罗裙垂曳覆地，静坐凝神，柔婉秀雅的身姿融于空寂庭院中。\n\n设色简淡古雅，沉郁绢色衬出静穆氛围，留白处漫着清寂闲淡，将深闺女子的幽怅藏于无声里。笔致工细却不繁缛，人物情态含蓄温婉，寥寥笔墨便将庭院幽闲意趣与仕女静柔风姿相融，古淡悠长的韵致漫开，把深闺的闲静怅惘晕在空庭里。",[24,51,28,29,30,7,224,109,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33d0463155dcdec810230aaf5d57bc7c.jpg","纵25.4横23.5厘米",[36],62,{"id":783,"slug":784,"title":785,"dynasty":18,"author":246,"museum":67,"description":480,"tags":786,"thumbUrl":791,"material":113,"size":114,"collection":58,"collections":792,"showCount":793,"zanCount":40,"manualWeight":40,"mainColor":62},290013,"he-le-shi-nv-tu-zhou-wen-ju-290013","合乐仕女图",[23,24,26,787,27,28,30,108,7,788,304,789,69,373,53,790],"人物画","奏乐","闺阁","雅致","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66132f9f2e6e9d33fbf23643535dd1c2.jpg",[],61,{"id":795,"slug":796,"title":797,"dynasty":101,"author":232,"museum":48,"description":798,"tags":799,"thumbUrl":807,"material":56,"size":808,"collection":176,"collections":809,"showCount":793,"zanCount":267,"manualWeight":40,"mainColor":41},233754,"ren-wu-gu-shi-ce-chou-ying-233754","人物故事册","全册共十开，内容取材于历史故事、寓言传说、文人轶事和诗文寓意，具体为子路问津、明妃出塞、贵妃晓妆、南华秋水、吹箫引凤、高山流水、竹院品古、松林六逸、浔阳琵琶、捉柳花图等。这些题材历史上常被画家描绘，但仇英在作品立意、形象塑造和笔墨表现等方面，都注入了自己的才思和技巧，显示出鲜明的个性风格。\n作品主题明确，构思巧妙，不仅人物活动的细节刻画具体明晓，而且注意环境气氛的烘托，使每幅画页都有很强的观赏性。如“贵妃晓妆”页，以杨贵妃清晨在华清宫端正楼对镜理髻为中心，将宫女奏乐、采花和携琵琶等情节同现于一个画面，集中表现了贵妃爱牡丹、喜簪花、善声乐、好打扮的习性，也概括反映了贵妃奢华纵乐的生活内容。又如“高山流水”页，取材于伯牙鼓琴的故事，在描绘俞伯牙草亭弹琴，钟子期拾阶而上，知音相遇的具体情节同时，布置了高山飞瀑、松林流水的静谧清幽环境，形象地表达了高山流水的音乐内容，也衬托出人物的高雅情操，以象征性手法营造出了一个情景交融的臻境。\n此图册运用工笔重彩法。人物情态描绘得细腻精微，文人举止高雅潇洒，仕女容貌端庄娟美。建筑器皿工整精细，山石树木形态各具。笔致工细而不板滞，流畅自然，刚柔相济。敷色艳丽，又多和色，整体色调和谐、清雅。作品具有雅俗共赏的艺术效果，是仇英对唐宋工笔重彩法的创新和发展。",[24,51,426,27,28,800,29,145,236,108,70,801,7,802,803,629,804,237,805,806],"重彩","知音","花鸟","历史故事","松林","寓言传说","文人轶事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63efd47f6120fe57c20a6fdbb2673a14.jpg","纵41.4厘米，横33.8厘米",[176,36,131],{"id":811,"slug":812,"title":813,"dynasty":101,"author":814,"museum":20,"description":815,"tags":816,"thumbUrl":826,"material":34,"size":827,"collection":36,"collections":828,"showCount":793,"zanCount":40,"manualWeight":40,"mainColor":62},218267,"qi-xian-tu-juan-liu-zhong-xian-218267","七贤图卷","刘仲贤","素绢之上，赭黄底色晕染出古朴雅致的氛围。雅士们或踞坐鼓琴，指尖似凝弦上意；或对弈楸枰，棋局间藏尽机锋；或醉卧倾杯，醺然态尽显放达；或执笔临帖，墨痕若带纸间香。人物衣袂翩然，线条流畅婉转，神态鲜活灵动——鼓琴者专注，对弈者凝思，醉酒者憨态，执笔人沉静。简淡背景未加繁复修饰，却将文人雅集的闲适超脱烘托得淋漓尽致。笔墨间暗蕴魏晋风骨余韵，将古代文人的精神情致凝成永恒画面，尽显生活之趣与心灵之境。",[23,24,51,26,28,27,29,817,7,818,819,316,820,821,822,823,824,825,521,315],"文人雅集","棋具","酒器","古琴","棋盘","书卷","抚琴","对弈","书写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6e87f9ff8949e45d600c5bd0cd4deed.jpg","31.4x128.5",[36],{"id":830,"slug":831,"title":832,"dynasty":101,"author":232,"museum":48,"description":833,"tags":834,"thumbUrl":835,"material":56,"size":836,"collection":176,"collections":837,"showCount":838,"zanCount":11,"manualWeight":40,"mainColor":62},222221,"nv-le-tu-zhou-chou-ying-222221","女乐图轴","此图是一幅工笔重彩仕女画，表现的是贵族女子各执乐器，在殿宇前的地毯上配乐演奏的情景。周围站立三位女子，或侧耳倾听，或低声言谈，巧妙地营造出“听”的动感氛围。通过此图可见贵族女性在演奏时愉悦的心境，以及她们闲适高雅的游乐生活状态。",[23,25,24,51,105,27,28,495,29,30,108,236,109,7,211,715],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16ed4eecc82d33b7ef91154d2d5b82d1.jpg","纵145.5厘米，横85.5厘米",[176,131],59,{"id":840,"slug":841,"title":842,"dynasty":843,"author":844,"museum":67,"description":845,"tags":846,"thumbUrl":859,"material":113,"size":114,"collection":860,"collections":861,"showCount":5,"zanCount":40,"manualWeight":40,"mainColor":296},225697,"ye-xun-lun-bo-lang-225697","夜巡","不详","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[847,848,849,29,850,851,852,853,854,7,447,855,856,857,858],"油画","写实","明暗对比","群体","盔甲","旗帜","长枪","鼓","武器","光影","动态","昏暗场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8654790adb9d9086ef2631f67d1f00db.jpg","油画精选",[860],{"id":863,"slug":864,"title":727,"dynasty":18,"author":246,"museum":67,"description":865,"tags":866,"thumbUrl":869,"material":58,"size":58,"collection":58,"collections":870,"showCount":871,"zanCount":40,"manualWeight":40,"mainColor":62},226707,"ting-qin-tu-zhou-wen-ju-226707","周文矩是中国五代时期南唐人，生卒年不详，大约在南唐中主李璟、后主李煜时期，官至翰林待诏，擅长画佛道、人物、车马、屋木、山水题材，最擅长画仕女画。他是出色的肖像画家。所绘作品多以宫廷贵族的生活为题材，画风和唐代的周昉比较相近，独创了“战笔”描法。\n\n《听琴图》，传为五代周文矩所作，绢本，立轴，纵60厘米，横47厘米，现收藏于美国克利夫兰美术馆藏。画上题款“周文矩”，但传为明朝唐寅唐伯虎所作赝品。",[23,24,51,25,27,413,28,29,867,326,142,7,868,109],"枯树","山峦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F375f9f9c019d3847bfbc827a8b08238c.jpg",[],57,{"id":873,"slug":874,"title":875,"dynasty":101,"author":876,"museum":712,"description":877,"tags":878,"thumbUrl":881,"material":415,"size":882,"collection":36,"collections":883,"showCount":884,"zanCount":40,"manualWeight":40,"mainColor":41},219405,"tie-di-tu-wu-wei-219405","铁笛图","吴伟","《铁笛图》表现的是一位文人雅士饮酒作歌的场景。画面的背景为古松森森、四寂无人的僻静之处；画的当中为一文士，焚香而坐，手端酒杯，其态陶然欲醉；侧边有一侍女，双手棒着一支尺许铁笛。此画技法精湛，松树以浓墨描画而成，令人一睹之下有雄健劲硕之感；画中人物线条流畅，神态毕肖，奇逸潇洒，分外动人。",[24,51,413,29,141,715,879,74,75,880,520,7,53],"笔","砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e37d0c161bcf80421932b82d79808e2.jpg","纵32.1厘米，横155.4厘米",[36],56,{"id":886,"slug":887,"title":764,"dynasty":101,"author":888,"museum":67,"description":889,"tags":890,"thumbUrl":893,"material":113,"size":114,"collection":58,"collections":894,"showCount":895,"zanCount":267,"manualWeight":40,"mainColor":62},289997,"ting-qin-tu-li-zhou-du-jin-289997","杜堇","杜堇，明代画家，生活在十五至十六世纪初，原姓陆，字惧男、号柽居、古狂、青霞亭长，江苏丹徒（今江苏镇江）人。",[24,51,25,105,28,27,29,30,70,197,7,224,891,892,581],"蕉叶","书房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9241a9963f0c789754bcb630030c914e.jpg",[],55,{"id":897,"slug":898,"title":899,"dynasty":18,"author":246,"museum":67,"description":900,"tags":901,"thumbUrl":902,"material":58,"size":58,"collection":58,"collections":903,"showCount":904,"zanCount":267,"manualWeight":40,"mainColor":62},226709,"he-le-tu-zhou-wen-ju-226709","合乐图","周文矩，善于深入观察和体会现实生活中的各色人物，把握他们的思想感情和性格特征，因此塑造出来的人物各不相同，达到形神兼备的艺术境界。他的仕女画从题材内容到表现形式，都继承了唐代周昉的传统。\n\n该图人物画卷与同是五代时期大画家顾闳中的传世名作《韩熙载夜宴图》卷有重大联系。这不仅是因为此图在绘画风格上与后者极为类似，而且在画面内容上也符合画史事实。",[23,25,24,51,26,27,28,29,30,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a17334f891c05bde91603b85c042b93.jpg",[],54,{"id":906,"slug":907,"title":908,"dynasty":101,"author":102,"museum":67,"description":909,"tags":910,"thumbUrl":911,"material":58,"size":58,"collection":58,"collections":912,"showCount":913,"zanCount":267,"manualWeight":40,"mainColor":62},235993,"ren-wu-tu-ye-tang-yin-235993","人物图页","此作以娴静仕女为主体，她踞坐朱红锦毡，素手轻拢琴弦，眉梢隐含幽愁，仪容温婉端丽。衣纹勾勒柔劲舒展，设色雅致古淡，将深闺女子的沉静与悒郁揉入笔底。\n\n左侧题诗与画作相得益彰，行书俊逸秀挺，诗中闺怨与仕女情态相互映照。整体空灵清雅，以极简场景烘托出幽寂绵长的春愁，将缱绻心事藏于笔墨色彩间，诗画合璧，尽显隽秀雅致的格调，是融情于景的精妙小品。",[25,24,51,27,28,29,30,7,373,69],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a945bd646f963731c397889aed56bff.jpg",[],53,{"id":915,"slug":916,"title":917,"dynasty":259,"author":918,"museum":20,"description":919,"tags":920,"thumbUrl":921,"material":34,"size":58,"collection":176,"collections":922,"showCount":913,"zanCount":40,"manualWeight":40,"mainColor":41},219617,"song-jian-heng-qin-tu-zhu-de-run-219617","松涧横琴图","朱德润","画面中下部，是一条左低右高的石磵，且清且浅的河水自远及近蜿蜒跳跃而下，俞远愈淡。近岸左右有两松矗立，一直一曲，一高一低。左边的松树高而直，以一浓一淡两棵杂树副之。右边的松树似虬龙一样盘曲左伸，松下则是磵边开阔微斜的石头滩地，三位老者盘腿对坐在蒲团之上，中间有一盘食物，置三酒杯。一人双手放在琴上，眼睛左看，似正在弹琴并与左边的朋友目光交流，右边的老者则闭目笼袖，似乎听得很是入神。画面的右上角，署名“朱泽民”并有题句：峰阳之桐，声越冰泉；天然宫商，松风画弦。\n该画的人物、场景及构图，非常类似其立轴大画《林下鸣琴图》，似是一图多本。不过可能因画幅太小尚不盈尺，故而画得更为简洁，无法画出对岸的坡陀岗峦。就画中人物而言，这种扮相与组合曾出现在其他画中，显然就不仅仅是文人雅士简单的时尚风雅，而有着特定的时代的情感映射。或许，这既是“七匠八娼九儒十丐”历史境遇中被侮辱被边缘化的元代知识分子的实际生存状态，也是其理想化的精神家园。",[23,24,51,249,171,144,145,141,237,29,7,142,111],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03fe743673cf85aafc314641bd35833e.jpg",[176],{"id":924,"slug":925,"title":926,"dynasty":46,"author":156,"museum":67,"description":927,"tags":928,"thumbUrl":931,"material":58,"size":58,"collection":58,"collections":932,"showCount":933,"zanCount":40,"manualWeight":40,"mainColor":41},227561,"mo-zhou-fang-gong-ji-diao-qin-tu-quan-juan-yi-ming-227561","摹周昉宫妓调琴图全卷","《调琴啜茗图》，又名《弹琴仕女图》、《宫妓调琴图》，传为周昉所作，并为其仕女画的代表之作。图绘三位坐于庭院的贵妇，在两位侍女的陪伴下，或把弹调音、或托盏品茶，表现出贵族妇女闲散恬静的生活。《调琴啜茗图》现存多幅摹本，如纳尔逊-阿特金斯艺术博物馆收藏的完成于宋代的绢质摹本、弗利尔美术馆收藏的绘制于明代的纸质摹本、京都国立博物馆收藏的带有仇英款的绢质摹本。极为巧合的是辽宁省博物馆收藏有两卷《调琴啜茗图》，一件为清宫旧藏，曾经《石渠宝笈》续编著录，署款“周昉”，实为后人仿本。另一件则为清代扬州画家管希宁所摹。两件与前述作品均作同一主题内容，今展出者为清宫旧藏之本。",[23,24,25,26,52,27,28,29,30,929,7,197,224,211,53,582,930],"宫妓","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86a8be6ac76555b6613aa727cae2fb3c.jpg",[],52,{"id":935,"slug":936,"title":937,"dynasty":101,"author":232,"museum":938,"description":939,"tags":940,"thumbUrl":942,"material":943,"size":944,"collection":176,"collections":945,"showCount":933,"zanCount":40,"manualWeight":40,"mainColor":133},222198,"ting-qin-ting-ruan-tu-chou-ying-222198","停琴听阮图","广州艺术博物院","图绘远处水天一色，一股瀑布倾泻而下，悬崖绝壁，山崖上绿树苍翠，岸边两位高士相向而坐，一人似弹琵巴，一人手抚古筝，认真倾听，如此在一起弹拉切磋乐艺，不亦悦乎。",[23,24,51,25,105,27,28,171,145,29,7,559,111,941,237,144],"岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3d40b986cea8d2b9814bc4a65151a05.jpg","纸本，水墨","纵112.2，横42cm",[176,946],"水墨画精选",{"id":948,"slug":949,"title":950,"dynasty":422,"author":951,"museum":67,"description":952,"tags":953,"thumbUrl":954,"material":388,"size":58,"collection":36,"collections":955,"showCount":956,"zanCount":40,"manualWeight":40,"mainColor":41},237083,"jiang-feng-shi-nv-ce-jiang-feng-237083","蒋峰仕女册","蒋峰","仕女画在中国传统绘画中属于人物画的范畴，但由于它以女性为描绘对象，通过塑造优美动人的妇女形象，来反映当时的社会生活，传达特定的艺术趣味和审美观念，在题材内容、思想内涵、创作方法、表现形式等方面都有独特之处，其肇始、成熟、演变、发展的历史轨迹也不全与人物画同步，因此，它已成为中国绘画中的一个独立画科，其艺术传统还一直延续到今天，对当代的国画、年画，以及牙雕、玉器、雕漆、宫灯、花丝镶嵌等工艺品有着不可忽视的影响。",[24,51,426,28,27,29,30,7,69,373,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93f5e9f674e02a1ae624093d9b343a35.jpg",[36],51,{"id":958,"slug":959,"title":960,"dynasty":422,"author":961,"museum":67,"description":962,"tags":963,"thumbUrl":965,"material":388,"size":966,"collection":36,"collections":967,"showCount":968,"zanCount":40,"manualWeight":40,"mainColor":41},216734,"liu-shui-zhi-yin-tu-huang-shen-216734","流水知音图","黄慎","《高山流水遇知音》是钟子期和俞伯牙的故事，用插图的方式再现了这个故事，虽然意境不是很高，但笔触粗拙，是黄慎的典型面目。",[23,24,51,25,688,105,171,964,29,237,111,198,7,145],"写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8719be88666ba739e59fcf8f941b3ab1.jpg","164x82",[36],50,{"id":970,"slug":971,"title":972,"dynasty":46,"author":156,"museum":67,"description":973,"tags":974,"thumbUrl":978,"material":113,"size":114,"collection":58,"collections":979,"showCount":980,"zanCount":40,"manualWeight":40,"mainColor":62},290101,"da-nuo-tu-yi-ming-290101","大傩图","此画面上共画有十二个人。他们都穿着奇异的服装，戴着各式的帽子和插着花枝。帽子的式样毫不重复，除了斗笠、巾和冠之外，有的是戴着粗角的兽头，有的是农家场院器具斗、箩、箕之属。他们的手中或身上携拿着鼓、铃、檀板等乐器，或为扇、篓、帚等用具，或为花枝、瓜之属。所有人的面部都化了妆，可能戴的是假面具。十二个人团团围住，手舞足蹈，充满着欢乐的气氛。旧题《大傩图》。\n描写民间风俗习惯的绘画，宋代特别发展，《大傩图》轴即是一幅风俗画。傩(音挪)，是一种古老的驱除疠疫的民间习俗。《论语》中就有“乡人傩”的记载。《后汉书》记载：“先腊一日，大傩，选中黄门子弟，十岁以上十二岁以下百二十人为侲子。”唐代《乐府杂录》中描写说：“用四方相，戴冠及面具，黄金为四目，衣熊裘，持戈扬盾，口作傩傩之声，似除也。侲子五百，小儿为之，朱褶青襦，戴面具，晦日于紫宸殿前傩，张宫悬乐。”这些描述与画上的情况基本相似。当然到了宋代，傩时的具体情形和细节，又会有许多的发展变化。从画面情形来看，其中增加了许多农具，可见这种古老的习俗，到了宋代除了驱除邪祟之外，还有祈求丰收的意味，同时也是一种民间娱乐活动。所以此幅画，从艺术到内容，都值得珍视。",[23,24,787,28,27,975,976,92,29,7,977],"傩仪","民俗","驱疫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0214edf785d84df72358586c5782c05d.jpg",[],48,{"id":982,"slug":983,"title":984,"dynasty":843,"author":985,"museum":67,"description":986,"tags":987,"thumbUrl":995,"material":113,"size":114,"collection":860,"collections":996,"showCount":980,"zanCount":40,"manualWeight":40,"mainColor":296},226148,"da-shi-men-xiao-han-si-huo-er-bai-yin-226148","大使们","小汉斯·霍尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》",[847,848,28,29,31,988,989,7,990,718,991,582,992,930,993,994,304,581],"地球仪","书籍","科学仪器","地毯","金属器","典籍","写实技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe2fbcb4770ff51108175120146d4681.jpg",[860],{"id":998,"slug":999,"title":1000,"dynasty":422,"author":1001,"museum":67,"description":1002,"tags":1003,"thumbUrl":1005,"material":58,"size":58,"collection":58,"collections":1006,"showCount":1007,"zanCount":40,"manualWeight":40,"mainColor":41},230207,"hong-li-guan-he-fu-qin-tu-zhou-lang-shi-ning-230207","弘历观荷抚琴图轴","郎世宁","《弘历观荷抚琴图轴》是 的一幅画。\n本幅无作者款识。\n随着明末清初的“西学东渐”之风，一些欧洲画家开始在清代宫廷供奉。\n一方面，他们接受中国传统绘画方式，采用中国笔墨颜料和纸绢作画，另一方面，他们依然坚持西洋绘画技法中的透视原则，在作品中着意表现物体的体积、质感、明暗、投影乃至倒影。\n此幅虽未署作者名款，实由意大利画家郎世宁主绘，中国画家补画山水背景。\n画中乾隆皇帝身着汉装，临湖抚琴，远处高山流水，喻其襟怀心境。\n作者不仅通过高超的技巧和精准的透视画法成功地表现出水边亭台的立体感和通透感，而且将建筑整体复杂的结构和各个构件的细部都交代得一清二楚，细腻的笔触与富于变化的色彩将原木立柱和屋顶青石瓦片的肌理与质感描绘得精微而生动。\n从此图中可以看到郎世宁运用焦点透视手法，按照一定的规律将所见到的屋宇移于画幅，成功地在二维平面画幅上真实地表现出多维空间，与传统中国界画描绘空间的手法完全不同。",[23,105,28,27,145,29,326,580,124,1004,7,715,110],"鹤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd20e9e842214efa4753ba1dbdbe1e410.jpg",[],47,{"id":1009,"slug":1010,"title":1011,"dynasty":101,"author":876,"museum":67,"description":1012,"tags":1013,"thumbUrl":1014,"material":58,"size":58,"collection":58,"collections":1015,"showCount":1016,"zanCount":267,"manualWeight":40,"mainColor":41},228369,"pi-pa-mei-ren-tu-wu-wei-228369","琵琶美人图","《琵琶美人图》是吴伟创作的一幅中国国画作品，创作于明代。\n该画纸本水墨，现藏于美国印地安那波里斯美术馆。\n作品描绘的是一位侧面低首，神情幽怨哀愁的抱着琵琶的仕女。\n吴伟的这件传世国画作品描绘的是一位侧面低首，神情幽怨哀愁的抱着琵琶的仕女。\n作者采用近白描的简略笔墨勾画出人物形象，衣饰线条转折流畅，似行云流水，仅在某些局部以淡墨略加渲染。\n画面无任何背景，主体突出，简洁明快。\n作品上面上有孙一元、黄姬水等三人题的诗跋，称“江夏兹图，允为神品”。\n《琵琶美人图》在表现技法上与工笔白描一体，略似北宋李公麟。\n但是较之画家早年的《铁笛图》，更加流畅秀润，风神俊爽。\n《画史会要》、《 》等著录。\n画一位手抱琵琶的女子,侧面低首,神情幽怨哀愁。\n画家用近折描的简略笔墨勾画出人物形象，衣饰线条转折流畅，似行云流水，仅在某些局部以淡墨略加渲染。\n吴伟（1459-158 ），江夏（今湖北武昌）人。\n龆龄流落至海虞（今江苏常熟），收养于钱昕家，伴其子读，时窃弄笔墨，画山水人物之状，钱见而奇之，曰：“若作画工耶？”即与笔札厚给养之。\n弱冠至金陵画名遂起。\n相传伟性戆直，有气岸而豪放，尝遇庞老人击石得髓，伟饮其半，遂以画名。\n成国朱公延至幕下，以小仙呼之，因以为号。\n宪宗时待诏仁智殿，好剧饮狎妓，人欲得伟画者，则载酒携妓往。\n一日被诏正醉，中官扶掖入殿，命作松泉图。\n伟跪翻墨汁，信手涂抹，宪宗叹曰：「真仙笔也。\n]又孝宗命画称旨，授锦衣百户，赐印章曰「画状元」。\n吴伟画人物出自吴道子，纵笔不甚经意，而奇逸潇洒动人，山水树石俱作斧劈皴。\n白描尤佳。\n尝游 渴，从老妪索茗，明年复过之，老妪已谢世。\n援笔追写其像，其子见之大恸，乞而藏之。\n又尝饮友人家，酒间作画，戏取莲房濡墨印纸上数处，莫测其用意，忽起纵笔挥洒成捕蟹图，最为神妙。\n孝宗喜马、夏画风，而画院戴进、吴伟均承继马、夏，成为一时风尚，号为“浙派”。\n吴伟亦号“江夏派”。\n其后吴派既盛，浙派渐归澌灭。\n卒年五十。",[23,24,51,105,413,171,29,30,7,69,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08e5696b91097f04f9e47a6f55178478.jpg",[],46,{"id":1018,"slug":1019,"title":1020,"dynasty":101,"author":1021,"museum":67,"description":1022,"tags":1023,"thumbUrl":1024,"material":58,"size":58,"collection":58,"collections":1025,"showCount":1026,"zanCount":40,"manualWeight":40,"mainColor":62},228365,"xiang-shan-jiu-lao-tu-zhou-chen-228365","香山九老图","周臣","《香山九老图》是明代画家 创作的一幅绢本设色画，该画现藏于 。\n名称：香山九老图轴 作者：周臣 年代：明代 周臣，明代中期的著名职业画家。\n他生活在成化至嘉靖年间，生卒年不详。\n字舜卿，号东村，吴（今江苏苏州）人，生年不详，卒于明世宗嘉靖14年（即155年）。\n擅长画人物和山水，画法严整工细。\n他有两个学生特别著名，一个唐寅，另一个仇英，唐寅、仇英青出于蓝，风格上极为接近，但当时名气已超过老师。\n周臣山水师承陈暹。\n曾刻苦临摹李成、郭熙、李唐、马远等作品，其主要取法于李唐派系。\n画山石坚凝，章法严谨，用笔纯熟。\n曾与戴进并驱，则互有所长。\n人物画也非常出色，古貌奇姿，绵密萧散，各极意态。\n南京博物院收藏的周臣代表作《柴门送别图》，描绘一文人携琴访友后，主客分别时依依不舍的情景，明月早已挂在高空，船工也已在船头熟睡，直至客人快要上船了，他还未酲来，说明主客送别时间之长，友谊之深，这其中也融含周臣画体的“院体画”与“文人画”的相融之处。\n周臣被人们称为非院派的“院派”画家。\n周臣是个丰产画家，流传下来的作品也不少，仅上海博物馆收藏《春山游踪图》 等大幅作品7幅，小扇页14幅，故宫博物院收藏《春山游骑图》、《春泉山隐图》等，济南博物馆收有《访友图》，及台湾、国外大博物馆内也收藏一些作品。\n周臣这些流存至今的作品件件结构精整，幅幅见功力，下笔不苟。",[23,24,51,28,27,144,29,145,141,111,941,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaaa0c43decd43702693cac01a030852.jpg",[],45,{"id":1028,"slug":1029,"title":1030,"dynasty":101,"author":232,"museum":48,"description":833,"tags":1031,"thumbUrl":1032,"material":56,"size":836,"collection":176,"collections":1033,"showCount":1034,"zanCount":267,"manualWeight":40,"mainColor":62},222220,"nv-le-tu-chou-ying-222220","女乐图",[23,24,27,28,30,7,236,109,29,447,581,51],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1773ae43fc8291acbb6e1133fb797250.jpg",[176,131],42,{"id":1036,"slug":1037,"title":1038,"dynasty":101,"author":1039,"museum":48,"description":1040,"tags":1041,"thumbUrl":1042,"material":58,"size":58,"collection":58,"collections":1043,"showCount":1044,"zanCount":267,"manualWeight":40,"mainColor":41},234208,"yin-zhong-ba-xian-tu-juan-li-shi-da-234208","饮中八仙图卷","李士达","李士达的生活年代大约是十六世纪中叶到十七世纪初。在万历二年（公元1574年）考中进士，泰昌元年（公元1620年）还画过一幅《关山风雨图》，活了八十多岁。\n[明]号仰槐，一作仰怀，陕西省三原县人。万历元年（一五七三）癸酉乡试中举 [1] ，入雁塔题名碑，万历二年（一五七四） [2] 进士。画人物、山水名世。万历间隐居新郭。尝论画有五美云：“苍、逸、奇、远、韵。”五恶云：“嫩、板、刻、生、痴。”人谓其深得画理。寿至八十外。泰昌元年（一六二o）尝作关山风雨图。《明画录》、《无声诗史》、《吴县志》、《故宫周刊》。主要作品《松阴搔背》、《松竹高士》、《坐听松风》、《蕉阴独酌》、《西园雅集》、《寒林钟馗》、《罗汉卷》、《仙山楼阁》、《三驼图》。",[23,24,51,26,413,171,29,32,31,375,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6a2be7f38107d2f8b2db69666be51e8.jpg",[],41,{"id":1046,"slug":1047,"title":1048,"dynasty":46,"author":156,"museum":48,"description":1049,"tags":1050,"thumbUrl":1051,"material":56,"size":1052,"collection":58,"collections":1053,"showCount":1044,"zanCount":267,"manualWeight":40,"mainColor":62},223499,"za-ju-da-hua-gu-tu-ye-yi-ming-223499","杂剧(打花鼓)图页","图中绘二角色，皆为女子扮演，两人均作打拱状。左方一人头戴诨裹，有斗笠等道具置于地上，似为副净色；右方一人，头戴大红花，身着短对襟，干练精神，背后插一扇，上书末色二字，为副末色角色。此图是为数不多为宣传戏剧类的精品册页。",[23,25,24,51,426,27,28,29,7,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ef48819eecf68aed6bd33519f2d6318.jpg","23.3x24",[],{"id":1055,"slug":1056,"title":1057,"dynasty":46,"author":156,"museum":712,"description":1058,"tags":1059,"thumbUrl":1063,"material":619,"size":1064,"collection":128,"collections":1065,"showCount":1066,"zanCount":40,"manualWeight":40,"mainColor":62},219731,"he-tang-an-le-tu-yi-ming-219731","荷塘按乐图","此图用近景鸟瞰的手法描绘皇亲贵戚在临湖台榭中饮宴奏乐的情景。殿阁仅画高柳环拥中的背面，殿前临水的月台上有两队吹笛的乐工，前面是开阔的湖面和点点钱荷。此图不作正面写景，而以描绘两队乐工的演奏使人联想在湖面上飘动的清越笛声和殿中人豪侈的饮宴，把南宋朝廷歌舞河山、穷奢极欲的生活含蓄地表达出来。图中楼阁台榭以界画笔法绘出，准确精细，颇合法度。湖边几株垂柳，更增添了几分幽静气氛。画面虽只绘一角景色，却能给人一种遐想无限的意境。",[24,25,495,28,29,236,580,1060,1061,7,471,1062],"柳","湖面","台榭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10479730a19e6b1aa7242930025e39b2.jpg","25.8x22.3cm",[128,176],39,{"id":1068,"slug":1069,"title":1070,"dynasty":101,"author":156,"museum":67,"description":1071,"tags":1072,"thumbUrl":1077,"material":113,"size":114,"collection":58,"collections":1078,"showCount":1079,"zanCount":40,"manualWeight":40,"mainColor":62},288078,"xuan-zong-gui-fei-zou-di-tu-li-zhou-yi-ming-288078","玄宗贵妃奏笛图立轴","垂柳拂过嶙峋湖石，水榭临波，贵妃执笛缓吹，玄宗近身侧耳，目光沉醉。一旁乐师斜倚朱栏，击节相和。衣纹线条流转灵动，敷色古雅沉静，将人物神态尽数勾勒：贵妃温婉柔媚，玄宗含情脉脉，乐师随性悠然，复刻出盛唐宫苑宴乐的缱绻雅致。画作带着明代人物画的典型意韵，以细腻笔触铺陈出往昔宫廷的闲情柔意，古意悠然，余韵绵长。",[23,25,24,51,105,28,29,30,7,1073,1074,1075,716,145,788,1076],"笛子","柳树","怪石","历史人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d70c31c909eb5fda8b5faa14daa6288.jpg",[],38,{"id":1081,"slug":1082,"title":1083,"dynasty":282,"author":156,"museum":67,"description":1084,"tags":1085,"thumbUrl":1086,"material":113,"size":114,"collection":58,"collections":1087,"showCount":1079,"zanCount":40,"manualWeight":40,"mainColor":62},223697,"dong-zhou-lv-zhong-yi-ming-223697","东周郘钟","镈体两侧平直，钮作两兽对峙，两兽相背，饰乳钉纹。钮作环状，钮于镈体分铸而成，体壁较薄，纹饰草率，制作粗糙，击之声涩，声韵无律，为冥器。",[285,286,287,7,288,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1dee2d47a856ddf4eb50f5c188f76c6.jpg",[],{"id":1089,"slug":1090,"title":1091,"dynasty":101,"author":1092,"museum":20,"description":1093,"tags":1094,"thumbUrl":1096,"material":58,"size":58,"collection":130,"collections":1097,"showCount":1079,"zanCount":267,"manualWeight":40,"mainColor":41},222126,"jiao-yin-qin-si-tu-shen-zhou-222126","蕉阴琴思图","沈周","一块长形的太湖石，一株高大翠绿的芭蕉，下坐一名高士扶琴静思，左上题诗日：“焦下不生暑，坐生知古心。抱琴未须鼓，天地自知音。”落款长洲沈周。整幅作品笔简意赅，虽墨点无多却意蕴凿凿、余味深长，布局与《秋林独步图》如出一辙，其悠然自得之情跃然方寸。",[23,25,24,51,249,171,28,29,224,1095,7,69,53],"蕉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcebd64831ee8b273146574817aaefdc3.jpg",[130,131],{"id":1099,"slug":1100,"title":1101,"dynasty":101,"author":1102,"museum":48,"description":1103,"tags":1104,"thumbUrl":1105,"material":1106,"size":1107,"collection":58,"collections":1108,"showCount":1079,"zanCount":40,"manualWeight":40,"mainColor":62},221934,"pi-pa-xing-tu-zhou-guo-xu-221934","琵琶行图轴","郭诩","此图是根据《琵琶行》诗意创作的写意人物画，表现白居易与歌女邂逅相逢的情景。歌女侧身而立，头绾高髻，面容清秀而暗含忧伤。她怀抱琵琶，身着曳地长裙，体态窈窕俊美。诗人双手抚膝端坐于旁，神情专注地面向歌女，似乎在倾听歌女诉说其不幸的身世。\n此幅构图新颖奇特，占画幅三分之二篇幅的《琵琶行》诗为行草体书写，纵向取势，参差布白，极具宽窄长短之变化；结字笔画纵横奔放，或断或连，枯润纤秾皆在章法之中。画面削尽繁冗，没有任何晕染，仅以简约明了的圆熟线条勾画出诗人与落难中的歌女，形象高度提炼，笔墨大胆精减，却将画中人物“听”与“说”的神态表现得有声有色，极具感染力，展示出作者于人物画创作上形简神足的深厚功底。\n此图上的诗题在画幅中具有重要的意义。其展现的是绘画之外的书法艺术的风采。丰茂的书法墨韵与简逸的绘画笔趣形成和谐的呼应关系并达到了艺术上的完美统一，体现出中国画注重诗书画相结合的艺术特点。诗题内容是对画面最直接的文字补充。相互交融的诗情与画意深化了“同是天涯沦落人”的创作主题。此外，诗题在画幅中起到了令画面充实、平衡、布局更完美的作用，犹如人物活动的衬景，填补了人物上方大片的空白，并通过字距、字体结构的诸多变化扩展了画面的纵深空间，那奔流直下、一泻千里的磅礴气势也令画面清逸儒雅的意境增添了气魄与力度，从而增强了全画的艺术感染力。",[23,24,105,29,171,28,69,373,7,30,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ce2d38d79e911d96558ae32663f817e.jpg","纸本，墨笔","纵154厘米，横46.6厘米",[],{"id":1110,"slug":1111,"title":1112,"dynasty":259,"author":312,"museum":48,"description":1113,"tags":1114,"thumbUrl":1115,"material":1116,"size":1117,"collection":378,"collections":1118,"showCount":1119,"zanCount":267,"manualWeight":40,"mainColor":41},221851,"bo-ya-gu-qin-bai-miao-quan-juan-wang-zhen-peng-221851","伯牙鼓琴白描全卷","这是一幅人物故事画，画中的故事最早见于《吕氏春秋》一书。画的是俞伯牙与钟子期两位知心朋友之间的深厚友谊。画面上共有五人，左边是伯牙，他面目清秀，蓄长髯，披衣敞怀，端坐石上，双手抚琴。伯牙的对面是子期，也坐在石上，身着长袍，低头静心谛听。两人的身后共有侍童三人站立。作者用生动、准确的笔墨刻划了两个主要人物的外形特征和内心活动，弹琴者的专注，听琴者的入神，都跃然绢上。为了衬托两个主要人物，作者还安排了三个侍童，并借用次要人物的不同反应来表达伯牙和子期之间用琴声传递感情并成为“知音”的友谊。这幅画在人物心理活动的描绘上达到了很高的水平。\n在绘画技法上画家王振朋很好地继承了北宋李公麟的“白描”画法，线条挺拔有力，富有弹性，既连绵不断，又有轻重、粗细、缓急、顿挫的变化。画中部分衣帽用淡墨渲染，石块略加皴擦，这些丰富而简洁的表现手法使画面有变化而又含蓄，明快又不显单调。\n此图最右边略有残缺。根据画上所钤印章可知，该图在元朝时为鲁国大长公主祥哥剌吉（元仁宗之姐）收藏，清初归著名收藏家梁清标所有，乾隆时入内府，著录于《石渠宝笈·初编》。",[23,24,51,26,413,29,7,69,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b5b0e1456c709b4afc321f3126a2f0f.jpg","绢本，水墨","纵31.4厘米，横92厘米",[378],37,{"id":1121,"slug":1122,"title":1123,"dynasty":46,"author":1124,"museum":20,"description":1125,"tags":1126,"thumbUrl":1128,"material":34,"size":1129,"collection":58,"collections":1130,"showCount":1131,"zanCount":40,"manualWeight":40,"mainColor":62},287654,"ting-qin-zhai-ruan-tu-zhao-bo-ju-287654","停琴摘阮图","赵伯驹","此幅写松石间瓜果堆盤，一人袒衣席地拨阮咸，一人背坐握羽扇倾听，横琴于膝，二童子捧壶执卷。人物、配景俱用钩勒填彩法敬谨写就，间或辅以胡粉重提、晕染，黑白相映，分外照人眼明。",[23,25,24,105,28,558,29,145,7,110,237,141,817,1127],"闲情","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe887b9cd6b04bdd3756bf42bb21b33d3.jpg","125.7x51.2",[],35,{"id":1133,"slug":1134,"title":1135,"dynasty":101,"author":156,"museum":67,"description":1136,"tags":1137,"thumbUrl":1138,"material":58,"size":58,"collection":58,"collections":1139,"showCount":1131,"zanCount":267,"manualWeight":40,"mainColor":296},234699,"ming-ren-ren-wu-ce-yi-ming-234699","明人人物册","松荫如盖，幽林静谧，一场林下雅兴悠然铺展。抚琴者宽袍缓带，垂目拨弦，神思尽付丝桐之间。对面雅士凭椅侧坐，背向观者却身姿松弛，似已沉湎琴音，物我两忘。身侧二小童垂手侍立，敛声屏息，更衬得林间静雅安宁。\n\n画笔工细雅致，衣褶线条清劲挺括，将文人的萧散仪态勾勒尽致。古松虬曲苍劲，苔石隐于浅草之间，晕染出幽寂高旷的林下氛围，尽显文人寄情丝桐、酬答知音的清雅意趣，铺陈出明代文人士大夫超脱尘俗的林下襟怀。",[24,28,426,27,29,703,224,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fa4abd3ba47454c39dedb2996be91bc.jpg",[],{"id":1141,"slug":1142,"title":1143,"dynasty":46,"author":466,"museum":67,"description":1144,"tags":1145,"thumbUrl":1147,"material":58,"size":58,"collection":58,"collections":1148,"showCount":1131,"zanCount":40,"manualWeight":40,"mainColor":62},227414,"shuai-qin-xie-zhi-yin-tu-liu-song-nian-227414","摔琴谢知音图","《摔琴谢知音图》中正截取了伯牙摔琴的这个画面，图中一人正恭敬行礼，似在向伯牙告知什么，伯牙则抱琴正要往地上摔，满脸悲怆，似是得知了子期的死讯，悲痛交加，当场破琴绝弦。\n\n子期不在对谁弹，欲觅知音难上难。这是一段世人都为之动容的友谊，自古以来，不知有多少人羡慕并追求这样的友谊。由于弹琴本身就是一件高雅的事情，能从琴声中辨知音，识好友，那就更是一件令人欣喜的事情了。因而在携琴访友图这个主题中，也有着古人对友谊的向往之情。",[23,24,51,25,28,27,145,29,1146,211,142,7,105],"屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd917d7111fdf8bc88c1057a2db4b2247.jpg",[],{"id":1150,"slug":1151,"title":1152,"dynasty":46,"author":156,"museum":1153,"description":1154,"tags":1155,"thumbUrl":1156,"material":402,"size":1157,"collection":58,"collections":1158,"showCount":1131,"zanCount":40,"manualWeight":40,"mainColor":41},223435,"song-mo-zhou-wen-ju-gong-zhong-tu-di-yi-duan-yi-ming-223435","宋摹周文矩宫中图（第一段）","美国克利夫兰艺术博物馆","此图是描绘宫中妇女生活的长卷，存残卷四段，画八十余人。\n《宫中图》原作已经不存在,目前所见为南宋摹本,共有三段。1947年左右散佚海外,分存在美国三个不同的博物馆。第一段藏美国克里夫兰美术馆,曾名《仕女图》第二段名《宫中图》,藏美国哈佛大学福格博物馆;第三段名《唐宫春晓图》,原为英国私人藏,现入藏美国大都会美术馆。 [1] 《宫中图》，宫女童子多达八十令人，分十余组，人物穿插得体，彼此照庇，统一和谐；除人物面部行极少淡彩外，均用白描，笔法活泼，线条流畅，造型准确生动。 [2]\n此图是描绘宫中妇女生活的长卷，现残存四段，画中宫女童子多达81人，分成十余组。人物的活动有着诸多的场面，有的对镜梳妆，有的在奏乐，有的在无聊闲坐，有的在盥洗，有的在逗着小儿，童子正在逗玩小狗，有的在观鱼等等；画中的人物，除儿童显得天真活泼外，其余人物显得有些懒散、忧郁，尤其是年长者，地位较显者为甚，画中诸多人物的安排和组合，穿插得体，疏密相间，构图富有变化，错落有致。\n画卷附有宋绍兴庚申十年（1140）张激跋文，郁逢庆的（书画题跋记）把这段题跋保存下来，录在下面:\n周文矩“”宫中图”，妇人小儿，其数八十，一男子写神，而装具乐器盆孟扇椅席鷃鹉犬蝶不与。文矩句容人，为江南翰林待诏，作仕女体近周，而加纤丽，尝为后主画“南庄图”，号一时绝笔，他日上之朝廷，诏籍之秘阁。“官中图”云是真迹，藏前太府卿朱载家，或摹以见馈，妇人高自唐以来如此，此卷丰肌长裙，周法也。余在峤南于端溪陈高祖之裔，见其世藏诸帝像，左右官人梳与此略同，而丫乃作两大垂肩项间，虽丑而有真态。李氏自谓南唐故衣冠多用唐制，然风流寔是六朝之余，画家者官辩古今当先问衣冠车服，盖谓此也。绍兴庚申五月乙西岩居士张激题。”\n卷后有岳居土张激绍兴十年（1140）跋：“周文矩宫中图，妇人小儿，其数八十。男子写神。”",[23,25,24,51,26,52,413,29,30,483,7,447],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F856d5daed2a1792353467f6670b4d6b6.jpg","纵28.3cm，横168.5cm",[],{"id":1160,"slug":1161,"title":1162,"dynasty":46,"author":156,"museum":712,"description":1163,"tags":1164,"thumbUrl":1165,"material":58,"size":58,"collection":128,"collections":1166,"showCount":1131,"zanCount":150,"manualWeight":40,"mainColor":1167},201548,"ge-le-tu-juan-yi-ming-201548","歌乐图卷","画卷铺陈宋代闲适宴乐之景，庭院间虬枝缀花之木与青竹、怪石相映，景致清雅。男子持乐器奏乐，红衣女子或凝神倾听、或轻执器物互动，孩童稚态可掬，众人神情姿态生动传神。画作以工笔见长，线条细腻流畅，衣纹勾勒精准，设色典雅沉稳，将宴乐场景的悠然氛围尽显无遗，体现宋代绘画的精致匠心与艺术韵味。",[27,28,29,7,109,125,224,30,483,496,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10f7c94786ca092c3352478aabf9437e.jpg",[128],"745f47",{"id":1169,"slug":1170,"title":1171,"dynasty":101,"author":232,"museum":67,"description":1172,"tags":1173,"thumbUrl":1176,"material":113,"size":114,"collection":58,"collections":1177,"showCount":1178,"zanCount":40,"manualWeight":40,"mainColor":41},290875,"xi-yuan-ya-ji-tu-zhou-chou-ying-290875","西园雅集图轴","仇英（约1498年—约1552年）， 字实父，号十洲，原籍江苏太仓，后移居吴县（今苏州），明代绘画大师。\n仇英出身寒门，幼年失学，曾习漆工，后拜师周臣，成为画家。\n仇英博取众长，集前人之大成，形成自己独特的艺术风格。他山水、花卉、界画、人物、仕女无所不能，既工设色，又善水墨、白描，能运用多种笔法表现不同的对象。 时人把他与周臣、唐寅誉称为院派三大家；后人又把他与沈周、文徵明、唐寅并称为“明四家”。",[24,105,413,171,29,326,141,469,716,1174,7,53,817,1175],"园林","西园雅集","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feca9a6719c6a923f6b44368996834625.jpg",[],33,{"id":1180,"slug":1181,"title":1182,"dynasty":101,"author":232,"museum":20,"description":1183,"tags":1184,"thumbUrl":1185,"material":1186,"size":1187,"collection":58,"collections":1188,"showCount":1178,"zanCount":40,"manualWeight":40,"mainColor":41},290872,"song-yin-qin-ruan-zhou-chou-ying-290872","松阴琴阮轴","本幅绘高士二人，对坐松林泉石之间，一人拨阮，另一人停琴聆听。全画构景清旷，笔墨简赅，人物衣纹用游丝描，石用披麻皴，于仇画中极为罕见，殆有意迴避院体鲜丽精巧的面目，转而追求文徵明式简淡、雅逸的格调。 幅左篆书款署嘉靖己酉（一五四九），时仇英约五十六岁。左下角「剑光阁」、「华氏明伯」两印，均华云所有，故此画应是仇英为华氏所作",[24,25,51,105,413,171,29,141,7,53,732],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79ccceac39e78de66c277baf5ea414e1.jpg","白纸本","54.9×28.4",[],{"id":1190,"slug":1191,"title":120,"dynasty":46,"author":121,"museum":48,"description":1192,"tags":1193,"thumbUrl":1196,"material":56,"size":1197,"collection":58,"collections":1198,"showCount":1178,"zanCount":40,"manualWeight":40,"mainColor":62},232935,"ting-qin-tu-zhou-zhao-ji-232935","此幅描绘官僚贵族雅集听琴的场景。主人公道冠玄袍，居中端坐，凝神抚琴，前面坐墩上两位纱帽官服的朝士对坐聆听，左面绿袍者笼袖仰面，右面红袍者持扇低首，二人悠然入定，仿佛正被这鼓动的琴弦撩动着神思，完全陶醉在琴声之中。叉手侍立的蓝衫童子则瞪大眼睛，注视着拨弄琴弦的主人公。作者以琴声为主题，巧妙地用笔墨刻画出“此时无声胜有声”的音乐的意境。画面背景简洁，如盖的青松和摇曳的绿竹衬托出庭园高雅脱俗的环境，而几案上香烟袅袅的薰炉与玲珑石上栽植着异卉的古鼎与优雅琴声一道，营造出一种清幽的氛围。\n画面上方有宰相蔡京手书七言绝句一首，右上有宋徽宗赵佶瘦金书题“听琴图”三字。\n作品构图简净，人物举止形貌刻画生动传神，衣纹线描劲挺略带战笔，树石器具描写工致而毫无呆板，着色浑厚而不失清丽，是宋代宫廷人物画的代表作品。\n由于作品本幅有徽宗题名与画押，作品一度被认为是赵佶所画，后经学者考证，此幅为宣和画院画家描绘徽宗赵佶宫中行乐的作品，而图中抚琴者，正是赵佶本人。",[25,24,51,105,27,28,29,141,125,197,53,70,7,1194,1195,250],"桌","凳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a06d38e220a4cfb38a1f63704749fe0.jpg","纵147.2厘米，横51.3厘米",[],{"id":1200,"slug":1201,"title":555,"dynasty":259,"author":1202,"museum":67,"description":1203,"tags":1204,"thumbUrl":1207,"material":113,"size":114,"collection":58,"collections":1208,"showCount":1178,"zanCount":267,"manualWeight":40,"mainColor":62},228015,"ting-qin-tu-ye-qian-xuan-228015","钱选","钱选（1239—1299），宋末元初著名画家，与赵孟頫等合称为“吴兴八俊”。字舜举，号玉潭，又号巽峰，霅川翁，别号清癯老人、川翁、习懒翁等，湖州（今浙江吴兴）人。\n南宋景定三年乡贡进士，入元不仕。工诗，善书画。画学极杂：山水师从赵令穰；人物师从李公麟；花鸟师赵昌；青绿山水师赵伯驹。人品及画品皆称誉当时。继承苏轼等人的文人画理论，提倡士气说，倡导戾家画。他提倡绘画中的“士气”，在画上题写诗文或跋语，萌芽了诗、书、画紧密结合的文人画的鲜明特色。",[23,24,51,426,27,28,29,7,111,1205,1206,110],"椅子","小桌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41e714910dac008049fcf377a1fc2387.jpg",[],{"id":1210,"slug":1211,"title":1212,"dynasty":259,"author":918,"museum":20,"description":1213,"tags":1214,"thumbUrl":1215,"material":619,"size":1216,"collection":36,"collections":1217,"showCount":1218,"zanCount":40,"manualWeight":40,"mainColor":41},219637,"song-jian-heng-qin-tu-zhu-de-run-219637","松涧橫琴图","这幅小品以边角构图铺展幽致，古松虬曲苍劲，枝干如铁铸般舒展，松针攒簇尽显老辣风骨。涧水轻流隐于石畔，林下三人身姿写意灵动，一人转轴拨弦，两人凝神静听，茶盏置于石上，松风裹着琴音漫过溪谷。\n\n笔墨简淡清逸，枯笔皴擦出松干嶙峋肌理，淡墨晕染空濛远水，人物简笔勾勒却神态宛然，将文人士大夫幽居林泉、鸣琴寄怀的雅趣尽显无余。题款错落雅致，与画面浑融一体，淡远疏朗间藏着静穆萧散的文人襟怀，是水墨小品中寄兴抒怀的绝佳之作。",[23,24,25,51,171,144,145,141,237,29,7,224],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44ae67e46a51dca0820b767303d728b9.jpg","24.7x26.9厘米",[36],31,{"id":1220,"slug":1221,"title":1222,"dynasty":155,"author":221,"museum":67,"description":742,"tags":1223,"thumbUrl":1225,"material":113,"size":114,"collection":58,"collections":1226,"showCount":1227,"zanCount":40,"manualWeight":40,"mainColor":62},290021,"yan-le-tu-zhou-fang-290021","演乐图",[25,24,105,28,29,7,1224,109,141,30,27],"演乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F421f24aa0929e0b9618cf66d7493b9d6.jpg",[],28,{"id":1229,"slug":1230,"title":1231,"dynasty":101,"author":232,"museum":20,"description":1232,"tags":1233,"thumbUrl":1244,"material":263,"size":1245,"collection":176,"collections":1246,"showCount":1227,"zanCount":40,"manualWeight":40,"mainColor":41},222205,"jiao-yin-jie-xia-zhou-chou-ying-222205","蕉阴结夏轴","图中山石林立，蕉丰硕。秀竹劲，丛草稀。两位高士对坐相。一抚琴，一聆听。作品追宋法，人物造型准确。神情刻画栩栩如生，加之情景交融，画面文人同生活气息流。村庄突现萧疏简返之气，亦现作者师元人画风而别开生面之趣",[23,24,51,105,27,28,29,339,470,142,7,109,1234,1235,817,1236,1237,1238,1239,1240,1241,1242,1243],"夏日场景","弹拨乐器","山石皴法","植物写生","人物互动","设色淡雅","工笔人物","传统山水元素","草木景观","器物陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62b091a6fd7758ede327c5d564e95b22.jpg","纵279.1厘米，横99厘米",[176,131],{"id":1248,"slug":1249,"title":1250,"dynasty":422,"author":1251,"museum":1252,"description":1253,"tags":1254,"thumbUrl":1255,"material":58,"size":58,"collection":58,"collections":1256,"showCount":1227,"zanCount":40,"manualWeight":40,"mainColor":41},220466,"jin-gu-yuan-tu-zhou-ren-yi-220466","金谷园图轴","任颐","龙美术馆西岸馆","嶙峋湖石旁，红树浓艳跳脱，墨竹劲挺苍润，铺就雅奢的宴集底色。踞坐苔石的文士神态悠然，似已沉醉在乐音之中，两位乐伎一弹一持，将宴乐的松弛氛围缓缓晕开。画作以淡赭晕染文士衣袍，浓墨勾摹湖石奇崛肌理，冷暖色调相互映衬，层次明暗尽显巧思。笔意写意灵动，将晋人放达的林下雅韵浓缩尺幅间，把游园听曲的闲适快意，尽数铺陈于画面之中，尽显灵动雅致的画韵。",[23,24,51,105,28,29,470,198,7,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c8e71afd068129aef24338a9e0feb65.jpg",[],{"id":1258,"slug":1259,"title":1260,"dynasty":422,"author":156,"museum":67,"description":1261,"tags":1262,"thumbUrl":1267,"material":113,"size":114,"collection":58,"collections":1268,"showCount":1269,"zanCount":267,"manualWeight":40,"mainColor":62},238872,"tian-wang-yu-luo-han-tang-ka-yi-ming-238872","天王与罗汉唐卡","唐卡（Thang-ga）也叫唐嘎，唐喀，系藏文音译，指用彩缎装裱后悬挂供奉的宗教卷轴画。唐卡是藏族文化中一种独具特色的绘画艺术形式，题材内容涉及藏族的历史、政治、文化和社会生活等诸多领域，传世唐卡大都是藏传佛教和本教作品。\n唐卡是藏族文化中一种独具特色的绘画艺术形式。具有鲜明的民族特点、浓郁的宗教色彩和独特的艺术风格，用明亮的色彩描绘出神圣的佛的世界；颜料传统上是全部采用金、银、珍珠、玛瑙、珊瑚、松石、孔雀石、朱砂等珍贵的矿物宝石和藏红花、大黄、蓝靛等植物为颜料以示其神圣。这些天然原料保证了所绘制的唐卡色泽鲜艳，璀璨夺目，虽经几百年的岁月，仍是色泽艳丽明亮。因此被誉为中国民族绘画艺术的珍品，被称为藏族的”百科全书”也是中华民族民间艺术中弥足珍贵的非物质文化遗产。\n传统唐卡的绘制要求严苛、程序极为复杂，必须按照经书中的仪轨及上师的要求进行，包括绘前仪式、制作画布、构图起稿、着色染色、勾线定型、铺金描银、开眼、缝裱开光等一整套工艺程序。制作一幅唐卡用时较长，短则半年完成，长则需要十余年。",[1263,92,29,28,1264,1265,1266,51,7],"唐卡","罗汉","天王","佛教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff93dbf502d7bc6be9c510f6f06bbd2ce.jpg",[],27,{"id":1271,"slug":1272,"title":1273,"dynasty":46,"author":1274,"museum":48,"description":1275,"tags":1276,"thumbUrl":1281,"material":1282,"size":1283,"collection":58,"collections":1284,"showCount":1269,"zanCount":40,"manualWeight":40,"mainColor":62},234068,"liu-xi-wo-di-tu-ye-liang-kai-234068","柳溪卧笛图页","梁楷","图片放至最大时，可见一人卧岸吹笛，所绘人物微小，但几笔勾勒出一个人物形状和行为；而作背景的树木、岛屿以水墨状散开，如雾气般升腾。画面极简，但达到了无形即有形的精髓。\n梁楷（活动于十三世纪初期），南宋画家。祖上为东平(今属山东省)人，居钱塘(今浙江杭州)。工画人物、佛道、鬼神，兼善山水、花鸟。曾为画院待诏，并赐佩金带。但其性格豪放不羁，不耐画院规矩，将金带悬壁而去，人称“梁疯子”。画法有“细笔”、“减笔”两种，而概括飘逸的减笔画对后世影响极大。",[1277,24,171,1278,1279,1060,1280,29,237,7],"宋画","简笔","册页","溪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6067b2dd93936c97f26067414b882c22.jpg","绢本水墨","26.1×26.1cm",[],{"id":1286,"slug":1287,"title":207,"dynasty":101,"author":102,"museum":20,"description":1288,"tags":1289,"thumbUrl":1290,"material":619,"size":1291,"collection":58,"collections":1292,"showCount":1269,"zanCount":179,"manualWeight":40,"mainColor":62},231588,"tao-gu-zeng-ci-tu-tang-yin-231588","唐寅（1470－1532），吴县人。字子畏、伯虎。号六如，自称江南风流子。非诗文书画，尤以画艺见长；初师周臣，继而研学李唐、北宋初年，陶谷（903－970）出使南唐，时南唐国力弱小，而陶谷性格傲慢，在南唐后主脸出言不逊。南唐臣风起而设下圈，派宫妓秦蒻兰扮作驿吏之女以诱之。本来盛气凌人的陶谷，见温婉美丽的秦蒻兰之后，不禁为之邪念萌动，曲意奉迎并并讨好，新庸之赠词，遂败慎独戒。是陶谷所赠，顿弄时得陶谷面红耳赤，狼狈至极。画中刻字，工谨详尽，陶谷拈须倚坐榻上，旁墨纸砚，前面燃着红烛。秦蒻兰束发高笔。髻绣襦罗巾，坐弹弹琵琶，情态味感，极引词的画面。 ，而且理趣兼优，形神俱佳。右上有诗情画意，寓意诗：「一宿唐缘逆旅中，短词以识鸿。当时我作陶承旨，前面发红。」诗情画意，寓意静深。",[23,24,51,27,28,29,111,339,7,715,73],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fed0db24a4b08267971f750e5a655b5.jpg","168.8 x 102.1 公分",[],{"id":1294,"slug":1295,"title":1123,"dynasty":46,"author":1124,"museum":20,"description":1125,"tags":1296,"thumbUrl":1297,"material":34,"size":1129,"collection":58,"collections":1298,"showCount":1299,"zanCount":40,"manualWeight":40,"mainColor":41},288507,"ting-qin-zhai-ruan-tu-zhao-bo-ju-288507",[23,24,25,105,558,28,29,145,7,110,141,469,237,731,70,823],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5417e9836f0d1106f15840755d8c5aae.jpg",[],26,{"id":1301,"slug":1302,"title":1303,"dynasty":101,"author":1021,"museum":1153,"description":1304,"tags":1305,"thumbUrl":1310,"material":523,"size":1311,"collection":58,"collections":1312,"showCount":1299,"zanCount":267,"manualWeight":40,"mainColor":133},222375,"liu-mang-tu-juan-zhou-chen-222375","流氓图卷","此卷共绘人物12人，形态各异，或身背锣鼓，或手牵小动物，皆衣衫褴褛。作画背景是明武宗朱厚照统治时期，所谓的流氓多是因战争流离失所而逃难的百姓。也许他们有着正当的职业，稳定的收入，但战争降临后，一切都化为了乌有。逃难的人们为了生计想法设法赚钱，有能力的可以凭借自己的能力勉强果腹，没有能力的人连乞丐都不如。\n“流氓”的界定：流氓是指“脱离了古代社会最基本的生产资料——田地，因此没有正当的业务可恃且又愚昧无知的社会底层成员；而作为流氓之'流'的字义中，又可包涵或引申出向坏的方向嬗变以及放纵成弊等内容。合而言之，大致可以把'流氓'一词从词义上界定为：特指脱离生产不务正业而在社会上游荡，并以悖离传统道德文化和破坏社会秩序为基本行为特征的不良分子。 因此称之为《流民图》亦可。",[23,24,51,26,413,28,29,1306,704,1307,1308,1309,854,7,373,69],"猴","羊","拐杖","篮子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd181c6127f25e533180376f904c665f0.jpg","纵28厘米，横384厘米",[],{"id":1314,"slug":1315,"title":1316,"dynasty":18,"author":615,"museum":67,"description":1317,"tags":1318,"thumbUrl":1323,"material":113,"size":114,"collection":58,"collections":1324,"showCount":39,"zanCount":40,"manualWeight":40,"mainColor":62},289959,"lang-yuan-nv-xian-tu-ruan-gao-289959","阆苑女仙图","是一幅以西王母侍女萼绿与董双成的神仙故事为题材的画卷。该画卷是阮郜唯一的传世作品。该图中，阮郜运用铁线描以平行排列地方式，将瑶池翠水的形象塑造地坚硬且有实感。",[23,25,24,26,27,28,29,108,1319,1320,1321,111,1322,7,69,53],"女仙","神话","仙苑","马匹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19e6c6018f75aa517ccb4614fba86ea2.jpg",[],{"id":1326,"slug":1327,"title":1328,"dynasty":422,"author":156,"museum":67,"description":1329,"tags":1330,"thumbUrl":1331,"material":113,"size":114,"collection":58,"collections":1332,"showCount":1333,"zanCount":40,"manualWeight":40,"mainColor":41},290188,"bai-miao-tu-chuan-tong-yue-qi-yan-zou-cai-hui-ben-21-zhen-yi-ming-290188","百苗图传统乐器演奏彩绘本21帧","这帧彩绘里，仕女静坐执槌，敛眉专注于鼓上。衣饰层层铺陈，青领绣纹精巧，紫袍镶边雅致，裙色晕出柔婉层次。朱红鼓槌起落间，将闺中雅乐的静美定格。鼓身缠枝粉莲晕染清丽，和高凳的朱红相映成趣。\n整作以淡彩柔线勾勒晕染，把女子垂眸时的娴静神态描摹入微，器物纹饰皆精工细致，清丽温婉的画风里，尽显东方仕女的温婉气韵，将传统雅事的闲雅意趣藏进细腻笔触中。",[23,24,51,426,28,27,29,30,7,854],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82e862135b2d514a3ac1234a67c0cd33.jpg",[],24,{"id":1335,"slug":1336,"title":1337,"dynasty":422,"author":1338,"museum":20,"description":1339,"tags":1340,"thumbUrl":1344,"material":1345,"size":1346,"collection":58,"collections":1347,"showCount":1333,"zanCount":40,"manualWeight":40,"mainColor":41},223092,"hua-dong-fang-chi-guo-tian-wang-xiang-zhou-yao-wen-han-223092","画东方持国天王像轴","姚文瀚","姚文瀚（公元18世纪）清代画家。号濯亭，顺天（今北京）人，生卒年不详。乾隆时供奉内廷，工道释、人物、山水、界画。传世作品有《四序图》卷。",[23,688,92,27,28,105,1341,111,142,110,7,53,1342,1343],"祥云","宗教人物","小鬼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc165691c4bc3ab130621b6e655775497.jpg","轴 纸本 设色","114.5x66.5厘米",[],{"id":1349,"slug":1350,"title":1351,"dynasty":46,"author":156,"museum":67,"description":1352,"tags":1353,"thumbUrl":1354,"material":58,"size":58,"collection":58,"collections":1355,"showCount":1356,"zanCount":40,"manualWeight":40,"mainColor":62},227833,"lin-liu-fu-qin-tu-yi-ming-227833","临流抚琴图","画面以边角取势，古松虬曲苍劲，垂藤萦绕，将崖岸的荒古野逸晕开。临流石上，隐士安然抚琴，襟怀自适。远处汀渚隐现于烟岚薄雾之间，水色空蒙，淡墨轻皴尽绘江天寥廓。\n笔墨简淡却意韵悠长，以苍劲勾勒写松之老态，晕染铺就江天虚静，将林下幽居、寄情山水的文人意趣藏于尺幅间，尽显尚简求雅的禅寂风骨，静穆之中，似有琴音随波远逝，恍若带人走入物我两忘的幽远之境。",[23,24,171,144,249,145,29,237,111,224,7,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F525e8494d45cb369b9a329292fc78b89.jpg",[],23,{"id":1358,"slug":1359,"title":1360,"dynasty":46,"author":156,"museum":20,"description":1361,"tags":1362,"thumbUrl":1364,"material":34,"size":1365,"collection":36,"collections":1366,"showCount":1356,"zanCount":40,"manualWeight":40,"mainColor":41},218722,"mian-qin-zhu-ming-tu-yi-ming-218722","眠琴煮茗图","图中描绘的是一个有学问的人在溪流上拿着一把琴，而一个孩子在打水泡茶。使用圆润的笔触，没有任何大的顿挫，也是这幅画的特点。",[23,24,249,27,28,29,7,237,69,53,145,1363],"茶事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52b812228f88e00200e5a176dd1aa5a7.jpg","26.7x25.7",[36],{"id":1368,"slug":1369,"title":1370,"dynasty":422,"author":1371,"museum":67,"description":1372,"tags":1373,"thumbUrl":1374,"material":113,"size":114,"collection":58,"collections":1375,"showCount":1376,"zanCount":267,"manualWeight":40,"mainColor":41},239356,"fu-mu-tu-juan-ding-guan-peng-239356","佛母图卷","丁观鹏","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[24,26,28,27,92,29,111,7,53,31,399,212],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb242f76bc753a276143e3750ffe2503f.jpg",[],22,{"id":1378,"slug":1379,"title":1380,"dynasty":101,"author":232,"museum":20,"description":1381,"tags":1382,"thumbUrl":1384,"material":388,"size":1245,"collection":58,"collections":1385,"showCount":1376,"zanCount":40,"manualWeight":40,"mainColor":41},231376,"jiao-yin-jie-xia-chou-ying-231376","蕉阴结夏","此为一幅煌煌巨作，此图为仇英画粗笔之杰作：表现的是炎暑时节，士人于庭院内弹琴拨阮的闲情雅兴。图中画庭院中蕉石耸峙，后有苍筠数竿，清劲飘洒、远处的左侧画有巨块的岩石，岩石的右方画有几棵芭蕉树，树下偶有数块小石块，石块和树根部长满了杂草。画面的下部有二位长者席地而坐，左侧一长者在一旁专心致志地抚琴，右侧一位长者在洗耳恭听，神注专一。右画面的右上角有一女童正在扭首倾听琴声，弯着腰，双手持盏，旁侍后侧，被琴声吸引呆立不动。在长方的矮桌上，摆放一叠书卷，一篡一尊。从画面女童的姿态和神情看，似乎正在为两位长者作斟酒前的准备。\n此画构图简明开朗，只取近景，而将远景略省。人物居中主景位置，其后有竹、芭蕉及奇石穿插托衬。画面上的人物，须眉毕肖，神情各异，栩栩如生，其中尤以拨阮者之右手拨弦手式之描写，最能表现出力与美的感觉。故有别于一般山水中点景人物的遣貌取神。所画的人物，符合当时士大夫“优游林下”的生活情趣，主题极为鲜明。画笔沉着而活泼。构图疏密得当，色调柔和，远处的山石和芭蕉树采用写实手法，画笔疏放酣畅，格调闲适。画芭蕉，先以墨笔中锋勾勒，再赋染淡绿、淡青，蕉侧山石用侧势中锋，稍浓墨笔勾画轮廓，趁将干之际再迅以淡墨皴擦，并和水卧笔化染开，行笔疾速，充满水墨交融，淋漓畅快之感：画竹叶则于立竿之后，以浓淡墨和汁绿层层罩上，草以淡墨、淡绿画成，笔极挺拔。",[24,51,105,27,28,29,339,470,941,7,1383,817],"石桌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F248b2bea1b45945cfa44c7abdd287616.jpg",[],{"id":1387,"slug":1388,"title":1389,"dynasty":46,"author":466,"museum":67,"description":1390,"tags":1391,"thumbUrl":1392,"material":58,"size":58,"collection":58,"collections":1393,"showCount":1376,"zanCount":40,"manualWeight":40,"mainColor":41},227803,"song-yin-ming-qin-tu-liu-song-nian-227803","松荫鸣琴图","苍松浓荫遮蔽出一方清寂天地，琴案横陈，炉烟似随着琴音袅袅轻扬。抚琴者身姿舒展，指尖落弦仿佛有声，将心绪尽数寄于丝弦之上。对面长者垂眸敛神，身心都沉湎在悠悠琴韵之中，连身侧侍立的小童都屏息静立，不敢惊扰这片刻雅静，周遭的幽草矮竹也似在凝聆听赏。\n\n画作以浓墨点染苍劲松针，淡墨勾勒人物衣纹，线条清劲简练。将宋代文人追求的林下雅逸，凝缩在尺幅之间，把知己相对、琴音寄怀的超然意趣铺陈开来，静穆悠然的禅意弥散在画面里，尽显文人雅集的清旷疏朗之美。",[23,25,24,51,249,27,28,29,124,125,715,7,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b81c56fb1a8b0fc313ca776e3e8f2af.jpg",[],{"id":1395,"slug":1396,"title":1397,"dynasty":46,"author":156,"museum":48,"description":973,"tags":1398,"thumbUrl":1400,"material":56,"size":1401,"collection":58,"collections":1402,"showCount":1376,"zanCount":40,"manualWeight":40,"mainColor":62},223404,"da-nuo-tu-zhou-yi-ming-223404","大傩图轴",[23,24,51,105,28,29,27,1399,7,31],"傩戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08e5418070175d68d1c99232bd7e3c3c.jpg","67.4x59.2",[],{"id":1404,"slug":1405,"title":1406,"dynasty":101,"author":876,"museum":48,"description":1407,"tags":1408,"thumbUrl":1410,"material":415,"size":1411,"collection":36,"collections":1412,"showCount":1376,"zanCount":40,"manualWeight":40,"mainColor":41},220399,"ge-wu-tu-wu-wei-220399","歌舞图","此图真实地反映了文士狎妓观舞的场景。狎客们与二女妓围坐一周，神态各异。狎客或侧首细品，或低头凝视，或举目静观，或捻须沉思。陪坐的女妓或机械地执板伴奏，或心不在焉地笼袖而坐，与狎客们专注的神情形成鲜明的对比。据画幅上唐寅墨款“吴门唐寅题李奴奴歌舞图，时弘治癸亥三月下旬，李奴奴十岁”可知，圈中翩翩起舞者是年方满10岁、但已为妓数载的李奴奴。明代是青楼业昌盛的时期，一方面资本主义萌芽逐渐兴起，都市经济日益壮大，商品市场迅速成长，为青楼业的生存和发展提供了广阔的空间；另一方面，腐败的明政府实行罚良为娼的政策，并在金陵(即南京)官办著名的十六楼(妓院)：南市、北市、鹤鸣、醉仙等，促使包括李奴奴在内的众多女子在遭遇各种生活的不幸后沦落青楼而成为玩物。鉴于青楼文化的兴盛，吴伟、唐寅等许多极富才情、仕途失意的画家纷纷饮酒狎妓，试图通过游妓来摆脱失意的郁闷和伦理的负担，获得心理的平衡与精神的松弛。他们对于自己的放浪行为并不加以掩示，唐寅自刻“江南第一风流才子”印章及吴伟所创作的此图，都意在表明自己以游妓为荣耀、玩世不恭的人生观。\n此图为吴伟45岁时所作。在表现技法上与《武陵春图》相近，属于细笔白描人物画。构图简约明了，主体人物突出，无繁复的景致烘托，仅通过人物生动的情态举止及其间的相互呼应抒发出富有生活情趣的诗意。",[23,24,51,651,105,413,29,7,581,1409,53,25],"题跋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb328ad9749d5d3efa719be4dbcbb7979.jpg","纵118.9厘米，横64.9厘米",[36,946],{"id":1414,"slug":1415,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1417,"tags":1418,"thumbUrl":1421,"material":58,"size":58,"collection":293,"collections":1422,"showCount":1423,"zanCount":40,"manualWeight":40,"mainColor":62},242932,"pan-chi-wen-zhong-yi-ming-242932","蟠螭纹钟","此钟形制规整，桥形钮古朴厚重，合瓦钟体典雅端庄。钟身乳枚排布齐整，敦实圆润，间隔处以蟠螭纹装饰，虬曲回环的线条游走于青铜之上，将上古狞厉之美与礼器的肃穆感相融一体。周身凝布苍润青锈，带着千年岁月浸蚀的痕迹，包浆古拙厚重，尽显礼器的庄严气象。它承载着上古礼乐文明的厚重底蕴，是青铜铸艺与礼制文化相映生辉的绝佳缩影，静静传递出那个时代的精神内核。",[285,7,286,287,1419,1420],"蟠螭纹","周代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a590ef3db9c1c2a77070a514ce51681.jpg",[293],21,{"id":1425,"slug":1426,"title":1427,"dynasty":422,"author":1428,"museum":67,"description":1429,"tags":1430,"thumbUrl":1433,"material":113,"size":114,"collection":58,"collections":1434,"showCount":1435,"zanCount":40,"manualWeight":40,"mainColor":62},288409,"jia-mu-he-zu-ying-jie-gui-fei-sun-wen-288409","贾母合族迎接贵妃","孙温","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸。",[23,24,28,27,29,236,485,1431,1432,7,111,109],"仪仗","迎驾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50caca4e64e368471cf69aee303469a5.jpg",[],20,{"id":1437,"slug":1438,"title":1439,"dynasty":282,"author":156,"museum":67,"description":1440,"tags":1441,"thumbUrl":1443,"material":58,"size":58,"collection":293,"collections":1444,"showCount":1435,"zanCount":40,"manualWeight":40,"mainColor":62},242939,"shou-mian-wen-ling-yi-ming-242939","兽面纹铃","桥形钮敦实厚重，适配悬系敲击，器身两侧出戟，让方正轮廓多了挺拔骨感。器表兽面纹狞厉威严，圆目凸出，回云纹勾连辗转，衬出上古图腾的神秘肃穆。青碧铜胎覆着斑驳绿锈，岁月剥蚀出深浅肌理，晕开厚重古意。\n\n它既是礼宴的奏鸣之器，又以兽面纹饰寄寓着先民对天地神灵的敬畏，熔铸礼制信仰与匠造工巧于一身，凝缩着上古礼乐文明的沉浑底色。",[282,285,286,287,1442,7,289],"兽面纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2adb971599eff569a151c7db06835f23.jpg",[293],{"id":1446,"slug":1447,"title":1448,"dynasty":422,"author":156,"museum":67,"description":1449,"tags":1450,"thumbUrl":1452,"material":263,"size":1453,"collection":36,"collections":1454,"showCount":1435,"zanCount":40,"manualWeight":40,"mainColor":41},215804,"min-jian-yan-zou-tu-ce-1-yi-ming-215804","民间演奏图册-1","孩童身着翠绿短衫，紫裤束脚，墨履轻点地面。手中弦乐器弓梢微扬，似欲划破静谧；身旁朱红鼓身缀着暗纹，与素净背景相映成趣。画面线条简练却鲜活，色彩明快带着烟火气——没有繁复布景，只凭人物专注的神态与器物的细节，便勾勒出市井里巷的悠然韵律。仿佛能听见弦音将起，鼓点待和，旧时光里的乡野小调正从这帧静画中缓缓流淌，晕染出民间艺人日常里的温煦意趣。每一处色彩的搭配、每一个姿态的捕捉，都藏着对生活本真的描摹，让观者不自觉坠入那充满烟火气的往昔场景。",[24,51,426,28,29,7,1451],"民间","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a7102f84704d3d9b54324682b3445b4.jpg","27x 41",[36],{"id":1456,"slug":1457,"title":1458,"dynasty":843,"author":1459,"museum":67,"description":1460,"tags":1461,"thumbUrl":1473,"material":113,"size":114,"collection":58,"collections":1474,"showCount":1475,"zanCount":40,"manualWeight":40,"mainColor":41},230480,"fu-shi-hui-juan-mu-he-tian-wen-cun-230480","浮世绘巻","目贺田文村","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[23,1462,26,28,29,1463,1464,1465,1466,7,852,1467,483,1468,854,1469,1309,1470,1471,1472],"浮世绘","市集","伞","笼子","担子","摊位","日常用具","箱子","行走","交易","玩耍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff608c952df2fbc7cf2073369489e54a8.jpg",[],19,{"id":1477,"slug":1478,"title":334,"dynasty":422,"author":1479,"museum":67,"description":1480,"tags":1481,"thumbUrl":1483,"material":58,"size":58,"collection":58,"collections":1484,"showCount":1475,"zanCount":267,"manualWeight":40,"mainColor":41},224167,"ting-ruan-tu-liu-yan-chong-224167","刘彦冲","《 》是清代画家刘彦冲创作的一幅设色画。\n图中文人身着高冕宽服，抱膝而坐，正听一位歌女弹奏阮琴。\n阮音清扬，四处芳草如茵，梧桐枝叶繁茂，又配以湖石、芭蕉、翠竹，清幽异常。\n《听阮图》图中款识可知此画是刘彦冲以其八兄为描绘对象绘出的。\n图中人物用线细劲圆润，颇有古意，设色妍 丽明快。\n草地以大面积花青渲染，以重色细笔根根绘出，间以浓淡的变化，形成雾动云涌之感。\n梧桐近乎淡墨白描，更有幽深清丽之意。\n整个背景有一种缥缈空灵的虚幻意味，衬托出人物笔墨的写实生动；画中人物的表情动态，又反衬阮音的悠扬动听。\n虚实相辅，以有写无，形成脱俗越尘的艺术效果。\n刘彦冲(187—1847)，初名荣，字咏之，四川铜梁人。\n擅山水、人物、花卉，工诗文。\n从师朱生昂学山水，常随师出游，尽得其法。\n兼采众家之长。\n泼墨作小米云山，亦蓊郁可观。\n人物花卉，笔法娴熟，活泼多变。\n传世作品有《柳燕图》、《松荫高士图》、《群峰秋翠图》等。",[23,27,28,29,7,111,125,339,1075,70,338,483,142,197,1482,53,447],"书箱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d001b9b4db0438891675b109cf69c51.jpg",[],{"id":1486,"slug":1487,"title":1250,"dynasty":422,"author":1251,"museum":1252,"description":1488,"tags":1489,"thumbUrl":1255,"material":58,"size":58,"collection":58,"collections":1490,"showCount":1475,"zanCount":40,"manualWeight":40,"mainColor":41},220468,"jin-gu-yuan-tu-zhou-ren-yi-220468","此作以金谷旧事为引，嶙峋湖石拔地而起，墨色皴擦间尽显苍古雄浑，旁侧翠竹苍劲、朱枝艳发，冷暖色调撞破幽寂。石畔文士抱膝沉坐，眉眼间漫着悼古的落寞，两位乐女持弦静待，身姿温婉静穆，将旧时金谷宴散的萧索怅惘晕开。\n\n笔墨兼具写意纵逸与工致细腻，湖石泼墨写意，笔力雄健，人物衣纹清劲凝练，神情刻画入微。布景错落疏密得宜，将盛衰之叹寄于咫尺尺幅，借景抒情暗合心境，尽显笔意高妙、意境悠远的特质。",[24,51,105,28,29,30,224,125,7],[],{"id":1492,"slug":1493,"title":1494,"dynasty":1495,"author":1496,"museum":712,"description":1497,"tags":1498,"thumbUrl":10,"material":58,"size":58,"collection":131,"collections":1499,"showCount":1475,"zanCount":267,"manualWeight":40,"mainColor":1500},202883,"kua-feng-chui-sheng-tu-zhou-zhang-shan-ma-202883","跨凤吹笙图轴","近代","张善孖","画面中女子乘凤吹笙，凤羽舒展轻盈，白翎如雪，黑爪劲健，姿态灵动欲飞。人物衣袂翩跹，素袍淡雅，发鬓簪花，手持笙管，神情温婉娴静，似有清音袅袅溢出。笔墨婉转流畅，设色清丽雅致，衣纹线条细腻灵动，凤凰羽毛层次柔和，既见写实之妙，又含写意之韵，营造出空灵悠远的神话意境，仿佛笙音引凤，乘云而上，尽显仙袂飘飘的浪漫气息。",[24,105,28,27,30,110,7,23],[131],"decbb0",{"id":1502,"slug":1503,"title":1504,"dynasty":422,"author":1371,"museum":67,"description":1372,"tags":1505,"thumbUrl":1510,"material":113,"size":114,"collection":58,"collections":1511,"showCount":1512,"zanCount":40,"manualWeight":40,"mainColor":62},238131,"fang-wu-dao-xuan-bao-ji-bin-jia-luo-fo-xiang-zhou-ding-guan-peng-238131","仿吴道玄宝积宾迦罗佛像轴",[24,51,105,28,27,52,92,29,1341,1506,1507,7,1508,447,1509],"宝盖","飞天","神佛","装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1b0b38317ebe9934d56c39c5fb0c067.jpg",[],17,{"id":1514,"slug":1515,"title":1516,"dynasty":422,"author":1517,"museum":67,"description":1518,"tags":1519,"thumbUrl":1520,"material":58,"size":58,"collection":58,"collections":1521,"showCount":1512,"zanCount":40,"manualWeight":40,"mainColor":62},234104,"you-qin-tu-juan-gao-jian-234104","友琴图卷","高简","高简（1634-1707年）字澹游，号旅云，自号一云山人，江苏苏州人。能诗，工山水，摹法元人，甚为简澹，而布置深稳，风味清巧可爱。平生小品最多，好画梅花书屋图，冷隽可珍。卒年七十四。传世作品有《春山积翠图》、《江乡初夏图》、《寒林诗思图》。",[24,51,26,28,27,29,7,111,198,145,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F051dd69d7eed026eefb3c1986d1adcae.jpg",[],{"id":1523,"slug":1524,"title":1525,"dynasty":259,"author":156,"museum":48,"description":324,"tags":1526,"thumbUrl":1527,"material":56,"size":328,"collection":176,"collections":1528,"showCount":1512,"zanCount":40,"manualWeight":40,"mainColor":62},223333,"dong-shan-si-zhu-tu-zhou-yi-ming-223333","东山丝竹图轴",[23,24,51,105,28,145,29,326,111,237,144,236,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F499501fc11c9c867f20aa0e281e7c2ac.jpg",[176],{"id":1530,"slug":1531,"title":1532,"dynasty":422,"author":1428,"museum":1533,"description":1534,"tags":1535,"thumbUrl":1547,"material":619,"size":1548,"collection":58,"collections":1549,"showCount":1512,"zanCount":40,"manualWeight":40,"mainColor":62},222985,"hong-lou-meng-110-sun-wen-222985","红楼梦110","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,27,28,495,29,236,111,852,854,1536,109,1537,1538,1539,655,7,1540,1541,1542,1543,1544,1545,1546],"车辆","街道","建筑","人物群像","牌匾","清式建筑","场景描绘","细致线条","色彩丰富","民俗元素","古典园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F554573a7d84d4396f83fa678e9637e1b.jpg","纵43.3厘米、横76.5厘米",[],{"id":1551,"slug":1552,"title":1553,"dynasty":259,"author":156,"museum":67,"description":122,"tags":1554,"thumbUrl":1557,"material":113,"size":114,"collection":58,"collections":1558,"showCount":61,"zanCount":40,"manualWeight":40,"mainColor":62},291020,"hua-ting-qin-tu-zhou-yi-ming-291020","画听琴图轴",[24,25,105,29,817,820,1555,109,111,340,1556,413,53,7,1174],"听琴","茶具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc72884ee7009dd3bcb1dddf49a1743f7.jpg",[],{"id":1560,"slug":1561,"title":453,"dynasty":422,"author":454,"museum":48,"description":455,"tags":1562,"thumbUrl":1563,"material":458,"size":459,"collection":58,"collections":1564,"showCount":61,"zanCount":40,"manualWeight":40,"mainColor":41},238288,"yu-lan-shi-nv-qing-yu-tu-ce-yu-lan-238288",[24,51,426,27,28,29,30,54,340,7,212,447],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1bb278f626c47ec8be5c838769c02c3.jpg",[],{"id":1566,"slug":1567,"title":1568,"dynasty":101,"author":1569,"museum":20,"description":1570,"tags":1571,"thumbUrl":1572,"material":34,"size":1573,"collection":36,"collections":1574,"showCount":61,"zanCount":40,"manualWeight":40,"mainColor":41},218263,"yang-ji-jing-xiao-xiang-juan-wen-bo-ren-218263","杨季静小像卷","文伯仁","这幅画作于文伯仁24岁时（1526年，嘉靖五年），可能是他现存最早的纪年画，也是他唯一的一幅人物画。画中的主人公杨季静（1504-1530年之前）是苏州有名的琴师，与文征明等人关系友好，所以文博仁有机会为他画了一幅小肖像。",[23,24,51,26,171,28,29,7,69,53,373,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F158b55ad0eb5f9db452582a9d910d80a.jpg","29.1x23.9",[36],{"id":1576,"slug":1577,"title":1578,"dynasty":46,"author":1579,"museum":20,"description":1580,"tags":1581,"thumbUrl":1582,"material":113,"size":114,"collection":58,"collections":1583,"showCount":1584,"zanCount":40,"manualWeight":40,"mainColor":62},290858,"gao-hui-xi-qin-tu-zhou-li-gong-lin-290858","高会习琴图轴","李公麟","李公麟（1049～1106），北宋舒州（今属安徽桐城）人，宋代杰出画家。字伯时，号龙眠居士、龙眠山人，享年五十七岁。熙宁三年（公元1070年）进士。\n出身名门大族，家藏古器名画法书甚多，自幼知识渊博，好古善鉴，多识奇字，自夏商以来钟鼎尊彝皆能考订世次，辨别款识。长于诗文，行楷书有晋人风。与王安石、苏轼、米芾、黄庭坚为至交，系驸马王诜之座上客。熙宁三年（1070）中进士，为中书门下省删定官，后官至朝奉郎。元符三年（1100）病痹告老，居家乡桐城龙眠山，号龙眠居士。一生勤奋，作画无数，人物、史实、释道、士女、山水、鞍马、走兽、花鸟无所不能，无所不精。人物、道释深得吴道子旨趣，运笔如行云流水，造型正确，神态飞动；山水气韵清秀，得王维正传；着色山水追李思训心法；画马过韩干。能集诸家之长，得其大成，师法自然，大胆创新，自成一家，被后代敬为第一大手笔、百代宗师。",[24,25,105,28,27,29,7,109,731,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64262348adbc35a07c0481862b62ec38.jpg",[],15,{"id":1586,"slug":1587,"title":1588,"dynasty":46,"author":156,"museum":67,"description":1589,"tags":1590,"thumbUrl":1591,"material":113,"size":114,"collection":58,"collections":1592,"showCount":1584,"zanCount":40,"manualWeight":40,"mainColor":62},290508,"fang-zhou-fang-yan-le-tu-yi-ming-290508","仿周昉演乐图","松荫庭院间，雅集宴饮正酣。宾主围桌对坐，乐师拨弦和鸣，仕女环侍左右，有人奉茶添香，有人侍立听乐。\n\n此作用色古雅沉郁，线条温婉柔丽，承唐风仕女的丰腴秀致，又蕴宋人的娴静雅致。苍松古拙虬劲，衬出庭院的悠然静谧，案上陈设、发间花钿等细节处处见巧思，将文人宴饮听乐的闲逸雅致，融在晕染的古绢底色里，尽显升平雅致的宴乐图景，含蓄传递出中古雅集的从容意韵。",[24,25,51,105,28,27,29,108,70,7,1224,141,109,52],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6e12c04897d94532b31ecc2db6af350.jpg",[],{"id":1594,"slug":1595,"title":1596,"dynasty":422,"author":961,"museum":67,"description":1597,"tags":1598,"thumbUrl":1599,"material":113,"size":114,"collection":58,"collections":1600,"showCount":1584,"zanCount":40,"manualWeight":40,"mainColor":41},288022,"ren-wu-shan-shui-tu-li-zhou-huang-shen-288022","人物山水图立轴","黄慎（1687年6月14日—1772年），福建宁化人，初名盛，字恭寿，恭懋，躬懋、菊壮，号瘿瓢子，别号东海布衣。家贫，遂学画，擅长人物、山水、花鸟。他的人物画题材十分广泛和丰富，它不仅画神仙佛道和历史名人，也擅长从民间生活中取材，塑造了纤夫 、乞丐、流氓、渔民等下层人民的形象，这在古代的画家当中是十分难得的。康熙间至扬州卖画，人争客之。是中国清代杰出书画家，为“扬州八怪”之一。与郑燮友善。擅草书，后以狂草笔法作画。亦能诗。有《蛟湖诗钞》。\n黄慎14岁时，父亲客死湖南，两妹相继夭折，家境十分穷困，为生计，母亲命其学画，为人写真。16岁时，离家从师，他勤奋苦学，悉心钻研，画艺日进。",[23,24,105,171,29,145,703,224,237,7,69],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe68e29611b387c6a662fb3dbadc9ec9a.jpg",[],{"id":1602,"slug":1603,"title":1604,"dynasty":101,"author":1605,"museum":48,"description":1606,"tags":1607,"thumbUrl":1608,"material":1609,"size":1610,"collection":36,"collections":1611,"showCount":1584,"zanCount":40,"manualWeight":40,"mainColor":41},236403,"ji-fou-tu-zhou-zhang-hong-236403","击缶图轴","张宏","图绘村边平坡，老树几株，一人击缶，一人起舞，男女老少多人围观。构图疏朗，用笔率意简放。树石仅用阔笔草草写出，人物线条迅疾多变，突出了坐、立、蹲、行等不同动态，笔简意赅，神完气足。此图将乡间民众娱乐生活的瞬间刻画得活灵活现，淋漓尽致。",[24,28,171,29,867,224,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e5439d0806a75e6365375005f527e52.jpg","纸本，设色","纵42.8厘米，横59厘米",[36,131,378],{"id":1613,"slug":1614,"title":555,"dynasty":259,"author":156,"museum":67,"description":1615,"tags":1616,"thumbUrl":1618,"material":58,"size":58,"collection":58,"collections":1619,"showCount":1584,"zanCount":40,"manualWeight":40,"mainColor":62},228198,"ting-qin-tu-ye-yi-ming-228198","这帧团扇小品以淡墨轻色晕染出水汀秋意，两位素衣仕女驻足岸侧，一人携琴，二人垂目望向幽寂寒潭。对岸林叶覆着轻烟，崖石静峙，水面空濛无波，将天地浸在清寂萧疏的氛围中。\n\n笔致秀雅空灵，略去繁饰，只以简淡线条勾勒衣袂柔姿，以晕染晕开林下水气，将等待听琴的娴静幽思融在水光天色里，把林下闲情化作幽远诗意，尽显雅致淡远的文人意趣，仿佛隔着绢本，都能听见风掠林梢的轻响，静候琴音破寂而来。",[23,24,51,1617,28,27,29,30,211,142,7],"团扇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac32a0479a74d50cdf19281ce14bff0e.jpg",[],{"id":1621,"slug":1622,"title":1623,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":1624,"thumbUrl":1626,"material":113,"size":114,"collection":58,"collections":1627,"showCount":1584,"zanCount":40,"manualWeight":40,"mainColor":296},225313,"fu-shi-hui-48-yi-ming-225313","浮世绘48",[1462,1625,28,27,29,30,236,326,470,111,142,1538,7],"漆器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac7ff525e9b9ad13515af96fc67cf3c4.jpg",[],{"id":1629,"slug":1630,"title":1631,"dynasty":843,"author":156,"museum":67,"description":1632,"tags":1633,"thumbUrl":1637,"material":58,"size":58,"collection":58,"collections":1638,"showCount":79,"zanCount":40,"manualWeight":40,"mainColor":41},225383,"fu-shi-hui-140-yi-ming-225383","浮世绘140","这幅作品定格了春日亭台宴游的闲雅片刻，亭台木构拉展出通透纵深感，前景盛放的白花衬起融融春意，远景溪岸蜿蜒、山樱初绽晕染出淡远的春日山水底色。\n\n四位仕女情态各有韵致，接引的侍女温婉颔首，登阶的佳人柔躯微倾，带着初见春景的娇怯，凭栏远眺的少女托腮出神，抱琴静坐的仕女娴静悠然。和服纹样繁丽精巧，格纹、云纹与繁花纹样交织，将江户女性的柔美雅致尽数铺展。笔触舒展秀雅，设色调和清丽，把和风春日里的慵懒闲情晕染开来，尽显描摹世俗风物的诗意美感。",[1462,1634,28,29,30,7,237,111,1538,716,1635,1636],"木刻","台阶","和服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40f420ee1cf6a3866d8c47396fe8bfea.jpg",[],{"id":1640,"slug":1641,"title":1642,"dynasty":46,"author":1643,"museum":67,"description":1644,"tags":1645,"thumbUrl":1648,"material":113,"size":114,"collection":58,"collections":1649,"showCount":1650,"zanCount":267,"manualWeight":40,"mainColor":296},287602,"ting-xian-shi-qin-su-shi-287602","听贤师琴","苏轼","苏轼（1037年1月8日—1101年8月24日），字子瞻，一字和仲，号铁冠道人、东坡居士，世称苏东坡、苏仙、坡仙，汉族，眉州眉山（今四川省眉山市）人，祖籍河北栾城，北宋文学家、书法家、美食家、画家，历史治水名人。\n嘉祐二年（1057年），苏轼进士及第。宋神宗时在凤翔、杭州、密州、徐州、湖州等地任职。元丰三年（1080年），因“乌台诗案”被贬为黄州团练副使。宋哲宗即位后任翰林学士、侍读学士、礼部尚书等职，并出知杭州、颍州、扬州、定州等地，晚年因新党执政被贬惠州、儋州。宋徽宗时获大赦北还，途中于常州病逝。宋高宗时追赠太师；宋孝宗时追谥“文忠”。\n苏轼是北宋中期文坛领袖，在诗、词、散文、书、画等方面取得很高成就。文纵横恣肆；诗题材广阔，清新豪健，善用夸张比喻，独具风格，与黄庭坚并称“苏黄”；词开豪放一派，与辛弃疾同是豪放派代表，并称“苏辛”；散文著述宏富，豪放自如，与欧阳修并称“欧苏”，为“唐宋八大家”之一。苏轼善书，“宋四家”之一；擅长文人画，尤擅墨竹、怪石、枯木等。李志敏评价：“苏轼是全才式的艺术巨匠。”\n作品有《东坡七集》《东坡易传》《东坡乐府》《潇湘竹石图》《枯木怪石图》等。",[373,1646,69,1647,7],"拓本","牛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8942c0b72f3529baf94b6078fa32682d.jpg",[],13,{"id":1652,"slug":1653,"title":453,"dynasty":422,"author":454,"museum":48,"description":455,"tags":1654,"thumbUrl":1655,"material":458,"size":459,"collection":58,"collections":1656,"showCount":1650,"zanCount":40,"manualWeight":40,"mainColor":41},238292,"yu-lan-shi-nv-qing-yu-tu-ce-yu-lan-238292",[25,24,51,426,27,28,29,30,108,447,7,653,212,594,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb39c6b93343df97dee8c1f459ef89645.jpg",[],{"id":1658,"slug":1659,"title":1660,"dynasty":101,"author":102,"museum":67,"description":1661,"tags":1662,"thumbUrl":1663,"material":113,"size":114,"collection":58,"collections":1664,"showCount":1665,"zanCount":40,"manualWeight":40,"mainColor":62},290944,"tao-gu-zeng-ci-tu-zhou-tang-yin-290944","陶穀赠词图轴","陶穀赠词乃一历史故事。相传北宋初年，陶穀出使南唐，时南唐国力弱小，而陶穀态度傲慢，在南唐后主面前出言不逊。南唐臣僚忿而设下圈套，派宫妓秦蒻兰扮做驿吏之女以诱之。原本盛气凌人的陶穀，见到温婉美丽的秦蒻兰之后，不禁为之邪念萌动，曲意奉迎并赠词讨好，变得庸俗不堪，遂败慎独之戒。",[24,105,28,29,30,7,703,224,339,69,53,27,109],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f5b568319c9d19b4d17df302151bb77.jpg",[],12,{"id":1667,"slug":1668,"title":1397,"dynasty":46,"author":156,"museum":48,"description":973,"tags":1669,"thumbUrl":1671,"material":56,"size":1672,"collection":58,"collections":1673,"showCount":1665,"zanCount":40,"manualWeight":40,"mainColor":62},233022,"da-nuo-tu-zhou-yi-ming-233022",[24,51,105,28,27,29,7,31,1670],"仪式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F811f5eb801a8357cdf3c7a7af199fa5a.jpg","纵67.4厘米，横59.2厘米",[],{"id":1675,"slug":1676,"title":1677,"dynasty":46,"author":7,"museum":67,"description":1678,"tags":1679,"thumbUrl":1680,"material":113,"size":114,"collection":58,"collections":1681,"showCount":1665,"zanCount":40,"manualWeight":40,"mainColor":41},227331,"qi-xian-qin-yue-qi-227331","七弦琴","古琴，又称瑶琴、玉琴、七弦琴，是中国传统拨弦乐器，有三千年以上历史，属于八音中的丝。古琴音域宽广，音色深沉，余音悠远",[7,54,930,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cde2ba97c8b79eea5bc62687a161a22.jpg",[],{"id":1683,"slug":1684,"title":1685,"dynasty":259,"author":312,"museum":67,"description":1686,"tags":1687,"thumbUrl":1692,"material":113,"size":114,"collection":58,"collections":1693,"showCount":1694,"zanCount":40,"manualWeight":40,"mainColor":41},290255,"mo-xi-tu-wang-zhen-peng-290255","墨戏图","王振鹏（生卒年不详），字朋梅，浙江温州人。元代著名的画家，擅长人物画和宫廷界画，被元仁宗赐号为“孤云处士”，并官至漕运千户。传世作品有：《伯牙鼓琴图》《江山胜览图卷》《阿房宫图》《金明池图》。",[24,26,171,1306,1688,1689,1690,7,69,53,1691],"拟人","戏曲","兵器","墨戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33c01e581f00409d36e7ec6c153197dc.jpg",[],11,{"id":1696,"slug":1697,"title":1698,"dynasty":282,"author":156,"museum":67,"description":1699,"tags":1700,"thumbUrl":1705,"material":58,"size":58,"collection":293,"collections":1706,"showCount":1694,"zanCount":40,"manualWeight":40,"mainColor":62},243491,"hui-wen-duo-yi-ming-243491","虺纹铎","它身姿挺括修长，旋部鼓凸带着古朴的张力，钟体乳钉齐整如列阵，间以虺纹盘虬萦绕，细密纹路缠绕出上古的诡谲神秘。苍绿铜锈如时光滋长出的苔痕，晕染在器身，将千年摩挲的痕迹凝于一身。\n\n合瓦形腔体藏着古早乐律的精巧构思，昔年清越的金石之声，曾伴着庙堂雅乐震颤，将礼制的庄重融在鸣响中。如今缄默立于此，把上古礼乐文明的余韵，封存在斑驳铜色里。",[1701,285,7,288,286,1702,287,289,1703,992,1704],"周代","铸造","虺纹","古物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F164856fc3d3047109cbcf362f6ba7180.jpg",[293],{"id":1708,"slug":1709,"title":1710,"dynasty":422,"author":1711,"museum":67,"description":1712,"tags":1713,"thumbUrl":1714,"material":58,"size":58,"collection":58,"collections":1715,"showCount":1694,"zanCount":267,"manualWeight":40,"mainColor":41},235090,"meng-lou-fu-qin-tu-zhou-wang-zhao-ji-235090","梦楼抚琴图轴","王肇基","《梦楼抚琴图轴》纵54cm，横26.4cm。\n清代文物。\n名称： 梦楼抚琴图轴 年代：清 作者：王肇基 特征：绢本，设色 尺寸：纵54cm，横26.4cm。\n本幅王肇基题：“爱镜者美人，爱剑者侠客，名士则爱砚，嗜好各成癖。\n先生放达人，耽此琴三尺，世俗竞淫哇，太古音谁识？庚辰孟夏月，梦楼宗台抚琴图。\n王肇基绘并题。\n”下钤“王肇基印”白文印、“镜香”朱文印。\n“庚辰”为清乾隆二十五年（176年），这一年，王肇基6岁，王文治（号梦楼）1岁。\n“孟夏月”则正值会考结束，殿试、御赐之前。\n王文治在这年的五月初十日得中进士第三人。\n图绘王文治在室内的画像。\n他手持折扇神情淡定地端坐在木椅上，身旁条案上摆有古琴和香炉，身后的花架上则置有盛开的兰花一盆。\n虽然点景物象不多，但是它们高低错落的陈设，丰富了画面的纵深空间，同时，也映衬出像主王文治幽兰般的君子心志和以琴瑟为伴的文化素养。",[24,51,105,28,29,7,197,768,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2463e961b794a748f0e3b21f09314859.jpg",[],{"id":1717,"slug":1718,"title":1719,"dynasty":101,"author":156,"museum":67,"description":1720,"tags":1721,"thumbUrl":1722,"material":58,"size":58,"collection":58,"collections":1723,"showCount":1694,"zanCount":40,"manualWeight":40,"mainColor":62},228797,"song-xia-fu-qin-tu-ye-yi-ming-228797","松下抚琴图页","松荫之下，皓首老翁席地而坐，凝神抚琴，垂眉静气间似将襟怀尽寄弦上。侧旁童子煨炉候立，青烟袅袅晕开夜色，与林间半露残月相映成趣。清辉漫过苔色坡岸，将山野的空阔静穆晕染得愈发幽寂。\n\n全幅设色清雅古淡，线条简逸空灵，以极简笔墨铺陈出林下雅集的幽旷意趣，将文人寄情山水、以琴明心的林下襟怀尽显无余，暗合尚简尚淡、追慕古意的审美意趣，悠悠古韵漫溢纸面，引人沉醉。",[23,24,25,51,426,28,27,29,703,173,7,224],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37fc3b17d6c207455e34cbf09781ad9e.jpg",[],{"id":1725,"slug":1726,"title":1727,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":1729,"thumbUrl":1730,"material":113,"size":114,"collection":58,"collections":1731,"showCount":1694,"zanCount":40,"manualWeight":40,"mainColor":62},226824,"rui-gong-zhong-yi-ming-226824","芮公钟","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[285,7,288,286,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b2f74287abbaf802d2acdf1653e62f1.jpg",[],{"id":1733,"slug":1734,"title":1735,"dynasty":422,"author":1736,"museum":712,"description":1737,"tags":1738,"thumbUrl":1739,"material":58,"size":58,"collection":176,"collections":1740,"showCount":1694,"zanCount":40,"manualWeight":40,"mainColor":1741},203218,"xi-yuan-ya-ji-tu-ce-zhou-hao-203218","西园雅集图册","周颢","层岩叠嶂间，林木葱茏，文人雅士或围坐对弈品茗，或凭栏观瀑闲谈，或抚琴寄情，情态各异，尽显雅集之闲适。笔墨细腻传神，山石以皴法勾勒，纹理苍劲；树木枝叶繁密却层次分明；人物线条流畅，神态生动。淡雅设色衬出山水之幽，将文人的才情与自然之趣融为一体，传递出古代文人的精神追求与生活意趣。",[24,171,28,145,29,144,7,32,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F753294aebfe9f70424387f9844a2c568.jpg",[176],"bcafa3",{"id":1743,"slug":1744,"title":1745,"dynasty":101,"author":156,"museum":67,"description":1746,"tags":1747,"thumbUrl":1748,"material":58,"size":58,"collection":58,"collections":1749,"showCount":1750,"zanCount":40,"manualWeight":40,"mainColor":62},234658,"ming-ren-lou-ge-yan-le-ce-yi-ming-234658","明人楼阁演乐册","扇面画的历史源流，据张彦远《历代名画记》记载，三国时，曹操就有请杨修为其画扇的故事。到了唐代画扇之风更为盛行，当时的扇子还是圆形的，故称团扇。宋代宫廷画家更是画扇成风，且留下扇面画也很多，扇子的形制出现了芭蕉形的扇子。集书法、绘画于一扇，则始于明代，这是因为折扇形式的出现。国人历来都有这种习性，一件实用品总要给它艺术化，扇面画就是这样经过明清书画家的匠心经营，从而逐步确定了其作为一种独特的艺术品种而广泛普及、流传下来，继而也逐步形成了扇面画独立的审美体系。及至清代、民国，扇面画都是书画家乐于染翰和文人雅士乐于把玩、收藏的艺术品。",[24,51,426,495,28,27,145,236,29,111,142,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c26e59a95d5e383cde75a767dfd9c6f.jpg",[],10,{"id":1752,"slug":1753,"title":1754,"dynasty":259,"author":156,"museum":20,"description":1755,"tags":1756,"thumbUrl":1757,"material":1758,"size":1759,"collection":36,"collections":1760,"showCount":1761,"zanCount":40,"manualWeight":40,"mainColor":296},290797,"chun-tang-qin-yun-zhou-yi-ming-290797","春堂琴韵轴","这类题材与唐宋时代的《十八学士图》有密切的关系。唐太宗（在位于公元六二六—六四九年）时代礼贤下士，设立文学馆，聘请杜如晦、房玄龄等十八位博学之士为文学馆学士，并命当时大画家阎立本图像，是为《十八学士图》。\n此幅绘春景。垂杨绕榭，亭中一人抚琴，二人环听，又一人自外来，奚奴抱琴随之。",[24,105,29,236,109,7,197,731],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd610d14504dad628b0c744c440ad397d.jpg","绢本,水墨","133.6x79.8",[36],9,{"id":1763,"slug":1764,"title":120,"dynasty":101,"author":156,"museum":67,"description":122,"tags":1765,"thumbUrl":1766,"material":113,"size":114,"collection":58,"collections":1767,"showCount":1761,"zanCount":40,"manualWeight":40,"mainColor":62},287519,"ting-qin-tu-zhou-yi-ming-287519",[23,24,105,28,29,496,173,326,1555,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aa89ebe350d23e5e95fc8091f4f9ea7.jpg",[],{"id":1769,"slug":1770,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1771,"tags":1772,"thumbUrl":1774,"material":58,"size":58,"collection":293,"collections":1775,"showCount":1761,"zanCount":267,"manualWeight":40,"mainColor":62},244480,"pan-chi-wen-zhong-yi-ming-244480","此钟钮部为镂空交龙造型，虬曲灵动，带着上古瑞兽的威严气势。钟身乳钉纹规整排布，层叠有序，在沉凝青铜之上刻出庄重韵律，下部蟠螭纹缠绕回旋，线条诡谲灵动，尽显狞厉古拙之美。\n\n铜锈斑驳覆于器表，将千年光阴凝作苍绿痕迹，冷硬青铜质感里，藏着古远礼乐的庄重肃穆。它是礼制与工艺的完美融合，静穆伫立间，仿佛仍能听见千年前庙堂之上的钟鸣之声，携带着上古文明的厚重底蕴缓缓而来。",[285,287,7,1701,1419,289,1773],"青铜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F635a1c3cfcedaca67308e0f286366675.jpg",[293],{"id":1777,"slug":1778,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1779,"tags":1780,"thumbUrl":1781,"material":58,"size":58,"collection":293,"collections":1782,"showCount":1761,"zanCount":40,"manualWeight":40,"mainColor":62},244479,"pan-chi-wen-zhong-yi-ming-244479","桥形钮简约沉凝，钟身自上而下缓缓舒张，线条圆融古雅。钟面以乳丁纹界栏排布齐整，蟠螭纹隐于其间暗蕴灵动，苍绿铜锈晕开千年包浆，将先秦礼乐的庄重凝铸其中。\n\n它曾于庙堂之上振起浑重宫商，叩响礼乐文明的悠远回响。冷冽铜色间沉淀上古规制，凸起乳丁如星子错落，衬出对称肃穆之美，静穆之中，似仍能听见千年前的钟磬和鸣，尽显古彝器的厚重品格与审美意趣。",[285,7,1419,286,287,282],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ba155965ebcac579ede7edd44be6bae.jpg",[293],{"id":1784,"slug":1785,"title":1786,"dynasty":422,"author":1787,"museum":67,"description":1788,"tags":1789,"thumbUrl":1790,"material":113,"size":114,"collection":58,"collections":1791,"showCount":1761,"zanCount":40,"manualWeight":40,"mainColor":41},236470,"zhao-zi-gu-qin-shan-lin-shu-236470","昭子鼓琴扇","林纾","林纾（1852年11月8日—1924年10月9日），中国近代文学家，字琴南，号畏庐，别署冷红生，福建闽县（今福州市）人。晚称蠡叟、践卓翁、六桥补柳翁、春觉斋主人。室名春觉斋、烟云楼等。\n早年曾从同县薛锡极读欧阳修文及杜甫诗。后读同县李宗言家所藏书，不下三四万卷，博学强记，能诗，能文，能画，有狂生的称号。光绪八年（1882年）举人，官教论，考进士不中。二十六年（1900年），在北京任五城中学国文教员。所作古文，为桐城派大师吴汝纶所推重，名益著，于是任北京大学讲席。\n辛亥革命后，入北洋军人徐树铮所办正志学校教学，推重桐城派古文。\n后在北京，专以译书售稿与卖文卖画为生。曾创办“苍霞精舍”——今福建工程学院前身。工诗古文辞，以意译外国名家小说见称于时。复肆力于画。山水初灵秀似文徵明，继而浓厚近戴熙。偶涉石涛，故其浑厚之中颇有淋漓之趣。其题画诗云：“平生不入三王派，家法微微出苦瓜，我意独饶山水味，何须攻苦学名家？”。花鸟得其师陈文台之传，淡墨薄色，神致生动。\n晚年居北京，求者多以山水，而花鸟则不复作矣。著畏庐文集、诗集、春觉斋题画跋及小说笔记等。",[24,51,249,28,171,29,145,7,224],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bd4c713813222f55ba669fbd60bb522.jpg",[],{"id":1793,"slug":1794,"title":1795,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":1798,"thumbUrl":1818,"material":113,"size":114,"collection":58,"collections":1819,"showCount":1761,"zanCount":40,"manualWeight":40,"mainColor":62},232286,"a-er-ma-13-lao-lun-si-a-er-ma-ta-de-ma-232286","阿尔玛13","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[25,847,28,1799,848,29,1800,483,1801,1802,1803,1804,7,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,172,1816,1817],"古典风格","女性","古典建筑","大理石","玫瑰","花瓣","海景","柱式建筑","石凳","地面瓷砖","花环","豹纹装饰","凉鞋","古式服饰","竖琴","手鼓","天空","石质栏杆","兽头装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48071b240f143c3b94cbda6a7eb5ce20.jpg",[],{"id":1821,"slug":1822,"title":1823,"dynasty":422,"author":1824,"museum":67,"description":1825,"tags":1826,"thumbUrl":1829,"material":113,"size":114,"collection":58,"collections":1830,"showCount":277,"zanCount":40,"manualWeight":40,"mainColor":62},288026,"shu-xia-ting-ruan-tu-wu-xiang-288026","树下停阮图","吴湘","吴湘，原籍广东平远县东石镇锡水村，四川邬县人。清朝道光十一年（1831）辛卯科（恩科）举人。道光十三年(1833）癸巳科进士。官至工部主事，都水司行走。",[23,24,171,28,29,703,7,1827,105,1828],"阮","文人雅趣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb00885ec6f378fc8a502ee5093caab79.jpg",[],{"id":1832,"slug":1833,"title":1834,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":1836,"thumbUrl":1838,"material":113,"size":114,"collection":58,"collections":1839,"showCount":277,"zanCount":40,"manualWeight":40,"mainColor":296},275303,"bi-yu-miao-jin-yun-long-wen-bian-qing-wu-she-yi-ming-275303","碧玉描金云龙纹编磬-无射","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[689,7,1837,547,287,54],"描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff869c71bbd4f53f68ec900cccdb1af4a.jpg",[],{"id":1841,"slug":1842,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1843,"tags":1844,"thumbUrl":1845,"material":58,"size":58,"collection":293,"collections":1846,"showCount":277,"zanCount":40,"manualWeight":40,"mainColor":62},245031,"pan-chi-wen-zhong-yi-ming-245031","双螭相背攀附拱起提钮，身姿蜷曲灵动，既是悬钟的精巧构件，亦是点睛装饰。钟身乳钉排布齐整饱满，与素净篆区形成疏密张弛的视觉韵律，古朴铜身覆着苍绿锈迹，凝着岁月沉韵。\n\n它作为庙堂雅乐重器，藏着先秦工匠的造物巧思，蟠螭纹饰带着上古狞厉之美，器形庄重浑厚，叩之想必声韵沉浑悠远，静静诉说着古礼雅乐的肃穆信仰。",[285,286,287,7,288,1419,282],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13f96ca9eeb0e81db7665ce74e615414.jpg",[293],{"id":1848,"slug":1849,"title":1850,"dynasty":422,"author":1851,"museum":67,"description":1852,"tags":1853,"thumbUrl":1854,"material":113,"size":114,"collection":58,"collections":1855,"showCount":277,"zanCount":40,"manualWeight":40,"mainColor":62},239069,"gu-qin-wan-shan-zhang-shi-bao-239069","鼓琴纨扇","张士保","张士保 (1805—1878) 字鞠如， 号菊如。山东掖县（今莱州市） 掖城人。清代画家、学者。1832年（道光十二年）选为副贡生。同治初年，山东巡抚丁宝桢在济南历下李清照故居设尚志堂，遍请“齐鲁穷经之士”来济讲学，他“巍然居首”。1878年（光绪四年），被选任临淄教谕，卒于任上，终年73岁。",[24,249,28,27,29,703,224,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7674b12fbde72e22895e58c1ec6635ca.jpg",[],{"id":1857,"slug":1858,"title":1525,"dynasty":259,"author":156,"museum":48,"description":324,"tags":1859,"thumbUrl":1860,"material":56,"size":328,"collection":58,"collections":1861,"showCount":277,"zanCount":40,"manualWeight":40,"mainColor":62},232978,"dong-shan-si-zhu-tu-zhou-yi-ming-232978",[24,25,51,105,28,144,145,29,236,111,237,702,7,326],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98e152ed9ac1c0e02b156c7be7bf14ca.jpg",[],{"id":1863,"slug":1864,"title":1865,"dynasty":46,"author":156,"museum":67,"description":1866,"tags":1867,"thumbUrl":1874,"material":58,"size":58,"collection":58,"collections":1875,"showCount":277,"zanCount":40,"manualWeight":40,"mainColor":41},227909,"zhu-lin-bo-ruan-tu-ye-yi-ming-227909","竹林拨阮图页","《古代佚名画鉴赏大系·人物篇》是2年西苑出版社出版的图书，作者是杨宪金。\n佚名画与署名的作品，从绘画艺术上讲，是没有两样的。\n但在传世过程中，却有着不同的遭遇，历代收藏家与画史主要关注有名的作品，尤其是大家的作品，而对佚名画往往不屑一顾。\n因此，在这种境遇下，大量的古代佚名画在流传过程中消失了。\n这种情况一直延续到了明代，才逐渐引起收藏家们的注意，大收藏家项子京就对佚名画的著录、流传做了很大的贡献…… 春庭行乐图 眼药酸图 人物故事图 寒林策蹇图 竹林拨阮图 蚕织图 蚕织图 蚕织图 蚕织图 女孝经图 女孝经图 女孝经图 女孝经图 千秋绝艳图 千秋绝艳图 牧马图 望贤迎驾图 蕉石戏婴图 蕉荫击球图 槐荫击球图 杂剧图 雍正妃行乐图之二 雍正妃行乐图之六 溪堂客话图",[23,25,24,51,249,27,28,29,1868,7,111,1869,1870,1871,1872,1873],"竹林","宋代风格","水墨设色","人物活动","自然景物","古典技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0c0aeb9c6b9df7aa3c1f6768dc7d653.jpg",[],{"id":1877,"slug":1878,"title":1879,"dynasty":101,"author":156,"museum":67,"description":1880,"tags":1881,"thumbUrl":1882,"material":113,"size":114,"collection":58,"collections":1883,"showCount":1884,"zanCount":40,"manualWeight":40,"mainColor":62},288058,"niu-bei-heng-di-tu-ye-yi-ming-288058","牛背横笛图页","此作以简淡笔墨绘就乡野闲趣，浓墨晕染出水牛壮硕憨实的躯体，肌理厚重鲜活，老牛徐行于林间，步态悠然随性。牛背之上牧童赤足盘坐，眉眼灵动鲜活，横笛唇边，仿佛清越笛声正随林风漫溢开来。\n\n旁侧古木苍劲虬曲，枝叶层叠错落，淡墨晕染坡岸杂草，衬出郊野春日的静谧生机。整幅画作将孩童烂漫无忧与乡郊恬适野趣相融，笔意朴拙雅致，无繁复修饰，却将山乡日常的悠然诗意铺展于方寸之间，尽显田园小品的清雅意韵，藏着浓浓的烟火闲情。",[23,24,51,29,1647,7,171,27,111,678],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F391ab5e5d7fac75152b7c9bfa89be9a0.jpg",[],7,{"id":1886,"slug":1887,"title":1888,"dynasty":422,"author":1371,"museum":67,"description":1372,"tags":1889,"thumbUrl":1891,"material":113,"size":114,"collection":58,"collections":1892,"showCount":1884,"zanCount":40,"manualWeight":40,"mainColor":41},287424,"shi-liu-ying-zhen-xiang-di-shi-er-ding-guan-peng-287424","十六应真像(第十二)",[24,51,105,92,1266,28,27,29,1264,145,237,580,1890,53,7],"牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe66941476659f3a33338acdaefcd8a57.jpg",[],{"id":1894,"slug":1895,"title":1896,"dynasty":422,"author":156,"museum":67,"description":1897,"tags":1898,"thumbUrl":1902,"material":113,"size":114,"collection":58,"collections":1903,"showCount":1884,"zanCount":40,"manualWeight":40,"mainColor":41},269167,"zhu-ke-chen-hong-shou-hua-fu-qin-tu-bi-ge-yi-ming-269167","竹刻陈洪绶画抚琴图臂搁","这件臂搁取竹为材，器型修长温婉，包浆莹润古雅。以浅刻技法复刻抚琴图景，刀工追摹画意，线条清劲凝练，将古拙奇逸的笔意藏于竹间。画面里素衣高士端坐拨弦，疏木幽石环衬左右，把林下静穆的琴韵凝于方寸。抚之可触刀痕间的笔墨意趣，观之仿若能聆到泠泠琴音，融书画意趣与竹刻工艺为一体，尽显旧时文人寄情丝竹、静享幽居的清雅意趣，是文房清玩里的雅致之作。",[1899,287,1900,1901,29,823,7],"竹刻","臂搁","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ce7c9ed9e35bfff0272bbe6e16d655.jpg",[],{"id":1905,"slug":1906,"title":1907,"dynasty":422,"author":156,"museum":67,"description":1908,"tags":1909,"thumbUrl":1911,"material":113,"size":114,"collection":58,"collections":1912,"showCount":1884,"zanCount":40,"manualWeight":40,"mainColor":296},252832,"ni-ren-zhang-su-ba-xian-han-xiang-zi-xiang-yi-ming-252832","泥人张塑八仙韩湘子像","这尊造像定格了韩湘子吹笛的悠然瞬间，他双颊轻鼓，眉眼含着融融笑意，全然沉醉在悠扬乐声里，神态鲜活逼真。\n石青色衣袍晕染出雅致古意，衣摆暗饰兰草浅纹，暗合人物清雅出尘的仙者气质。匠师以精湛技艺塑就衣褶垂坠自然舒展，发丝柔润服帖，发间蓝带利落鲜活。整体气韵闲适飘逸，将这位寄情丝竹、不沾俗尘的仙人形象诠释得形神兼备，尽显彩塑工艺的精妙意趣。",[1910,28,29,92,7,31],"泥塑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f0533c2ab74f36172da6817e7ebb5eb.jpg",[],{"id":1914,"slug":1915,"title":1916,"dynasty":46,"author":1917,"museum":20,"description":1918,"tags":1919,"thumbUrl":1920,"material":34,"size":1921,"collection":58,"collections":1922,"showCount":1884,"zanCount":40,"manualWeight":40,"mainColor":62},218147,"wen-ji-gui-han-tu-ce-16-li-tang-218147","文姬归汉图册-16","李唐","这本画册由18张图片组成，以上下系列的形式。每张图片大小不一，是独立的画作，与其他画作一起构成一个完整的故事。",[25,24,51,426,28,27,29,145,702,54,373,211,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ec0918549325d6606e6654d7d5bc7e.jpg","50.7x39.7",[],{"id":1924,"slug":1925,"title":1926,"dynasty":101,"author":156,"museum":67,"description":1927,"tags":1928,"thumbUrl":1930,"material":113,"size":114,"collection":58,"collections":1931,"showCount":164,"zanCount":40,"manualWeight":40,"mainColor":62},283646,"wan-qin-tu-yi-ming-283646","玩琴图","松下雅集，炉烟轻飏。主客围案对坐，琴音暗淌。主人神色安和，二宾或倾身凝聆，或捻髯沉醉，旁侧侍者垂立随侍。庭中古松苍虬撑盖，湖石堆簇间牡丹绽艳，孔雀闲踱阶前，案头盆栽雅致清幽。\n全作用笔工细遒劲，衣纹流转自然，设色古雅沉润，将文人雅聚的闲逸情致尽数铺展，把耽乐于丝竹、寄怀于林泉的林下高风，揉入这一方庭院雅景之中，尽显文人士大夫的审美意趣与精神归处。",[24,28,27,29,817,197,7,141,1890,1929,109],"孔雀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2301dcb7c455395f785793016048436e.jpg",[],{"id":1933,"slug":1934,"title":1935,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":1938,"thumbUrl":1939,"material":113,"size":114,"collection":58,"collections":1940,"showCount":164,"zanCount":40,"manualWeight":40,"mainColor":62},244769,"da-ji-yi-niu-ling-yi-ming-244769","大吉宜牛铃","汉","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[1936,285,286,287,1647,507,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50f7fb8853211be31271e6dc8d1089f2.jpg",[],{"id":1942,"slug":1943,"title":1944,"dynasty":422,"author":1945,"museum":67,"description":1946,"tags":1947,"thumbUrl":1949,"material":58,"size":58,"collection":58,"collections":1950,"showCount":164,"zanCount":267,"manualWeight":40,"mainColor":41},235785,"wei-fu-shang-shou-tu-xiang-zhou-bian-yong-yu-235785","为父上寿图像轴","卞永誉","这幅作品以三段式铺陈画面，上部题咏诗文端秀雅致，呼应主题意趣。中部院景为核心，工笔细绘阖家贺寿的温情场景：廊下主宾对坐叙话，庭院里稚童击鼓作乐，仆从各司其职，人物衣冠严整敷色明丽，屋宇规制严整写实，处处可见清代世家起居的细腻风貌。下部题笔补述心境，诗画合璧。整作兼具院体绘画的工致写实，又以文人题咏烘托出世家庆生的雅致温情，是民俗纪实与文人意趣相融的精妙之作。",[24,51,105,27,28,495,29,236,109,211,7,73,1948],"衣冠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c9997a80244a03e325bfe40f1884832.jpg",[],{"id":1952,"slug":1953,"title":1954,"dynasty":101,"author":156,"museum":67,"description":1746,"tags":1955,"thumbUrl":1956,"material":58,"size":58,"collection":58,"collections":1957,"showCount":164,"zanCount":40,"manualWeight":40,"mainColor":62},234695,"ming-ren-dong-shan-si-zhu-tu-wan-shan-yi-ming-234695","明人东山丝竹图纨扇",[24,51,249,28,27,29,30,111,142,7,326],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cd09617bcb4db10d2d7a50e44da7cbe.jpg",[],{"id":1959,"slug":1960,"title":1961,"dynasty":101,"author":232,"museum":48,"description":798,"tags":1962,"thumbUrl":1964,"material":56,"size":808,"collection":58,"collections":1965,"showCount":164,"zanCount":40,"manualWeight":40,"mainColor":41},233756,"ren-wu-gu-shi-ce-3-chou-ying-233756","人物故事册3",[24,51,426,27,28,495,29,30,236,109,1963,7,716,1635,142,111,447,768],"花木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff262bebc3812167aef075a4e655f423e.jpg",[],{"id":1967,"slug":1968,"title":1865,"dynasty":46,"author":156,"museum":48,"description":1969,"tags":1970,"thumbUrl":1971,"material":56,"size":1972,"collection":58,"collections":1973,"showCount":164,"zanCount":40,"manualWeight":40,"mainColor":41},232996,"zhu-lin-bo-ruan-tu-ye-yi-ming-232996","此图绘溪边竹林下，三位文士，身着长袍，对坐于兽皮垫上。姿态各异，或拨阮，或凝听。\n旁有一童子侍候，一童子跪伏溪边汲水。\n图中人物生动传神，衣纹细劲流畅。衬景丛竹老树，疏密、远近、浓淡相间，错落有致。\n作者佚名。签题李唐作。\n按此图状人物甚工，但非李唐的作风。我们观李唐的《伯夷、叔齐采薇图》是那样的形象深刻，便显得此幅的纤弱了。故改题为无名氏作。",[24,51,426,28,373,27,125,29,7,111,142],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1202ac649e222e9dd12763a3f720d050.jpg","纵22.7厘米，横24.5厘米",[],{"id":1975,"slug":1976,"title":1977,"dynasty":422,"author":1338,"museum":20,"description":1978,"tags":1979,"thumbUrl":1981,"material":263,"size":58,"collection":58,"collections":1982,"showCount":164,"zanCount":40,"manualWeight":40,"mainColor":41},218038,"tian-wang-xiang-5-yao-wen-han-218038","天王像-5","绿面护法天王踞石而立，琵琶在握，弦上似凝千钧之力。周身云纹如流霞婉转，缠裹斑斓衣袂——金翠交辉的纹饰里，每一缕线条都藏着细腻匠心。身旁小鬼匍匐恭谨，更衬天王凛然气势。背景中青树摇曳，远山隐现，云端似有仙音浮动，将护法庄严与天地灵秀融于一纸。色彩浓丽却不失清雅，动静相宜间，守护的力量穿透纸页：仿佛能听见琵琶欲鸣的震颤，看见佛光在衣纹间流转，那份庄严与灵秀交织的意境，直抵人心深处。",[24,27,28,92,29,7,1980,111,142,1341,110,53,1343,558],"琵琶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4300ef11f28c5b7f5b9da24e4b183d0.jpg",[],{"id":1984,"slug":1985,"title":1986,"dynasty":422,"author":1987,"museum":712,"description":1988,"tags":1989,"thumbUrl":1990,"material":58,"size":58,"collection":36,"collections":1991,"showCount":164,"zanCount":40,"manualWeight":40,"mainColor":1992},201933,"song-xia-fu-qin-tu-zhou-hua-yan-201933","松下抚琴图轴","华嵒","老树垂荫，松枝苍劲，旁侧杂树相映，清幽林下，二人对坐：一人抚琴，一人凝神静听，神情悠然；下方童子侍茶，动静相宜。山石以简皴勾勒，树木笔墨粗细相间，人物衣纹流畅，设色淡雅。整体意境静谧闲逸，尽显文人雅士寄情山水、琴瑟和鸣之趣，笔墨灵动间，传递华喦独特的文人画风与生机。",[24,171,28,29,703,142,7,144,27,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9f25f64e9385097b9c17d56fa9b85f5.jpg",[36],"a0886e",{"id":1994,"slug":1995,"title":1996,"dynasty":46,"author":156,"museum":67,"description":1997,"tags":1998,"thumbUrl":1999,"material":113,"size":114,"collection":58,"collections":2000,"showCount":96,"zanCount":40,"manualWeight":40,"mainColor":296},290507,"chun-tang-qin-yun-tu-yi-ming-290507","春堂琴韵图","此作用苍古温润的色调铺展深院春景，垂柳笼烟晕开融融春意，朱栏回廊错落勾勒出雅致规整的庭院格局。\n\n堂内琴具俨然，文士围坐似正静待雅音，廊下二三知音私语，阶侧侍童垂立，将文人雅集松弛安然的氛围尽数铺展。线条简劲凝练，以留白烘托出庭院空寂悠然，将春日厅堂里知音共聚、欲闻琴韵的清旷雅趣藏于绢素，尽显宋代文人尚雅的林下之风，淡远幽宁的意境直透纸背，暗合宋人追求的雅致禅心。",[24,105,28,29,236,109,7,1074],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce7edf9e59f6eb13b63d33ae53b3997e.jpg",[],{"id":2002,"slug":2003,"title":2004,"dynasty":282,"author":156,"museum":67,"description":2005,"tags":2006,"thumbUrl":2008,"material":58,"size":58,"collection":293,"collections":2009,"showCount":96,"zanCount":40,"manualWeight":40,"mainColor":62},244096,"bian-zhong-yi-ming-244096","编钟","桥形钮沉稳古朴，合瓦钟体尽显典雅规制。三层乳钉错落排布，齐整庄重，素面篆区衬得枚钉愈发醒目，钟腹下缘饰卷云饕餮纹，狞厉纹样暗合礼制的肃穆庄重。\n\n青铜之上斑驳锈迹，是岁月镌刻的印记，凝缩着先秦礼乐文明的厚重底蕴。仿佛叩击之下，便能唤醒千年前庙堂之上的雅乐余韵，尽显上古青铜冶铸工艺的精湛造诣，藏着古人事神娱礼的郑重心意。",[285,287,7,282,2007,289,288],"青铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a59dce26603ff243b3e63d4fa22b80c.jpg",[293],{"id":2011,"slug":2012,"title":2013,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":2014,"thumbUrl":2016,"material":113,"size":114,"collection":58,"collections":2017,"showCount":96,"zanCount":40,"manualWeight":40,"mainColor":296},242937,"sheng-wen-zhong-yi-ming-242937","绳纹钟",[2015,285,7,286,287,289,930],"汉代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe403a76a17a9a2c9b084e22e20890c05.jpg",[],{"id":2019,"slug":2020,"title":2021,"dynasty":101,"author":232,"museum":20,"description":2022,"tags":2023,"thumbUrl":2024,"material":34,"size":2025,"collection":58,"collections":2026,"showCount":96,"zanCount":40,"manualWeight":40,"mainColor":41},214910,"di-wang-dao-tong-wan-nian-tu-ce-2-chou-ying-214910","帝王道统万年图册-2","绘伏羲、神农、黄帝、少昊、舜、后稷、大禹、夏启、商汤、商高宗武丁、周文王、周武王、周成王、汉高祖、汉文帝、汉武帝、汉明帝、宋孝宗、宋太祖、宋仁宗等",[23,24,28,27,426,29,236,31,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4761dacdd41a1c2c2e06f55dd84fe38d.jpg","32.5*32.6",[],{"id":2028,"slug":2029,"title":2030,"dynasty":422,"author":156,"museum":67,"description":2031,"tags":2032,"thumbUrl":2037,"material":113,"size":114,"collection":58,"collections":2038,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},272967,"zi-tan-mu-bian-hua-fa-lang-ren-wu-tu-gua-ping-yi-ming-272967","紫檀木边画珐琅人物图挂屏","飞瀑垂坠松石间，远山含黛隐着村舍。暖棕台地上，眷侣依偎而坐，男子执笛似在回味余韵，女子怀拥稚童，衣袂柔丽鲜亮，鎏黄、茜红的珐琅釉色晕染出细腻质感。脚边小犬伏卧，添了几分灵动生机。\n整幅图景将欧式田园的缱绻温情，融于明润通透的珐琅彩中，木纹边框衬得画面愈显雅致端庄。东方珐琅工艺诠释西洋闲情，晕开旧时光里悠然静谧的闲居意趣，是东西审美碰撞而生的精巧之作。",[2033,2034,29,28,704,559,111,7,2035,2036],"琺瑯器","挂屏","闲适","户外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6be8778271e907db842e086d1e7dc9d.jpg",[],{"id":2040,"slug":2041,"title":2042,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":2044,"thumbUrl":2047,"material":113,"size":114,"collection":58,"collections":2048,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":41},252421,"shi-yao-yu-qing-yi-ming-252421","石夭余磬","商",[2045,2046,7,287,54],"商代","石器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8db179bbdaa601e58bfeacdb2b5b913c.jpg",[],{"id":2050,"slug":2051,"title":2052,"dynasty":282,"author":156,"museum":67,"description":2053,"tags":2054,"thumbUrl":2056,"material":58,"size":58,"collection":293,"collections":2057,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},244349,"chan-wen-duo-yi-ming-244349","蝉纹铎","它造型古朴厚重，矮方柄搭配覆钵器身，线条敦实沉稳。器身饰以排列齐整的蝉纹，羽翅脉络刻画细腻灵动，下方缀以三角垂叶纹呼应，层次分明。蝉在古人心目中寓意高洁不朽，纹样寄寓着先民对生命长存的质朴祈愿。\n\n苍绿铜锈层层晕染，凝萃千年岁月痕迹，仿佛能触到先秦礼乐的余温，静静见证着青铜时代日常仪礼的风雅，是兼具审美价值与文化意涵的青铜佳器。",[285,286,7,287,2055,1701,289,1702],"蝉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb16721035c31a5761cbb062bcc8fcf7b.jpg",[293],{"id":2059,"slug":2060,"title":2061,"dynasty":282,"author":156,"museum":67,"description":2062,"tags":2063,"thumbUrl":2065,"material":58,"size":58,"collection":293,"collections":2066,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},243972,"pan-hui-wen-zhong-yi-ming-243972","蟠虺纹钟","桥形钮沉稳敦实，合瓦钟身古雅内敛。规整排布的乳钉带着朴拙秩序，间隔处的蟠虺纹细密萦回，尽显先秦工艺的精妙构思。青褐铜锈覆身，是时光晕染的厚重包浆，凝缩千年前的礼乐回响。\n它曾是庙堂雅乐的一环，青铜冷硬的质地，承载上古雍容声韵，将礼制庄重融于器型肌理。每一道棱线、每一处纹饰，都静诉着那个时代对礼与美的极致追寻，让沉寂青铜化作鲜活的时光注脚。",[285,7,286,287,2064,1701],"蟠虺纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb697cb252885f41c77b0d84ef447e344.jpg",[293],{"id":2068,"slug":2069,"title":1439,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":2070,"thumbUrl":2071,"material":113,"size":114,"collection":58,"collections":2072,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":296},243499,"shou-mian-wen-ling-yi-ming-243499",[1701,285,1442,287,7,286],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c9a82d86eab17fcf7ec26cb640953d8.jpg",[],{"id":2074,"slug":2075,"title":2076,"dynasty":422,"author":2077,"museum":67,"description":2078,"tags":2079,"thumbUrl":2080,"material":113,"size":114,"collection":58,"collections":2081,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},237815,"huan-yi-nong-di-tu-shan-ye-cao-you-guang-237815","桓伊弄笛图扇页","曹有光","曹有光 （生卒年不详），吴县（今江苏苏州）人。工书，善画山水、花卉。",[24,51,249,171,29,7,111,142,688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac111d582459214bfca40b0c245b1c41.jpg",[],{"id":2083,"slug":2084,"title":2085,"dynasty":101,"author":2086,"museum":48,"description":2087,"tags":2088,"thumbUrl":2089,"material":58,"size":58,"collection":58,"collections":2090,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},234474,"xie-qin-fang-you-shan-ye-zhu-shi-ying-234474","携琴访友扇页","朱士瑛","朱士瑛[清]工细，人物似仇英。崇祯十五年（一六四二）作西园雅集扇，现藏故宫博物院。",[249,24,51,145,28,144,29,469,237,111,142,326,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff02324773abd73861c19fbb32e344e53.jpg",[],{"id":2092,"slug":2093,"title":2094,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":2095,"thumbUrl":2100,"material":113,"size":114,"collection":58,"collections":2101,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},232283,"a-er-ma-10-lao-lun-si-a-er-ma-ta-de-ma-232283","阿尔玛10",[847,2096,2097,1801,2098,7,2099],"历史画","古代人物","露台","闲适场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaf2ad7f4353989dd8cd8dd4fc9c06fa.jpg",[],{"id":2103,"slug":2104,"title":2105,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":2106,"thumbUrl":2107,"material":113,"size":114,"collection":58,"collections":2108,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},226818,"gu-tong-zhong-yi-ming-226818","古铜钟",[285,286,287,7,288,1701,581],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1d7ff4c5f31ad4c988279154203dbfe.jpg",[],{"id":2110,"slug":2111,"title":2112,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":2113,"thumbUrl":2120,"material":113,"size":114,"collection":58,"collections":2121,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":41},225523,"fu-shi-hui-281-yi-ming-225523","浮世绘281",[1462,1634,28,29,30,2114,1636,718,1205,7,2115,2116,2117,2118,991,2119],"洋装","托盘","酒瓶","窗户","船只","窗帘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe79218199b0754aee056f18535257749.jpg",[],{"id":2123,"slug":2124,"title":2125,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":2126,"thumbUrl":2134,"material":113,"size":114,"collection":58,"collections":2135,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":41},225491,"fu-shi-hui-249-yi-ming-225491","浮世绘249",[1462,28,1634,29,30,7,72,110,1636,2127,2128,304,2129,2130,2131,2132,2133],"儿童","男性","和服纹样","坐姿人物","弹奏","吹奏","孩童玩耍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8711365c8ce340cf08d74d9e918e2e24.jpg",[],{"id":2137,"slug":2138,"title":2139,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":2140,"thumbUrl":2144,"material":113,"size":114,"collection":58,"collections":2145,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":41},225490,"fu-shi-hui-248-yi-ming-225490","浮世绘248",[1462,2141,29,2142,7,2143,30,483],"木版画","狮舞","民俗表演","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3cbf141722a7049b325e36973159276.jpg",[],{"id":2147,"slug":2148,"title":2149,"dynasty":46,"author":156,"museum":67,"description":2150,"tags":2151,"thumbUrl":2153,"material":113,"size":114,"collection":58,"collections":2154,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":133},223903,"duo-yi-ming-223903","铎","玉，在我国古代被视为圣洁之物，被赋予“仁、义、智、勇、洁”等高尚品德。古人“君子比德于玉”，对玉的喜爱和痴恋，几乎到了“君子必佩玉”“君子无故，玉不去身”的地步。唯其如此，古时的工匠们精雕细作，将玉制作成很多艺术品，其中玉质镶嵌件作为一种颇具特色的配饰，主要用于装饰作用，被缝缀在鞋帽、衣袍上，或者嵌于各种器物上，成为典雅华丽的传世玉器精品",[2152,285,286,287,7],"宋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88daa360a6c6f2f7b0ba4556fc0d663e.jpg",[],{"id":2156,"slug":2157,"title":2158,"dynasty":422,"author":156,"museum":67,"description":2159,"tags":2160,"thumbUrl":2161,"material":34,"size":58,"collection":58,"collections":2162,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":62},216039,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-4-ce-5-yi-ming-216039","职贡图巨幅彩绘册页第4册-5","展卷而观，两幅人物肖像鲜活跃然。左侧者蓝巾束发，素袍覆毛绒饰边，手持短笛轻吹，神态安然，蓝带垂落衣间，尽显质朴随性。右侧赤足而立，蓝裤短打配黑白兽皮，举持器物的动作憨直，面容粗犷里藏着山野气息。旁侧题跋虽字迹古奥，却为解读身份与地域风情留了珍贵线索。\n\n画作设色淡雅却层次分明，线条细腻精准。人物神态与服饰细节的写实描绘，既是笔墨技法的佳例，更承载着多元文化交融的历史温度。久远的边地风貌，便在这轻柔的色彩与凝练的线条间，重焕鲜活气息。",[23,25,24,51,426,28,27,29,7,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff39c5ff658fec2403d4206d3ef05ac16.jpg",[],{"id":2164,"slug":2165,"title":2166,"dynasty":422,"author":156,"museum":67,"description":2167,"tags":2168,"thumbUrl":2170,"material":263,"size":2171,"collection":58,"collections":2172,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":41},215845,"miao-zu-yao-zu-sheng-huo-tu-ce-2-yi-ming-215845","苗族瑶族生活图册-2","画面色彩古朴温润，线条灵动传神，定格了一段鲜活的民俗场景。中间表演者脸谱浓艳夸张，身着彩绣戏服，手持长兵，身姿挺拔如劲松，似在演绎驱邪纳吉的传统傩戏；左侧数人或执弦乐或击皮鼓，神情专注，鼓乐声仿佛穿透纸面；右侧两位女子侧身伫立，衣袂轻垂如流云，眸光凝注前方，温婉神态与表演的热烈形成巧妙动静对比。人物间互动自然，神情各异——表演者的激昂、伴奏者的投入、观者的专注，皆被细腻捕捉。画作以写实笔触还原少数民族生活的生动切片，让古朴民俗的温度与意趣，在岁月沉淀中依旧鲜活可感。",[23,24,28,27,426,688,29,447,7,2169],"生活场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee7dd1c747004815703a6d8f93c3e952.jpg","36.5x29.5",[],{"id":2174,"slug":2175,"title":2176,"dynasty":422,"author":2177,"museum":67,"description":2178,"tags":2179,"thumbUrl":2181,"material":263,"size":58,"collection":58,"collections":2182,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":41},215087,"tui-bei-tu-ce-19-jiao-bing-zhen-215087","推背图册-19","焦秉贞","焦秉贞是中国清朝时期著名的画家，他被认为是中国水墨画史上最伟大的画家之一。其中最著名的作品是他的推背图册，其中包含了十幅推背图。推背图是一种特殊的水墨画，它们通常是用单一的墨色在纸上描绘的，并且使用了特殊的技巧来创造出立体感。焦秉贞的推背图册在当时被认为是一件杰出的艺术品，并且至今仍然备受赞赏。",[23,24,25,27,28,29,7,2180,1690,426],"兔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9237a685211212ce5eb7a12f2997dc7.jpg",[],{"id":2184,"slug":2185,"title":2186,"dynasty":422,"author":2187,"museum":712,"description":2188,"tags":2189,"thumbUrl":2190,"material":58,"size":58,"collection":58,"collections":2191,"showCount":150,"zanCount":40,"manualWeight":40,"mainColor":2192},203433,"chui-xiao-shi-nv-tu-zhou-fei-dan-xu-203433","吹箫仕女图轴","费丹旭","古木荫浓下，两位仕女姿态闲雅。一者倚石吹箫，箫声似若萦绕林间；一者坐于树侧，捧物低眉凝思。衣纹以工笔细描，线条流畅婉转，尽显罗裳轻柔质感。设色淡雅温润，肤色晕染细腻，眉眼间流露温婉娴静之态。树下牡丹盛放，花叶舒展，与苍劲古木相映成趣，添几分生机雅致。画面意境清幽恬淡，将仕女的柔美与自然景致融合，尽显传统仕女画的含蓄韵致与细腻笔情。",[24,51,105,27,28,29,30,7,211,1890,224],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd889d4ef1989404aa7e468314ecefa7.jpg",[],"ac7d54",{"id":2194,"slug":2195,"title":2196,"dynasty":843,"author":156,"museum":67,"description":2197,"tags":2198,"thumbUrl":2205,"material":113,"size":114,"collection":58,"collections":2206,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":41},288867,"giovanni-battista-tiepolo-seated-river-god-nymph-yi-ming-288867","Giovanni Battista Tiepolo--Seated River God, Nymph","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[29,2199,2200,2201,2202,7,2203,2204],"素描","神话人物","河神","仙女","淡彩","亲密氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F986e7ac4b1c69be457e3c027ba3eab6d.jpg",[],{"id":2208,"slug":2209,"title":2210,"dynasty":422,"author":156,"museum":67,"description":2211,"tags":2212,"thumbUrl":2213,"material":113,"size":114,"collection":58,"collections":2214,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":41},275443,"yue-qin-yi-ming-275443","月琴","这把月琴通体朴拙雅致，素洁桐木为面，木纹舒展淡然，出音孔如弯月衔于板面，暗合风雅意趣。深色硬木琴框与浅色冷暖相衬，沉静内敛。弦轴以弦丝缠裹，似能感知旧时乐人调音时的温度，排弦铜钉带着经年使用的包浆柔光，整齐列于颈上。\n\n它无繁复雕饰，全凭木材质感与制式风骨流露古韵，仿佛将晚清风月藏入琴身，轻拨便能漾开旧时光里的丝竹余韵，静静诉说着传统弦乐的质朴美学。",[7,930,2210],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d3a9d8b7141cdc72bc574b2400d798e.jpg",[],{"id":2216,"slug":2217,"title":2218,"dynasty":422,"author":156,"museum":67,"description":2219,"tags":2220,"thumbUrl":2222,"material":113,"size":114,"collection":58,"collections":2223,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":41},275432,"zhu-di-yi-ming-275432","竹笛","此笛选料匀净温润，骨质饰件收束两端，既护持竹身，又添素雅质感。深色缠线错落环绕，既是防止竹材开裂的实用工艺，也与浅棕竹色相衬，勾勒出质朴韵律。音孔排布工整考究，凝着旧时匠人的悉心巧思。\n它静立不语，却仿佛仍萦着旧时丝竹余韵，将实用造物与东方审美融于一体，藏着中式器乐内敛雅致的独特美感，是传统手工匠心的精巧缩影。",[7,2218,2221],"竹制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f9ba89c80af64a0de34d0de915e6a10.jpg",[],{"id":2225,"slug":2226,"title":2227,"dynasty":422,"author":156,"museum":67,"description":2228,"tags":2229,"thumbUrl":2232,"material":113,"size":114,"collection":58,"collections":2233,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},275417,"hong-qi-miao-jin-yun-long-wen-pai-xiao-yi-ming-275417","红漆描金云龙纹排箫","朱红漆底莹亮匀净，描金纹饰华贵夺目。双龙矫然腾跃于祥云之中，龙爪遒劲张扬，龙身蜿蜒灵动，鳞片刻画细腻入微，祥云舒卷环绕，烘托出威严磅礴的帝王气象。正中题字周遭纹饰规整雅致，与两侧龙纹呼应协调，整体构图对称稳重，韵律感十足。齐整的箫管与下部装饰浑然一体，描金技法精湛纯熟，色彩对比鲜明浓烈，将器乐雅韵与皇家审美精妙融合，尽显清代工艺的极致水准与华贵格调。",[7,2230,1625,1837,547,2231],"排箫","云龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68aafd81ea70c0079e0d004716e10411.jpg",[],{"id":2235,"slug":2236,"title":2237,"dynasty":101,"author":156,"museum":67,"description":2238,"tags":2239,"thumbUrl":2243,"material":113,"size":114,"collection":58,"collections":2244,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":296},275272,"ling-bi-shi-guang-su-bian-qing-yi-ming-275272","灵璧石光素编磬","此器取灵璧石斫制而成，通体光素无纹，形制方折古雅，石面带着深浅不一的斑驳沁色，是岁月晕染的痕迹。边角虽经时光磨蚀，仍带着规整的硬朗风骨，一角的穿孔朴拙简练，暗合古制的实用巧思。\n它褪去繁复雕饰，以素净本真示人，沉静肃穆的石色间，仿佛还留存着古乐奏鸣时的清越余韵，将礼乐的庄重与制器的简雅融为一体，尽显东方古器的端雅风骨，静静沉淀着跨越岁月的雅致美学。",[7,689,2240,2241,2242,288],"编磬","石制","光素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff68fa56783d632db7caf7feed6c357b9.jpg",[],{"id":2246,"slug":2247,"title":2248,"dynasty":422,"author":156,"museum":67,"description":2249,"tags":2250,"thumbUrl":2253,"material":113,"size":114,"collection":58,"collections":2254,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},274987,"tong-du-jin-gang-dong-yi-ming-274987","铜镀金刚洞","这件法器以铜镀金打造，兽首饱满雄劲，怒目圆睁、獠牙森然，鬃须肌理分毫毕现，尽显狞厉威严。三段鎏金饰件錾刻缠枝宝相花，纹样繁复错落，宝相花瓣层叠饱满，尽显錾刻工艺精湛。柄身髹以黑漆间杂缠绳，金黑撞色对比强烈，刚柔并济。整体形制挺拔规整，藏地密宗器物的神性威仪尽显，将雪域密宗的肃穆氛围感融于金属质感之中，沉稳厚重里带着凛然震慑力，尽显清代藏式造像的独特狞厉美学。",[286,2251,287,547,92,7,2252],"金器","法器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29eeee76da819ebf67a4b9e990b9e561.jpg",[],{"id":2256,"slug":2257,"title":2258,"dynasty":2259,"author":156,"museum":67,"description":2260,"tags":2261,"thumbUrl":2269,"material":113,"size":114,"collection":58,"collections":2270,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":296},254285,"tao-huang-you-qi-ma-chui-di-yong-yi-ming-254285","陶黄釉骑马吹笛俑","隋","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[2262,2263,2264,2265,2266,2267,29,7,2268,702],"隋代","陶瓷","陶塑","黄釉","俑","骑马","笛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F989f9294b76c98ca173a6643df2bc663.jpg",[],{"id":2272,"slug":2273,"title":2274,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":2276,"thumbUrl":2278,"material":113,"size":114,"collection":58,"collections":2279,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},248616,"qian-long-kuan-ti-hong-ting-qin-tu-he-yi-ming-248616","乾隆款剔红听琴图盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[688,1625,2277,287,29,7,110,54],"剔红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e4c33240f0f192a643690c12a0c2bf2.jpg",[],{"id":2281,"slug":2282,"title":2283,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":2284,"thumbUrl":2285,"material":113,"size":114,"collection":58,"collections":2286,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},245096,"yi-niu-ma-da-ji-li-ling-yi-ming-245096","宜牛马大吉利铃",[285,286,287,7,289,2015],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2797b72fb0ebd526aa3f67650b3e9d9c.jpg",[],{"id":2288,"slug":2289,"title":1439,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":2290,"thumbUrl":2292,"material":113,"size":114,"collection":58,"collections":2293,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},243974,"shou-mian-wen-ling-yi-ming-243974",[285,1442,287,7,2291,507],"商代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd042f2e1db9c2b8aefc5279c8aa7563e.jpg",[],{"id":2295,"slug":2296,"title":2297,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":2298,"thumbUrl":2299,"material":113,"size":114,"collection":58,"collections":2300,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},243942,"wei-nao-yi-ming-243942","囗铙",[2045,285,286,7,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd04a4e93c254504fb1404e55309a721.jpg",[],{"id":2302,"slug":2303,"title":2304,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":2305,"thumbUrl":2307,"material":113,"size":114,"collection":58,"collections":2308,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},243940,"kui-wen-nao-yi-ming-243940","夔纹铙",[2045,285,7,286,287,2306],"夔纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19335c25b5ec2ba90defd547e2b4a5bd.jpg",[],{"id":2310,"slug":2311,"title":2304,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":2312,"thumbUrl":2313,"material":113,"size":114,"collection":58,"collections":2314,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":296},243939,"kui-wen-nao-yi-ming-243939",[285,7,2306,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96544086cf929926def66a4071c46afd.jpg",[],{"id":2316,"slug":2317,"title":2318,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":2319,"thumbUrl":2322,"material":113,"size":114,"collection":58,"collections":2323,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":296},242995,"chun-yu-yi-ming-242995","錞于",[1701,285,286,287,2320,7,2321],"兽形装饰","虎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa602abcb1531e0f613c685ffb2ef6d3.jpg",[],{"id":2325,"slug":2326,"title":2327,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":2328,"thumbUrl":2345,"material":113,"size":114,"collection":58,"collections":2346,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},232347,"a-er-ma-74-lao-lun-si-a-er-ma-ta-de-ma-232347","阿尔玛74",[2329,847,848,2330,29,2331,1809,2332,2333,285,7,2334,2335,1309,2336,2337,2338,2339,91,2340,2341,2342,2343,2344],"新古典主义","古希腊场景","大理石建筑","火炬","陶罐","雕塑","水壶","常春藤","祭祀庆典","火焰","烟雾","大理石地砖","古希腊服饰","持物","演奏","交谈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4e26735c4da6d85050c5ed75c550790.jpg",[],{"id":2348,"slug":2349,"title":2350,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":2351,"thumbUrl":2355,"material":113,"size":114,"collection":58,"collections":2356,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":296},226866,"zhan-guo-pan-long-wen-zhong-yi-ming-226866","战国 蟠龙纹钟",[285,7,2352,287,286,2353,2354],"龙纹","蟠龙纹","战国风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb60b6ede3973a4609ea938f595a47e2.jpg",[],{"id":2358,"slug":2359,"title":2360,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":2361,"thumbUrl":2362,"material":113,"size":114,"collection":58,"collections":2363,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},226837,"chun-qiu-pan-hui-wen-zhong-yi-ming-226837","春秋 蟠虺纹钟",[285,286,287,7,288,2064,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e655142744603c26712fc74e6eacb6f.jpg",[],{"id":2365,"slug":2366,"title":2367,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":2368,"thumbUrl":2370,"material":113,"size":114,"collection":58,"collections":2371,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},226821,"zong-zhou-zhong-hai-fu-zhong-yi-ming-226821","宗周钟（害夫钟）",[285,7,286,287,289,2369,282,288],"篆书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe960e0e0e6e9fe1e2319c1298580a8ae.jpg",[],{"id":2373,"slug":2374,"title":2375,"dynasty":101,"author":888,"museum":67,"description":2376,"tags":2377,"thumbUrl":2378,"material":388,"size":58,"collection":58,"collections":2379,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":296},217178,"shui-hu-quan-tu-19-du-jin-217178","水浒全图-19","杜堇的人物画宗法李公麟，笔法精劲流畅，别具秀逸之态，因此他被推为当时画坛的白描高手。其人物画大都表现古代传说故事或逸闻趣事，并以山水及园林景致为衬景，有的还题诗作赋，显示着一派文入画的格调。",[24,51,426,413,29,339,198,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1dd4ca75a48d5487977b06f06487abd.jpg",[],{"id":2381,"slug":2382,"title":2383,"dynasty":101,"author":2384,"museum":20,"description":2385,"tags":2386,"thumbUrl":2387,"material":34,"size":2388,"collection":58,"collections":2389,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":41},216763,"jiu-lao-tu-4-huang-biao-216763","九老图-4","黄彪","这是黄震泉仿宋刘松年九老图而成的，要有相似的造型和人物，虽然排列的树石略显单薄轻巧，傅彩清新飘逸之外，也不失为仿制的传世佳品。",[24,25,27,28,29,747,469,141,470,212,7,581,142,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11dfd356931d7c386cbe98730bd03dd3.jpg","27.2x193",[],{"id":2391,"slug":2392,"title":2393,"dynasty":422,"author":156,"museum":540,"description":2394,"tags":2395,"thumbUrl":2399,"material":34,"size":58,"collection":58,"collections":2400,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":62},215992,"di-jian-tu-shuo-cai-hui-ben-13-yi-ming-215992","帝鉴图说彩绘本-13","画面以青绿山水铺展底色，暖棕土地衬出草木生机，树木扶疏间屋舍隐现，层次错落有致。人物情态鲜活：抚琴者端坐石旁，指尖似凝清音绕林；稚童们或追嬉于小径，或围聚听乐，衣袂鲜妍如霞。山石以蓝绿晕染，似含烟霞之气；草木点缀其间，生机盎然。整体画风细腻雅致，色彩明快却不失古拙，人物互动自然，传递出闲适和谐的氛围，仿佛将一段静谧时光凝于绢素之上，引人遐思那段藏在古画里的悠然意趣。",[24,51,2396,426,28,558,29,145,1146,111,142,7,823,2397,2035,2398],"古画","稚童","和谐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F967ad2c4bd477264013969ff1c87a785.jpg",[],{"id":2402,"slug":2403,"title":2404,"dynasty":422,"author":156,"museum":67,"description":2405,"tags":2406,"thumbUrl":2407,"material":388,"size":58,"collection":58,"collections":2408,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":41},215509,"bai-miao-jie-tou-mai-mai-hua-ce-48-yi-ming-215509","白描街头买卖画册-48","素纸之上，墨线如流。宽檐帽斜遮半面，眉眼间却漫出市井烟火气——那是生计压出的纹路，也是奔波里藏着的韧劲。肩上横斜的弦索、怀中垂落的穗子，是营生的家当，亦是巷陌间流动的韵律。步态轻捷似穿行于长街，每一道墨线的转折都牵着生活的褶皱：衣袂的飘摆藏着风的形状，手指的蜷曲握着营生的温度，连帽檐的弧度都映着旧时光的光。白描省却华彩，却把鲜活凝在一线：不是静止的画，是行走的故事，墨痕里洇着弦上将要弹出的调子——没有阳春白雪的雅，只有人间烟火的暖，像老巷深处飘来的吆喝，直抵人心最软的角落。",[23,413,426,29,7,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f3e1b2e7bfe30c4d0c4d65b99c2af70.jpg",[],{"id":2410,"slug":2411,"title":2412,"dynasty":1495,"author":2413,"museum":712,"description":2414,"tags":2415,"thumbUrl":2416,"material":58,"size":58,"collection":58,"collections":2417,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":2418},202777,"dan-kong-hou-tu-zhou-chen-heng-ke-202777","弹箜篌图轴","陈衡恪","红衣女子垂首抚箜篌，身姿温婉，指尖轻触弦上，似将韵律悄然拨动。线条凝练流畅，设色淡雅温润，衣袂褶皱自然舒展，尽显传统笔墨意趣。箜篌纹饰繁复精致，与人物简约衣饰形成微妙对比，细节处见匠心。画面静谧悠远，仿佛丝竹之音袅袅溢出，传递出古典雅致的气韵，含蓄中藏着文人画的情致与韵味。",[24,28,29,7,27,105,30,54,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3ea216b3cfa8bdd9d45e1315ce496af.jpg",[],"bca794",{"id":2420,"slug":2421,"title":2422,"dynasty":422,"author":2423,"museum":712,"description":2424,"tags":2425,"thumbUrl":2426,"material":58,"size":58,"collection":36,"collections":2427,"showCount":179,"zanCount":40,"manualWeight":40,"mainColor":2428},201702,"diao-qin-chuai-ming-tu-zhou-ren-xiong-201702","调琴啜茗图轴","任熊","画面中，雅士抚琴，侍女奉茗，众人或坐或立，神情专注闲适，尽显文人雅集的静谧意趣。人物衣纹线条细劲流畅，如行云流水，设色清雅而不失层次，红衣女子的服饰尤为醒目，与淡墨晕染的树木、山石形成和谐对比。树木枝叶以简练笔触勾勒点染，兼具工笔的精致与写意的灵动。整体构图疏朗有致，氛围恬淡悠然，将古人生活的诗意与闲情娓娓道来。",[24,51,105,27,28,29,7,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6690287de9c6ce15675a100df727ac2b.jpg",[36],"d8d0bd",{"id":2430,"slug":2431,"title":2432,"dynasty":843,"author":156,"museum":67,"description":2433,"tags":2434,"thumbUrl":2438,"material":113,"size":114,"collection":58,"collections":2439,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},289170,"goya-provincial-dance-from-images-yi-ming-289170","Goya--Provincial Dance, from Images","奔放的明暗墨色勾勒出乡野舞蹈的鲜活瞬间，男女舞者沉醉在节拍之中，男子高举饰旗，舞步昂扬，女子身姿舒展，眉目低垂间满是松弛沉醉。背景乐手以淡墨晕染虚化，朦胧烘托出热闹氛围。\n粗率随性的笔触褪去雕琢痕迹，浓淡层次将人物身形利落区分，把民间庆典里的酣畅烟火气凝于纸面，仿佛能听见弦乐轻响与踏地节拍，蓬勃质朴的生命力随着笔墨流淌，将乡野欢聚的松弛热烈永远定格。",[29,2435,847,2203,7,2436,2437],"舞蹈","风俗画","欢乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F599401432c400763de4bbf52cd76bee2.jpg",[],{"id":2441,"slug":2442,"title":2443,"dynasty":843,"author":156,"museum":67,"description":2444,"tags":2445,"thumbUrl":2451,"material":113,"size":114,"collection":58,"collections":2452,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},288684,"attributed-to-andre-s-de-melgar-grotesques-with-q-r-in-cartouche-at-left-s-p-q-r-at-right-yi-ming-288684","attributed to Andrés de Melgar--Grotesques, with Q.R. in Cartouche at Left, S.P.Q.R. at Right","整幅以银笔铺就，是充满即兴张力的装饰草图。左侧茛苕涡卷垂落花饰与帷幔，托举纹章框，带着古典形制的规整肃穆；右侧则游走奇幻怪诞形象：羽身萨堤尔踞坐拨弄里拉琴，人面融于缠枝茛苕，古典标识隐现其间，潦草手注留存构思的鲜活痕迹。\n\n线条松弛灵动，揉合文艺复兴晚期怪诞装饰风格，将古典神话形象与程式化卷草交织，未完成的笔痕间，兼具古典符号的庄重感与奇幻形象的戏谑生机，复刻出装饰设计初始构思的蓬勃生命力。",[413,2446,2447,29,2448,2449,289,7,2450],"装饰画","怪诞纹样","翼兽","卷草纹","古典纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee151b05fb0259bae6305ed42907ff43.jpg",[],{"id":2454,"slug":2455,"title":2456,"dynasty":422,"author":156,"museum":67,"description":2457,"tags":2458,"thumbUrl":2461,"material":113,"size":114,"collection":58,"collections":2462,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},275455,"hong-you-jin-qi-long-xun-yi-ming-275455","红油金漆龙埙","朱红漆地匀净鲜亮，描金纹饰熠熠生辉。蛋形器身上，双龙矫健灵动，正围绕宝珠腾跃穿梭，周身云纹舒展缭绕，纤细流畅的线条将龙的威严气势勾勒得淋漓尽致。\n\n它兼顾礼乐实用与陈设审美，将清代漆艺的华贵精巧与古乐器的雅韵融于一体，尽显雅致富丽的审美意趣，是工艺匠心与传统雅器结合的精巧之作。",[7,1625,2459,547,2460],"埙","金漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0db97cb48bbd0d075b6bdb83c53eb842.jpg",[],{"id":2464,"slug":2465,"title":2466,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":2467,"thumbUrl":2468,"material":113,"size":114,"collection":58,"collections":2469,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},275288,"bi-yu-miao-jin-yun-long-wen-bian-qing-ying-zhong-yi-ming-275288","碧玉描金云龙纹编磬-应钟",[689,7,288,1837,547,287,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02bba6a58b19f373396495e7b3f4969f.jpg",[],{"id":2471,"slug":2472,"title":2473,"dynasty":101,"author":156,"museum":67,"description":2474,"tags":2475,"thumbUrl":2476,"material":113,"size":114,"collection":58,"collections":2477,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":133},275268,"e-mei-song-qin-yi-ming-275268","“峨嵋松”琴","此琴髹色褐沉古雅，经年摩挲，包浆莹润温厚。身形线条舒展中正，尽显内敛端方的气度。琴底篆铭刻痕古拙挺劲，题识题跋错落排布，藏着旧时藏家的珍赏意趣，字间晕开百年风雅余韵。旧弦金褐如故，虽静立案头，却似能漾出清远古音，暗合高山流水的幽远意境。整器将斫木工巧与文人意趣相融，静默间便凝成一段古意悠悠的弦歌剪影，带着旧时光的沉静温雅，引人体悟古时弦间寄怀的风雅情志。",[7,820,930,53,69],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa770c84e9fa54a572aef871e74915947.jpg",[],{"id":2479,"slug":2480,"title":2481,"dynasty":422,"author":156,"museum":67,"description":2482,"tags":2483,"thumbUrl":2485,"material":113,"size":114,"collection":58,"collections":2486,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":296},269523,"xiang-ya-diao-mu-niu-tong-zi-yi-ming-269523","象牙雕牧牛童子","此作以温润象牙为材，勾勒出乡野牧歌图景。一大一小两头水牛姿态亲昵，牛背上两名童子怡然自在，一人横笛吹奏，一人依偎憨笑，另有幼童伏在小牛背上嬉闹。刀工细腻婉转，衣褶纹理舒展自然，童子神态天真烂漫，水牛肌理写实鲜活，将郊野放牧的闲逸日常定格。构图紧凑层次分明，把田园间悠然松弛的意趣揉进每一处雕刻细节中，尽显雅致工巧，鲜活复刻出乡野孩童的自在时光，满是治愈人心的烟火闲情。",[287,2484,143,1647,29,7,678],"象牙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb3cfb7ddf7fba9245b483de3b99d685.jpg",[],{"id":2488,"slug":2489,"title":2490,"dynasty":155,"author":156,"museum":67,"description":2491,"tags":2492,"thumbUrl":2495,"material":113,"size":114,"collection":2496,"collections":2497,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":133},256714,"lu-shan-yao-hua-ci-yao-gu-yi-ming-256714","鲁山窑花瓷腰鼓","鲁山窑为古代陶瓷窑。在今河南鲁山段店村，故名。唐代以生产花瓷著名。宋、金、元时期烧制白瓷、白釉黑花瓷、黑瓷、青瓷和三彩陶器。\n北宋至金时窑场扩大，产品更加丰富。装饰上除直线纹曲线纹外，也有划花、印花纹等。到元代还烧制白地黑褐彩器和红绿彩碗等。唐、宋、元的器物均具有它本朝代的工艺特征风格。",[2493,2263,7,2494],"唐代","花瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F127c27b76bbbc7994dd1582f031b1103.jpg","瓷器精选",[2496],{"id":2499,"slug":2500,"title":2501,"dynasty":101,"author":156,"museum":67,"description":2502,"tags":2503,"thumbUrl":2505,"material":113,"size":114,"collection":2496,"collections":2506,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},256523,"de-hua-yao-bai-you-xiao-yi-ming-256523","德化窑白釉箫","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[101,2263,2504,7],"白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cf95b34174d1780967048a1f5e954c5.jpg",[2496],{"id":2508,"slug":2509,"title":2510,"dynasty":155,"author":156,"museum":67,"description":2260,"tags":2511,"thumbUrl":2513,"material":113,"size":114,"collection":58,"collections":2514,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},254287,"tao-huang-you-qi-ma-chui-xiao-yong-yi-ming-254287","陶黄釉骑马吹箫俑",[155,2263,2266,2334,2265,2267,29,7,2512,702],"吹箫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ef3cccadc76e52ad475844317bc77b4.jpg",[],{"id":2516,"slug":2517,"title":2518,"dynasty":2259,"author":156,"museum":67,"description":2519,"tags":2520,"thumbUrl":2522,"material":113,"size":114,"collection":58,"collections":2523,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},253922,"tao-ji-le-nan-zuo-yong-yi-ming-253922","陶伎乐男坐俑","春秋战国时期，有一种殉葬用的“俑”，据《礼记·檀弓》，孔子“谓为俑者不仁”。郑玄注：“俑，偶人也，有面目机发，有似于生人。”皇侃疏：“机械发动踊跃，故谓之俑也。”孔颖达正义：“刻木为人，而自发动，与生人无异，但无性灵知识。”又《孟子·梁惠王》：“仲尼曰：始作俑者，其无后乎?为其像人而用之也。”焦循《孟子正义》：《广雅》引(张揖)《埤苍》云：“俑，木人，送葬设关而能跳踊，故名之。”“为其像人者，谓为其像人之转动跳踊也。”可见“俑”就是由简单机械发动能够自己转动跳跃的木人。\n中国古代坟中墓中陪葬用的偶人。是象征殉葬奴隶的模拟品。东周墓中出现渐多，秦汉至隋唐盛行，北宋以后逐渐衰落，但仍沿用到元明时期。俑的质料以木、陶质最常见，也有瓷、石或金属制品。宋代以后纸明器开始流行，陶、木、石质的俑开始渐渐减少。俑的形象，主要有奴仆、舞乐、士兵、仪仗等，并常附有鞍马、牛车、庖厨用具和家畜等模型，还有镇墓胜的神物。俑大多真实地模拟着当时的各种人物，因而可以考见当时社会的生活习俗，也是研究各代舆服制度的重要资料。俑还可以反映出各个时代雕塑艺术的水平。\n秦代的秦始皇陵兵马俑，形体比人略高，陶制，是已知最大的俑；另外还有铜俑等。汉俑种类比以前增多，有兵士、女侍、仆役及乐舞俑。南方以木俑为多，有的彩绘着衣。其他地方多陶、石、木、金属等多种材质的俑，注重传神。两晋南北朝制作多样，南方承中原传统并有了瓷俑；北方出了少数民族形象的陶俑。隋唐俑型大而精美，三彩俑为盛唐时的制作高峰。现在能见到的，是保存在陕西省历史博物馆的唐三彩杰作，有陕西省乾县懿德太子李重润墓出土的、三彩纹胎骑马狩猎俑，和西安市中堡村唐墓出土的唐三彩骆驼戴乐舞俑。这些俑的特点，普遍是形象高大雄健，神态生动富有传神，可谓形神俱佳的作品。并反映了盛唐时期，中华民族富有创造性和豪迈自信的民族性格。五代以后，以俑殉葬的风气开始低落，金元墓葬中出现了陶塑、砖雕表演杂剧的俑，往往成组塑造，还有舞台背景，较为生动，是制作俑的最后一个高潮，以山西出土为多。明清墓葬中俑的出现渐少。在高官王侯墓中出土有木俑和石俑，多以成群人物或辅以仪仗、侍从的庞大场面，用来炫耀死者地位为主，但作为雕塑制品已失去了艺术感染力。秦兵马俑的历史文化价值是独具魅力的。它打开了观察它所产生的那个时代的窗口，大大地改变了人们对那个时代的看法。\n秦兵马俑震撼世人的首推其卓越的艺术成就。几千件魁伟英武的大型陶塑艺术作品，以整体形象排列在将近两万平方米的空间里，其磅礴的气势几乎使所有不同肤色的参观者都从心灵深处产生强烈震颤，体现出艺术家驾驭宏大艺术题材、追求整体气韵和艺术创造的卓越才能。秦俑千人千面、呼之欲出的人物塑造则从形体把握、神韵处理、色彩运用、细部刻画等方面表现出作者的艺术素养和艺术成就。作品写实主义的风格不仅给我们留下了一个高超的古代艺术范本，同时也留下了许多关于那个时代的极富价值的历史记录。严肃划一的军旅题材能够处理得如此生动，产生如此震撼人心的艺术魅力，使人们不得不换一副眼光来审视中国古代艺术发展历程中的特殊规律，重新探索和构架中国古代造型艺术发展的历史。\n秦兵马俑坑文物的出土也较大幅度地改写了人们对秦代的科技水平的认识，以大量的实证材料形象地展现了秦代生产力的发展水平。就科技史而言，秦俑坑发现的许多资料都是令世人震惊的。譬如：1、秦俑坑出土文物所展现的秦代冶金和金属加工技术比我们以往的估计要高出很多，其中青铜涂铬防锈技术的大量应用是最具代表性的一例，它在当时已是一种很成熟的技术，秦俑出土的绝大多数兵器表面都涂有这种保护层。这种绝技似乎从汉代以后就失传了，与之形成鲜明对比的是，两千多年后的1937年，现代镀铬技术才在德国产生，并以专利发明载入了史册。2、秦俑坑出土兵器明确印证了秦简中关于“为器同物者，其小大、短长”是一种标准化概念，秦人在标准化实践方面取得了惊人的成就。这种标准化既是秦人管理艺术发展的代表，也是秦代科技水平的标志。秦人加工的青铜弩机器件精密、形体标准，相同规格的器件完全可以互换。许多特殊的加工工艺，如青铜铍脊上的纹饰生成，纤如毫发的金属小孔钻刻技艺，也都令人叹为观止，一些工艺至今还是不解之谜。由于古代统治者们有重政治、重伦理、崇人事而轻科技的倾向，史书关于科技的记载往往简略残缺，秦代科技资料更是凤毛麟角。正因为如此，秦俑考古的历史文化价值也就更加重要。\n俑坑数千兵马俑所展示的军事内容无疑是军事史研究的最重要的、最形象的资料之一，许多资料使人们对古代军事领域的认识更进一步。譬如，关于当时的兵种构成、组合搭配和结阵形式，兵器、兵器配置形式以及甲具防护装备，军伍组织结构和指挥系统，甚至军伍士卒的来源等，都有珍贵的资料价值。二号坑弩兵的单独结阵，骑兵、轻车兵的编队和配合，是以前有所不知或知之不详的重要资料，以之对照《孙膑兵法》中关于车、步、骑配合原则的论述，给人留下的印象是极其深刻的。古代军事著述中关于兵器配置中长短相杂、相救的原则在秦俑坑兵器配置中也有直观表现，同样有其军事科学上的研究价值。难怪有人将秦俑三坑称为一座内容丰厚的秦代军事博物馆。\n历史本身赋予了秦俑多种历史文化价值。秦俑所折射的历史层面既多又广，在建筑史、服饰史、制度史尤其是王陵制度史等方面，具有独特的认识价值。即使秦俑的身高、体魄、服饰发髻、刻记文字以及秦人在俑坑留下的生产工具和劳作痕迹，都能从不同侧面反映出秦代社会生活的真实影像，反映出一个时代的文化特质，反映出秦兴亡的历史真谛。\n秦俑坑出土文物的精美和丰富，是文物所代表的那个时代物质成就的直接见证。它让人们重新认识和评价那个时代，也提出了许多值得探讨的历史课题，譬如关于帝王权力的重新认识、秦代文化的特质、秦在中国历史发展中的地位等。与之相联系的是，秦始皇的历史评价又一次成为人们关注的话题，秦俑坑出土文物所反映的科技水平和生产能力，在一定程度上反映出秦始皇所起的某种积极作用，同时也从一个侧面证实史书中提到的秦代好大喜功、横征暴敛的统治问题。秦俑考古还在继续，相信对这些问题的研究将会随着考古的进展而不断深入。",[2263,2266,287,29,7,2521,2262],"坐像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2ccda12dac74de722f2454dc5f7d04b.jpg",[],{"id":2525,"slug":2526,"title":2518,"dynasty":2259,"author":156,"museum":67,"description":2519,"tags":2527,"thumbUrl":2528,"material":113,"size":114,"collection":58,"collections":2529,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},253921,"tao-ji-le-nan-zuo-yong-yi-ming-253921",[2263,287,29,2266,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d367b271753eeb76128d452f0e15564.jpg",[],{"id":2531,"slug":2532,"title":2533,"dynasty":1936,"author":156,"museum":67,"description":2519,"tags":2534,"thumbUrl":2536,"material":113,"size":114,"collection":58,"collections":2537,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":296},253508,"tao-bao-qin-li-yong-yi-ming-253508","陶抱琴立俑",[1936,2263,2266,29,7,2264,2535],"立姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff555b30560660d54e980fc238fd9e804.jpg",[],{"id":2539,"slug":2540,"title":2541,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":2542,"thumbUrl":2544,"material":113,"size":114,"collection":58,"collections":2545,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":296},251236,"qing-yu-chan-wen-long-niu-zhong-yi-ming-251236","青玉蝉纹龙钮钟",[689,287,547,2543,7,54],"蝉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59b793aa559e2eb63c714e88b24cad71.jpg",[],{"id":2547,"slug":2548,"title":2549,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":2550,"thumbUrl":2551,"material":113,"size":114,"collection":58,"collections":2552,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},245259,"ling-yi-ming-245259","铃",[285,286,287,7,2291],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7a40ef2b8e27d7830844b9509f08317.jpg",[],{"id":2554,"slug":2555,"title":2556,"dynasty":155,"author":156,"museum":67,"description":2557,"tags":2558,"thumbUrl":2560,"material":113,"size":114,"collection":58,"collections":2561,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},245022,"liu-jin-dai-bing-ling-yi-ming-245022","鎏金带柄铃","铃身塑为半绽莲苞，錾刻瓣棱饱满舒展，将塘间夏意凝于铜身。鎏金随年月大半销蚀，苍绿铜锈裹着残存金箔晕出沉郁光泽，晕染出时光浸蚀的厚重质感。素净细柄呼应铃身柔丽纹饰，张弛尽显舒展雅致。遥想当年，它曾在佛堂檐下轻摇，清越梵音穿堂而过，将禅意揉入盛唐烟尘。如今锈色满身，仍藏着旧时雍容风骨。",[155,2559,286,287,54,7],"鎏金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24bc7f2bc2256972900c409205c85271.jpg",[],{"id":2563,"slug":2564,"title":2565,"dynasty":155,"author":156,"museum":67,"description":2566,"tags":2567,"thumbUrl":2568,"material":113,"size":114,"collection":58,"collections":2569,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},244746,"shan-xi-shang-dong-lu-tong-ju-zao-tong-bo-yi-ming-244746","陕西上东路铜局造铜钹","这对铜钹器形圆润舒展，盘面包浆厚重古雅，青灰锈色错落晕染，如晚唐烟霞晕开在素净铜胎。碗状钹膛沉稳古朴，边缘带着时光摩挲的温润质感。\n\n它们曾鸣响在盛唐宴饮与疆场誓师，锵锵金声震彻长安，承载着一代礼乐风华。如今锈迹凝住往昔余韵，将千年前的鼓乐升平封存在铜色肌理中，静静诉说着大唐的恢宏气象，是藏着盛世声影的缄默见证者。",[2493,285,286,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42f1449e9115ea362fb8b08a188c9714.jpg",[],{"id":2571,"slug":2572,"title":2318,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":2573,"thumbUrl":2574,"material":113,"size":114,"collection":58,"collections":2575,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":296},242940,"chun-yu-yi-ming-242940",[1936,285,286,7,288,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d00dfbb132d899ba46c9ea89893ca60.jpg",[],{"id":2577,"slug":2578,"title":2579,"dynasty":843,"author":2580,"museum":67,"description":2581,"tags":2582,"thumbUrl":2587,"material":113,"size":114,"collection":58,"collections":2588,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},232500,"he-er-bai-yin-159-he-er-bai-yin-232500","荷尔拜因159","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[2199,2203,2583,29,7,2584,2585,1509,2586],"线描","宝座","柱子","古典场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bd0b3d08f2ac7fb83c4e301c94e2adc.jpg",[],{"id":2590,"slug":2591,"title":2592,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":2593,"thumbUrl":2605,"material":113,"size":114,"collection":58,"collections":2606,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},232291,"a-er-ma-18-lao-lun-si-a-er-ma-ta-de-ma-232291","阿尔玛18",[847,848,2594,1799,1539,2595,2118,212,2596,2597,2598,7,2599,2600,1538,1815,748,2601,250,2602,2603,2604],"设色浓郁","河流","古埃及元素","金字塔","羽毛扇","陶器","水果","织物","贵族女性","装饰细节","色彩明亮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58a52be0152e4e8ebabfae122f8932be.jpg",[],{"id":2608,"slug":2609,"title":2610,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":2613,"thumbUrl":2623,"material":113,"size":114,"collection":58,"collections":2624,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},232245,"dance-class-metropolitan-museum-of-art-usa-oil-on-panel-de-jia-232245","Dance Class - - Metropolitan Museum of Art (USA) - oil on panel","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[2614,847,28,29,2615,2616,2617,2618,2619,304,2620,857,7,2621,2622,856],"印象派","芭蕾舞女","小提琴","镜子","舞蹈教室","琴盒","白色舞裙","木地板","门框","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12613903f20f7d620c2d037fafe0a18b.jpg",[],{"id":2626,"slug":2627,"title":2628,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":2629,"thumbUrl":2634,"material":113,"size":114,"collection":58,"collections":2635,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":296},232027,"rehearsal-circa-frick-collection-usa-de-jia-232027","Rehearsal - circa - Frick Collection (USA)",[847,2614,29,2630,2616,7,304,2119,2621,2631,856,2632,2633],"芭蕾舞者","动态人物","舞蹈排练","舞者服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42b3561c0a13939976d99a8870df75b1.jpg",[],{"id":2637,"slug":2638,"title":2639,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":2640,"thumbUrl":2648,"material":113,"size":114,"collection":58,"collections":2649,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},231981,"the-ballet-scene-from-robert-la-diable-victoria-and-albert-museum-england-de-jia-231981","The Ballet Scene from 'Robert la Diable - - Victoria and Albert Museum (England)",[847,2614,29,2641,2642,7,2643,2644,733,2645,2646,2647],"乐手","舞者","舞台","灯光","表演","光影表现","剧场场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F183e5206ad818827ab1b01f638175366.jpg",[],{"id":2651,"slug":2652,"title":2653,"dynasty":843,"author":156,"museum":67,"description":2654,"tags":2655,"thumbUrl":2656,"material":113,"size":114,"collection":58,"collections":2657,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},231763,"du-zuo-dan-xian-tu-li-zhou-yi-ming-231763","独坐弾絃图立轴","淡墨写意绘就茅檐竹廊，老僧抱弦安坐于廊下，衣纹简括清逸，神情澹然沉静。庭中无杂饰，空廊斜斜衬出山野空濛幽寂。\n\n配诗暗合画中意境，将幽居独处的芳襟幽思寄于丝弦之上，把世外之人的孤高寂寞化作弦上余韵。全作简笔淡墨不重藻饰，以留白承托岑寂，尽显尚简尚意的文人风致，将出世幽怀与缱绻秋思融于尺幅之间，简淡之中见深情，笔墨极简却意境悠长，尽显东方禅意隐逸美学的清逸况味。",[23,24,51,105,413,171,29,7,53,373],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6db3af2efa20c6b7f12e0c5746b08bae.jpg",[],{"id":2659,"slug":2660,"title":2661,"dynasty":843,"author":156,"museum":67,"description":2662,"tags":2663,"thumbUrl":2665,"material":113,"size":114,"collection":58,"collections":2666,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},231602,"da-jin-hui-yi-ming-231602","大津绘","赤肤尖角的恶鬼敛去食人凶煞之气，正垂首拨弄怀中三味弦，憨态尽显。案上酒盏盛着艳色佳酿，素陶酒壶静立一旁。配诗戏言此鬼以酒为目，以弦为耳，抛却狰狞戾气，愿与世人作伴。稚拙松弛的笔调揉合了鬼怪传说与市井意趣，将嗜酒乐天的俗世闲情注入神异形象，用反差感消解了鬼魅原本的阴森，尽显诙谐温柔的民俗意趣，勾勒出独有的市井风雅。",[28,29,7,32,1451,2664],"绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faba5206bf47bdba59437566dff2581ad.jpg",[],{"id":2668,"slug":2669,"title":2670,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":2671,"thumbUrl":2673,"material":113,"size":114,"collection":58,"collections":2674,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},229246,"shi-hui-yue-qi-san-lian-yuan-he-yi-ming-229246","莳绘乐器三联圆盒",[1625,2672,54,7],"莳绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7dd42628807255632c84b8e6da71136.jpg",[],{"id":2676,"slug":2677,"title":2678,"dynasty":259,"author":156,"museum":67,"description":2679,"tags":2680,"thumbUrl":2681,"material":113,"size":114,"collection":58,"collections":2682,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},228223,"zhu-di-ming-wen-yi-ming-228223","竹笛铭文","此卷墨色清隽雅致，书风由敛及放。起笔时内敛遒劲，结体端稳舒和，行笔匀停温润，尽显从容之态；随着笔意渐酣，线条愈见灵动爽利，牵丝映带婉转流畅，字势欹侧相生，墨色枯湿浓淡富于层次。\n\n文辞与笔墨相得益彰，以竹箫为题寄寓文人幽澹雅意，尽显元人尚态重韵的书风特质，暗合晋唐行书的萧散意韵，将林下之风藏于笔端，是一件颇具意趣的书法佳制。",[26,69,373,53,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F443694e458d54e36f5ff61426fd47c01.jpg",[],{"id":2684,"slug":2685,"title":2686,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":2687,"thumbUrl":2688,"material":113,"size":114,"collection":58,"collections":2689,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":62},225586,"fu-shi-hui-83-yi-ming-225586","浮世绘83",[1462,28,29,236,7,547,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb830c7442207613def7e55e5ed9a8d70.jpg",[],{"id":2691,"slug":2692,"title":2693,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":2694,"thumbUrl":2695,"material":113,"size":114,"collection":58,"collections":2696,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},225558,"fu-shi-hui-27-yi-ming-225558","浮世绘27",[1462,413,1634,29,30,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63d6b2b0865a3e57361ef9d7f26c704f.jpg",[],{"id":2698,"slug":2699,"title":2700,"dynasty":422,"author":156,"museum":67,"description":2701,"tags":2702,"thumbUrl":2703,"material":263,"size":1453,"collection":58,"collections":2704,"showCount":11,"zanCount":40,"manualWeight":40,"mainColor":41},215797,"min-jian-yan-zou-tu-ce-8-yi-ming-215797","民间演奏图册-8","素色底面上，艳粉短袄与翠绿布裤撞出鲜活暖意。端坐软墩的演奏者，指尖轻拢弦上，阮的轮廓舒展，似有清音欲漫出画面。利落短发衬着圆润面庞，眉眼带孩童稚气，却凝眸专注弦间韵律。衣褶细密笔触勾出布料质感，布鞋针脚清晰，透着民间造物的朴拙。清代民间烟火气，融在这日常演奏里——无繁复布景，仅简洁色块托出人物，悠然自得的生活意趣跃然纸上。弦音未闻，却可想见它在巷陌回荡，勾连往昔平凡温暖的瞬间，藏着民间艺术最本真的模样。",[24,51,688,27,28,29,7,426,1451],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ac0803d20471a56da1cb13ec922df14.jpg",[],{"id":2706,"slug":2707,"title":2708,"dynasty":422,"author":156,"museum":67,"description":2709,"tags":2710,"thumbUrl":2711,"material":113,"size":114,"collection":58,"collections":2712,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},290173,"min-jian-yan-zou-tu-ce-yi-ming-290173","民间演奏图册","这册页以乡野演奏为核心，笔触稚拙鲜活，带着市井烟火的温热质感。画师捕捉民间艺人拨弦击节的鲜活瞬间，跳脱院体画的精工刻板，将民乐演奏时的松弛热闹尽数铺陈。设色简淡却鲜亮讨喜，带着民间年画的明快意趣，处处流露清代底层社会的文娱日常，是窥探彼时市井声色的鲜活切片，藏着最质朴的俗世欢愉，让观者仿若能听见丝竹相和的乡野曲调，窥见街头巷尾的悠然余韵。",[24,51,426,7,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69e9cf97e340d95e2c598204b4f046d6.jpg",[],{"id":2714,"slug":2715,"title":2716,"dynasty":843,"author":156,"museum":67,"description":2717,"tags":2718,"thumbUrl":2719,"material":113,"size":114,"collection":58,"collections":2720,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},289539,"attributed-to-sahib-ram-singer-and-sarangi-player-yi-ming-289539","Attributed to Sahib Ram--Singer and Sarangi Player","此作为白描稿本，纤细匀净的铁线游丝，将两位盛装乐女的形神尽皆勾勒。前者持萨朗吉琴，指节轻扣弦柄，姿态娴静舒展；后者垂纱覆首，眉眼柔婉低垂，静立身侧。\n\n繁复的花钿头饰、层叠的璎珞项饰，均以流畅线条细致铺陈，将异域宫廷女子的华贵装束描摹入微，不见一处冗余笔意。素纸留白消解了色彩的喧扰，只余线条交织出的温柔韵律，静静晕开古早宫廷乐舞场合里那份松弛雅致的氛围感。",[413,29,30,7,51],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6084e98732465572e3cce0a6a437f04f.jpg",[],{"id":2722,"slug":2723,"title":2724,"dynasty":843,"author":156,"museum":67,"description":2725,"tags":2726,"thumbUrl":2730,"material":113,"size":114,"collection":58,"collections":2731,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},289522,"avanzino-nucci-the-mystic-marriage-of-saint-catherine-of-alexandria-yi-ming-289522","Avanzino Nucci--The Mystic Marriage of Saint Catherine of Alexandria","柔和棕调晕开圣洁静谧的氛围，松弛又精准的线条勾勒出人物温婉神态。圣母垂首托举圣子，圣凯瑟琳虔诚牵起孩童的手，将宗教盟约的庄重，融在温柔的互动里。背景小天使与乐师隐在朦胧晕染中，为仪式添上轻灵暖意。\n\n笔调明暗过渡自然柔和，衣褶褶皱带着流动质感，用单色层次铺陈出饱满叙事感，把古典宗教题材的神圣，揉进细腻笔触里，晕开旧时代独有的人文温情，让这场神秘婚礼的虔诚与温柔，跃然纸面。",[2727,787,2199,2203,2728,1342,7,2729],"宗教画","天使","神秘婚姻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6215e5df914ca5c4407b82a581c9273.jpg",[],{"id":2733,"slug":2734,"title":2735,"dynasty":843,"author":156,"museum":67,"description":2736,"tags":2737,"thumbUrl":2740,"material":113,"size":114,"collection":58,"collections":2741,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},289310,"mauro-soderini-drawing-for-a-frontispiece-yi-ming-289310","Mauro Soderini--Drawing for a Frontispiece","利落排线交织淡墨晕染，揉合建筑的冷硬与云雾的柔润。天界众神乘云踏光而来，衣袂舒展尽显威严神性；人间乐者偕同孩童们奏响礼乐，灵动身姿呼应天际盛景。明暗铺陈出纵深空间，笔意奔放洒脱，寥寥数笔便赋予人物鲜活神态，将盛典的庄严与欢悦揉为一体，神圣庆典的氛围感跃然纸面。",[2199,2738,2739,1320,92,29,2728,7,1538],"西洋画","插画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7620784b4ec5af35b8439f5db95896e3.jpg",[],{"id":2743,"slug":2744,"title":2745,"dynasty":843,"author":156,"museum":67,"description":2746,"tags":2747,"thumbUrl":2749,"material":113,"size":114,"collection":58,"collections":2750,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},289293,"paolo-gerolamo-piola-standing-figure-of-apollo-with-a-lyre-yi-ming-289293","Paolo Gerolamo Piola--Standing Figure of Apollo with a Lyre","以淡蓝灰铺就底色，用白垩与深色线条塑就阿波罗身姿。裸身的太阳神肌肉线条柔而有张力，卷发垂肩，神态沉静高贵。他一手持里拉琴，仿佛余音仍在指尖流转，另一手握着神谕小瓶，松垮衣袍搭在臂间，垂坠褶皱舒展自然，衬出躯体挺拔舒展。\n\n作者以明暗晕染烘托形体，淡色底衬让白色躯体更显圣洁温润，寥寥几笔便勾勒出古典神祇的庄严俊美，将阿波罗的音乐天赋与神格威仪相融，带着古典主义的静穆优雅，每一处线条都诉说着希腊神祇的不朽魅力，简约精准地定格了太阳神的神性光辉。",[2738,787,2200,2748,7,2199,28],"阿波罗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F982f8a619e2e6e01d07afe9eb7a224a6.jpg",[],{"id":2752,"slug":2753,"title":2754,"dynasty":843,"author":156,"museum":67,"description":2755,"tags":2756,"thumbUrl":2760,"material":113,"size":114,"collection":58,"collections":2761,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},289063,"karel-van-mander-i-the-challenge-of-the-pierides-yi-ming-289063","Karel van Mander I--The Challenge of the Pierides","这幅素描以棕调晕染铺陈，构图繁而不乱。石台之上的阿波罗沉静俯瞰，成为画面锚点。左侧缪斯衣袂舒展，神色带着诘问的锋芒；右侧神女或拨弦展卷，伸臂抗辩，将诗艺竞逐的张力拉满。林间天使翔集，古木虬枝掩映出幽谧神域氛围，地面弃置的乐器暗合竞技主题。\n线条兼具柔婉与劲挺，衣褶的垂坠柔感与神祇躯体的硬朗轮廓形成鲜明反差，明暗层次区分开空间远近，把神话里的诗艺对决定格为充满戏剧感的林间盛景，肃穆叙事感与素描松弛质感相融，尽显古典主题的庄重张力。",[2199,29,1320,2728,7,2757,110,30,2758,2759],"树林","裸像","集会","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d6867cfb173b35621fa05c5bcdbb3bb.jpg",[],{"id":2763,"slug":2764,"title":2765,"dynasty":843,"author":156,"museum":67,"description":2766,"tags":2767,"thumbUrl":2773,"material":113,"size":114,"collection":58,"collections":2774,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},289056,"lambert-van-noort-st-george-and-the-sorcerer-of-dacian-yi-ming-289056","Lambert van Noort--St. George and the Sorcerer of Dacian","淡蓝排线晕开肃穆氛围，圆形画框收拢着满溢的戏剧张力。画面中央的核心人物被众人环伺，军士持戟神色紧绷，跪拜者俯身满含虔诚，围观者或惊叹或议论，各色神态铺陈出饱满的故事感。\n\n细密精准的线条勾勒出衣料的垂坠厚重，硬朗的块面刻画出人物肌肉的紧实质感，带着古典写实的叙事特质。远景行进的队伍烘托出仪式的盛大，将宗教叙事的庄重，凝缩为这一瞬充满冲突的视觉定格，让纸面跃动着鲜活的情绪流转。",[2727,787,413,2203,1342,2768,2769,2770,2771,7,2772],"圣乔治","巫师","士兵","柱廊","宗教场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20764e7e8b726e58dbf1ea157e6f9cd5.jpg",[],{"id":2776,"slug":2777,"title":2778,"dynasty":843,"author":156,"museum":67,"description":2779,"tags":2780,"thumbUrl":2786,"material":113,"size":114,"collection":58,"collections":2787,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},289038,"louis-chaix-trofei-di-mario-rome-yi-ming-289038","Louis Chaix--Trofei di Mario, Rome","以蚀刻线条铺展残墟图景，半截塔楼斜刺入流云，砖石肌理被时光啃噬出皴裂缺口，藤蔓虬曲攀附断壁，将建筑残骸晕染上野趣生机。\n\n前景旅人围坐小憩，鲜活的身影破开荒颓的死寂，让古旧残墟与人间烟火温柔相融。作者以利落排线刻画出坍塌砖石的粗糙质感，用明暗层次晕开天际流云的慵懒，把岁月摧折后的怅惘，与自然悄然复生的生机揉为一处，将罗马遗迹的沉郁诗意娓娓铺陈纸面。",[2199,2781,2738,2782,2783,111,29,7,2784,2785],"版画","废墟","古建筑","风景","荒寂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1a9a9d397df6a2607563ad989ec07d8.jpg",[],{"id":2789,"slug":2790,"title":2791,"dynasty":843,"author":156,"museum":67,"description":2792,"tags":2793,"thumbUrl":2795,"material":113,"size":114,"collection":58,"collections":2796,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},289024,"louis-licherie-de-beurie-a-concert-yi-ming-289024","Louis Licherie de Beurie--A Concert","这幅群像以灵动线条铺陈出一场鲜活沙龙雅聚。左侧琉特琴手斜身落座，指尖似在弦上轻跃，随性又沉醉。端坐键琴前的女子垂眸落指，腕间衣料褶皱被细致晕开。围拢案前的歌者们手持歌谱和声，有人抬手轻打节拍，华服的繁复肌理被明暗线条铺陈得淋漓尽现。\n\n画面疏密错落，明暗交织里，席间融洽热烈的氛围呼之欲出，仿佛能听见弦音混着歌声漫开，将旧贵族沙龙的松弛雅致定格纸面，把旧时光里的声色欢愉晕染开来，带着复古温热的鲜活质感。",[2199,2738,29,7,2794],"音乐会","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e23f74c69edce94c05bc5fac60042d2.jpg",[],{"id":2798,"slug":2799,"title":2800,"dynasty":843,"author":156,"museum":67,"description":2801,"tags":2802,"thumbUrl":2804,"material":113,"size":114,"collection":58,"collections":2805,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},289013,"marcantonio-franceschini-allegorical-figure-of-faith-yi-ming-289013","Marcantonio Franceschini--Allegorical Figure of Faith","画面中央的女性神情端凝沉静，居于扇贝华盖之下，右手托举圣体光，左手覆心口诠释信仰的赤诚。右侧侍女神情肃穆，双手捧举圣爵与之呼应，完成神圣的呼应。两个小天使奏响天音，流云托举起整组群像，让神圣氛围愈发充盈。\n\n创作者以棕色调晕染明暗，松弛又精准的线条勾勒出衣褶的垂坠褶皱，用光影层次烘托出圣洁庄严的氛围。不同人物神态各异，却共同烘托出信仰的崇高安宁，将抽象的精神内核具象为典雅的神圣图景，带着古典雅致的韵味，让信仰的庄重在温柔的色调里徐徐铺展。",[2727,2199,2203,29,2728,7,2803],"寓意画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefa90c9416459afed5740d2959d92f08.jpg",[],{"id":2807,"slug":2808,"title":2809,"dynasty":843,"author":156,"museum":67,"description":2810,"tags":2811,"thumbUrl":2814,"material":113,"size":114,"collection":58,"collections":2815,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},288913,"giovanni-battista-paggi-christ-receiving-the-virgin-into-heaven-yi-ming-288913","Giovanni Battista Paggi--Christ Receiving the Virgin into Heaven","以淡褐底色晕开朦胧氛围，利落线条勾勒人物轮廓衣褶。光晕轻笼圣子周身，他与圣母交握的手是画面核心，将久别重逢的温存藏在静穆的神态间。云浪里的小天使们或托举护持，或凝目注视，让圣洁的氛围层层漫开。衣物褶皱舒展层叠，带着庄重的古典韵律，将二人悲悯圣洁的气质尽数铺陈。笔调轻缓柔润，将神性的辉光融在朦胧底色中，让这场天人相会的肃穆场景，晕染出动容的温情，把信仰中的至善至美，凝在方寸画间。",[2727,29,2812,2813,2728,2199,7],"基督","圣母","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd83ef0d7aad1701e1852825ffa3403e.jpg",[],{"id":2817,"slug":2818,"title":2819,"dynasty":843,"author":156,"museum":67,"description":2197,"tags":2820,"thumbUrl":2824,"material":113,"size":114,"collection":58,"collections":2825,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},288907,"giovanni-battista-tiepolo-illustration-for-a-book-allegorical-scene-of-coronation-yi-ming-288907","Giovanni Battista Tiepolo--Illustration for a Book Allegorical Scene of Coronation",[2821,2199,29,2822,2823,7,2738],"书籍插图","加冕仪式","寓言场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdb3c1aeba776e16acd9a561515bc6f4.jpg",[],{"id":2827,"slug":2828,"title":2829,"dynasty":843,"author":156,"museum":67,"description":2197,"tags":2830,"thumbUrl":2832,"material":113,"size":114,"collection":58,"collections":2833,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},288899,"giovanni-battista-tiepolo-illustration-for-a-book-general-carried-in-triumph-yi-ming-288899","Giovanni Battista Tiepolo--Illustration for a Book General Carried in Triumph",[2199,29,2770,545,7,2831,2096],"凯旋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87459b25ac28cbb59e9fa51b630ed935.jpg",[],{"id":2835,"slug":2836,"title":2837,"dynasty":843,"author":156,"museum":67,"description":2838,"tags":2839,"thumbUrl":2844,"material":113,"size":114,"collection":58,"collections":2845,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":133},288795,"pierre-alexandre-wille-two-women-in-an-elegant-interior-yi-ming-288795","Pierre Alexandre Wille--Two Women in an Elegant Interior","闺房之内，执诗琴的少女垂眸拨弦，伴立的女伴持羽扇缓摇，为她驱散溽暑。高耸繁复的假发、曳地蓬松的长裙，尽显洛可可时代独有的精致柔美。背景中的古典雕塑、软包座椅与华纹地毯，铺陈出雅致雍容的室内氛围。\n画家以细腻笔触晕染衣物质感，褶皱明暗过渡自然，将闺中密友闲适松弛的午后时光定格。静室里似有琴音流淌，慵懒悠然漫溢其间，将贵族女性的闲逸日常尽数展现，尽显洛可可艺术柔媚优雅的独特意趣。",[787,2738,2199,2203,304,30,2840,7,2841,2842,2843],"古典服饰","鲁特琴","梳妆","闺房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b7fed7fe920b0495c3f04d297113f94.jpg",[],{"id":2847,"slug":2848,"title":2849,"dynasty":843,"author":156,"museum":67,"description":2850,"tags":2851,"thumbUrl":2855,"material":113,"size":114,"collection":58,"collections":2856,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},288682,"attributed-to-andre-s-de-melgar-seated-female-with-staff-receiving-female-bringing-yi-ming-288682","attributed to Andrés de Melgar--Seated Female with Staff Receiving Female Bringing","画面上下分野，织就双重意趣。上半阙神女安坐，衣褶垂坠如凝固浪涛，伸手接引的动作带着静穆的神性。来者步履带风，帛袂翻卷似流云，动静之间铺陈出庄重的祭典氛围，线条轻重收放勾勒出人物神态的细微差别。\n\n下半阙异兽持号齐鸣，肌肉虬张带着蛮荒粗粝的野性，怪诞戏谑的张力拉满，与上方的肃穆形成强烈反差。整幅以速写线条铺陈，粗简与细腻交织，将神圣祭典与蛮荒狂想揉合在方寸纸页，笔尖定格下神话的绮丽剪影，仿佛能听见角号混着神祇的低语。",[413,2199,787,29,2852,7,2853,2854],"兽类","权杖","神话场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc77714ed74ae3e7a186f38b4d67a194c.jpg",[],{"id":2858,"slug":2859,"title":2860,"dynasty":843,"author":156,"museum":67,"description":2861,"tags":2862,"thumbUrl":2866,"material":113,"size":114,"collection":58,"collections":2867,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},288619,"jean-michel-moreau-the-younger-perfect-harmony-yi-ming-288619","Jean-Michel Moreau the Younger--Perfect Harmony","这幅单色素描以柔缓的棕调晕开沙龙的慵懒雅致。细腻笔触勾勒出雕花墙板、柔垂纱幔与精致坐具，将室内典雅肌理尽数铺陈。竖琴手拨弦姿态舒展，女眷侧倚凝神，青年静坐倾听，三人沉醉在流淌的琴音里，神态松弛又带着隐秘的融洽。光影漫过纱裙褶皱与发间羽饰，晕开朦胧柔美的氛围，让静谧画面仿佛漾着琴音余韵，将知音和鸣的融洽，悄然定格在这场闲适雅集之中。",[2738,2199,2203,29,30,2863,7,1813,2864,733,2865,2398],"绅士","古钢琴","贵族生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F827780675cf1263b3de68c987765178c.jpg",[],{"id":2869,"slug":2870,"title":2871,"dynasty":843,"author":156,"museum":67,"description":2872,"tags":2873,"thumbUrl":2877,"material":113,"size":114,"collection":58,"collections":2878,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},288591,"attributed-to-francesco-allegrini-scene-of-sacrifice-yi-ming-288591","attributed to Francesco Allegrini--Scene of Sacrifice","棕褐速写线条灵动松弛，铺展开一场肃穆的祭祀场景。左侧信徒俯身跪拜，将虔诚全然释放在沉伏的姿态中。中央女子正倾注祭液，动作庄重沉静。围立的宾客神色各异，或凝神观礼，或私语静待，右侧乐手持器待命，静穆中暗藏仪式的张力。\n\n画师以极简笔触勾勒人物动势，没有繁复修饰，却精准捕捉每个身影的神态情绪。泛黄纸面上的晕染与留白晕开古朴氛围，潦草随性的草稿反而赋予群像鲜活的临场感，将祭典的庄重与人群的生动融为一体。",[2199,787,2727,2874,2875,2876,7,413],"祭祀","群像","祭器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c8eda1bfb51446c3a57a54122c73111.jpg",[],{"id":2880,"slug":2881,"title":2882,"dynasty":843,"author":156,"museum":67,"description":2883,"tags":2884,"thumbUrl":2886,"material":113,"size":114,"collection":58,"collections":2887,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},288557,"guercino-saint-cecilia-playing-the-organ-yi-ming-288557","‬Guercino--Saint Cecilia Playing the Organ","红棕粉笔晕染出柔暖底色，寥寥线条勾勒出松弛静谧的室内一隅。垂眸的女子姿态缱绻舒展，衣褶线条带着流动韵律，将布料垂坠柔软的质感尽数铺展，她望向身前的小爱神，神情温软恬淡。\n\n小天使敛着羽翼仰头牵起她的手，稚气的动作破开沉静，让画面漫开脉脉温情。整幅素描没有过多繁复刻画，靠着虚实变化的排线烘托光影层次，以松弛却精准的笔触定格下这私密温柔的瞬间，晕开古典诗意的朦胧氛围感，尽显古典素描的雅致韵味。",[2727,787,2199,2728,2885,7],"圣徒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6e0f14b1ca51d7210f8380f45ed8c6e.jpg",[],{"id":2889,"slug":2890,"title":2891,"dynasty":843,"author":156,"museum":67,"description":2892,"tags":2893,"thumbUrl":2895,"material":113,"size":114,"collection":58,"collections":2896,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},288477,"shi-zun-si-fa-shu-wu-yi-ming-288477","世尊寺法书(五)","此作用笔秀逸灵动，牵丝映带温润自然，行笔遒劲舒展，将行书的韵律之美铺陈开来。字形错落排布，章法疏密相宜，乌亮墨色衬以沉暗底纸，晕开古雅沉静的书卷意韵。\n\n书文取《琵琶行》选段，笔墨贴合文辞凄清意境，笔锋回转间暗合江州秋夜的落寞愁思。提按转折皆藏情绪起伏，既保有行书的潇洒自在，又兼具碑刻的厚重质感，让文学意趣与书法美感相融相映，尽显雅致沉静的文人风骨。",[69,373,1646,2894,7,1980],"字帖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3b2d3566e08733963a448ede096155a.jpg",[],{"id":2898,"slug":2899,"title":2900,"dynasty":422,"author":156,"museum":67,"description":2901,"tags":2902,"thumbUrl":2905,"material":113,"size":114,"collection":58,"collections":2906,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275705,"mu-hei-qi-miao-jin-shuang-long-xi-zhu-wen-dou-sheng-yi-ming-275705","木黑漆描金双龙戏珠纹斗笙","以木为骨，髹黑漆作底，描金晕染双龙戏珠，龙躯矫健灵动，金芒在乌色衬托下愈显华贵夺目。修长笙管排布齐整，管身亦饰以细腻描金纹饰，与斗身纹样呼应统一，细节处见匠心。它将雅致审美与乐器实用功能精妙相融，描金工艺细腻入微，龙纹线条劲挺流畅，既承载着传统乐器的礼乐功用，又尽显手工艺人的超凡造诣，是一件兼具审美价值与实用价值的工艺珍品。",[7,2903,1625,930,1837,547,2904],"笙","双龙戏珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa17a354eb69bc2bfd3ed0e22039964fd.jpg",[],{"id":2908,"slug":2909,"title":2910,"dynasty":422,"author":156,"museum":67,"description":2911,"tags":2912,"thumbUrl":2914,"material":113,"size":114,"collection":58,"collections":2915,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275695,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275695","竹红漆描金朵莲纹龙形笛","此器取瑞龙为形，龙头昂首威立，鬃须灵动张扬，尾部蜷曲收束，将神兽威仪融入乐器骨相。朱红为底，描金朵莲环饰管身，金彩明丽，朱漆莹润，古雅华贵的色泽碰撞间，尽显重工髹饰的精巧。它既是可合律而歌的吹奏雅器，亦是陈设赏玩的工艺精品，将实用功能与极致匠心相融，在朱金交辉里晕开东方古韵，藏着旧时手作里的雅致巧思。",[7,1073,1625,1837,547,2913,2221],"朵莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c49c9e6e314fd3df11d3f9b5398cc76.jpg",[],{"id":2917,"slug":2918,"title":2919,"dynasty":422,"author":156,"museum":67,"description":2920,"tags":2921,"thumbUrl":2923,"material":113,"size":114,"collection":58,"collections":2924,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275694,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275694","竹红漆描金云龙纹箫","朱红漆色如凝脂匀覆器身，赤金勾勒的云龙穿梭其间。龙身矫健遒劲，利爪张合间带着磅礴威仪，云纹舒卷灵动，金线流转间似有风雷隐于光影之中。髹漆光润莹亮，纹饰走线细腻流畅，不见分毫滞涩，将漆饰工艺与乐器形制完美相融。\n\n修长器身比例匀停，音孔排布规整妥帖，既承载着雅乐演奏的实用之能，又以华贵纹饰彰显出不俗格调，静穆中透着雍容气度，将传统礼乐的雅致与漆艺装饰美学合二为一，尽显旧时工艺的精妙匠心。",[7,2922,2221,1625,1837,2231,547],"箫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fd02ae37811f198831adf8707d9c272.jpg",[],{"id":2926,"slug":2927,"title":2928,"dynasty":422,"author":156,"museum":67,"description":2929,"tags":2930,"thumbUrl":2932,"material":113,"size":114,"collection":58,"collections":2933,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275510,"tong-hai-luo-yi-ming-275510","铜海螺","它取法天然海螺身形，铜色凝润深沉，包浆晕染出岁月摩挲的痕迹。器身以数道凸棱复刻螺壳旋纹，起伏间还原螺身肌理，线条质朴古拙，将海物的灵趣融于金属的厚重之中。\n\n敞口处保留螺壳原生弧度，仿佛仍能听闻旧时鸣响，肃穆里带着山海的悠远意趣。整体造型写实生动，无繁复雕饰，却将金属冷硬与螺贝柔润巧妙中和，静静承载着旧时光里的沉静韵味。",[286,287,2252,7,285,2931],"海螺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F219f52b22c1db281f97f2b56f7a7b432.jpg",[],{"id":2935,"slug":2936,"title":2937,"dynasty":422,"author":156,"museum":67,"description":2938,"tags":2939,"thumbUrl":2942,"material":113,"size":114,"collection":58,"collections":2943,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},275442,"pao-hu-lu-shi-san-xian-yi-ming-275442","匏葫芦式三弦","以天然匏瓜为双共鸣腔，素木为柄舒展修长，线条清隽雅致。双面板浅刻细密纹饰，刀工朴拙凝练，将山野意趣凝于方寸之间。乌木弦轸配色沉敛，提亮整体色调的同时尽显质感。整体形制融天然意趣与人工匠心为一体，褪去繁复修饰，只留浑朴古雅的气质，既是丝弦正音的雅器，亦是案头清赏的文玩，带着旧时光沉淀下的温润质感，尽显传统工艺的雅致审美意趣。",[7,2940,930,287,2941],"三弦","匏制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf2ad80a7816b80a5223f0c357687a1f.jpg",[],{"id":2945,"slug":2946,"title":2947,"dynasty":422,"author":156,"museum":67,"description":2948,"tags":2949,"thumbUrl":2954,"material":113,"size":114,"collection":58,"collections":2955,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},275441,"mu-jin-qi-long-shou-pao-hu-lu-shi-fan-bu-hu-qin-yi-ming-275441","木金漆龙首匏葫芦式藩部胡琴","此器以匏葫芦为共鸣腔体，通体髹金精雕龙纹，鳞爪灵动，祥云环绕，华贵雍容。朱红木杆莹亮温润，与金匏相映成趣，尽显考究工致。\n\n它糅合游牧乐器的疏朗气质与中原髹漆雕刻工艺的细腻，将瑞龙威仪融于丝竹之器。垂坠的流苏柔化了器物的硬朗，修长琴弓简约古朴，整体器型雅致不失实用，是民族工艺交融的绝佳缩影，静静承载着旧时塞外与中原合鸣的音律雅韵，尽显工艺美学的极致巧思。",[7,2950,2951,930,287,2352,2952,2953],"胡琴","弦乐器","葫芦形","漆艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F277e397fd6c9467a971a2cf96a6beaff.jpg",[],{"id":2957,"slug":2958,"title":2910,"dynasty":422,"author":156,"museum":67,"description":2959,"tags":2960,"thumbUrl":2961,"material":113,"size":114,"collection":58,"collections":2962,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275427,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275427","此器取龙形为骨，龙首作吹口，雕工凌厉，鬃须错落灵动，威严尽显；尾部蜷成出音孔，首尾呼应暗合腾龙之态。竹胎髹朱红漆地，间以描金朵莲纹饰于竹节，赤金明丽朱红浓艳，华贵雅致。\n\n刚劲龙形与柔婉莲纹相映，将祥瑞寓意与工艺美学相融，既是可奏清音的雅器，亦是陈设赏玩的佳物，尽显传统漆作与竹木雕刻工艺的匠心造诣，富丽雅致别具韵味。",[7,2268,547,1625,1837,2221,287,2913],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10ff80008a5cb4196ec253f91e4cb60b.jpg",[],{"id":2964,"slug":2965,"title":2919,"dynasty":422,"author":156,"museum":67,"description":2966,"tags":2967,"thumbUrl":2968,"material":113,"size":114,"collection":58,"collections":2969,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275418,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275418","朱红漆地浓丽沉凝，金彩游龙蜿蜒盘绕其上，龙爪矫健凌厉，龙身舒展灵动，祥云裹挟追随，线条流转舒展，将威严瑞气尽融于竹身之上。\n\n漆色与金彩相互衬映，华丽醒目却丝毫不显俗艳，在本就清雅温润的竹制雅器之上晕开华贵气度，将工艺重工与乐器的恬然气质绝妙融合，静立之间，仿佛仍能窥见往昔丝竹雅韵与旧时审美风华。",[7,2922,2221,1625,1837,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a0851387130705f50f0d4ee76b836b4.jpg",[],{"id":2971,"slug":2972,"title":2973,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":2975,"thumbUrl":2976,"material":113,"size":114,"collection":58,"collections":2977,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275394,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-ying-zhong-yi-ming-275394","铜镀金双龙纽云龙纹编钟-应钟","最早的钟原本是指古代汉族 传统的打击乐器，形状扁圆而中空，盛于春秋战国直至秦汉，多为青铜制，又叫“编钟”，自佛教传入中国后，逐渐变为一种宗教法器的代称，又叫“梵钟”或“半钟”原本叫“犍稚”又叫“信鼓”是寺院为报时、集众而敲击之用。",[7,2004,286,2251,287,547,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f77b4ab327eda5a339db8b2d5d95a7c.jpg",[],{"id":2979,"slug":2980,"title":2981,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":2982,"thumbUrl":2983,"material":113,"size":114,"collection":58,"collections":2984,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275389,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-lin-zhong-yi-ming-275389","铜镀金双龙纽云龙纹编钟-林钟",[286,287,7,547,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff6fe005ca5f1b3863fcd27e0fd67b68.jpg",[],{"id":2986,"slug":2987,"title":2988,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":2990,"thumbUrl":2992,"material":113,"size":114,"collection":58,"collections":2993,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},275351,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-nan-lv-yi-ming-275351","铜镀金双龙纽云龙纹编钟-南吕","印章，用作印于文件上表示鉴定或签署的文具，一般印章都会先沾上颜料再印上，不沾颜料、印上平面后会呈现凹凸的称为钢印，有些是印于蜡或火漆上、信封上的蜡印。制作材质有 玉石、金属、木头、石头等。印章是中国传统文化的代表之一。",[7,286,2251,287,547,2231,2004,2991],"双龙纽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24d5a1f9d855adc5231e644ec6e76d1c.jpg",[],{"id":2995,"slug":2996,"title":2997,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":2998,"thumbUrl":2999,"material":113,"size":114,"collection":58,"collections":3000,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},275343,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-zhong-lv-yi-ming-275343","碧玉描金云龙纹小编磬-仲吕",[689,7,2240,547,1837,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff67fb345eeb90b5491af84e45fe6ed29.jpg",[],{"id":3002,"slug":3003,"title":3004,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":3005,"thumbUrl":3006,"material":113,"size":114,"collection":58,"collections":3007,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},275314,"bi-yu-miao-jin-yun-long-wen-bian-qing-yi-ze-yi-ming-275314","碧玉描金云龙纹编磬-夷则",[7,689,547,1837,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb6e12405fbab7c0e8fe8f9e7344d283.jpg",[],{"id":3009,"slug":3010,"title":3011,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":3012,"thumbUrl":3013,"material":113,"size":114,"collection":58,"collections":3014,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},275301,"bi-yu-miao-jin-yun-long-wen-bian-qing-huang-zhong-yi-ming-275301","碧玉描金云龙纹编磬-黄钟",[689,7,288,1837,547,287,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9758e2aa9a5cdb3037cda55aac0464a0.jpg",[],{"id":3016,"slug":3017,"title":3018,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":3019,"thumbUrl":3021,"material":113,"size":114,"collection":58,"collections":3022,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},275285,"bi-yu-miao-jin-feng-xi-mu-dan-wen-te-qing-nan-lv-yi-ming-275285","碧玉描金凤戏牡丹纹特磬-南吕",[689,7,288,1837,287,3020,1890,69],"凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23e77a11e1c6bc1f7cc433bb42a8a46e.jpg",[],{"id":3024,"slug":3025,"title":3026,"dynasty":101,"author":156,"museum":67,"description":3027,"tags":3028,"thumbUrl":3030,"material":113,"size":114,"collection":58,"collections":3031,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},274755,"yong-le-kuan-huang-tong-ren-shou-bing-bai-tong-ling-yi-ming-274755","永乐款黄铜人首柄白铜铃","鎏金人首法相端严肃穆，眉目沉静慈悲，下承五股金刚提梁，瑞兽蟠踞其上，尽显藏传法器的庄严威仪。白铜铃身纹饰繁而不乱，璎珞垂拂，联珠环绕，浮雕细腻饱满，将神性意蕴与巧夺天工的冶铸技艺相融，汉藏工艺风格在此精妙糅合。整体刚柔并济，古雅厚重，静穆间自有震慑心神的宗教力量，尽显明代宗教造作工艺的上乘水准。",[92,286,7,287,2252,2549,3029],"人首","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6524dbc1b5bae6b1d889cc547eeb9a60.jpg",[],{"id":3033,"slug":3034,"title":3035,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":3036,"thumbUrl":3037,"material":113,"size":114,"collection":58,"collections":3038,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},274620,"ba-yin-he-yi-ming-274620","八音盒",[930,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29390c1e7e78cbfe07b893790794c778.jpg",[],{"id":3040,"slug":3041,"title":3042,"dynasty":422,"author":156,"museum":67,"description":3043,"tags":3044,"thumbUrl":3046,"material":113,"size":114,"collection":58,"collections":3047,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},274613,"tong-du-jin-fa-lang-shi-nv-fu-qin-huai-biao-yi-ming-274613","铜镀金珐琅仕女抚琴怀表","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[2033,399,286,108,823,7,3045,29],"怀表","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83d5231cada717d87ce54d774ee5cd4b.jpg",[],{"id":3049,"slug":3050,"title":3051,"dynasty":422,"author":156,"museum":67,"description":3052,"tags":3053,"thumbUrl":3054,"material":113,"size":114,"collection":58,"collections":3055,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},273371,"ba-wang-bian-yi-ming-273371","霸王鞭","这杆以老竹为骨，肌理凝着岁月浸出的温润包浆，匀整开孔排布通身，素净雅致。两端垂挂青橙彩穗，绒须轻垂，为沉朴的竹杆添了几分灵动亮色。\n\n它曾是乡野庙会里的鲜活主角，执鞭人随乐而动，以杆拍击身畔、地面，竹腔震颤迸发清亮脆响，伴着腾挪舞步，将市井闾巷的热闹欢愉揉入每一次振响。木纹间藏着旧年的喧腾喜乐，把乡土间最质朴的烟火欢愉凝在这一截老竹中，静静留存着往昔民俗里的鲜活温度。",[7,930,3051],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bc345430b49d904aa4ca73cd343a008.jpg",[],{"id":3057,"slug":3058,"title":3059,"dynasty":422,"author":156,"museum":67,"description":3060,"tags":3061,"thumbUrl":3062,"material":113,"size":114,"collection":58,"collections":3063,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},269969,"xiang-ya-diao-ga-ba-la-gu-yi-ming-269969","象牙雕嘎巴拉鼓","鼓身取象牙为材，凝润莹白，器型饱满周正。鼓面蒙制厚韧皮革，墨褐哑光，与象牙的素净形成温润反差。鼓身开光处嵌饰松石与珊瑚，浓丽的青绿与朱红错落点缀，晕开藏地独有的神性色彩，既添华贵，又衬出器物的庄严感。悬系的绳络坠着圆珠，随摆动能叩击鼓面，轻鸣间似能回响雪域梵音。整体融材质之美与信仰之韵于一体，静立间亦能让人触摸到悠远而虔诚的藏地人文脉络。",[2484,287,7,92,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98ec08086652ebe626e415a67be9b3c9.jpg",[],{"id":3065,"slug":3066,"title":3067,"dynasty":422,"author":156,"museum":67,"description":3068,"tags":3069,"thumbUrl":3072,"material":113,"size":114,"collection":58,"collections":3073,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},262317,"guang-cai-ren-wu-tu-wan-yi-ming-262317","广彩人物图碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[2263,3070,29,7,28,1837,3071,788],"广彩","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28964945a5acfa15bd17b6891e5eb2db.jpg",[],{"id":3075,"slug":3076,"title":3077,"dynasty":155,"author":156,"museum":67,"description":3078,"tags":3079,"thumbUrl":3082,"material":113,"size":114,"collection":58,"collections":3083,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},261570,"qing-you-shou-shou-xing-shao-yi-ming-261570","青釉兽首形哨","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[2263,7,3080,3081,54],"兽首","哨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F504d4aa84f926bf5dbdce383c8fb88f5.jpg",[],{"id":3085,"slug":3086,"title":3087,"dynasty":422,"author":156,"museum":67,"description":3088,"tags":3089,"thumbUrl":3093,"material":113,"size":114,"collection":58,"collections":3094,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},260325,"xuan-de-kuan-qing-hua-chi-hu-an-hai-shui-wen-zhong-yi-ming-260325","宣德款青花螭虎暗海水纹钟","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[2263,3090,3091,3092,7],"青花","螭虎","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe96945366b8630e9bed5136de0997a9c.jpg",[],{"id":3096,"slug":3097,"title":3098,"dynasty":422,"author":156,"museum":67,"description":3099,"tags":3100,"thumbUrl":3104,"material":113,"size":114,"collection":58,"collections":3105,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},255877,"nan-chui-di-chang-fang-zhuan-yi-ming-255877","男吹笛长方砖","戴尖顶小帽的乐者横笛贴唇，眉眼虽经风化模糊，却仍能窥见沉醉吹奏的专注神色。双手握笛的姿态沉稳，仿佛耳畔已能听见悠悠笛音漫出粗粝陶土。短打束腰的衣装棱角起伏，衣褶如流云舒展，跨步扭腰的身姿灵动鲜活，将市井乐人的松弛情态凿刻入砖石。朴拙的刀工带着浓郁烟火气，褪去鲜亮色泽的灰砖，将巷陌间随性奏乐的一瞬定格百年，藏着旧时市井里鲜活的悠然意趣。",[688,287,29,7,3101,3102,3103],"砖","男","吹笛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe4655c238f4910c659cd71712c1fdad.jpg",[],{"id":3107,"slug":3108,"title":3109,"dynasty":155,"author":156,"museum":67,"description":2519,"tags":3110,"thumbUrl":3113,"material":113,"size":114,"collection":58,"collections":3114,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":133},253784,"tao-hua-cai-chi-pai-xiao-qi-ma-nan-yong-yi-ming-253784","陶画彩持排箫骑马男俑",[155,3111,3112,28,2266,29,702,7,2230],"陶","画彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac506b08b389dc3fd0b20e21b41ca30b.jpg",[],{"id":3116,"slug":3117,"title":3118,"dynasty":155,"author":156,"museum":67,"description":2519,"tags":3119,"thumbUrl":3120,"material":113,"size":114,"collection":58,"collections":3121,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},253072,"tao-hua-cai-chi-yue-qi-nv-li-yong-yi-ming-253072","陶画彩持乐器女立俑",[2263,2266,28,29,7,287,155],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F687e623e78b7cff7a6f86130a92e677f.jpg",[],{"id":3123,"slug":3124,"title":3125,"dynasty":155,"author":156,"museum":67,"description":3126,"tags":3127,"thumbUrl":3137,"material":113,"size":114,"collection":58,"collections":3138,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},252947,"shi-chui-pai-xiao-ji-le-zuo-xiang-yi-ming-252947","石吹排箫伎乐坐像","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[2493,3128,287,3129,29,7,2230,2521,3130,92,3131,3132,3133,3134,3135,3136],"石雕","伎乐","石质","乐舞","石质雕刻","唐代风格","伎乐形象","乐器演奏","坐像造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd0fb4f4ad8788546ddc5afcf0f8475e.jpg",[],{"id":3140,"slug":3141,"title":3142,"dynasty":422,"author":156,"museum":67,"description":3143,"tags":3144,"thumbUrl":3146,"material":113,"size":114,"collection":58,"collections":3147,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},248555,"jin-qi-chan-zhi-lian-wen-long-xing-di-yi-ming-248555","金漆缠枝莲纹龙形笛","整体取仿竹节形制，首端精雕威严龙首，鬃须灵动分明，气势遒劲雄浑；尾端蜿蜒化作小蛇造型，柔婉别致，刚柔相映成趣。通体髹金，竹节纹理清晰规整，金漆莹润华贵，尽显庄重典雅之气。垂挂的旧绦流苏虽已黯淡枯卷，却沉淀下厚重岁月痕迹，晕开旧时光晕。它既是可奏雅乐的古笛，亦是匠心独运的工艺珍玩，将瑞兽意趣与乐器功能相融，藏着旧时雅韵与匠造巧思，静静诉说往昔礼乐风华。",[2953,287,2460,3145,547,7,54],"缠枝莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab65971f77e24a43e3df0f5c82897ca7.jpg",[],{"id":3149,"slug":3150,"title":3151,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":3152,"thumbUrl":3153,"material":113,"size":114,"collection":58,"collections":3154,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},247021,"qian-long-kuan-ti-hong-shan-shui-ren-wu-gu-qin-tu-bian-yuan-he-yi-ming-247021","乾隆款剔红山水人物鼓琴图扁圆盒",[1625,287,145,29,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf40308027da06e1cd76386d6613fd2d.jpg",[],{"id":3156,"slug":3157,"title":3158,"dynasty":101,"author":156,"museum":67,"description":3159,"tags":3160,"thumbUrl":3161,"material":113,"size":114,"collection":58,"collections":3162,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":133},246074,"ti-hong-xie-qin-fang-you-tu-yuan-he-yi-ming-246074","剔红携琴访友图圆盒","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[1625,2277,28,29,197,7,145,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59fed326871df9c83fc3f343c16619a6.jpg",[],{"id":3164,"slug":3165,"title":3166,"dynasty":422,"author":156,"museum":67,"description":3167,"tags":3168,"thumbUrl":3170,"material":113,"size":114,"collection":58,"collections":3171,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},245974,"jin-bian-zhong-rui-bin-yi-ming-245974","金编钟-蕤宾","通体鎏金熠熠生辉，盖钮双龙交拱，气势沉雄。钟身高浮雕腾龙穿云踏浪，龙爪遒劲张扬，龙姿矫健灵动，祥云层叠翻涌、浪涛卷舒环绕，纹饰层次分明，章法严整。立面錾刻款识隽秀规整，与浮雕浑然相融。下沿辅饰乳钉纹，承古礼器规制，愈显庄重威仪。整体繁饰而不冗杂，鎏金莹润厚重，将皇家的尊贵气度与顶尖造作工艺相融，尽显清代宫廷金属细作的极致工巧，雍容华贵间，凝萃着古代匠人的匠心造诣。",[688,2251,287,7,547,654,3169],"浮雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c31812fde8529ae4c8cb675ae8af412.jpg",[],{"id":3173,"slug":3174,"title":3175,"dynasty":422,"author":156,"museum":67,"description":3176,"tags":3177,"thumbUrl":3179,"material":113,"size":114,"collection":58,"collections":3180,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},245970,"jin-bian-zhong-bei-wu-she-yi-ming-245970","金编钟-倍无射","此器以鎏金铸就，双龙交结为钮，怒目昂头，张力十足。钟身游龙破浪穿云，鳞爪分明，祥云叠绕错落，层次丰盈。正中铭文方正端严，承载礼制底蕴。通体鎏金匀净厚重，华贵雍容尽显宫廷规制。浮雕工艺精湛入微，将龙威云柔的意境刻画得淋漓尽致，是清代金作工艺巅峰之体现，静静晕开往昔雅乐的庄重余韵，尽显皇家礼器的肃穆与华贵。",[2251,7,287,547,54,3178],"清代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0297497a71232bd938c5c0be9d46addd.jpg",[],{"id":3182,"slug":3183,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3185,"thumbUrl":3186,"material":113,"size":114,"collection":58,"collections":3187,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},245275,"kui-wen-zhong-yi-ming-245275","夔纹钟",[1701,285,286,287,2306,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6349553f33ad0191f7f56a5d4c8399d.jpg",[],{"id":3189,"slug":3190,"title":3191,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":3192,"thumbUrl":3195,"material":113,"size":114,"collection":58,"collections":3196,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},245227,"ma-ling-yi-ming-245227","马铃",[2045,285,286,287,3193,3194,54,7],"镶嵌","绿松石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e92474e80e175487a70ec1f3bc3f2ff.jpg",[],{"id":3198,"slug":3199,"title":2061,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3200,"thumbUrl":3201,"material":113,"size":114,"collection":58,"collections":3202,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},245189,"pan-hui-wen-zhong-yi-ming-245189",[285,7,288,286,2064],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95819b6c3b32e52097fb36b2a4e9d51e.jpg",[],{"id":3204,"slug":3205,"title":3206,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3207,"thumbUrl":3208,"material":113,"size":114,"collection":58,"collections":3209,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},245160,"hu-niu-chun-yu-yi-ming-245160","虎钮錞于",[285,286,287,54,2321,507,7,1936],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20fc4fae6d3eae7e162345e973918f5f.jpg",[],{"id":3211,"slug":3212,"title":3213,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3214,"thumbUrl":3215,"material":113,"size":114,"collection":58,"collections":3216,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},245105,"yun-wen-ling-yi-ming-245105","云纹铃",[2015,285,287,654,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11ad5f260f3f1d09790be5fd9012d4cf.jpg",[],{"id":3218,"slug":3219,"title":3220,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3221,"thumbUrl":3223,"material":113,"size":114,"collection":58,"collections":3224,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},244981,"yu-xing-ling-yi-ming-244981","鱼形铃",[2015,285,399,7,286,287,3222],"鱼形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F616023fac104f75939923f53fbceb289.jpg",[],{"id":3226,"slug":3227,"title":3228,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3229,"thumbUrl":3231,"material":113,"size":114,"collection":58,"collections":3232,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},244976,"ji-he-wen-zhong-yi-ming-244976","几何纹钟",[285,286,287,7,2015,3230],"几何纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3967b2581aeaedb83e201bf9f11fd9d.jpg",[],{"id":3234,"slug":3235,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3236,"thumbUrl":3238,"material":113,"size":114,"collection":58,"collections":3239,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},244788,"kui-wen-zhong-yi-ming-244788",[285,7,3237,2306,288],"钟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F134ea086ea3283fbe82421c92f0ea89c.jpg",[],{"id":3241,"slug":3242,"title":2549,"dynasty":155,"author":156,"museum":67,"description":3243,"tags":3244,"thumbUrl":3245,"material":113,"size":114,"collection":58,"collections":3246,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},244732,"ling-yi-ming-244732","圆浑饱满的器身覆着苍绿铜锈，是岁月晕染出的斑驳肌理，带着沉淀的厚重质感。通体素净无饰，仅以一道利落长缝搭配顶部小圆孔，既是传声的巧思，也勾勒出极简的线条韵律。一侧的小环内敛质朴，兼顾悬挂的实用与视觉的平衡。\n\n它褪去繁复华饰，只剩古朴本真的美感，仿佛轻摇之下，便能漾起千年前的清越脆鸣，将旧时光的沉静与鲜活揉裹在铜锈里，藏着往昔日常里的鲜活意趣，拙稚又动人。",[2493,285,286,1702,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8cfdce9533a2d25f5bc6a95013794f1.jpg",[],{"id":3248,"slug":3249,"title":3250,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":3251,"thumbUrl":3252,"material":113,"size":114,"collection":58,"collections":3253,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},244702,"shi-nao-yi-ming-244702","史铙",[2045,285,286,287,7,1442],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dc3f2d829cc265290e5cd7ccbdd2cab.jpg",[],{"id":3255,"slug":3256,"title":2549,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3257,"thumbUrl":3258,"material":113,"size":114,"collection":58,"collections":3259,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},244495,"ling-yi-ming-244495",[282,285,286,7,1702,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2573df94dd5c6beaa9dbefe5fa884bac.jpg",[],{"id":3261,"slug":3262,"title":3263,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3264,"thumbUrl":3265,"material":113,"size":114,"collection":58,"collections":3266,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},244321,"pan-hui-wen-duo-yi-ming-244321","蟠虺纹铎",[282,285,286,287,2064,7,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffc9eeba697b121e7e2a4a63f15c63eb.jpg",[],{"id":3268,"slug":3269,"title":3270,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":3271,"thumbUrl":3272,"material":113,"size":114,"collection":58,"collections":3273,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},244265,"ya-nao-yi-ming-244265","亚铙",[285,2045,286,287,289,1442,7,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb19709168dd0c266a5ec7ec78426f1ee.jpg",[],{"id":3275,"slug":3276,"title":2549,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3277,"thumbUrl":3278,"material":113,"size":114,"collection":58,"collections":3279,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},244172,"ling-yi-ming-244172",[285,286,287,7,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39f179886bce993a86ca1635a3eefb5e.jpg",[],{"id":3281,"slug":3282,"title":3283,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3284,"thumbUrl":3286,"material":113,"size":114,"collection":58,"collections":3287,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},243941,"lei-wen-zheng-yi-ming-243941","雷纹钲",[285,286,7,288,3285,287,1420],"雷纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F312b99419d1dbb58d36498dbea600bdf.jpg",[],{"id":3289,"slug":3290,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3291,"thumbUrl":3292,"material":113,"size":114,"collection":58,"collections":3293,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243824,"ling-yi-ming-243824",[285,2015,286,287,7,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4b5e8b69d561d03d4b1ea5675493d33.jpg",[],{"id":3295,"slug":3296,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3297,"thumbUrl":3298,"material":113,"size":114,"collection":58,"collections":3299,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243821,"ling-yi-ming-243821",[2015,285,286,287,7,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87f51930d0634663c2d563fac647cf58.jpg",[],{"id":3301,"slug":3302,"title":3303,"dynasty":155,"author":156,"museum":67,"description":3304,"tags":3305,"thumbUrl":3307,"material":113,"size":114,"collection":58,"collections":3308,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":133},243754,"bo-yi-ming-243754","钹","这对青铜钹形制古雅素净，无冗余纹饰，仅以利落的弧面线条勾勒出简洁大气的造型。鼓面晕开深浅不一的铜色，斑驳绿锈是时光浸留下的痕迹，带着岁月摩挲出的温润包浆。\n\n中心小孔仿佛还残留着当年系绳的余温，曾经它们金声玉振，或是伴随梵音绕梁，或是助兴盛唐宴乐。如今敛去了千年前的铿锵声响，以沉默的姿态承载往昔风华，将盛唐的恢弘藏于这一对圆器之中，朴素沉静却带着震撼人心的历史厚重感。",[155,286,7,3306,1702],"打击乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1fa8b903e03ef44e622680c92e7c955.jpg",[],{"id":3310,"slug":3311,"title":2549,"dynasty":155,"author":156,"museum":67,"description":3312,"tags":3313,"thumbUrl":3314,"material":113,"size":114,"collection":58,"collections":3315,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243718,"ling-yi-ming-243718","青铜胎骨凝着青褐锈色，是岁月晕开的肌理。桥形系带钮，承托过千年前的丝绦垂挂，器身浅浮雕卷草纹样萦回舒展，将盛唐流丽雅致的审美融于寸厘间。\n\n三足外撇撑起器形，柔化了钟形轮廓的厚重，添了随身器物的灵动。深浅不一的铜锈，是水土与铜胎数百年的交融私语，每一处斑驳都是时光凿刻的印记。静静伫立中，恍若能听见铜铃轻振，穿过千年长风，将大唐巷陌间的温软烟火，悄然藏在这一方古器里。",[2493,285,286,287,7,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ed00cdb6fc44aef70a7c84dbc020937.jpg",[],{"id":3317,"slug":3318,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3319,"thumbUrl":3320,"material":113,"size":114,"collection":58,"collections":3321,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243700,"ling-yi-ming-243700",[1936,285,286,287,7,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c243d3295b7bb451f14a01da0a075a2.jpg",[],{"id":3323,"slug":3324,"title":3303,"dynasty":155,"author":156,"museum":67,"description":3325,"tags":3326,"thumbUrl":3327,"material":113,"size":114,"collection":58,"collections":3328,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243619,"bo-yi-ming-243619","这对青铜旧器，周身晕染着青蓝与黑褐的斑驳铜锈，如时光在金属表面晕开的墨迹。素净盘面未加纹饰，仅以简洁弧面勾勒出沉稳形制，中央穿孔似还留存着系绳敲击的余温。\n\n它曾在宴乐席间振响，将往昔丝竹钟鼓的热闹、雅乐的庄重，都凝铸进锈蚀肌理中。沉静的金属质感裹着岁月厚重，让观者仿佛能听见千年前的余韵穿时空而来，触碰旧时光里鲜活的声色。",[2493,286,7,285,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94ec9305c084a5e2ee16c4f53d36e3db.jpg",[],{"id":3330,"slug":3331,"title":1439,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":3332,"thumbUrl":3333,"material":113,"size":114,"collection":58,"collections":3334,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243616,"shou-mian-wen-ling-yi-ming-243616",[285,286,7,287,1442,2045],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9374f8ae2110d4b73f11e8d21a3bcb2b.jpg",[],{"id":3336,"slug":3337,"title":1439,"dynasty":2043,"author":156,"museum":67,"description":1728,"tags":3338,"thumbUrl":3339,"material":113,"size":114,"collection":58,"collections":3340,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243615,"shou-mian-wen-ling-yi-ming-243615",[2045,285,286,287,507,7,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff61114ea8d43e9c669982b8a615cfb85.jpg",[],{"id":3342,"slug":3343,"title":2549,"dynasty":155,"author":156,"museum":67,"description":3344,"tags":3345,"thumbUrl":3346,"material":113,"size":114,"collection":58,"collections":3347,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243614,"ling-yi-ming-243614","桥形钮敦实简约，撑起修长器身，自上而下微微敞阔。铜色昏沉斑驳，锈迹爬满周身，是百年岁月浸淫留下的印记。浅浮雕纹饰已然模糊，却仍能窥见当年工整构图的余韵，身侧小圆孔，曾系挂铃舌，静候振铃作响。底部弧足出戟，打破垂直线条的板正，为厚重器形添了几分灵动。\n\n它褪去浮华装饰，尽显实用之器的沉稳大气，仿佛还能听见千年前，它伴着车马、仪典轻晃，清鸣穿透悠悠时光，将旧时日常与仪礼的余韵，静静留存至今。",[2493,285,286,287,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c22cd242df693259b7c323a8332c1d5.jpg",[],{"id":3349,"slug":3350,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3351,"thumbUrl":3352,"material":113,"size":114,"collection":58,"collections":3353,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},243496,"pan-chi-wen-zhong-yi-ming-243496",[285,7,288,286,287,1419,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa171efd68106754075dd5f7a73d7a05e.jpg",[],{"id":3355,"slug":3356,"title":3357,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3358,"thumbUrl":3360,"material":113,"size":114,"collection":58,"collections":3361,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},243490,"hu-wen-zhong-yi-ming-243490","虎纹钟",[285,7,286,287,3359,282],"虎纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8aed1732114ff5ae3d200667c19141e.jpg",[],{"id":3363,"slug":3364,"title":3365,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3366,"thumbUrl":3367,"material":113,"size":114,"collection":58,"collections":3368,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},243489,"shou-wen-zhong-yi-ming-243489","兽纹钟",[285,286,287,7,507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98bdf8e68aa0f38c83d44608535a4415.jpg",[],{"id":3370,"slug":3371,"title":3237,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3372,"thumbUrl":3374,"material":113,"size":114,"collection":58,"collections":3375,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},243311,"zhong-yi-ming-243311",[285,7,288,286,1702,287,1701,290,3373],"钟形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a8e2504a2438e9405bf5d25b18e7e70.jpg",[],{"id":3377,"slug":3378,"title":3379,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3380,"thumbUrl":3382,"material":113,"size":114,"collection":58,"collections":3383,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},242994,"pan-qiu-wen-bo-yi-ming-242994","蟠虯纹镈",[285,286,287,7,288,1420,3381,507,547],"蟠虯纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8e4ae514832cd2249aa3932d3c1ab76.jpg",[],{"id":3385,"slug":3386,"title":3387,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":3388,"thumbUrl":3389,"material":113,"size":114,"collection":58,"collections":3390,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},242993,"qiao-niu-bian-bo-yi-ming-242993","桥钮编镈",[285,7,286,287,289,282],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4df002f8925ada303b31b53ac395a96.jpg",[],{"id":3392,"slug":3393,"title":3394,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3395,"thumbUrl":3397,"material":113,"size":114,"collection":58,"collections":3398,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},242938,"su-zhong-yi-ming-242938","素钟",[2015,285,7,286,3396],"素面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3dd80061496f4c668c76ebdda350788a.jpg",[],{"id":3400,"slug":3401,"title":3394,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3402,"thumbUrl":3404,"material":113,"size":114,"collection":58,"collections":3405,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},242936,"su-zhong-yi-ming-242936",[285,7,54,286,3396,3403],"汉代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c2381299b5089df9b6dec672826ffde.jpg",[],{"id":3407,"slug":3408,"title":3409,"dynasty":843,"author":2580,"museum":67,"description":2581,"tags":3410,"thumbUrl":3412,"material":113,"size":114,"collection":58,"collections":3413,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},232436,"he-er-bai-yin-95-he-er-bai-yin-232436","荷尔拜因95",[847,848,29,2128,31,993,7,582,75,930,3411],"肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe997fd61ad679e8b357c613df98f8529.jpg",[],{"id":3415,"slug":3416,"title":3417,"dynasty":843,"author":2580,"museum":67,"description":2581,"tags":3418,"thumbUrl":3421,"material":113,"size":114,"collection":58,"collections":3422,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},232368,"he-er-bai-yin-27-he-er-bai-yin-232368","荷尔拜因27",[413,2583,2199,3419,29,716,7,1538,1539,3420],"黑白","线刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F697fb2bf35ae605812d9167183c1bfb2.jpg",[],{"id":3424,"slug":3425,"title":3426,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":3427,"thumbUrl":3431,"material":113,"size":114,"collection":58,"collections":3432,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},232343,"a-er-ma-70-lao-lun-si-a-er-ma-ta-de-ma-232343","阿尔玛70",[25,847,2096,1539,1801,3428,7,2840,3429,3430],"古代庆典","花卉装饰","热闹场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0548085ede5c332e703feff8f6c6bfc4.jpg",[],{"id":3434,"slug":3435,"title":3436,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":3437,"thumbUrl":3445,"material":113,"size":114,"collection":58,"collections":3446,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},232336,"a-er-ma-63-lao-lun-si-a-er-ma-ta-de-ma-232336","阿尔玛63",[847,848,28,2329,29,2128,1800,7,3438,1538,3439,1635,1802,1805,3440,1809,2601,3441,3442,212,3443,744,1807,3444],"里拉琴","古典柱式","大海","长袍","兽皮","红色花卉","白墙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45153139f73deb51ec20f97ef97eb0ba.jpg",[],{"id":3448,"slug":3449,"title":3450,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":3451,"thumbUrl":3454,"material":113,"size":114,"collection":58,"collections":3455,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},232315,"a-er-ma-42-lao-lun-si-a-er-ma-ta-de-ma-232315","阿尔玛42",[847,28,848,29,30,7,212,3452,2585,3453,991,2601],"藤蔓","平台","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad7ebced2e4a9709ff372372d8ee2de5.jpg",[],{"id":3457,"slug":3458,"title":3459,"dynasty":843,"author":1796,"museum":67,"description":1797,"tags":3460,"thumbUrl":3465,"material":113,"size":114,"collection":58,"collections":3466,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":296},232296,"a-er-ma-23-lao-lun-si-a-er-ma-ta-de-ma-232296","阿尔玛23",[847,848,28,3461,29,7,3462,582,992,212,2600,3463,2601,2334,32,250,304,994,3464],"古典题材","静物","卧榻","人物场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18351da96fe54544990753c4fb0b325a.jpg",[],{"id":3468,"slug":3469,"title":3470,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":3471,"thumbUrl":3475,"material":113,"size":114,"collection":58,"collections":3476,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},232225,"dancer-on-stage-circa-hamburger-kunsthalle-germany-oil-on-canvas-de-jia-232225","Dancer on Stage - circa - Hamburger Kunsthalle (Germany) - oil on canvas",[847,2614,2642,7,3472,941,2643,29,3473,3474],"海洋","油彩","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0986d338664a4f8b14eaf46d648ccdcb.jpg",[],{"id":3478,"slug":3479,"title":3480,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":3481,"thumbUrl":3482,"material":113,"size":114,"collection":58,"collections":3483,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},232177,"degas-father-listening-to-lorenzo-pagans-museum-of-fine-arts-usa-de-jia-232177","Degas Father Listening to Lorenzo Pagans - - - Museum of Fine Arts (USA)",[847,28,29,7,2128,2951,733],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb51334bc9cb79536c2d8082e81f6f121.jpg",[],{"id":3485,"slug":3486,"title":3487,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":3488,"thumbUrl":3491,"material":113,"size":114,"collection":58,"collections":3492,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},232125,"de-jia-65-de-jia-232125","德加65",[3489,3490,29,7,2614,857],"色粉","速写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51e9f279d11c030353ed6996c016541d.jpg",[],{"id":3494,"slug":3495,"title":3496,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":3497,"thumbUrl":3498,"material":113,"size":114,"collection":58,"collections":3499,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},232085,"mlle-fiocre-in-the-ballet-la-source-brooklyn-museum-of-art-usa-de-jia-232085","Mlle Fiocre in the Ballet - La Source - - - Brooklyn Museum of Art (USA)",[847,28,29,702,237,941,7,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81e0d8a7639b9073c379b9e6206d9370.jpg",[],{"id":3501,"slug":3502,"title":3503,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":3504,"thumbUrl":3511,"material":113,"size":114,"collection":58,"collections":3512,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},232082,"musicians-in-the-orchestr-stadelsches-kunstinstitut-franfurt-germany-de-jia-232082","Musicians in the Orchestr - - Stadelsches Kunstinstitut - Franfurt (Germany)",[847,2614,3505,7,3506,29,2643,856,304,3507,3508,2875,3509,3510],"音乐家","芭蕾舞演员","演奏者","舞蹈者","色彩表现","管弦乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F866f1c057460f59283e8339815255508.jpg",[],{"id":3514,"slug":3515,"title":3516,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":3517,"thumbUrl":3520,"material":113,"size":114,"collection":58,"collections":3521,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},232081,"musicians-in-the-orchestra-also-known-as-portrait-of-desire-dihau-fine-arts-museums-of-de-jia-232081","Musicians in the Orchestra (also known as Portrait of Desire Dihau) - - Fine Arts Museums of",[847,2614,29,2128,7,3518,733,2343,3474,3519],"单簧管","场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01674ca1d143ce1322312f818740d425.jpg",[],{"id":3523,"slug":3524,"title":3525,"dynasty":843,"author":2611,"museum":67,"description":2612,"tags":3526,"thumbUrl":3533,"material":113,"size":114,"collection":58,"collections":3534,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},231974,"the-cafe-concert-corcoran-gallery-of-art-usa-de-jia-231974","The Cafe Concert - - Corcoran Gallery of Art (USA)",[2614,3527,29,7,733,2644,3528,3529,3530,857,1544,3531,3507,447,3532],"色粉画","长裙","帽子","社交场景","光影效果","互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5480b1426fba945c8714c0dae8d32f30.jpg",[],{"id":3536,"slug":3537,"title":3538,"dynasty":422,"author":156,"museum":67,"description":3539,"tags":3540,"thumbUrl":3542,"material":113,"size":114,"collection":58,"collections":3543,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},229765,"zha-ma-lu-gu-yi-ming-229765","札嘛噜鼓","这是一件兼具宗教意涵与工艺美感的随身法器。小巧的八角鼓身蒙皮凝着岁月包浆，质朴古拙。下衔流云纹饰件与藏蓝宝珠，垂落数幅织绣飘带。绣带配色浓烈鲜活，以精妙针艺缂绣出花木山石，或是重瓣牡丹艳红灼目，或是幽芳花卉伴石而生，山野生机跃然丝面。\n它将宗教仪轨的庄肃，融合民间织绣的柔美工巧，既作为法会中摇奏的法器，亦是清代手工艺的精巧缩影，藏着高原文化独有的灵动意趣。",[688,7,54,92,28,212,582,3541,802,287,2601],"刺绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc616fa42084d26024163af0cdc141b93.jpg",[],{"id":3545,"slug":3546,"title":3547,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":3548,"thumbUrl":3549,"material":113,"size":114,"collection":58,"collections":3550,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},227029,"wang-zhang-zi-zhong-yi-ming-227029","王长子钟",[285,286,287,1702,54,288,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f2e79958f68ae12bb9b147168c39d69.jpg",[],{"id":3552,"slug":3553,"title":3554,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":3555,"thumbUrl":3558,"material":113,"size":114,"collection":58,"collections":3559,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},225562,"fu-shi-hui-35-yi-ming-225562","浮世绘35",[1462,413,29,30,7,472,581,508,3556,3557],"窗景","服饰花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25f240da6a710cd26854de3895e4e0a5.jpg",[],{"id":3561,"slug":3562,"title":3563,"dynasty":843,"author":156,"museum":67,"description":1460,"tags":3564,"thumbUrl":3565,"material":113,"size":114,"collection":58,"collections":3566,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},225531,"fu-shi-hui-289-yi-ming-225531","浮世绘289",[1462,1634,28,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57445408abdea5b0ced6f379fd6c2be9.jpg",[],{"id":3568,"slug":3569,"title":3570,"dynasty":422,"author":156,"museum":67,"description":3571,"tags":3572,"thumbUrl":3573,"material":34,"size":58,"collection":58,"collections":3574,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},216182,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-1-ce-20-yi-ming-216182","职贡图巨幅彩绘册页第1册-20","画面分左右两帧，各绘一人。左者发髻精致，着蓝领红衣、墨绿褶裙，赤足持物，衣袂绣纹隐约；右者束发裹巾，身披蓝衫、下着青裤，腿缠白缕，赤足横抱长管乐器，姿态憨朴。人物衣饰色彩明丽，线条工细，写实中见生动。旁侧题跋墨书详述，与图像呼应，似为边疆族群风貌的纪实写照。整幅笔触细腻，色彩和谐，既展现人物鲜活情态，亦蕴含对异域文化的观察记录，兼具艺术价值与史料意义。",[23,24,28,27,426,29,31,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4be89223127ba56ac3a19d2580035e50.jpg",[],{"id":3576,"slug":3577,"title":3578,"dynasty":422,"author":156,"museum":67,"description":3579,"tags":3580,"thumbUrl":3581,"material":34,"size":58,"collection":58,"collections":3582,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},216064,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-3-ce-17-yi-ming-216064","职贡图巨幅彩绘册页第3册-17","画面分绘二人，情态各异。左者青衫绿领，红绦束腰，深裙衬朱盘，蓝胫赤足捧器而立，姿态恭谨；右者首簪羽翎，墨衣佩绿珠，紫裙系蓝带，持管吹奏神情悠然。衣纹流转细腻，色彩古雅温润，线条简练传神，尽显工笔彩绘之精致。发式、配饰、衣褶的刻画，既存族群风貌之真，又含艺术提炼之美。两侧题跋与图像相映，藏着对边地族群的观察记录，既是清代民族交流的鲜活见证，也彰显传统绘画写实与人文的双重力量。",[23,24,51,426,28,27,29,7,31,399],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14121e373b1da935253ecb6ad24769ba.jpg",[],{"id":3584,"slug":3585,"title":3586,"dynasty":422,"author":156,"museum":540,"description":3587,"tags":3588,"thumbUrl":3590,"material":34,"size":58,"collection":58,"collections":3591,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":62},215980,"di-jian-tu-shuo-cai-hui-ben-28-yi-ming-215980","帝鉴图说彩绘本-28","红墙绿瓦的宫殿巍然矗立，檐角翘飞似欲凌云，雕花栏杆的台阶延伸而上，尽显宫廷威仪。台阶之上，人物或立或揖，衣袂翩跹间神态宛然，似正演绎一场君臣相论的场景。庭院里，数人或执器奏乐、或垂手侍立，动作错落鲜活；右侧苍松挺拔，松枝如墨痕舒展，晕染出几分古雅静谧；左侧建筑朱红与青绿交织，色彩明丽却不失温润。整幅画以细腻工笔勾勒人物动态与建筑细节，将宫廷的庄重氛围与生活的鲜活气息巧妙融合，每一处线条皆见匠心，每一抹色彩都藏韵味，尽显传统重彩画的独特魅力。",[24,25,51,426,27,28,29,236,495,485,7,124,3589],"遣使赐恤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F835bfd2c9e287bb8fde8d1bc1f289731.jpg",[],{"id":3593,"slug":3594,"title":3595,"dynasty":422,"author":156,"museum":67,"description":3596,"tags":3597,"thumbUrl":3598,"material":263,"size":1453,"collection":58,"collections":3599,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215803,"min-jian-yan-zou-tu-ce-6-yi-ming-215803","民间演奏图册-6","画面里，孩童安坐于粉色台座，明黄上衣与翠绿长裤撞出鲜活暖意，黑布鞋衬得模样憨态可掬。他双手握定乐器，唇贴吹口，眉眼间满是专注，似正让民间曲调的婉转在指尖流淌。线条稚拙却藏着生动，色彩明丽又不失质朴，仿佛那悠扬乐声已从纸面溢出，裹挟着巷陌里的烟火气息，将平凡时光里的细碎欢愉凝成了一幅鲜活的剪影。",[688,28,27,29,7,426,1451],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6543919c1869e24131e5ce97ebca46ff.jpg",[],{"id":3601,"slug":3602,"title":3603,"dynasty":422,"author":156,"museum":67,"description":3604,"tags":3605,"thumbUrl":3606,"material":263,"size":1453,"collection":58,"collections":3607,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215802,"min-jian-yan-zou-tu-ce-2-yi-ming-215802","民间演奏图册-2","孩童的发式藏着旧时光的印记，明黄短衫如暖阳般鲜亮，翠绿袖管似新柳垂落，粉紫裤装裹着灵动的腿脚，黑白布鞋踏得稳当。他仰首抬臂，双手捧着圆鼓似的器物，边缘红绸带如火焰轻舞，仿佛咚咚的欢快节奏正从画面溢出。留白的背景让视线全然聚焦于孩童身上，他眉眼间的认真劲儿混着天真稚气，将民间日常里的小乐趣勾勒得活灵活现，满是烟火气与纯粹的欢喜，恰似一阵带着暖意的风，吹开了旧时光里的生活画卷。",[688,28,27,29,7,426,1451],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1d365ea17536ef92002d10ee88e4be5.jpg",[],{"id":3609,"slug":3610,"title":3611,"dynasty":422,"author":156,"museum":67,"description":3612,"tags":3613,"thumbUrl":3614,"material":263,"size":1453,"collection":58,"collections":3615,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215801,"min-jian-yan-zou-tu-ce-5-yi-ming-215801","民间演奏图册-5","紫绸长袍垂落如温柔的暮色，青绿裤管衬得足尖黑白分明，一抹朱红坐具似是热闹生活里的点睛之笔。怀中弦乐器轮廓圆润，弦丝隐现，仿佛正待指尖轻拢慢捻，淌出民间巷陌的悠然曲调。人物眉眼间凝着专注，似已沉醉于乐声里，将日常的闲逸与对生活的热爱，都揉进这一方小小的画面中。\n\n没有繁复技法，却以鲜活色彩与传神神态，勾勒出民间艺人的生动瞬间——那是烟火气里的诗意，是岁月沉淀下的质朴欢愉，每一处细节都在诉说平凡生活里的温暖与鲜活，让观者仿佛能听见弦上流淌的、属于旧时光的悠然余韵。",[688,27,28,29,7,1451,426],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d55e686aad154e50ed60b7a1d0e1cb3.jpg",[],{"id":3617,"slug":3618,"title":3619,"dynasty":422,"author":156,"museum":67,"description":3620,"tags":3621,"thumbUrl":3622,"material":263,"size":1453,"collection":58,"collections":3623,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215800,"min-jian-yan-zou-tu-ce-3-yi-ming-215800","民间演奏图册-3","紫色衣袍裹着闲适身姿，绿裤红袜衬出几分鲜活，人物端坐于绿垫之上，头戴缀红小帽，眉眼间凝着专注。纤细支架托着温润小鼓，鼓边深色饰纹若隐若现，鼓槌轻扬欲落，似将细碎节拍揉进风里。画面笔触简淡却鲜活，晕染着清时民间的烟火气——没有繁复技法，只以素净色彩勾画出寻常日子里的悦耳瞬间，让观者仿佛能听见那轻软鼓声，漫过旧时光的缝隙，触到民间生活里藏着的温柔生机。",[24,28,27,29,7,1451,688,426],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa89000f8b24daa8fb8021f0ac8d50571.jpg",[],{"id":3625,"slug":3626,"title":3627,"dynasty":422,"author":156,"museum":67,"description":3628,"tags":3629,"thumbUrl":3630,"material":263,"size":1453,"collection":58,"collections":3631,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215799,"min-jian-yan-zou-tu-ce-7-yi-ming-215799","民间演奏图册-7","绿衫粉裤的男子踞坐于纹案小凳，怀抱琵琶半垂眸，指尖似凝着未散的弦声。青绿与粉红的撞色明快鲜活，带着市井烟火里的质朴暖意。琵琶弧面泛着温润光泽，琴头分叉造型古拙可爱；衣袂褶皱轻软，裤脚垂落至布鞋边，每一处细节都透着生活的松弛感。人物神情恬淡专注，仿佛正于巷陌一隅自弹自乐，把寻常日子过成了带弦音的诗。画风稚拙却传神，将民间艺人的日常瞬间定格，满是传统器乐的韵味与尘世的鲜活意趣。",[426,28,29,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71aa6ba096fc4d9d5db8e706b8e8cbe5.jpg",[],{"id":3633,"slug":3634,"title":3635,"dynasty":422,"author":156,"museum":67,"description":3636,"tags":3637,"thumbUrl":3638,"material":263,"size":1453,"collection":58,"collections":3639,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215798,"min-jian-yan-zou-tu-ce-9-yi-ming-215798","民间演奏图册-9","黄衫绿裤的身影静坐着，指尖捻动管乐，气息漫过唇边铜质的喇叭口。衣料的色彩鲜活如旧时光里的糖画，粉色坐具衬得画面暖融融的。他眉眼低垂，专注的神态似要把周遭的喧嚣都揉进乐声里——那是市井巷陌常闻的调子，混着叫卖声、孩童笑闹，成了烟火气里最生动的注脚。笔锋虽简，却把民间艺人的从容与乐声的婉转凝在绢上。铜器的冷光与衣料的暖色调撞出鲜活的张力，仿佛轻轻一触，就能听见穿越百年的旋律：带着糖炒栗子的焦香，裹着巷口茶馆的喧闹，是寻常日子里最动人的余韵。这帧小画，藏着民间生活的热乎气，把街头巷尾的热闹底色，都织进了绢丝的纹理里。",[688,28,27,29,7,31,582],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff00ca6ba24478697a288cb9102aecdab.jpg",[],{"id":3641,"slug":3642,"title":3643,"dynasty":422,"author":156,"museum":67,"description":3644,"tags":3645,"thumbUrl":3646,"material":263,"size":1453,"collection":58,"collections":3647,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215796,"min-jian-yan-zou-tu-ce-10-yi-ming-215796","民间演奏图册-10","画面里的孩童着明黄短衫配粉紫长裙，衣纹轻浅如拂过巷弄的风。手中鼓身棕褐，肌理似浸了烟火的陶土，一旁橙红支架斜倚，线条拙朴却带着生活的温度。笔触不事雕琢，色彩温润明快，将民间演奏的日常凝于素净底色上。孩童神态沉静，仿佛乐声正从鼓面漫出，没有繁复布景，仅以简素衬出器物与人物的鲜活。这帧小画像旧时光里遗落的信笺，藏着市井的烟火气与寻常人的热忱，简而不薄，淡却有味，把民间艺术的纯粹与生活的真趣，悄悄揉进了每一笔色彩里。",[688,28,27,29,7,1451,426],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbfb9f9162aab328a48437e1c48324e4.jpg",[],{"id":3649,"slug":3650,"title":3651,"dynasty":422,"author":156,"museum":67,"description":3652,"tags":3653,"thumbUrl":3654,"material":263,"size":1453,"collection":58,"collections":3655,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215795,"min-jian-yan-zou-tu-ce-11-yi-ming-215795","民间演奏图册-11","画面中，人物身着紫衫绿裤，踞坐于饰有暗纹的粉物之上，一手握琴杆，一手引弓弦，神态专注，似正沉浸于乐声之中。淡雅的色彩晕染出悠然的市井氛围，每一处衣褶的勾勒、每一丝神情的描摹，都藏着民间生活的鲜活意趣。仿佛能听见那弦上流淌的婉转曲调，将寻常日子里的乐声与烟火气，凝作纸上生动的一瞬。这帧小画以细腻笔触捕捉民间演奏的日常，没有繁复铺陈，却让市井里的悠然与乐声，在方寸间静静流淌。",[24,51,426,27,28,29,7,1451],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bb0dbfe286ca2ddff210ee4ec1888d2.jpg",[],{"id":3657,"slug":3658,"title":3659,"dynasty":422,"author":156,"museum":67,"description":3660,"tags":3661,"thumbUrl":3662,"material":263,"size":1453,"collection":58,"collections":3663,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215794,"min-jian-yan-zou-tu-ce-4-yi-ming-215794","民间演奏图册-4","画面里的人物衣饰鲜活，粉色短衫配宝蓝立领，明黄裤脚边垂着翠色绣纹布幅，色彩明快得像巷口的春日暖阳。他一手攥鼓槌，一手托圆鼓，指节微弯似正待敲出清脆的声响，眉眼间带着几分自在的专注。线条勾勒简练却见功力，衣褶的软垂、布料的肌理藏在细腻笔触里，连鞋头的墨痕都透着生活的实感。这幅小画像截取了清代市井的一个片段，鼓点未响，却已能感受到烟火气里浮动的乐声，满是民间艺人的日常意趣与平凡中的鲜活欢愉。",[24,51,426,27,28,29,7,688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08f4e56376d4ecec5b09509d73e90746.jpg",[],{"id":3665,"slug":3666,"title":3667,"dynasty":422,"author":156,"museum":67,"description":3668,"tags":3669,"thumbUrl":3670,"material":263,"size":1453,"collection":58,"collections":3671,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215791,"min-jian-yan-zou-tu-ce-12-yi-ming-215791","民间演奏图册-12","粉衫黄裤的身影立于素净背景前，清代民间的鲜活气息自衣褶间漫出。他手持纹饰精巧的乐器与鼓槌，指尖似凝着未散的韵律，专注的神态里藏着市井生活的热络。身旁青绿物件添了几分明快，色彩搭配质朴却鲜活。画面虽简，却将民间演奏的生动瞬间定格，仿佛能听见那穿越时光的乐声，把寻常日子里的烟火气与艺术意趣揉成一抹温暖的记忆，尽显民俗风情的动人之处。",[688,24,51,426,27,28,1451,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a38900e38e0680a9c52eea4bcaa47e5.jpg",[],{"id":3673,"slug":3674,"title":3675,"dynasty":422,"author":156,"museum":67,"description":3676,"tags":3677,"thumbUrl":3678,"material":388,"size":58,"collection":58,"collections":3679,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215341,"bai-miao-jie-tou-mai-mai-hua-ce-216-yi-ming-215341","白描街头买卖画册-216","白描线条如行云流水，勾勒出僧人与鼓的生动图景。僧人衣纹简洁流畅，右臂高举鼓槌，左臂微张，似欲击鼓的瞬间被精准捕捉，动态感十足。高立的鼓架结构分明，圆鼓鼓身的纹理与铆钉细节毕现，线条的粗细转折间，器物的质感与人物的神态皆呼之欲出。无设色却韵味悠长，极简笔墨中仿佛能感知鼓鸣将起的沉浑，传递出古朴宁静的气息，尽显白描以线塑型、以形传神的独特魅力，将平凡场景定格成耐人寻味的画面。",[23,24,51,426,413,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32bffaad77238377278a383dd9e4cd59.jpg",[],{"id":3681,"slug":3682,"title":3683,"dynasty":422,"author":156,"museum":67,"description":3684,"tags":3685,"thumbUrl":3686,"material":388,"size":58,"collection":58,"collections":3687,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215335,"bai-miao-jie-tou-mai-mai-hua-ce-221-yi-ming-215335","白描街头买卖画册-221","墨线轻勾，执笛者的身影浸在市井的细碎烟火里。纤细却筋骨分明的线条，勾勒出帽檐的软弧、衣袂的褶皱，连背囊悬垂的流苏都带着灵动。他唇贴笛管，指节轻按，似有清越笛音随墨痕漫出——那是街头小贩招揽生意的寻常一刻，却被白描的素净定格成雅致帧画。竹笛横斜，背囊里的乐器隐现，每一笔都藏着对生活细节的捕捉：没有浓墨重彩，只以极简线条，将生计里的从容与悠扬凝在纸间。这帧小画如一缕掠过老巷的风，携着竹笛的清响，也裹着人间烟火的温软余味。",[23,413,426,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffdeafa4deced4cd8cbc7df19841b20b.jpg",[],{"id":3689,"slug":3690,"title":3691,"dynasty":422,"author":156,"museum":67,"description":3692,"tags":3693,"thumbUrl":3695,"material":388,"size":58,"collection":58,"collections":3696,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215313,"bai-miao-jie-tou-mai-mai-hua-ce-244-yi-ming-215313","白描街头买卖画册-244","白描线条如行云流水，轻勾市井一隅的闲淡。人物端坐桌旁，手持长物神态悠然，似在轻吟岁月的细碎。桌案简洁，器物静静陈列，悬挂的布幔褶皱宛然，晕开生活的温润。素净笔触里藏着旧街烟火，没有浓墨重彩，却以极简之笔将平凡瞬间凝练成静美小品。细劲线条勾勒的不仅是形，更是时光的温度，让观者于素白间触摸到市井日常的悠长韵味，仿佛旧风拂过纸面，轻叩记忆的门扉。",[23,24,51,426,413,29,3694,7],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8106beaffb7dbf5d8011092034ff8c2.jpg",[],{"id":3698,"slug":3699,"title":3700,"dynasty":422,"author":156,"museum":67,"description":3701,"tags":3702,"thumbUrl":3703,"material":388,"size":58,"collection":58,"collections":3704,"showCount":267,"zanCount":40,"manualWeight":40,"mainColor":41},215220,"bai-miao-jie-tou-mai-mai-hua-ce-337-yi-ming-215220","白描街头买卖画册-337","墨线流转如丝，勾勒出人物端坐椅上的娴静姿态。纤指轻拢慢捻，弦上意韵似欲溢出纸面。衣袂褶皱随身形舒展，线条起落间藏着衣物的柔软质感；椅具轮廓简洁利落，几笔勾勒便见器物的朴实质地。\n\n以线立形，以形传神。无浓墨重彩，却将人物专注的神情、指尖的细腻动作刻画得真切动人。弦乐器的构件细节清晰，与人物姿态相映成趣，似能闻得一缕轻缓弦音，漫过简素的画面。\n\n笔墨间藏着清人白描的含蓄意趣，于简约中见生动。画面虽简，却以凝练的线条捕捉到日常瞬间的淡然况味，仿佛时光在此刻慢下来，让观者在素净笔墨里感受到那份静穆的生活气息。",[23,24,51,413,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F542b183cb3212cc8e549385d3b12f1e6.jpg",[],{"id":3706,"slug":3707,"title":3708,"dynasty":422,"author":156,"museum":67,"description":3709,"tags":3710,"thumbUrl":3712,"material":113,"size":114,"collection":58,"collections":3713,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275710,"zi-tan-mu-xiao-pai-ban-yi-ming-275710","紫檀木小拍板","这方拍板肌理细腻温润，经年摩挲的包浆晕开柔亮的光泽，木纹如缕，凝着时光沉郁的温度。形制极简规整，边角打磨柔和匀净，隐透着内敛雅致的匠意。垂落的黑色流苏虽有些许蓬乱，却带着俗世戏台的烟火余温，曾在檀木脆响里，伴着鼓乐丝竹，唱尽坊间故事与梨园雅韵。它不再奔赴场间的喧闹，只把旧时曲艺的鲜活往昔，封存在深浅交错的木纹里，静诉着传统说唱艺术的悠悠过往。",[7,930,3711],"拍板","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae852988901d90daea62ba25fb8da278.jpg",[],{"id":3715,"slug":3716,"title":3717,"dynasty":422,"author":156,"museum":67,"description":3718,"tags":3719,"thumbUrl":3721,"material":113,"size":114,"collection":58,"collections":3722,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275707,"zhu-hong-qi-yue-yi-ming-275707","竹红漆籥","此器以竹为骨，通体髹朱红漆，莹润鲜亮，历经岁月仍色泽匀净明丽。器身修长舒展，线条柔和流畅，开孔排布匀整有度，既贴合乐器吹奏的实用章法，又带着视觉上的匀称美感。\n\n红漆之下竹质肌理隐约可感，质朴竹骨与妍丽朱色相映，素雅间带着庄重古雅的气韵，尽显旧时工艺的内敛雅致。它曾婉转奏响丝竹雅音，如今静默伫立，仍能让人遥想往昔雅集间的清越笛音，是兼具审美性与实用性的古物遗存。",[7,1625,3720],"竹质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b386e26c24365d9635636260d7b81b3.jpg",[],{"id":3724,"slug":3725,"title":2900,"dynasty":422,"author":156,"museum":67,"description":3726,"tags":3727,"thumbUrl":3729,"material":113,"size":114,"collection":58,"collections":3730,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275704,"mu-hei-qi-miao-jin-shuang-long-xi-zhu-wen-dou-sheng-yi-ming-275704","竹管参差错落，棕褐肌理尽显天然朴拙，以竹篾束起，规整中带着灵动层次。下部斗身与弯柄髹漆黑如墨，描金勾勒双龙戏珠，金彩熠熠生辉，龙形矫健翻腾，云纹萦绕烘托出华贵气场。\n\n它将乐器的实用属性与工艺美学相融，竹的清隽素雅与漆金的富丽堂皇相映成趣，是传统工艺匠心的缩影，静静伫立间，尽显古雅庄重的旧时气韵，凝缩着过往礼乐文化的雅致内核。",[7,930,1625,1837,547,3728],"斗笙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2c6374da2ffa8564f2ca8202939c0a7.jpg",[],{"id":3732,"slug":3733,"title":3734,"dynasty":422,"author":156,"museum":67,"description":3735,"tags":3736,"thumbUrl":3737,"material":113,"size":114,"collection":58,"collections":3738,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275702,"xiao-tong-bo-yi-ming-275702","小铜钹","黄铜质地裹挟岁月包浆，斑驳铜绿爬过边缘，是时光镌刻的痕迹。圆润胴部形制古朴，系着的旧布绳带着经年摩挲的毛边，仿佛还留存着过往执握的温度。\n\n它无繁复纹饰，尽显古拙本真，仿佛依然能漾开清越脆亮的声响，或是伴随民俗雅乐，或是融于法事仪典，将旧时的鲜活乐韵凝于一身，静静沉淀出沉静古韵，藏着过往市井与雅堂里的声声余响。",[7,286,285],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12def218d99ab8fe232a161ae19b5d86.jpg",[],{"id":3740,"slug":3741,"title":3742,"dynasty":422,"author":156,"museum":67,"description":3743,"tags":3744,"thumbUrl":3746,"material":113,"size":114,"collection":58,"collections":3747,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275701,"mu-cai-hua-zhong-he-shao-le-chu-yi-ming-275701","木彩画中和韶乐柷","它作为雅乐重器，器身以工笔晕染出苑囿山水，青绿着色雅致悠然，亭台楼榭错落于烟岚翠嶂之间，层次分明古韵盎然。鎏金木框勾勒出规整形制，与工丽彩画相映，尽显庄重典雅。器身开孔契合礼乐实用之需，底座浮雕纹饰古拙繁复，凝萃着传统木作工艺的精巧。整体将绘画意趣与礼器规制相融，工细彩笔晕染出宫廷苑囿的雅致图景，鎏金构件烘托出肃穆礼制氛围，是工艺审美与礼乐功能的精妙结合，尽显传统造物之美。",[7,930,3745,495,236,145,54],"彩画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a95ccd8a2d971bdad5f0c5a2abf002.jpg",[],{"id":3749,"slug":3750,"title":3751,"dynasty":422,"author":156,"museum":67,"description":3752,"tags":3753,"thumbUrl":3755,"material":113,"size":114,"collection":58,"collections":3756,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275700,"hong-mu-dan-bi-da-le-pai-ban-yi-ming-275700","红木丹陛大乐拍板","取整料红木斫成五片直板，错落排布，纹理沉敛细腻，色泽古雅醇厚。黄绳束系器身，兼具收纳之便与点缀之美，包浆温润凝实，是岁月浸润留下的痕迹。\n\n它曾作为朝贺大礼的奏乐之器，起落叩击间规整雅乐节奏，承载着宫廷仪典的庄重肃穆，静静晕开旧时皇家礼乐的厚重规制，将清代典制礼乐的肃穆氛围凝于一身。",[7,3711,930,3754],"红木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F147bb1ba7e2c6088e4072025103e03c3.jpg",[],{"id":3758,"slug":3759,"title":3760,"dynasty":422,"author":156,"museum":67,"description":3761,"tags":3762,"thumbUrl":3764,"material":113,"size":114,"collection":58,"collections":3765,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275699,"zhong-ni-shi-qin-yi-ming-275699","仲尼式琴","此琴髹色沉黑莹润，朱红七弦蜿蜒其上，明暗撞色尽显雅致沉静。琴面徽位排布匀整，暗合古音律精妙，藏着古人对天地声律的参悟。琴尾描金题字笔力稳敛，晕开厚重的岁月质感。整体身形线条舒展儒雅，尽显中正平和的气质，简约形制里藏着旧时文人寄情丝弦、静悟山水的审美意趣。历经时光磨洗，漆面带着光阴沉淀的温润，仿佛仍能听见昔日指尖拨弄间流淌的清越琴音，静静诉说着传统雅乐里的悠悠风雅，是一件兼具审美价值与文化重量的佳器。",[7,820,3763,930,1625,2951],"仲尼式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe94adff2328c34592e5d1e3ed2ec758.jpg",[],{"id":3767,"slug":3768,"title":3760,"dynasty":422,"author":156,"museum":67,"description":3769,"tags":3770,"thumbUrl":3771,"material":113,"size":114,"collection":58,"collections":3772,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275698,"zhong-ni-shi-qin-yi-ming-275698","它通体凝着沉郁黑漆，似敛藏了百年松烟的沉静，漆面带着岁月摩挲过的温润包浆。朱红丝弦横贯琴身，如赤绦牵起古今雅意，与素净底色撞出明丽反差。琴面徽点似檐下星子，暗合律吕之奥。尾端金题墨字，笔力沉凝，让古雅文气落于实处。\n\n身形轮廓舒展端方，线条简练中正，恰如君子立世的风骨。仿佛指尖轻拨，泠泠音声便会漫溢而出，携着松间林风、石上泉声，将昔时文人林下操缦的幽情逸致，封存在这一方木骨之中，藏尽东方礼乐的清逸风雅。",[7,820,3763,2951,1625,930],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F049b6c7a97bc6df2d50807ae1c9f3767.jpg",[],{"id":3774,"slug":3775,"title":3760,"dynasty":422,"author":156,"museum":67,"description":3776,"tags":3777,"thumbUrl":3778,"material":113,"size":114,"collection":58,"collections":3779,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275697,"zhong-ni-shi-qin-yi-ming-275697","此器身形制端雅，苍黑漆面凝敛着岁月晕染的温润质感，朱红七弦横亘其上，明暗相映，愈发衬出古雅沉静的气质。琴面徽点错落排布，暗循古法乐理的精妙章法，将传统丝弦雅乐的匠心藏于形制细节之间。\n轻拨可聆清越余韵，静穆之中流转着悠悠古韵，暗合旧时文人寄情修身的风雅意趣，将华夏礼乐文化的绵长底蕴凝缩于一器，带着沉稳制琴匠心，静静诉说着旧时琴道的清雅风骨，是传统雅器遗存的鲜活缩影。",[7,820,930,3763],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5554d5910eb14514978b393554c3b11f.jpg",[],{"id":3781,"slug":3782,"title":3783,"dynasty":422,"author":156,"museum":67,"description":3784,"tags":3785,"thumbUrl":3786,"material":113,"size":114,"collection":58,"collections":3787,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275696,"mu-hei-qi-miao-jin-yun-long-wen-dou-sheng-yi-ming-275696","木黑漆描金云龙纹斗笙","以木为骨，髹黑漆作底，描金云龙蜿蜒游走，龙姿矫健威严，祥云缠环绕衬，尽显华贵威仪。质朴笙管古雅温润，与描金漆斗形成视觉反差，既留存古乐器的实用肌理，又以重工妆点彰显器物不凡格调。\n\n整体形制修长典雅，描金工艺细致入微，纹饰排布疏密相宜，将传统髹漆绝技与礼乐器具精妙相融，尽显旧时手作的极致匠心与古典审美意趣，是漆艺与乐器制作结合的上乘佳器。",[7,930,1625,1837,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8548480303468fdaab058d054e8d2342.jpg",[],{"id":3789,"slug":3790,"title":3791,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":3792,"thumbUrl":3793,"material":113,"size":114,"collection":58,"collections":3794,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275693,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-wu-she-yi-ming-275693","碧玉描金云龙纹编磬-倍无射",[689,1837,547,7,2240,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3258f061a9e0a36552fbe625975e0e0.jpg",[],{"id":3796,"slug":3797,"title":3798,"dynasty":422,"author":156,"museum":67,"description":3799,"tags":3800,"thumbUrl":3801,"material":113,"size":114,"collection":58,"collections":3802,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275692,"tu-an-sheng-zhi-qin-yi-ming-275692","涂闇生制琴","此琴髹色沉穆匀净，木胎轮廓舒展雅致，无冗余装饰，尽显简淡风骨。琴底纳音槽开制工整，可见造器时的细致考量。丝弦妥帖张于琴身，琴尾老绳结带着岁月摩挲出的温润包浆，静静诉说过往弦歌时光。它敛去浮华，以素朴之姿承载旧时雅趣，触手仿佛能感知匠人造器时的沉心与专注，静立之间，古拙琴音似犹在耳畔轻漾。",[7,820,930,1625],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9545ab7177375e5068b1c4ab9e4abc4e.jpg",[],{"id":3804,"slug":3805,"title":3806,"dynasty":422,"author":156,"museum":67,"description":3807,"tags":3808,"thumbUrl":3809,"material":113,"size":114,"collection":58,"collections":3810,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275690,"yi-shao-shan-zhuo-qin-yi-ming-275690","易少山斲琴","此琴身形修长舒展，轮廓线条温润内敛，宛若敛衽而立的谦谦君子。髹色沉穆古雅，晕染出层叠厚重的岁月包浆，凝着旧时光的沉静质感。\n\n七弦平直延展，承续千年丝桐雅韵，岳山、琴轸等构件简约精巧，与琴身浑然相融。轻拨弦索，泠泠声响恰似山涧松风穿林，又如月下潮声拍岸，将旧时文人林泉隐逸的幽怀尽数倾诉。它以素朴之形承载中式极简哲思，是器物与雅道的合璧，静静叙说着寄情丝桐、以琴明心的往昔风雅。",[7,820,930],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5329d664013285b3925868e9a728323d.jpg",[],{"id":3812,"slug":3813,"title":3814,"dynasty":422,"author":156,"museum":67,"description":3815,"tags":3816,"thumbUrl":3817,"material":113,"size":114,"collection":58,"collections":3818,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275689,"can-lei-qin-yi-ming-275689","“残雷”琴","此琴身形制古雅起伏，如残雷震后流云跌宕，线条苍劲朴拙，带着旧时光打磨出的沉敛气度。墨色漆面凝着百年包浆，温润哑光似浸过岁月的幽潭。琴徽如星子错落，暗合天地韵律排布，藏着中式音律的隐秘意趣。尾端垂落的琴穗枯褐松垮，带着山野古拙的意趣，与琴身的沉静内敛相映成趣。\n\n它静伫便自带清冷古韵，仿佛指尖落弦的刹那，就能漾开泠泠清音，将松风涧鸣、旧日文客的林下襟怀揉入弦声，是东方雅趣的凝练缩影，藏着中式美学里含蓄深沉的山水诗意，将匠人的心血与旧时风雅凝于一琴之中。",[7,820,930,2951],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9401cd1ec9dd50e0efde1a531c10963b.jpg",[],{"id":3820,"slug":3821,"title":3822,"dynasty":422,"author":156,"museum":67,"description":3823,"tags":3824,"thumbUrl":3825,"material":113,"size":114,"collection":58,"collections":3826,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275682,"xiao-tong-tang-luo-yi-ming-275682","小铜铴锣","器形圆浑素雅，周身不见繁复纹饰，经年摩挲的包浆晕开柔和柔光，似凝着旧时光的温度。\n\n它曾是市井乡间的鲜活注脚，镗然脆鸣撞破巷陌晨昏，唤醒节庆里的鼓乐喧闹，也传递过市集开市、乡社集会的烟火讯号。朴拙无饰的器身，将所有工巧让渡给实用与声响，每一处斑驳锈迹都是岁月的烙印，静静封存着旧时巷弄里的喧嚷暖意与鲜活的民俗日常。",[286,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc05aef75f979352787ce6fe79988a32b.jpg",[],{"id":3828,"slug":3829,"title":3830,"dynasty":422,"author":156,"museum":67,"description":3831,"tags":3832,"thumbUrl":3833,"material":113,"size":114,"collection":58,"collections":3834,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275681,"dan-pi-gu-yi-ming-275681","单皮鼓","素白皮面晕染着浅淡岁月痕迹，对称排布的两方墨拓人物，袍纹古拙舒展，仪态端静安和，似取法传统戏文行当，带着旧时戏台的温厚意趣。上方钤印方正古朴，朱色虽褪仍见篆刻章法。\n\n鼓沿凝着经年摩挲的包浆，整体无繁复雕饰，将民俗意趣融于日常器物之中。静静承载着旧时声韵余温，把市井闲趣、戏台余音封存在这一方皮面里，是藏在民间小物里的旧日风情，平和冲淡里浸着淡远烟火气。",[7,854,53,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92e739a3884c0f0b1969661ca55c380a.jpg",[],{"id":3836,"slug":3837,"title":3838,"dynasty":422,"author":156,"museum":67,"description":3839,"tags":3840,"thumbUrl":3841,"material":113,"size":114,"collection":58,"collections":3842,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275454,"hong-qi-cai-hua-yun-long-wen-zhong-he-shao-le-xun-yi-ming-275454","红漆彩画云龙纹中和韶乐埙","此器取水滴之形，朱红漆地鲜亮华贵，描金纹饰灵动传神。游龙矫健盘绕，穿曳于舒卷祥云之间，线条纤细流畅，填金饱满匀净，龙身鳞爪分毫毕现，尽显遒劲威仪。祥云环簇其间，柔婉的云纹中和了龙的刚猛，让整器既有宫廷雅器的庄重规整，又带着髹漆工艺的精巧雅致。\n它将髹漆装饰与礼乐之器相融，漆面莹润亮泽，纹饰疏密相宜，静立间晕染出古雅华贵的宫廷气韵，是工艺与礼乐文化交织的精巧之作。",[7,2459,1625,3745,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac42100bc6021e31d544b3ec0090b005.jpg",[],{"id":3844,"slug":3845,"title":3838,"dynasty":422,"author":156,"museum":67,"description":3846,"tags":3847,"thumbUrl":3848,"material":113,"size":114,"collection":58,"collections":3849,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275453,"hong-qi-cai-hua-yun-long-wen-zhong-he-shao-le-xun-yi-ming-275453","朱红漆底沉稳雍容，描金游龙蜿蜒穿梭于舒卷祥云之间，龙鳞刻画细密灵动，身姿遒劲却不张扬，祥云卷转如意，金彩在暖红底色晕染下愈显华贵。\n蛋形器型温润雅致，漆色历经年月依旧饱满匀净，描金虽带着古旧的时光痕迹，却更添沉静古韵。它既是礼制雅乐之器，亦是匠心漆艺之作，将瑞龙纹融于乐器之上，暗合中正祥和的礼乐本心，静静伫立间，仿佛能窥见旧时庙堂之上的雍容乐声，藏着东方传统工艺与宫廷美学的绵长余韵。",[1625,7,547,2231,3745],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88cd54575f9c148b82fd4dfaaab1f935.jpg",[],{"id":3851,"slug":3852,"title":3838,"dynasty":422,"author":156,"museum":67,"description":3853,"tags":3854,"thumbUrl":3855,"material":113,"size":114,"collection":58,"collections":3856,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275452,"hong-qi-cai-hua-yun-long-wen-zhong-he-shao-le-xun-yi-ming-275452","以朱红漆为底，描金勾勒云龙纹饰。游龙身姿矫健灵动，于卷云之间辗转腾挪，龙鳞须爪分毫毕现，云纹舒卷飘逸，烘托出磅礴威仪。\n古雅卵形器型承继远古陶埙形制，髹漆工艺令器表莹润亮泽，历久弥新。作为雅乐之用，器身开孔暗藏礼乐规制，金红配色浓烈庄重，尽显宫廷器物的华贵格调。\n它将礼器的肃穆气韵与工艺美学相融，既是可奏古雅乐声的乐器，亦是精妙考究的工艺藏品，静静承载着旧时宫廷雅乐的庄重意涵。",[7,1625,547,3745,2231,2459,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f37b5f413ee4a04530ec463e064e2ff.jpg",[],{"id":3858,"slug":3859,"title":3742,"dynasty":422,"author":156,"museum":67,"description":3860,"tags":3861,"thumbUrl":3863,"material":113,"size":114,"collection":58,"collections":3864,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275451,"mu-cai-hua-zhong-he-shao-le-chu-yi-ming-275451","主体画面瑞狮蓝身翠鬃，怒目张颔，雄姿勃发，踞于石台之上。卷云纹环伺四周，衬以艳红繁花与幽绿草叶，尽显威灵祥瑞之意。侧面辅以仙山楼阁图景，烟霭缥缈，意境清逸古雅。\n\n器物以木为胎，髹金饰边，底座雕刻层叠纹饰，线条辗转流畅，尽显华贵庄重。整器融彩绘工艺与木雕技法，敷色沉厚朴拙，将礼乐重器的规整制式与传统瑞兽祈福的意趣结合，尽显手工艺的精湛水准，藏着古雅庄重的礼乐文化意涵。",[930,7,3745,28,507,3862],"瑞兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e000b362d33c10e663ef4610652e686.jpg",[],{"id":3866,"slug":3867,"title":3868,"dynasty":422,"author":156,"museum":67,"description":3869,"tags":3870,"thumbUrl":3873,"material":113,"size":114,"collection":58,"collections":3874,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275450,"mu-zhi-cai-hua-zhong-he-shao-le-chu-yi-ming-275450","木质彩画中和韶乐柷","方正端庄的木胎造型，以描金边框勾勒轮廓，提亮器物形制。四壁彩绘晕染柔和雅致，海面浪涛层叠翻涌，祥云舒展缭绕，仙鹤振翅穿云，姿态灵动悠然。仙鹤伴云涛，既有海晏河清的太平祥瑞之意，也暗含长寿升平的美好祈愿。正面开孔为发声之用，将礼乐器具的肃穆礼制属性，融于传统吉祥审美意趣之中。木作髹绘工艺细致入微，色彩搭配协调和谐，把实用功能与装饰美学精妙结合，是兼具礼制内涵与艺术价值的精致器具。",[930,3745,7,3871,654,3872],"仙鹤","水波","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb0ff54a74819b8316a89e3cece883ab.jpg",[],{"id":3876,"slug":3877,"title":3878,"dynasty":422,"author":156,"museum":67,"description":3879,"tags":3880,"thumbUrl":3881,"material":113,"size":114,"collection":58,"collections":3882,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275449,"mu-cai-hua-zhong-he-shao-le-xiao-chu-yi-ming-275449","木彩画中和韶乐小柷","青绿晕染叠嶂青山，沥粉贴金勾勒殿宇飞檐，朱红宫室错落隐于苍松流云之间，宛若缥缈仙家胜境。彩画工整妍丽，设色明雅沉静，金线在木色底色映衬下愈显华贵庄重。画师将仙山楼阁的空灵意境与器物礼制感相融，笔触细致妥帖，晕染自然柔和，既带着皇家工艺的规整富丽，又借山水楼宇铺展出悠然出尘的世外意趣，尽显清代装饰绘画的工致秀雅之风。",[930,7,3745,495,28,236,145],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8b31e6025722f38f6a791425dc51c32.jpg",[],{"id":3884,"slug":3885,"title":3886,"dynasty":422,"author":156,"museum":67,"description":3887,"tags":3888,"thumbUrl":3889,"material":113,"size":114,"collection":58,"collections":3890,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275448,"jin-qi-cai-hua-yun-long-wen-bo-fu-gu-yi-ming-275448","金漆彩画云龙纹搏拊鼓","此器髹漆明丽莹润，鼓身饱满圆融。鼓面彩绘云龙，矫龙盘虬腾跃，云气迤逦缠绕，线条舒展灵动，设色古雅沉静，将威肃磅礴的气韵尽藏于方寸之间。鼓沿缀饰乳钉与缠枝花卉，刚柔相济，兽首衔环肌理写实，古拙雄浑，兼具实用与装饰意趣。\n\n层叠基座浮雕莲瓣、回纹，雕工圆润饱满，步步铺陈出庄重典雅的气度。整器繁简相宜，将髹漆、彩画与木雕工艺精妙融合，既有规整大气的制式美感，又不失手工营造的灵动细节，尽显传统工艺的华美厚重。",[7,930,287,2460,3745,2352,854],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6d14eba31b8cb3557150fafc8bd940d.jpg",[],{"id":3892,"slug":3893,"title":3886,"dynasty":422,"author":156,"museum":67,"description":3894,"tags":3895,"thumbUrl":3896,"material":113,"size":114,"collection":58,"collections":3897,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275447,"jin-qi-cai-hua-yun-long-wen-bo-fu-gu-yi-ming-275447","鼓身饱满丰润，金漆裹身明丽莹润，尽显华贵气韵。鼓面彩绘云龙，龙躯矫健腾跃，云纹迤逦环绕，设色调和古雅，走线细腻灵动，将瑞兽神威描摹得淋漓尽致。鼓身以朱红铜珠为饰，兽首系钮浮雕凸起，为莹润金漆增添威严厚重之感。\n\n下配须弥雕花底座，层叠繁复，自上而下雕饰莲瓣、卷草纹样，层次分明繁而不杂，将整器的庄重典雅烘托到极致。集髹漆、彩画、雕刻工艺于一身，尽显造器极致匠心，是礼制器物与美学工艺融合的典范。",[7,854,930,2460,3745,2352,287,1625],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff877262fc8400b27837a103b7f75241e.jpg",[],{"id":3899,"slug":3900,"title":3760,"dynasty":101,"author":156,"museum":67,"description":3901,"tags":3902,"thumbUrl":3903,"material":113,"size":114,"collection":58,"collections":3904,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":3905},275446,"zhong-ni-shi-qin-yi-ming-275446","此琴造型端雅肃穆，古漆凝敛着深褐包浆，断纹隐现如岁月皴痕，晕开百年沉郁风华。龙池凤沼形制规整，金弦静伏琴身，尾穗垂落似旧年余绪。\n\n它以极简身形承载东方雅韵，暗合君子藏锋守拙的风骨，指尖轻触仿佛能唤起松间鸣泉的太古清音，将旧时文人寄情山水、以琴修身的意趣封存在木纹之中，静默诉说着旧时光里的清雅余味。",[7,930,820,3760],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc59a04dbd15c2b11c0520408889d97e.jpg",[],"FFFFFF",{"id":3907,"slug":3908,"title":3760,"dynasty":422,"author":156,"museum":67,"description":3909,"tags":3910,"thumbUrl":3911,"material":113,"size":114,"collection":58,"collections":3912,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275445,"zhong-ni-shi-qin-yi-ming-275445","此器形制雅致内敛，线条简约舒展，承袭经典制式的端庄风骨。漆面沉静乌润，历经岁月晕染出温润包浆，琴面徽位错落如星，暗合天地节律。七弦紧绷，似凝着旧时泠泠余韵，垂落的素色流苏，晕开一抹清隽雅致。\n\n它曾是文人寄怀山水、修身澄心的良伴，指尖拂过弦间，便将东方雅意缓缓铺陈，每一处弧度都藏着传统工艺的沉心匠意，静默伫立间，便漾开幽远绵长的古雅余味，晕染出中式美学的隽永底色。",[54,7,820,930],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe00c25576e6d97e97a34350955f333e0.jpg",[],{"id":3914,"slug":3915,"title":3760,"dynasty":422,"author":156,"museum":67,"description":3916,"tags":3917,"thumbUrl":3918,"material":113,"size":114,"collection":58,"collections":3919,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275444,"zhong-ni-shi-qin-yi-ming-275444","此器线条古雅内敛，通体髹漆凝厚温润，漫着岁月沉淀的沉静质感。素面无饰，岳山琴轸简净雅致，暗合儒门谦和中正的风骨。徽位排布严整，暗蕴天地数理之妙，七弦张弛有度，轻拨之下，可奏太古清音，抒寄幽怀。尾端朱红流苏轻垂，墨色沉凝间点染一抹灵动，恰似君子藏器待时，于简素中尽显风雅。将华夏文人寄情林泉、澄心修身的意趣熔铸其中，抚之如晤古贤，静聆松涛涧鸣，悠悠然俗虑尽消。",[7,820,930,2951],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac7a56bfdcb59522277576e82d8edee6.jpg",[],{"id":3921,"slug":3922,"title":3783,"dynasty":422,"author":156,"museum":67,"description":3923,"tags":3924,"thumbUrl":3925,"material":113,"size":114,"collection":58,"collections":3926,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275440,"mu-hei-qi-miao-jin-yun-long-wen-dou-sheng-yi-ming-275440","这件古笙形制典雅大气，斗部髹漆黑如墨夜，以描金技法晕染云龙纹饰。金漆明丽鲜亮，祥龙身姿矫健蜿蜒，鳞爪张弛有力，祥云舒卷环绕其间，线条灵动流畅，尽显华贵雍容的气度。\n竹制笙管排布齐整，色泽沉润古雅，周身裹着岁月浸润出的莹润包浆，带着时光摩挲的温润质感。\n它既是奏出雅乐的礼乐器物，亦是精工细作的工艺珍品，将传统吉祥寓意藏于纹饰，把匠心巧思凝于器身，静静晕开旧时礼乐文化的悠悠古韵。",[7,3728,1625,1837,547,930,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda4a1398feef9ad21912c73bf04364a9.jpg",[],{"id":3928,"slug":3929,"title":3783,"dynasty":422,"author":156,"museum":67,"description":3930,"tags":3931,"thumbUrl":3932,"material":113,"size":114,"collection":58,"collections":3933,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275439,"mu-hei-qi-miao-jin-yun-long-wen-dou-sheng-yi-ming-275439","髹黑漆为底，描金云龙纹游走器身，龙姿矫健腾跃，云纹舒卷灵动，填金饱满匀净，黑金地色衬得纹饰华贵庄重。\n\n笙管排布齐整，竹面凝着经年温润质感，皮质束带雅致妥帖，牢牢束起音管。弯形执柄打磨圆润趁手，端头骨质构件素雅点睛，兼顾审美与实用。\n\n这件雅器融礼乐功能与匠心工艺为一体，将瑞兽祥纹的吉庆意蕴融入乐器形制，尽显手作的细腻工巧，静静沉淀着旧时礼乐风华，是工艺与古乐美学的精妙结合。",[7,2903,1625,1837,2231,930],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fd5c4adc14eaafcc68765addd084c79.jpg",[],{"id":3935,"slug":3936,"title":3937,"dynasty":422,"author":156,"museum":67,"description":3938,"tags":3939,"thumbUrl":3941,"material":113,"size":114,"collection":58,"collections":3942,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275438,"mu-hei-qi-miao-jin-long-feng-yun-wen-dou-sheng-yi-ming-275438","木黑漆描金龙凤云纹斗笙","以黑漆为底，描金晕染龙凤云纹，龙凤矫健身姿于流云间辗转腾挪，线条细腻舒展，尽显灵动华贵。竹制笙管排布规整，皮箍束合兼具牢固性与装饰感，髹漆工艺匀净考究，历经年岁仍葆莹润光泽，描金纹饰带着时光浸蚀的浅淡痕迹，更衬古韵悠然。\n它将传统髹漆描金工艺与古器乐形制相融，既是礼制雅乐中的实用之器，也是承载东方审美的工艺佳构，细节之间藏着手艺人的匠心巧思，静静晕开旧时礼乐文化的雅致风华。",[7,930,1625,1837,2352,3940,654,2903],"凤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07593a32427fc1a4fb0689a07cebde44.jpg",[],{"id":3944,"slug":3945,"title":3946,"dynasty":422,"author":156,"museum":67,"description":3947,"tags":3948,"thumbUrl":3949,"material":113,"size":114,"collection":58,"collections":3950,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275437,"mu-hei-qi-dou-sheng-yi-ming-275437","木黑漆斗笙","此器素黑漆裹身，竹管依长短错落层叠，以棕丝环束规整。上端骨质簧片素洁雅致，与沉色竹管相映，下端漆斗圆润，配骨质吹嘴，古拙中带着清雅质感。\n\n它凝萃着旧时匠人的精妙巧思，管身排布暗合声学妙谛，髹漆工艺让器身历经岁月仍沉稳内敛。静默伫立间，仿佛仍能遥想往昔它奏响的雅乐，是传统礼乐文化的具象载体，带着时光沉淀的温润，尽显古乐器的雅致匠心与东方审美意趣。",[7,930,1625,2903],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0156cfa8a3c588bb6e2975d85932e4d1.jpg",[],{"id":3952,"slug":3953,"title":3954,"dynasty":422,"author":156,"museum":67,"description":3955,"tags":3956,"thumbUrl":3959,"material":113,"size":114,"collection":58,"collections":3960,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275436,"zhu-guan-yi-ming-275436","竹管","这件乐器以硬竹为身，深褐底色凝润沉静，两端以骨质饰件收束，温润的象牙白与竹色相映，雅致内敛。吹口簧片取天然材料制成，朴拙自然。管身开孔匀齐规整，是匠人手作的精巧体现。\n\n它褪去繁复装饰，以简约形制诉说旧时工艺温度，历经岁月摩挲，仍能窥见旧时民间器乐的审美意趣。轻启簧片，仿佛便能听见清越乐声流转，带着古早的悠然意韵，尽显传统乐器的素雅风骨与沉静匠心。",[7,3957,2221,2484,3958],"管乐器","吹奏乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c41729565169a1d3b4f5bf85de9650e.jpg",[],{"id":3962,"slug":3963,"title":3954,"dynasty":422,"author":156,"museum":67,"description":3964,"tags":3965,"thumbUrl":3966,"material":113,"size":114,"collection":58,"collections":3967,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275435,"zhu-guan-yi-ming-275435","管身呈沉郁乌褐，两端以素洁骨质饰件收束，暗棕与莹白撞出雅致观感。七孔匀整排布于管身，是匠人反复校准的精巧用心。顶端芦簧肌理仍清晰可见，仿佛依旧能抖落旧时光里的清越声响。\n\n它弃绝繁饰，以极简形制勾勒中式器乐的尚朴美学，将古早的丝竹雅意凝于这一方窄管。静静伫立间，带着岁月浸润的温润余韵，暗合旧时文人寄情音声的澹澹意趣。",[7,2221,3957],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F508995921504ebfe27fb2558d85ac231.jpg",[],{"id":3969,"slug":3970,"title":3954,"dynasty":422,"author":156,"museum":67,"description":3971,"tags":3972,"thumbUrl":3973,"material":113,"size":114,"collection":58,"collections":3974,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275434,"zhu-guan-yi-ming-275434","紫褐竹身为骨，莹白骨饰衔于两端与吹接之处，素净配色自带清雅古意，沉郁竹色衬着润白骨质，愈发显得朴拙温润。匀整排布的七孔，循着传统气鸣乐器的规制而成，吹管无多余雕饰，尽显匠人内敛克制的审美意趣。\n\n它静静沉淀着旧时光余温，曾在旧时被人轻握掌心，吐纳之间流淌出悠然乡音，是民间俗乐风貌的具象缩影，将往昔的丝竹雅韵凝于一身，静默诉说着传统器乐的雅致底蕴。",[7,3957,2221,2484],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F705d1f93d22576843e6f0dd54a1bcba3.jpg",[],{"id":3976,"slug":3977,"title":3954,"dynasty":422,"author":156,"museum":67,"description":3978,"tags":3979,"thumbUrl":3980,"material":113,"size":114,"collection":58,"collections":3981,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275433,"zhu-guan-yi-ming-275433","管身取老竹制得，深棕肌理莹润沉敛，两端以素白素骨饰件收束，冷暖色调相映，朴雅和谐。八孔齐整排布，开孔圆匀走线规整，可见匠人手制的细腻心思。顶端竹簧形制古拙，历经年岁仍保持规整形态，仿佛还留存着旧时丝竹雅集的余韵。\n\n它形制简约却藏古法营造的巧思，不事雕琢却尽显中式器物的内敛美学，握于手中可感竹骨温润，静置案头亦是一方雅致陈设，将实用与审美融于一身，承载着旧时雅乐的悠悠意趣，尽显东方造物的含蓄风雅。",[7,2221,2484,3957],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dede34dc5597a98df1fb7a1663ef3fd.jpg",[],{"id":3983,"slug":3984,"title":2910,"dynasty":422,"author":156,"museum":67,"description":3985,"tags":3986,"thumbUrl":3987,"material":113,"size":114,"collection":58,"collections":3988,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275431,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275431","此笛以苍龙塑身，龙首雕刻灵动威严，鳞片刻画细腻写实，将吹奏之器化作瑞兽身姿。器身以朱红为底，描金勾勒朵朵青莲，朱色浓艳衬得金彩鲜亮夺目，纹样排布齐整雅致，在华贵中透着清雅禅意。音孔暗藏于纹饰之间，将实用与雅饰完美相融，既保留竹笛的礼乐之用，又以精妙工艺承载祥龙瑞莲的美好寓意，尽显这份匠艺的雅致精巧，是传统工艺与礼乐文化交织的精妙造物。",[7,2268,547,1625,1837,2221,2913],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d3fdfa1a6b1cfea360fbc2c5a372029.jpg",[],{"id":3990,"slug":3991,"title":2910,"dynasty":422,"author":156,"museum":67,"description":3992,"tags":3993,"thumbUrl":3994,"material":113,"size":114,"collection":58,"collections":3995,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275430,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275430","此笛以竹为骨，龙首作吹口，鬃须张弛、鳞爪分明，描金晕染出威灵神态，蜷曲身形宛若游龙将醒。通体髹朱红漆地，以描金绘就朵莲，顺着竹节依次铺陈，朱赤与赤金交相辉映，华贵雅致。\n它将雕刻、髹漆与描金工艺相融，把礼乐之用与工艺美学结合，瑞龙衔音、莲纹缀身，让朴素竹材蜕变为兼具雅韵与威仪的工艺精品，藏着旧时匠人精妙的造物巧思。",[7,2268,547,3720,1625,1837,287,2913],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F514f883d06ea39b32cb3b5af1eea1dfc.jpg",[],{"id":3997,"slug":3998,"title":2910,"dynasty":422,"author":156,"museum":67,"description":3999,"tags":4000,"thumbUrl":4001,"material":113,"size":114,"collection":58,"collections":4002,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275429,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275429","龙首昂然为笛首，鳞纹肌理刻画入微，将清雅乐器与瑞兽威仪相融。朱红漆底鲜亮沉凝，描金勾勒朵莲缠枝纹饰，分段排布于竹身之上，金红交辉，古雅华贵。作为竹制雅器，它兼顾吹奏实用，又以重工髹饰承载传统审美，匠造精工与礼乐意趣合二为一，尽显清代手工技艺的雅致格调。",[7,1625,3720,1837,547,287,1073,2913],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38aa7308f1abcccc862079bf88858315.jpg",[],{"id":4004,"slug":4005,"title":2910,"dynasty":422,"author":156,"museum":67,"description":4006,"tags":4007,"thumbUrl":4008,"material":113,"size":114,"collection":58,"collections":4009,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275428,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275428","以竹为骨，朱漆髹底，描金朵莲纹饰顺着笛身次第铺陈，金红撞色鲜亮雍容，勾勒出端庄雅致的古韵。龙首为柄，圆雕技法刻画出龙目威棱、鬃须翻卷，鳞纹层叠细腻，将瑞兽威仪与乐器形制精妙融合。它既是可吹奏的古笛，亦是陈设赏玩的工艺佳器，髹漆描金工艺尽显手作的细腻考究，古雅庄重间，尽显传统工艺美学与实用功能的绝妙平衡。",[7,2268,2221,1625,1837,287,547,2913],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F797e48e82b900056d1409e21d92f1c60.jpg",[],{"id":4011,"slug":4012,"title":2910,"dynasty":422,"author":156,"museum":67,"description":4013,"tags":4014,"thumbUrl":4015,"material":113,"size":114,"collection":58,"collections":4016,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275426,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275426","此笛以苍龙塑型，昂首为吹口，尾盘作出音之处，将器乐巧化为龙躯，构思奇巧灵妙。\n朱红漆为地，描金朵莲纹环饰笛身，赤金纹饰在红地之上鲜亮夺目，华贵雍容。竹胎髹漆既稳固材质，更凭饰纹点亮气韵，匠人之巧思藏于每一处细节，将实用器乐与陈设雅玩合二为一，尽显清代工艺的雅致考究，古韵悠长。",[7,3720,1625,1837,2352,2913,287,1073],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c202ecedbe856a024b03d487303fe4d.jpg",[],{"id":4018,"slug":4019,"title":2910,"dynasty":422,"author":156,"museum":67,"description":4020,"tags":4021,"thumbUrl":4023,"material":113,"size":114,"collection":58,"collections":4024,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275425,"zhu-hong-qi-miao-jin-duo-lian-wen-long-xing-di-yi-ming-275425","此器以龙为骨形，朱漆为底，描金勾勒朵莲纹饰，金红配色浓艳华贵，纹饰婉转雅致。首作昂然龙首，灵气尽显；尾蜷成龙身收束，将礼乐之器与瑞兽图腾浑然相融，兼具吹奏实用与陈设雅赏之价值。\n\n髹漆匀净莹润，描金线条流畅细腻，尽显清代工艺造物的精妙工巧，将传统漆作技艺与器乐形制完美结合，是传统工艺美学和礼乐文化交融的典型代表。",[7,2218,1625,1837,2352,4022,2221,287],"莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0821f16f613bdcb8832c6e3fce351830.jpg",[],{"id":4026,"slug":4027,"title":2919,"dynasty":422,"author":156,"museum":67,"description":4028,"tags":4029,"thumbUrl":4030,"material":113,"size":114,"collection":58,"collections":4031,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275424,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275424","朱红髹底衬出明丽底色，金彩勾勒的游龙穿梭于舒卷云纹之间，龙身矫健灵动，鳞爪张弛有力，云霭迤逦柔婉，金红交映，尽显华贵雍容。\n\n竹胎匀直修长，音孔排布规整有度，漆色经年岁洗练仍鲜亮莹润，描金虽有浅淡磨痕，却晕开时光赋予的古雅厚重。器物将髹漆描金的细巧工艺与礼乐雅器的实用属性相融，尽显旧时工艺的精妙工致，静立间便带着庄重雅致的宫廷气韵，是陈设赏玩、吹奏雅乐两相宜的佳器。",[7,2221,1625,1837,2231,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73b37d6420d587680d46c11cb5edd553.jpg",[],{"id":4033,"slug":4034,"title":2919,"dynasty":422,"author":156,"museum":67,"description":4035,"tags":4036,"thumbUrl":4037,"material":113,"size":114,"collection":58,"collections":4038,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275423,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275423","通体髹以朱红漆为地，描金勾勒云龙纹饰。金彩明丽华贵，朱色浓妍沉稳，二色相衬，尽显堂皇雍容。龙纹辗转腾挪于竹身，线条灵动舒展，鳞片毫末分明，祥云缭绕相伴，宛若游龙遨于九霄，将威仪气象凝于一管青竹。\n竹胎匀直坚实，髹漆莹润饱满，描金工艺精湛细腻。历经时光磨洗，金彩虽有淡褪，却更添古雅厚重的岁月质感。它既是可奏出清越之声的古乐器，亦是融漆艺、竹作与纹饰美学的工艺佳器，尽显旧时工艺的雅致考究与审美意趣。",[7,1625,547,2221,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17e357d0876eae64c7a3197cac0de660.jpg",[],{"id":4040,"slug":4041,"title":4042,"dynasty":422,"author":156,"museum":67,"description":4043,"tags":4044,"thumbUrl":4045,"material":113,"size":114,"collection":58,"collections":4046,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275422,"long-xiao-yi-ming-275422","龙箫","紫褐箫身衬起鎏金祥纹，腾龙蜿蜒盘绕，鳞爪灵动欲飞，错金工艺让纹饰与器身浑然相融，自带华贵雍容之气。\n\n它褪去演奏时的清越余韵，静静舒展间尽显雅致风骨。金彩龙纹既承载祥瑞寓意，也将宫廷审美融入器乐形制，古朴器型与华丽饰面相映成趣，是清代手工技艺的精巧缩影。礼乐之美与装饰美学在此合二为一，让这件古器既有实用雅趣，亦具陈设赏玩的收藏价值，尽显传统工艺的匠心考究。",[7,2922,2352,286,287,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e537a79fff5aa13b4979e16bc97f56b.jpg",[],{"id":4048,"slug":4049,"title":2919,"dynasty":422,"author":156,"museum":67,"description":4050,"tags":4051,"thumbUrl":4052,"material":113,"size":114,"collection":58,"collections":4053,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275421,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275421","整器以竹为胎，髹朱红漆为地，描金饰云龙纹。金龙身姿矫健，鳞爪宛然灵动，祥云迤逦相随，线条细腻流畅，金彩与红底交相辉映，华贵雍容之感扑面而来。\n漆面匀净莹润，历经岁月仍鲜亮动人，尽显髹漆描金工艺的精湛造诣。它既是可奏出清雅之声的礼乐雅器，亦是装饰精美的工艺珍品，将传统漆艺与乐器形制精妙结合，承载着对华贵雅致的审美追求，融实用与赏玩为一体，尽显古雅雍容的东方意趣。",[7,2922,3720,1625,1837,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84482544844b513f0a48795b7f0e8d1c.jpg",[],{"id":4055,"slug":4056,"title":2919,"dynasty":422,"author":156,"museum":67,"description":4057,"tags":4058,"thumbUrl":4059,"material":113,"size":114,"collection":58,"collections":4060,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275420,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275420","此器以竹为胎，朱漆为地，描金云龙穿梭其上。金彩鲜亮夺目，朱红浓丽沉静，二者相映尽显华贵雍容。龙纹矫健昂扬，祥云迤逦环绕，走线舒卷灵动，将宫廷造办的精工细作尽数展现。\n\n匀整排列的音孔，平衡了吹奏实用与装饰美感，让它既是可奏雅音的乐器，亦是赏心悦目的工艺珍品。静穆间仿佛仍有余音萦回，藏着旧时宫廷雅乐的回响，将传统手工艺的匠心巧思凝于一身。",[7,2221,1625,1837,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe49489b08552957b6e53e172ec35912b.jpg",[],{"id":4062,"slug":4063,"title":2919,"dynasty":422,"author":156,"museum":67,"description":4064,"tags":4065,"thumbUrl":4066,"material":113,"size":114,"collection":58,"collections":4067,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275419,"zhu-hong-qi-miao-jin-yun-long-wen-xiao-yi-ming-275419","以朱红漆为底，金彩勾勒云龙纹饰，龙身蜿蜒矫健，云纹舒卷飘逸，金红交辉尽显华贵雍容。竹胎髹漆既护住竹质避免耗损，又凭浓艳色调提亮器物气韵。音孔排布匀整规整，将漆作装饰与乐器实用巧妙融合，让礼乐器具兼具审美价值与工艺水准，静立之中，亦可窥见清代手工技艺的精巧匠心与宫廷雅器的富丽风华。",[7,2922,1625,1837,2231,2221],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F883bf7c989820f8b1df822cc63a944bc.jpg",[],{"id":4069,"slug":4070,"title":4071,"dynasty":422,"author":156,"museum":67,"description":4072,"tags":4073,"thumbUrl":4074,"material":113,"size":114,"collection":58,"collections":4075,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275416,"mu-hong-qi-miao-jin-long-feng-yun-wen-du-zhu-guan-pai-xiao-yi-ming-275416","木红漆描金龙凤云纹椟竹管排箫","此器以红漆为地，描金纹饰鲜亮华贵。龙躯矫健穿梭祥云，凤羽灵动舒展于间，刻画精细流畅，龙凤瑞纹呼应，尽显雍容大气的宫廷格调。器身取如意轮廓，线条柔婉雅致，齐整的竹管静列其上，将雅乐器的端庄与清代工艺审美相融。朱红描金色彩浓烈饱满，髹漆工艺细腻匀净，把礼乐重器的肃穆和装饰美学合二为一，是髹漆工艺与古乐形制结合的精巧佳作，尽显清代盛世工艺的考究与华贵审美意韵。",[7,1625,930,1837,547,3020,654,2230],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdfeaed5b27ebb454c80147041dcf0fc.jpg",[],{"id":4077,"slug":4078,"title":4079,"dynasty":422,"author":156,"museum":67,"description":4080,"tags":4081,"thumbUrl":4082,"material":113,"size":114,"collection":58,"collections":4083,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275415,"tong-yun-luo-yi-ming-275415","铜云锣","朱红木架搭配描金雕花构件，雅致亮眼，黄丝弦将十面深褐小铜锣排布齐整。铜色深沉，包浆厚重莹润，晕染着岁月浸漫的痕迹。\n\n它作为传统击奏乐器，音域错落有致，执槌轻击时，音色可清越脆亮，亦可沉朴厚重，常现身于宗教法事与民间乐班演奏。整器做工规整，木架浮雕纹路生动细腻，铜锣形制周正，将实用性能与工艺审美融于一体，尽显旧时手作的匠心巧思，静静诉说着往昔丝竹和鸣的热闹图景。",[286,7,3306,930,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ce0871d2e64d06effe187268405b44b.jpg",[],{"id":4085,"slug":4086,"title":4079,"dynasty":422,"author":156,"museum":67,"description":4087,"tags":4088,"thumbUrl":4089,"material":113,"size":114,"collection":58,"collections":4090,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275414,"tong-yun-luo-yi-ming-275414","朱红漆木架描金雕花，古雅端庄，十二面小铜锣错落排布其上。锣面覆着苍古包浆，錾刻标记依稀可辨，凝着岁月摩挲的厚重质感。\n\n它曾是民俗雅乐里的灵动声部，指尖轻击便漾开清越脆响，携带着旧时庙堂市井的鲜活余韵。木架雕花缠枝卷云，朱漆褪去鲜亮，晕染出沉敛古韵，铜锣悬系于架，静诉往昔丝竹绕梁的盛景，将旧日礼乐风华封存在这一方器物之中。",[7,286,930,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b77ae38a2fa54b8b71797031cb0f5fe.jpg",[],{"id":4092,"slug":4093,"title":4094,"dynasty":422,"author":156,"museum":67,"description":4095,"tags":4096,"thumbUrl":4098,"material":113,"size":114,"collection":58,"collections":4099,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275413,"gang-fang-xiang-yi-ming-275413","钢方响","两排钢制音板以黄绳穿系固定，板面錾刻字符标注律名与音高，深褐包浆覆着沧桑旧痕，带着经年使用的温润质感。形制齐整素雅，无繁复雕饰，尽显拙朴古雅的匠造意趣。它曾在礼乐雅奏中振鸣清越之音，如今静置无声，却依旧裹挟旧时光里的礼乐余韵，将传统乐律的古朴质感凝于方寸，藏着旧时音律传承的温度。",[7,4097,69,2369],"铁器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde66a8bb69a778d4ae3a10ed66280c11.jpg",[],{"id":4101,"slug":4102,"title":4094,"dynasty":422,"author":156,"museum":67,"description":4103,"tags":4104,"thumbUrl":4106,"material":113,"size":114,"collection":58,"collections":4107,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275412,"gang-fang-xiang-yi-ming-275412","这组钢方响以熟钢锻造为板，分两排编缀系挂。板面錾刻斑驳题识与标注符号，暗褐锈迹裹着沉厚包浆，晕开百年时光痕迹。\n\n作为打击雅乐器，每块钢板音高各别，曾振鸣出清越金石之音。錾刻的文字符号既是音位标识，也为这件古物增添考据价值，将器乐实用与手工錾刻工艺相融，静静沉淀着旧时礼乐风华。",[7,4097,3306,4105],"刻字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99319d0c4fb8089772d8f0ff2f00bdb5.jpg",[],{"id":4109,"slug":4110,"title":4111,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4112,"thumbUrl":4113,"material":113,"size":114,"collection":58,"collections":4114,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275411,"he-jin-shuang-long-niu-yun-long-wen-bian-zhong-huang-zhong-yi-ming-275411","合金双龙纽云龙纹编钟-黄钟",[7,2004,287,547,992,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F787f75e8df477b3f9f03409bb37e5cd1.jpg",[],{"id":4116,"slug":4117,"title":4118,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4119,"thumbUrl":4120,"material":113,"size":114,"collection":58,"collections":4121,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275410,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-yi-ze-yi-ming-275410","铜镀金双龙纽云龙纹编钟-倍夷则",[286,285,7,287,547,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe53769b2eff953168758afc2cffc67c0.jpg",[],{"id":4123,"slug":4124,"title":4125,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4126,"thumbUrl":4129,"material":113,"size":114,"collection":58,"collections":4130,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275409,"tong-du-jin-lou-kong-niu-ba-gua-wen-xiao-bian-zhong-huang-zhong-yi-ming-275409","铜镀金镂空纽八卦纹小编钟-黄钟",[286,7,287,4127,4128,3237],"八卦纹","镂空","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17013a1222f1da7c7254bf6ea0253963.jpg",[],{"id":4132,"slug":4133,"title":4134,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4135,"thumbUrl":4136,"material":113,"size":114,"collection":58,"collections":4137,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275408,"tong-du-jin-shuang-long-niu-ba-gua-wen-bian-zhong-huang-zhong-yi-ming-275408","铜镀金双龙纽八卦纹编钟-黄钟",[286,2251,7,287,547,4127,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2ba87e5f0159fb4452f177e6617cbc6.jpg",[],{"id":4139,"slug":4140,"title":4134,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4141,"thumbUrl":4142,"material":113,"size":114,"collection":58,"collections":4143,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275407,"tong-du-jin-shuang-long-niu-ba-gua-wen-bian-zhong-huang-zhong-yi-ming-275407",[286,7,2004,287,547,4127,285],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F098b0f117da0c8c7c9e7ae0a27667990.jpg",[],{"id":4145,"slug":4146,"title":4134,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4147,"thumbUrl":4148,"material":113,"size":114,"collection":58,"collections":4149,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275406,"tong-du-jin-shuang-long-niu-ba-gua-wen-bian-zhong-huang-zhong-yi-ming-275406",[286,7,287,547,4127,2251,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1ef4b8b55b52db2ff6a0919fee377ea.jpg",[],{"id":4151,"slug":4152,"title":4153,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4154,"thumbUrl":4155,"material":113,"size":114,"collection":58,"collections":4156,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275405,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-yi-ze-yi-ming-275405","铜镀金双龙纽云龙纹编钟-夷则",[7,286,2251,287,547,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe45c9dd70b847e2647795ee59a1182f5.jpg",[],{"id":4158,"slug":4159,"title":2981,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4160,"thumbUrl":4161,"material":113,"size":114,"collection":58,"collections":4162,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275404,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-lin-zhong-yi-ming-275404",[54,286,2251,287,7,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa47fcfa03308ac615a0af12365f74005.jpg",[],{"id":4164,"slug":4165,"title":4166,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4167,"thumbUrl":4168,"material":113,"size":114,"collection":58,"collections":4169,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275403,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-rui-bin-yi-ming-275403","铜镀金双龙纽云龙纹编钟-蕤宾",[286,2251,7,2004,287,547,2352,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7077e7f13330eb5c84e3ae1b986f798.jpg",[],{"id":4171,"slug":4172,"title":4173,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4174,"thumbUrl":4175,"material":113,"size":114,"collection":58,"collections":4176,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275402,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-gu-xi-yi-ming-275402","铜镀金双龙纽云龙纹编钟-姑洗",[7,286,2251,287,547,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37693d7b94e6c44282b3223f76614d8f.jpg",[],{"id":4178,"slug":4179,"title":4180,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4181,"thumbUrl":4182,"material":113,"size":114,"collection":58,"collections":4183,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275401,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-jia-zhong-yi-ming-275401","铜镀金双龙纽云龙纹编钟-夹钟",[7,286,2251,287,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9fefcdb24464a15ef8115f90fc79156.jpg",[],{"id":4185,"slug":4186,"title":4187,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4188,"thumbUrl":4189,"material":113,"size":114,"collection":58,"collections":4190,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275400,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-tai-cu-yi-ming-275400","铜镀金双龙纽云龙纹编钟-太簇",[286,2251,287,547,2004,7,288,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14edb254ec56c0330772711b139396fb.jpg",[],{"id":4192,"slug":4193,"title":4194,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4195,"thumbUrl":4196,"material":113,"size":114,"collection":58,"collections":4197,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275399,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-da-lv-yi-ming-275399","铜镀金双龙纽云龙纹编钟-大吕",[286,2251,7,287,547,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c3647dfb399133adfecfb01efc84e0c.jpg",[],{"id":4199,"slug":4200,"title":4201,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4202,"thumbUrl":4203,"material":113,"size":114,"collection":58,"collections":4204,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275398,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-ying-zhong-yi-ming-275398","铜镀金双龙纽云龙纹编钟-倍应钟",[7,2004,286,2251,287,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb01263a06ed58d48189f231b6b545776.jpg",[],{"id":4206,"slug":4207,"title":4208,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4209,"thumbUrl":4210,"material":113,"size":114,"collection":58,"collections":4211,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275397,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-wu-she-yi-ming-275397","铜镀金双龙纽云龙纹编钟-倍无射",[286,2251,287,547,7,2231,2004,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91251874f6d1425dd3da5110c08c93e1.jpg",[],{"id":4213,"slug":4214,"title":4215,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4216,"thumbUrl":4217,"material":113,"size":114,"collection":58,"collections":4218,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275396,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-nan-lv-yi-ming-275396","铜镀金双龙纽云龙纹编钟-倍南吕",[2251,286,287,7,547,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c07f53f96d1ecb5460d0a0fe2dcec46.jpg",[],{"id":4220,"slug":4221,"title":4118,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4222,"thumbUrl":4223,"material":113,"size":114,"collection":58,"collections":4224,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275395,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-yi-ze-yi-ming-275395",[7,2004,286,2251,287,547,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1543ebfc979ec4d50e57fdd4e2f9964f.jpg",[],{"id":4226,"slug":4227,"title":4228,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4229,"thumbUrl":4230,"material":113,"size":114,"collection":58,"collections":4231,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275393,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-wu-she-yi-ming-275393","铜镀金双龙纽云龙纹编钟-无射",[286,2251,7,2004,547,287,2231,2991],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a6230a75fc647ba53de6b8632d4980d.jpg",[],{"id":4233,"slug":4234,"title":2988,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4235,"thumbUrl":4236,"material":113,"size":114,"collection":58,"collections":4237,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275392,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-nan-lv-yi-ming-275392",[286,2251,287,547,7,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ea67a2816b39a3b32936030eaa36904.jpg",[],{"id":4239,"slug":4240,"title":2988,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4241,"thumbUrl":4242,"material":113,"size":114,"collection":58,"collections":4243,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275391,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-nan-lv-yi-ming-275391",[286,2251,7,287,547,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17fb78b5c477a4f66d0726b6b86f1aa0.jpg",[],{"id":4245,"slug":4246,"title":4153,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4247,"thumbUrl":4248,"material":113,"size":114,"collection":58,"collections":4249,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275390,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-yi-ze-yi-ming-275390",[286,2251,287,7,2004,547,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73d61e164aecd1ee0d995338e3dba293.jpg",[],{"id":4251,"slug":4252,"title":4253,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4254,"thumbUrl":4256,"material":113,"size":114,"collection":58,"collections":4257,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275388,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-zhong-lv-yi-ming-275388","铜镀金双龙纽云龙纹编钟-仲吕",[285,7,286,287,547,2004,4255,2231],"镀金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b181d2fba4f3e99be407da43a58e014.jpg",[],{"id":4259,"slug":4260,"title":4166,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4261,"thumbUrl":4262,"material":113,"size":114,"collection":58,"collections":4263,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275387,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-rui-bin-yi-ming-275387",[286,287,7,547,2004,285],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa42ee99808bd043feb206667d0338d18.jpg",[],{"id":4265,"slug":4266,"title":4180,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4267,"thumbUrl":4268,"material":113,"size":114,"collection":58,"collections":4269,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275386,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-jia-zhong-yi-ming-275386",[2004,7,286,287,547,992],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb988e5c8149ba800f2c6c458746de102.jpg",[],{"id":4271,"slug":4272,"title":4187,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4273,"thumbUrl":4274,"material":113,"size":114,"collection":58,"collections":4275,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275385,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-tai-cu-yi-ming-275385",[7,286,287,547,4255,2231,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F283526e16b82ee5e3a555fae7c1b1761.jpg",[],{"id":4277,"slug":4278,"title":4201,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4279,"thumbUrl":4280,"material":113,"size":114,"collection":58,"collections":4281,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275384,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-ying-zhong-yi-ming-275384",[7,2004,286,287,547,992,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04ca21b20e1b42861209c93d43d8ae36.jpg",[],{"id":4283,"slug":4284,"title":4215,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4285,"thumbUrl":4286,"material":113,"size":114,"collection":58,"collections":4287,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275383,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-nan-lv-yi-ming-275383",[286,4255,7,2004,547,287,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F080be8cc221a811f891fd66973e40ea6.jpg",[],{"id":4289,"slug":4290,"title":4118,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4291,"thumbUrl":4292,"material":113,"size":114,"collection":58,"collections":4293,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275382,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-yi-ze-yi-ming-275382",[286,287,7,547,2231,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34783324549f2ea99c88081f1ca716ee.jpg",[],{"id":4295,"slug":4296,"title":4228,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4297,"thumbUrl":4298,"material":113,"size":114,"collection":58,"collections":4299,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275381,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-wu-she-yi-ming-275381",[286,4255,287,547,7,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d09e41c6ec1b746918a10c9acfcaa4c.jpg",[],{"id":4301,"slug":4302,"title":2973,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4303,"thumbUrl":4304,"material":113,"size":114,"collection":58,"collections":4305,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275380,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-ying-zhong-yi-ming-275380",[285,286,287,7,547,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5afbd20196a4dc70c1b0c3a8f073871.jpg",[],{"id":4307,"slug":4308,"title":4194,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4309,"thumbUrl":4310,"material":113,"size":114,"collection":58,"collections":4311,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275379,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-da-lv-yi-ming-275379",[286,2251,287,547,7,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F428be35f4db95bb790909f269abf9cdf.jpg",[],{"id":4313,"slug":4314,"title":4315,"dynasty":422,"author":156,"museum":67,"description":4316,"tags":4317,"thumbUrl":4318,"material":113,"size":114,"collection":58,"collections":4319,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275378,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-nan-lv-yi-ming-275378","铜镀金刻云龙纹小编钟-南吕","鎏金莹润如凝住的旧时日光，鼓形钟身錾刻云龙细纹，瑞云翩跹托举潜龙之姿，线条细劲灵动，将天地灵韵敛于铜胎之上。顶部饕餮提钮古拙威严，黄绒绳系于钮上，似还留存着百年前指尖触碰的余温。\n\n它曾振鸣于雅乐之间，清越声响穿朱墙、绕殿宇，而今敛去音声，以沉静金躯承载往昔礼乐的厚重。方寸器宇间，藏着古匠的细致匠心，将传统礼制里的雅致庄重，封存在鎏金光泽中，静诉旧时礼乐风华。",[286,2251,7,287,2231,3237,581],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F084d787b45bc4be4e224dd21565a6a62.jpg",[],{"id":4321,"slug":4322,"title":4323,"dynasty":422,"author":156,"museum":67,"description":4324,"tags":4325,"thumbUrl":4326,"material":113,"size":114,"collection":58,"collections":4327,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275377,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-yi-ze-yi-ming-275377","铜镀金刻云龙纹小编钟-夷则","此器鎏金莹润，似凝月华于其身，鼓形器身线条饱满圆融。周身阴刻云龙纹饰，龙姿辗转腾挪，云纹舒卷缠连，细密刀工勾勒出灵动威仪，暗合古韵礼制。顶部兽面提钮威严庄重，系绶带添古朴雅致之气。虽体量小巧，却承袭古钟形制，鎏金厚重不减华贵，纹饰精到暗含工巧，将礼器端方与工艺精妙融于一身，静静诉说旧时礼乐风华，尽显铜作工艺的不俗造诣。",[286,2251,7,287,547,3237],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4895e6e0584a401e22efd4107aa605c4.jpg",[],{"id":4329,"slug":4330,"title":4331,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4332,"thumbUrl":4333,"material":113,"size":114,"collection":58,"collections":4334,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275376,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-lin-zhong-yi-ming-275376","铜镀金刻云龙纹小编钟-林钟",[7,286,2251,287,547,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F592a26995caaa8b9e4e0d43eb694fb06.jpg",[],{"id":4336,"slug":4337,"title":4338,"dynasty":422,"author":156,"museum":67,"description":4339,"tags":4340,"thumbUrl":4341,"material":113,"size":114,"collection":58,"collections":4342,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275375,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-zhong-lv-yi-ming-275375","铜镀金刻云龙纹小编钟-仲吕","此器鎏金莹润饱满，形制如榄，顶部兽钮威仪内敛，明黄绦绳垂系，古意悠然。器身錾刻云纹舒卷缠连，游龙隐于云间，线条细劲流畅，构图疏密相宜，纹饰间铭文规整端方，古韵暗藏。\n\n整体造型圆融端庄，铜色沉实又兼具鎏金华贵，带着礼器独有的端方气度。细观刀工细腻入微，将礼制中的肃穆雅致凝于小器之中，静诉着旧时钟鸣鼎食的悠悠雅韵，尽显作器的精工雅致。",[286,2251,287,2352,7,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa08a803bb867948038d6d6e60e20be08.jpg",[],{"id":4344,"slug":4345,"title":4346,"dynasty":422,"author":156,"museum":67,"description":4347,"tags":4348,"thumbUrl":4349,"material":113,"size":114,"collection":58,"collections":4350,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275374,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-gu-xi-yi-ming-275374","铜镀金刻云龙纹小编钟-姑洗","铜镀金质地匀净温润，整体椭圆似鼓，古雅端凝。顶部狴犴钮威严生动，系黄绳添古朴意趣。肩部阴刻云纹萦回，游龙隐于云间，线条婉转而不失劲挺，錾刻工巧细腻，纹饰层次分明。\n\n它虽体量小巧，却承袭古编钟的礼制意蕴，将精湛造工藏于其间，华贵中带着礼乐重器的肃穆端庄，静静诉说着旧时雅乐的风骨，尽显清代造器的典雅审美意趣。",[286,2251,7,287,2352,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f25fc8661eb487e325b15c83e2b32ff.jpg",[],{"id":4352,"slug":4353,"title":4354,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4355,"thumbUrl":4356,"material":113,"size":114,"collection":58,"collections":4357,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275373,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-jia-zhong-yi-ming-275373","铜镀金刻云龙纹小编钟-夹钟",[7,2004,286,2251,287,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5260473b682be09faa70f22167f13517.jpg",[],{"id":4359,"slug":4360,"title":4361,"dynasty":422,"author":156,"museum":67,"description":4362,"tags":4363,"thumbUrl":4364,"material":113,"size":114,"collection":58,"collections":4365,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275372,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-tai-cu-yi-ming-275372","铜镀金刻云龙纹小编钟-太簇","此器鼓形铜胎鎏金，色泽凝润华贵，宝光内敛沉静。顶部双兽钮威严灵动，黄绦垂坠流苏，古韵悠然尽显。\n\n器身錾刻云纹舒展辗转，腾龙隐于云涛之间，线条细腻流畅，刀工精妙入微。祥云缠枝环衬鼓腹，下配古雅铭文，方正端严。整体形制饱满圆融，纹饰疏密得宜，既承载着礼器的肃穆规整，又尽显清代金属细作的匠心巧思，静立间自有礼乐雅韵沉沉流淌。",[286,2251,7,287,547,2004,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e83305e0645816c00dd7ea4f34bdb85.jpg",[],{"id":4367,"slug":4368,"title":4369,"dynasty":422,"author":156,"museum":67,"description":4370,"tags":4371,"thumbUrl":4372,"material":113,"size":114,"collection":58,"collections":4373,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275371,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-da-lv-yi-ming-275371","铜镀金刻云龙纹小编钟-大吕","此器鎏金莹润，鼓形钟体饱满匀整，周身錾刻云龙纹饰，虬龙蜿蜒腾跃于云霭之间，线条细腻灵动，威严中不失雅致。顶部双兽钮造型狞厉生动，系束黄绦平添古意。它既恪守传统礼乐规制，又尽显清代錾金工艺的精湛造诣。金辉内敛沉静，仿若仍回荡着昔日庙堂之上的清越钟鸣，静静沉淀着旧时礼乐文化的厚重底蕴，是礼制思想与匠心巧思相融的精巧之作。",[7,286,2251,287,547,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F381829fbfe0ea9f5ebd3a9b78601671a.jpg",[],{"id":4375,"slug":4376,"title":4377,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4378,"thumbUrl":4379,"material":113,"size":114,"collection":58,"collections":4380,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275370,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-bei-ying-zhong-yi-ming-275370","铜镀金刻云龙纹小编钟-倍应钟",[54,7,286,287,547,2251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b4500568687b2a39e6069d301f1927c.jpg",[],{"id":4382,"slug":4383,"title":4384,"dynasty":422,"author":156,"museum":67,"description":4385,"tags":4386,"thumbUrl":4387,"material":113,"size":114,"collection":58,"collections":4388,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275369,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-bei-wu-she-yi-ming-275369","铜镀金刻云龙纹小编钟-倍无射","鼓形器身饱满圆润，通体鎏金莹亮，凝住百年金辉。口沿阴刻祥云舒展环绕，将祥瑞之气敛于周身。顶部兽钮威严灵秀，系绳古意盎然。器身浅刻云龙，线条婉转藏着遒劲力道，隐于金芒间，仿佛腾云之龙正待破壁而出。\n\n它曾是礼乐之器，静立间似仍回荡着古时庙堂的清雅钟鸣，将旧时造办处的匠心礼制融于一身。岁月未减鎏金温润，纹饰依旧清晰分明，静静诉说着雅乐的庄重华美，把传统工艺与礼乐文化悄然凝在这方寸金器之中。",[7,286,2251,287,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1678a7cda23d30346152d14117bdc7ac.jpg",[],{"id":4390,"slug":4391,"title":4392,"dynasty":422,"author":156,"museum":67,"description":4393,"tags":4394,"thumbUrl":4395,"material":113,"size":114,"collection":58,"collections":4396,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275368,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-bei-nan-lv-yi-ming-275368","铜镀金刻云龙纹小编钟-倍南吕","此器鎏金煌煌，器形饱满如覆卵，顶部双龙钮威严灵动，系黄绳尤添古意。器身浅錾云龙纹饰，云气舒卷缠绕，游龙隐现于祥云之间，走线细腻流畅，尽显錾刻工法精妙。\n\n纹饰层次分明，古韵悠然，既承袭古编钟的礼乐礼制意蕴，又尽显清代重工细作的审美风尚。金铜温润，历经岁月宝光内敛，静静承载着旧时雅乐的礼制余韵，尽显匠人不俗功力。",[286,2251,287,7,2352,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5563fb1a0fdd98645e2baa5988ae4f6c.jpg",[],{"id":4398,"slug":4399,"title":4400,"dynasty":422,"author":156,"museum":67,"description":4401,"tags":4402,"thumbUrl":4403,"material":113,"size":114,"collection":58,"collections":4404,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275367,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-bei-yi-ze-yi-ming-275367","铜镀金刻云龙纹小编钟-倍夷则","此器鼓腹敦实，鎏金莹润厚重，历经岁月晕染出温润包浆。顶部双兽钮威严灵动，系挂古雅绦绳，古韵悠长。器身阴刻云龙纹饰，龙躯辗转腾挪，云纹舒卷环绕，线条细密流畅，刀工利落传神，将礼器的庄重威严与精巧工艺融为一体，静静承载着旧时宫廷礼乐的雅韵，尽显清代金属细作的不俗匠心。",[7,286,2251,287,2352,3237],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97ecde138d14fe8cabedb2c5e943786f.jpg",[],{"id":4406,"slug":4407,"title":4408,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4409,"thumbUrl":4410,"material":113,"size":114,"collection":58,"collections":4411,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275366,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-ying-zhong-yi-ming-275366","铜镀金刻云龙纹小编钟-应钟",[7,286,2251,287,2352,2004,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03ae84fab024e9108223210d36495fcf.jpg",[],{"id":4413,"slug":4414,"title":4415,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4416,"thumbUrl":4417,"material":113,"size":114,"collection":58,"collections":4418,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275365,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-huang-zhong-yi-ming-275365","铜镀金刻云龙纹小编钟-黄钟",[3237,7,286,2251,287,547,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F168df4ee28809ef009ea894af908cf01.jpg",[],{"id":4420,"slug":4421,"title":4422,"dynasty":422,"author":156,"museum":67,"description":4423,"tags":4424,"thumbUrl":4425,"material":113,"size":114,"collection":58,"collections":4426,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275364,"tong-du-jin-ke-yun-long-wen-xiao-bian-zhong-wu-she-yi-ming-275364","铜镀金刻云龙纹小编钟-无射","此器为鼓形鎏金重器，饱满圆润的器身之上，肩部錾刻缠枝云纹环绕铺陈，线条婉转细腻，云龙纹隐于云间灵动古朴。顶部双兽衔钮，兽首威严精巧，黄绳穿系其间，为器物更添庄重之气。铜鎏金质地历经岁月仍金光沉敛华贵，尽显精湛金工造诣，将礼制规制与匠心熔铸为一体，静穆之中带着雅致端方的宫廷气韵，是往昔礼乐重器的精巧缩影。",[7,286,2251,287,547,3237],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37b0e2b49b1971f40f1c11f97fa29441.jpg",[],{"id":4428,"slug":4429,"title":4153,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4430,"thumbUrl":4431,"material":113,"size":114,"collection":58,"collections":4432,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275363,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-yi-ze-yi-ming-275363",[286,2251,7,288,287,547,3020,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2bb0465dc3f9c6184b37b8b63208691.jpg",[],{"id":4434,"slug":4435,"title":2981,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4436,"thumbUrl":4437,"material":113,"size":114,"collection":58,"collections":4438,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275362,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-lin-zhong-yi-ming-275362",[286,2251,287,7,2004,547,2231,2991],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbf6a929df6dc45a716c0641b9222787.jpg",[],{"id":4440,"slug":4441,"title":4166,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4442,"thumbUrl":4443,"material":113,"size":114,"collection":58,"collections":4444,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275361,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-rui-bin-yi-ming-275361",[54,286,2251,287,7,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d13b11376fd35f7d07f97c75f832ba6.jpg",[],{"id":4446,"slug":4447,"title":4253,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4448,"thumbUrl":4449,"material":113,"size":114,"collection":58,"collections":4450,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275360,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-zhong-lv-yi-ming-275360",[2004,7,286,2251,287,547,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81ce68ca8cad140246adb08e05033baa.jpg",[],{"id":4452,"slug":4453,"title":4180,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4454,"thumbUrl":4455,"material":113,"size":114,"collection":58,"collections":4456,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275359,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-jia-zhong-yi-ming-275359",[286,2251,287,7,2004,547,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe27d93c4e20ad2ffc57ab477654439f3.jpg",[],{"id":4458,"slug":4459,"title":4194,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4460,"thumbUrl":4461,"material":113,"size":114,"collection":58,"collections":4462,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275358,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-da-lv-yi-ming-275358",[286,2251,287,7,2004,547,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d7e2af90c3c8a894502e9a9021ae8e4.jpg",[],{"id":4464,"slug":4465,"title":4201,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4466,"thumbUrl":4467,"material":113,"size":114,"collection":58,"collections":4468,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275357,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-ying-zhong-yi-ming-275357",[286,2251,7,287,547,3020,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab44e820eb12878d545104c5d428a8b5.jpg",[],{"id":4470,"slug":4471,"title":4215,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4472,"thumbUrl":4473,"material":113,"size":114,"collection":58,"collections":4474,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275356,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-nan-lv-yi-ming-275356",[286,2251,7,287,547,2004,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28ad3ccae44ec622b40a2f4f9bb32ab1.jpg",[],{"id":4476,"slug":4477,"title":4118,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4478,"thumbUrl":4479,"material":113,"size":114,"collection":58,"collections":4480,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275355,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-yi-ze-yi-ming-275355",[7,286,287,547,2251,2004],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dbc1b70a3ac565992b9734471511de4.jpg",[],{"id":4482,"slug":4483,"title":4228,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4484,"thumbUrl":4485,"material":113,"size":114,"collection":58,"collections":4486,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275354,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-wu-she-yi-ming-275354",[286,2251,287,7,547,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fc86f676f2ed83361fa1d1d9d5d48f1.jpg",[],{"id":4488,"slug":4489,"title":2973,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4490,"thumbUrl":4491,"material":113,"size":114,"collection":58,"collections":4492,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275353,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-ying-zhong-yi-ming-275353",[286,2251,287,7,547,2004,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85159a90d35eeddc1a626ac65a5a9db4.jpg",[],{"id":4494,"slug":4495,"title":4496,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4497,"thumbUrl":4498,"material":113,"size":114,"collection":58,"collections":4499,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275352,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-huang-zhong-yi-ming-275352","铜镀金双龙纽云龙纹编钟-黄钟",[286,2251,287,547,7,2004,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F524b24f19b67c0b8ba467d73bf97d5ab.jpg",[],{"id":4501,"slug":4502,"title":4503,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4504,"thumbUrl":4505,"material":113,"size":114,"collection":58,"collections":4506,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275350,"tong-du-jin-yong-niu-qiao-kou-bo-zhong-yi-ze-yi-ming-275350","铜镀金甬纽桥口镈钟-夷则",[7,288,286,2251,287,285],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff20782b23e9fdacdd7d1b7855fde77c2.jpg",[],{"id":4508,"slug":4509,"title":4510,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4511,"thumbUrl":4512,"material":113,"size":114,"collection":58,"collections":4513,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275349,"tong-du-jin-yong-niu-qiao-kou-bo-zhong-nan-lv-yi-ming-275349","铜镀金甬纽桥口镈钟-南吕",[7,286,2251,288,287,3237,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F688a24ba03d4d3513212be3b52dfbfd5.jpg",[],{"id":4515,"slug":4516,"title":4496,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4517,"thumbUrl":4518,"material":113,"size":114,"collection":58,"collections":4519,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275348,"tong-du-jin-shuang-long-niu-yun-long-wen-bian-zhong-huang-zhong-yi-ming-275348",[286,7,287,547,2004,992],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccab89219375b1e682581b0e7a0d1e6b.jpg",[],{"id":4521,"slug":4522,"title":4523,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4524,"thumbUrl":4525,"material":113,"size":114,"collection":58,"collections":4526,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275347,"tong-du-jin-yong-niu-qiao-kou-bo-zhong-da-lv-yi-ming-275347","铜镀金甬纽桥口镈钟-大吕",[286,2251,7,288,3237],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Facec192bac2bed5e053a08c0f20e69aa.jpg",[],{"id":4528,"slug":4529,"title":4530,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4531,"thumbUrl":4532,"material":113,"size":114,"collection":58,"collections":4533,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275346,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-yi-ze-yi-ming-275346","碧玉描金云龙纹小编磬-夷则",[689,7,2240,547,1837,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6668c9556cb70007588908d2193c3053.jpg",[],{"id":4535,"slug":4536,"title":4537,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4538,"thumbUrl":4539,"material":113,"size":114,"collection":58,"collections":4540,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275345,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-lin-zhong-yi-ming-275345","碧玉描金云龙纹小编磬-林钟",[689,7,1837,547,288,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2b87833be130e05d89e3326ab6d2535.jpg",[],{"id":4542,"slug":4543,"title":4544,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4545,"thumbUrl":4547,"material":113,"size":114,"collection":58,"collections":4548,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275344,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-rui-bin-yi-ming-275344","碧玉描金云龙纹小编磬-蕤宾",[7,689,547,1837,4546],"磬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b177de51b175202595f90ec4db76c38.jpg",[],{"id":4550,"slug":4551,"title":4552,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4553,"thumbUrl":4554,"material":113,"size":114,"collection":58,"collections":4555,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275342,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-gu-xi-yi-ming-275342","碧玉描金云龙纹小编磬-姑洗",[689,7,547,1837,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F108f66cc1ab3f83ae6b1fcc3374f33f2.jpg",[],{"id":4557,"slug":4558,"title":4559,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4560,"thumbUrl":4561,"material":113,"size":114,"collection":58,"collections":4562,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275341,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-jia-zhong-yi-ming-275341","碧玉描金云龙纹小编磬-夹钟",[689,7,547,1837,2231,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a98101da4da120afa10ef33d5baab66.jpg",[],{"id":4564,"slug":4565,"title":4566,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4567,"thumbUrl":4568,"material":113,"size":114,"collection":58,"collections":4569,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275340,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-tai-cu-yi-ming-275340","碧玉描金云龙纹小编磬-太簇",[689,7,1837,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4509dcbadfc8f496a21e47c359c1e95a.jpg",[],{"id":4571,"slug":4572,"title":4573,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4574,"thumbUrl":4575,"material":113,"size":114,"collection":58,"collections":4576,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275339,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-da-lv-yi-ming-275339","碧玉描金云龙纹小编磬-大吕",[689,7,1837,547,2231,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58a9733a8aa926dcf1a7c7b002c71353.jpg",[],{"id":4578,"slug":4579,"title":4580,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4581,"thumbUrl":4582,"material":113,"size":114,"collection":58,"collections":4583,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275338,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-bei-ying-zhong-yi-ming-275338","碧玉描金云龙纹小编磬-倍应钟",[689,7,547,1837,4546],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a929bc972fe7548feaf5bbcfbc232a2.jpg",[],{"id":4585,"slug":4586,"title":4587,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4588,"thumbUrl":4589,"material":113,"size":114,"collection":58,"collections":4590,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275337,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-bei-wu-she-yi-ming-275337","碧玉描金云龙纹小编磬-倍无射",[7,689,1837,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe46cd74422f01a65e0655d9b402fcbb1.jpg",[],{"id":4592,"slug":4593,"title":4594,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4595,"thumbUrl":4596,"material":113,"size":114,"collection":58,"collections":4597,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275336,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-bei-nan-lv-yi-ming-275336","碧玉描金云龙纹小编磬-倍南吕",[689,7,547,1837,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e844f308324f1656a899038335889a6.jpg",[],{"id":4599,"slug":4600,"title":4601,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4602,"thumbUrl":4603,"material":113,"size":114,"collection":58,"collections":4604,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275335,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-huang-zhong-yi-ming-275335","碧玉描金云龙纹小编磬-黄钟",[7,689,287,1837,2231,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe48864806940d0f1d03d2d80be1f2c16.jpg",[],{"id":4606,"slug":4607,"title":4608,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4609,"thumbUrl":4610,"material":113,"size":114,"collection":58,"collections":4611,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275334,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-bei-yi-ze-yi-ming-275334","碧玉描金云龙纹小编磬-倍夷则",[689,7,288,547,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39ad0284b9ad59ee04a5a694ad69e1b9.jpg",[],{"id":4613,"slug":4614,"title":4615,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4616,"thumbUrl":4617,"material":113,"size":114,"collection":58,"collections":4618,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},275333,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-ying-zhong-yi-ming-275333","碧玉描金云龙纹小编磬-应钟",[689,7,1837,2352,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80164abd17810792c2aaab98235c0088.jpg",[],{"id":4620,"slug":4621,"title":4622,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4623,"thumbUrl":4624,"material":113,"size":114,"collection":58,"collections":4625,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275332,"bi-yu-miao-jin-yun-long-wen-xiao-bian-qing-nan-lv-yi-ming-275332","碧玉描金云龙纹小编磬-南吕",[689,1837,547,7,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70dfa674c70c12e0f0dd2daf30f4bc10.jpg",[],{"id":4627,"slug":4628,"title":3004,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4629,"thumbUrl":4630,"material":113,"size":114,"collection":58,"collections":4631,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275331,"bi-yu-miao-jin-yun-long-wen-bian-qing-yi-ze-yi-ming-275331",[689,7,547,1837,2240,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4739d7523bc086903de0a59f3ef7593.jpg",[],{"id":4633,"slug":4634,"title":4635,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4636,"thumbUrl":4637,"material":113,"size":114,"collection":58,"collections":4638,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275330,"bi-yu-miao-jin-yun-long-wen-bian-qing-lin-zhong-yi-ming-275330","碧玉描金云龙纹编磬-林钟",[689,7,547,287,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57ba3bb675104ab2f4c55a88a7213fbf.jpg",[],{"id":4640,"slug":4641,"title":4642,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4643,"thumbUrl":4644,"material":113,"size":114,"collection":58,"collections":4645,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275329,"bi-yu-miao-jin-yun-long-wen-bian-qing-rui-bin-yi-ming-275329","碧玉描金云龙纹编磬-蕤宾",[689,7,1837,547,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1475d1d41348e324bec285f11d340bb9.jpg",[],{"id":4647,"slug":4648,"title":4649,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4650,"thumbUrl":4651,"material":113,"size":114,"collection":58,"collections":4652,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275328,"bi-yu-miao-jin-yun-long-wen-bian-qing-zhong-lv-yi-ming-275328","碧玉描金云龙纹编磬-仲吕",[689,7,1837,2352,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff35e73b4a457b625f447952bd28ce945.jpg",[],{"id":4654,"slug":4655,"title":4656,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4657,"thumbUrl":4658,"material":113,"size":114,"collection":58,"collections":4659,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275327,"bi-yu-miao-jin-yun-long-wen-bian-qing-gu-xi-yi-ming-275327","碧玉描金云龙纹编磬-姑洗",[689,7,1837,2352,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1eba9f429912195af412dc52fd1d6b67.jpg",[],{"id":4661,"slug":4662,"title":4663,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4664,"thumbUrl":4665,"material":113,"size":114,"collection":58,"collections":4666,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275326,"bi-yu-miao-jin-yun-long-wen-bian-qing-jia-zhong-yi-ming-275326","碧玉描金云龙纹编磬-夹钟",[689,7,288,547,1837,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F030c3854b8eb9284c2ec4dd87581fd44.jpg",[],{"id":4668,"slug":4669,"title":4670,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4671,"thumbUrl":4672,"material":113,"size":114,"collection":58,"collections":4673,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275325,"bi-yu-miao-jin-yun-long-wen-bian-qing-tai-cu-yi-ming-275325","碧玉描金云龙纹编磬-太簇",[689,7,288,547,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafe08243ca5ec5834cb2baf6b71d4681.jpg",[],{"id":4675,"slug":4676,"title":4677,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4678,"thumbUrl":4679,"material":113,"size":114,"collection":58,"collections":4680,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275324,"bi-yu-miao-jin-yun-long-wen-bian-qing-da-lv-yi-ming-275324","碧玉描金云龙纹编磬-大吕",[689,7,288,2352,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fb39339d202e407ada66c08b3a5cfc9.jpg",[],{"id":4682,"slug":4683,"title":4684,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4685,"thumbUrl":4686,"material":113,"size":114,"collection":58,"collections":4687,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275323,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-ying-zhong-yi-ming-275323","碧玉描金云龙纹编磬-倍应钟",[689,7,288,547,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fa69fb64a883b09d46637d9793690b4.jpg",[],{"id":4689,"slug":4690,"title":3791,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4691,"thumbUrl":4692,"material":113,"size":114,"collection":58,"collections":4693,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275322,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-wu-she-yi-ming-275322",[689,7,547,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0edfa9f60476cf487077f6d596997a42.jpg",[],{"id":4695,"slug":4696,"title":4697,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4698,"thumbUrl":4699,"material":113,"size":114,"collection":58,"collections":4700,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275321,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-nan-lv-yi-ming-275321","碧玉描金云龙纹编磬-倍南吕",[689,7,547,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb25309645ccf4cb5e1e29864a7edb4c.jpg",[],{"id":4702,"slug":4703,"title":4704,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4705,"thumbUrl":4706,"material":113,"size":114,"collection":58,"collections":4707,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275320,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-yi-ze-yi-ming-275320","碧玉描金云龙纹编磬-倍夷则",[689,7,288,1837,547,2231,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8875db72b9276f67bd209223795a6697.jpg",[],{"id":4709,"slug":4710,"title":2466,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4711,"thumbUrl":4712,"material":113,"size":114,"collection":58,"collections":4713,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275319,"bi-yu-miao-jin-yun-long-wen-bian-qing-ying-zhong-yi-ming-275319",[689,7,2240,2352,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd68586261b54748ff9e743f68626c54.jpg",[],{"id":4715,"slug":4716,"title":1834,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4717,"thumbUrl":4718,"material":113,"size":114,"collection":58,"collections":4719,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275318,"bi-yu-miao-jin-yun-long-wen-bian-qing-wu-she-yi-ming-275318",[689,7,547,288,1837,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F451ec5796f35fd2043551f0ae2d31753.jpg",[],{"id":4721,"slug":4722,"title":3011,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4723,"thumbUrl":4724,"material":113,"size":114,"collection":58,"collections":4725,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275317,"bi-yu-miao-jin-yun-long-wen-bian-qing-huang-zhong-yi-ming-275317",[689,1837,547,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3609274a5ad108a4f370792c42bccfd.jpg",[],{"id":4727,"slug":4728,"title":4729,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4730,"thumbUrl":4731,"material":113,"size":114,"collection":58,"collections":4732,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275316,"bi-yu-miao-jin-yun-long-wen-bian-qing-nan-lv-yi-ming-275316","碧玉描金云龙纹编磬-南吕",[689,7,287,2352,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd616a97e78908bce67a241390f0c7373.jpg",[],{"id":4734,"slug":4735,"title":4635,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4736,"thumbUrl":4737,"material":113,"size":114,"collection":58,"collections":4738,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275315,"bi-yu-miao-jin-yun-long-wen-bian-qing-lin-zhong-yi-ming-275315",[689,7,547,1837,2231,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cfedd994a5c4184e8b2e2eb21cde96f.jpg",[],{"id":4740,"slug":4741,"title":4649,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4742,"thumbUrl":4743,"material":113,"size":114,"collection":58,"collections":4744,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275313,"bi-yu-miao-jin-yun-long-wen-bian-qing-zhong-lv-yi-ming-275313",[689,7,547,1837,2231,287,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6629bfd371d645237e5d140edcb6b921.jpg",[],{"id":4746,"slug":4747,"title":4642,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4748,"thumbUrl":4749,"material":113,"size":114,"collection":58,"collections":4750,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275312,"bi-yu-miao-jin-yun-long-wen-bian-qing-rui-bin-yi-ming-275312",[7,689,1837,547,1341,287,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71946b9d2735915996bd91a0856e1c12.jpg",[],{"id":4752,"slug":4753,"title":4663,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4754,"thumbUrl":4755,"material":113,"size":114,"collection":58,"collections":4756,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275311,"bi-yu-miao-jin-yun-long-wen-bian-qing-jia-zhong-yi-ming-275311",[689,7,547,1837,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F364b391ba1c2d770f9ea9b2c46b4b483.jpg",[],{"id":4758,"slug":4759,"title":4656,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4760,"thumbUrl":4761,"material":113,"size":114,"collection":58,"collections":4762,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275310,"bi-yu-miao-jin-yun-long-wen-bian-qing-gu-xi-yi-ming-275310",[689,7,288,547,1837,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0027542440f2743f6702727c5722fafb.jpg",[],{"id":4764,"slug":4765,"title":4677,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4766,"thumbUrl":4767,"material":113,"size":114,"collection":58,"collections":4768,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275309,"bi-yu-miao-jin-yun-long-wen-bian-qing-da-lv-yi-ming-275309",[689,7,1837,547,654,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe767a97499aca34b103dddd5c49b0ca8.jpg",[],{"id":4770,"slug":4771,"title":4670,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4772,"thumbUrl":4773,"material":113,"size":114,"collection":58,"collections":4774,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275308,"bi-yu-miao-jin-yun-long-wen-bian-qing-tai-cu-yi-ming-275308",[689,7,547,1837,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F435ba09c356a185ff4cbd2e1076a641b.jpg",[],{"id":4776,"slug":4777,"title":3791,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4778,"thumbUrl":4779,"material":113,"size":114,"collection":58,"collections":4780,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275307,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-wu-she-yi-ming-275307",[689,7,1837,547,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6abf86e05c2ad43c54d776b272e0b4db.jpg",[],{"id":4782,"slug":4783,"title":4684,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4784,"thumbUrl":4785,"material":113,"size":114,"collection":58,"collections":4786,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275306,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-ying-zhong-yi-ming-275306",[689,7,288,1837,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ba119bbbaafdb1953825225b7a59032.jpg",[],{"id":4788,"slug":4789,"title":4704,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4790,"thumbUrl":4791,"material":113,"size":114,"collection":58,"collections":4792,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275305,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-yi-ze-yi-ming-275305",[689,7,547,1837,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34ae403c277c9a15cc75cb9ea013f79e.jpg",[],{"id":4794,"slug":4795,"title":4697,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4796,"thumbUrl":4797,"material":113,"size":114,"collection":58,"collections":4798,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275304,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-nan-lv-yi-ming-275304",[7,689,547,1837,2231,2240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3be7c85fd249aa30c32abc2bd4f8fe74.jpg",[],{"id":4800,"slug":4801,"title":2466,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4802,"thumbUrl":4803,"material":113,"size":114,"collection":58,"collections":4804,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275302,"bi-yu-miao-jin-yun-long-wen-bian-qing-ying-zhong-yi-ming-275302",[689,7,288,1837,547,2231,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d0687feba59d6f08ba90ff400d07976.jpg",[],{"id":4806,"slug":4807,"title":4729,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4808,"thumbUrl":4809,"material":113,"size":114,"collection":58,"collections":4810,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275300,"bi-yu-miao-jin-yun-long-wen-bian-qing-nan-lv-yi-ming-275300",[689,7,547,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F914758d9df67d80057ddf77ad5985f63.jpg",[],{"id":4812,"slug":4813,"title":4635,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4814,"thumbUrl":4815,"material":113,"size":114,"collection":58,"collections":4816,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275299,"bi-yu-miao-jin-yun-long-wen-bian-qing-lin-zhong-yi-ming-275299",[689,7,1837,547,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaca9b3fe822a8b263b4ac3017f399e8.jpg",[],{"id":4818,"slug":4819,"title":3004,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4820,"thumbUrl":4821,"material":113,"size":114,"collection":58,"collections":4822,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275298,"bi-yu-miao-jin-yun-long-wen-bian-qing-yi-ze-yi-ming-275298",[689,7,547,1837,287,288,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa077d4422fc3f027ea1722f85b978e70.jpg",[],{"id":4824,"slug":4825,"title":4649,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4826,"thumbUrl":4827,"material":113,"size":114,"collection":58,"collections":4828,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275297,"bi-yu-miao-jin-yun-long-wen-bian-qing-zhong-lv-yi-ming-275297",[689,7,288,547,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0498a9c86dad8e880dab28c263e41b0.jpg",[],{"id":4830,"slug":4831,"title":4642,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4832,"thumbUrl":4833,"material":113,"size":114,"collection":58,"collections":4834,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275296,"bi-yu-miao-jin-yun-long-wen-bian-qing-rui-bin-yi-ming-275296",[689,7,547,1837,287,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44d5f23dc91dae5091be8162a4d8ba0b.jpg",[],{"id":4836,"slug":4837,"title":4663,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4838,"thumbUrl":4839,"material":113,"size":114,"collection":58,"collections":4840,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275295,"bi-yu-miao-jin-yun-long-wen-bian-qing-jia-zhong-yi-ming-275295",[7,689,547,1837,287,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f5c19b6cd05ddb4eb429c479231d176.jpg",[],{"id":4842,"slug":4843,"title":4656,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4844,"thumbUrl":4845,"material":113,"size":114,"collection":58,"collections":4846,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275294,"bi-yu-miao-jin-yun-long-wen-bian-qing-gu-xi-yi-ming-275294",[689,7,547,1837,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9d7ea032a5c4a0b480367bfcd1395e3.jpg",[],{"id":4848,"slug":4849,"title":4677,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4850,"thumbUrl":4851,"material":113,"size":114,"collection":58,"collections":4852,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275293,"bi-yu-miao-jin-yun-long-wen-bian-qing-da-lv-yi-ming-275293",[689,7,547,1837,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00d7a911264a4d19ad8876af888fb308.jpg",[],{"id":4854,"slug":4855,"title":4670,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4856,"thumbUrl":4857,"material":113,"size":114,"collection":58,"collections":4858,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275292,"bi-yu-miao-jin-yun-long-wen-bian-qing-tai-cu-yi-ming-275292",[689,7,547,1837,287,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87fae4b235724822401793b07fce4b73.jpg",[],{"id":4860,"slug":4861,"title":4704,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4862,"thumbUrl":4863,"material":113,"size":114,"collection":58,"collections":4864,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275291,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-yi-ze-yi-ming-275291",[689,7,288,547,1837,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27bb1c34950d72737530292715039fa8.jpg",[],{"id":4866,"slug":4867,"title":4697,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4868,"thumbUrl":4869,"material":113,"size":114,"collection":58,"collections":4870,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275290,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-nan-lv-yi-ming-275290",[7,689,1837,547,288,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9050c5b35955468ebaca339f14f499bb.jpg",[],{"id":4872,"slug":4873,"title":4684,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4874,"thumbUrl":4875,"material":113,"size":114,"collection":58,"collections":4876,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275289,"bi-yu-miao-jin-yun-long-wen-bian-qing-bei-ying-zhong-yi-ming-275289",[689,7,1837,2352,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0e8156690cf64b29c6ebbae16d23145.jpg",[],{"id":4878,"slug":4879,"title":1834,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4880,"thumbUrl":4881,"material":113,"size":114,"collection":58,"collections":4882,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275287,"bi-yu-miao-jin-yun-long-wen-bian-qing-wu-she-yi-ming-275287",[689,7,1837,547,54,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0013a991b520e8b88f74b200a308a32.jpg",[],{"id":4884,"slug":4885,"title":4729,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4886,"thumbUrl":4887,"material":113,"size":114,"collection":58,"collections":4888,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275286,"bi-yu-miao-jin-yun-long-wen-bian-qing-nan-lv-yi-ming-275286",[689,7,1837,547,288,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F102c36eede9d22843e236da10a95a564.jpg",[],{"id":4890,"slug":4891,"title":4892,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4893,"thumbUrl":4894,"material":113,"size":114,"collection":58,"collections":4895,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275284,"qing-yu-miao-jin-yun-long-wen-bian-qing-huang-zhong-yi-ming-275284","青玉描金云龙纹编磬-黄钟",[689,7,2240,1837,2231,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61f607b3a9ff9261e7fede3507a88787.jpg",[],{"id":4897,"slug":4898,"title":4899,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4900,"thumbUrl":4901,"material":113,"size":114,"collection":58,"collections":4902,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275283,"qing-yu-miao-jin-yun-long-wen-bian-qing-tai-cu-qing-yi-ming-275283","青玉描金云龙纹编磬-太簇清",[689,7,547,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fc040909334683d9a16ccc9578c675f.jpg",[],{"id":4904,"slug":4905,"title":4906,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4907,"thumbUrl":4908,"material":113,"size":114,"collection":58,"collections":4909,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275282,"qing-yu-miao-jin-yun-long-wen-bian-qing-jia-zhong-yi-ming-275282","青玉描金云龙纹编磬-夹钟",[689,7,288,547,287,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f808892ee5386fc4e3691eea3a4bbdb.jpg",[],{"id":4911,"slug":4912,"title":4913,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4914,"thumbUrl":4915,"material":113,"size":114,"collection":58,"collections":4916,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275281,"qing-yu-miao-jin-yun-long-wen-bian-qing-tai-cu-yi-ming-275281","青玉描金云龙纹编磬-太簇",[689,7,547,1837,287,2231,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51c6bc08ccc9c5d1bc750a59136408e3.jpg",[],{"id":4918,"slug":4919,"title":4920,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4921,"thumbUrl":4922,"material":113,"size":114,"collection":58,"collections":4923,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275280,"qing-yu-miao-jin-yun-long-wen-bian-qing-ying-zhong-yi-ming-275280","青玉描金云龙纹编磬-应钟",[689,7,288,547,1837,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bb0fc1630b27a0ca74281beb5aa44ca.jpg",[],{"id":4925,"slug":4926,"title":4927,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4928,"thumbUrl":4929,"material":113,"size":114,"collection":58,"collections":4930,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275279,"qing-yu-miao-jin-yun-long-wen-bian-qing-wu-she-yi-ming-275279","青玉描金云龙纹编磬-无射",[689,7,287,2231,1837,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c95ce9432bc4be1bb0733d4b2f1c37b.jpg",[],{"id":4932,"slug":4933,"title":4934,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4935,"thumbUrl":4936,"material":113,"size":114,"collection":58,"collections":4937,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275278,"qing-yu-miao-jin-yun-long-wen-bian-qing-yi-ze-yi-ming-275278","青玉描金云龙纹编磬-夷则",[689,7,2240,1837,2231,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F955bfe8d8489939c24ec539a8f9e79c8.jpg",[],{"id":4939,"slug":4940,"title":4913,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4941,"thumbUrl":4942,"material":113,"size":114,"collection":58,"collections":4943,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275277,"qing-yu-miao-jin-yun-long-wen-bian-qing-tai-cu-yi-ming-275277",[689,7,288,1837,547,287,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9bc3355dfa9a6808211df45edc7e6f0.jpg",[],{"id":4945,"slug":4946,"title":4947,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4948,"thumbUrl":4949,"material":113,"size":114,"collection":58,"collections":4950,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275276,"qing-yu-miao-jin-yun-long-wen-bian-qing-da-lv-yi-ming-275276","青玉描金云龙纹编磬-大吕",[689,7,288,547,1837,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fc9aaa06239332d8ea5aab80842ef7b.jpg",[],{"id":4952,"slug":4953,"title":4934,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4954,"thumbUrl":4955,"material":113,"size":114,"collection":58,"collections":4956,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},275275,"qing-yu-miao-jin-yun-long-wen-bian-qing-yi-ze-yi-ming-275275",[689,7,288,2352,1837],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8dec74e3c46eaaff65494a170b6f8ea.jpg",[],{"id":4958,"slug":4959,"title":4960,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":4961,"thumbUrl":4962,"material":113,"size":114,"collection":58,"collections":4963,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275273,"qing-yu-miao-jin-yun-long-wen-bian-qing-jia-zhong-qing-yi-ming-275273","青玉描金云龙纹编磬-夹钟清",[689,7,287,1837,2352],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b78700798db388c66d6ad681e3f9d3b.jpg",[],{"id":4965,"slug":4966,"title":4967,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":4968,"thumbUrl":4969,"material":113,"size":114,"collection":58,"collections":4970,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},275250,"jin-zhong-yu-qing-yi-ming-275250","金钟玉磬",[2251,7,288,287,3862,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5d8318ae997bb32def4d89bbd48d157.jpg",[],{"id":4972,"slug":4973,"title":4974,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4975,"thumbUrl":4976,"material":113,"size":114,"collection":58,"collections":4977,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275249,"he-jin-shuang-long-niu-yun-long-wen-bian-zhong-yi-ze-yi-ming-275249","合金双龙纽云龙纹编钟-夷则",[7,2004,547,287,2251,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4279526dd91367074f99e661eff53463.jpg",[],{"id":4979,"slug":4980,"title":4981,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4982,"thumbUrl":4983,"material":113,"size":114,"collection":58,"collections":4984,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275248,"he-jin-shuang-long-niu-yun-long-wen-bian-zhong-lin-zhong-yi-ming-275248","合金双龙纽云龙纹编钟-林钟",[7,2004,547,287,992,2231],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd327fd9022904294b0a10705f0032b5e.jpg",[],{"id":4986,"slug":4987,"title":4988,"dynasty":422,"author":156,"museum":67,"description":2989,"tags":4989,"thumbUrl":4990,"material":113,"size":114,"collection":58,"collections":4991,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275247,"he-jin-shuang-long-niu-yun-long-wen-bian-zhong-tai-cu-yi-ming-275247","合金双龙纽云龙纹编钟-太簇",[54,7,288,2251,287,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca0eb7668611b4b5b8706dab50570eb.jpg",[],{"id":4993,"slug":4994,"title":4995,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":4996,"thumbUrl":4997,"material":113,"size":114,"collection":58,"collections":4998,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275246,"he-jin-shuang-long-niu-yun-long-wen-bian-zhong-bei-ying-zhong-yi-ming-275246","合金双龙纽云龙纹编钟-倍应钟",[2251,7,287,547,2231,2004,2991],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd699ee1e73c522d8017b3e9d84d94d4d.jpg",[],{"id":5000,"slug":5001,"title":5002,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5003,"thumbUrl":5004,"material":113,"size":114,"collection":58,"collections":5005,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275245,"he-jin-shuang-long-niu-yun-long-wen-bian-zhong-ying-zhong-yi-ming-275245","合金双龙纽云龙纹编钟-应钟",[7,2004,547,287,2231,286,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa562cdd3bb34646e58d111fa46103552.jpg",[],{"id":5007,"slug":5008,"title":5009,"dynasty":422,"author":156,"museum":67,"description":5010,"tags":5011,"thumbUrl":5013,"material":113,"size":114,"collection":58,"collections":5014,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},275100,"qian-long-kuan-fen-cai-wu-gong-yang-wei-yi-ming-275100","乾隆款粉彩五供养-味","这件瓷作造型精巧繁复，以佛家供养法器为原型创作。上部立体琵琶搭配兽形饰件，松石绿地粉彩缠枝纹为底，釉色莹润鲜亮，琵琶细节写实逼真。\n\n器身饰以回纹与缠枝花卉，层次分明，镂空雕花更添灵动。紫彩瑞兽姿态生动承托主体，松石绿、粉紫与酱褐釉色相互映衬，浓妍和谐，尽显华贵雅致。\n\n它将雕塑与彩绘工艺相融，把宗教礼器的庄穆与瓷艺工巧结合，尽显雍容宫廷审美，是清代粉彩仿生瓷的精妙之作，尽显卓绝匠艺。",[2263,5012,288,7,1980,547,287,92],"粉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb355beaeab900d0c26d0c1ba7c72ede4.jpg",[],{"id":5016,"slug":5017,"title":5018,"dynasty":422,"author":156,"museum":67,"description":5019,"tags":5020,"thumbUrl":5021,"material":113,"size":114,"collection":58,"collections":5022,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},274995,"tong-ling-yi-ming-274995","铜铃","此铃以五股金刚杵为柄首，嵌饰红珊瑚、绿松石与青金石，宝色点缀于古铜之上，沉静内敛。杵下忿怒佛首威严传神，周遭卷草纹饰层叠环绕，衔接精妙自然。钟身分层錾刻缠枝花卉与法轮纹样，排布规整，线条细腻流畅，尽显雕工精湛。通体包浆厚重莹润，古意盎然，凝敛着虔敬的信仰之力，将藏地金工艺与宗教意涵相融，肃穆沉静的气韵暗合禅修之境，是匠心淬炼的传世佳器。",[286,7,92,287,2252,3193],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a34adcb54e03de07e0c52dc9970dce9.jpg",[],{"id":5024,"slug":5025,"title":5026,"dynasty":422,"author":156,"museum":67,"description":5027,"tags":5028,"thumbUrl":5029,"material":113,"size":114,"collection":58,"collections":5030,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},274994,"tong-fa-ling-yi-ming-274994","铜法铃","此器以五股金刚杵为柄，嵌饰珊瑚、松石，宝色在古铜底色里暗生光华。杵身佛首眉目沉静慈悲，兼具肃穆法相。铃身錾刻莲瓣与宝相花纹饰，层叠排布，线条柔婉又不失规整，古旧包浆凝敛厚重，晕染出经年岁月的沉静质感。它既是密宗修法的庄严法器，亦是藏地金工的精巧之作，将宗教的神圣意涵与手工技艺的匠心相融，每一处錾刻都暗含仪轨深意，静静沉淀着信仰的温度，尽显藏传器物独有的美学风骨。",[286,54,92,7,287,3193,2252],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd60e2b1bec0cb2319579458b91e7539a.jpg",[],{"id":5032,"slug":5033,"title":5026,"dynasty":101,"author":156,"museum":67,"description":5034,"tags":5035,"thumbUrl":5036,"material":113,"size":114,"collection":58,"collections":5037,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274992,"tong-fa-ling-yi-ming-274992","鎏金五钴金刚杵为柄首，锋芒舒展，下承四面佛首，面容静穆端严，宝相具足。古铜钟体质地沉凝，周身錾刻纹饰层叠有序，覆莲、璎珞与法纹细密排布，线条婉转流畅，暗合密宗仪轨的庄严禅意。\n\n金铜相映之下，沉哑古铜配华贵鎏金，既承载着宗教器物的肃穆神性，又尽显手工造艺的精湛考究。仿佛清越梵音仍萦于耳间，将藏传佛教的精神内核凝于一体，尽显古匠倾注其间的心血与巧思。",[286,287,7,92,2252,285],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06f8191d7eb0626c53decd44d67054f2.jpg",[],{"id":5039,"slug":5040,"title":5041,"dynasty":422,"author":156,"museum":67,"description":5042,"tags":5043,"thumbUrl":5045,"material":113,"size":114,"collection":58,"collections":5046,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274880,"yin-tai-qian-fa-lang-gong-yang-yi-ming-274880","银胎嵌珐琅供养","它以银为骨，珐琅凝魂。莲台稳稳承起宝函，錾刻云纹爬遍银胎，卷舒灵动似揽住柔缓天光。龛心珐琅鲜亮明丽，霁蓝铺底，蜜色琵琶晕染釉彩，粉红外绶带翻卷如流霞，将佛国清越梵音凝在方寸之间。\n\n冷硬银质与暖润珐琅相生相衬，层叠莲瓣饱满舒展，底座祥云蜷曲如浪，虔诚供养之心藏在每一处细密纹路里，是雪域工艺与宫廷珐琅的精妙融合，静穆之间自有清净庄严的禅意。",[5044,2033,92,7,287,544,54],"银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F061fc02a972057d78c7e27fe2da40dde.jpg",[],{"id":5048,"slug":5049,"title":5050,"dynasty":422,"author":156,"museum":67,"description":5051,"tags":5052,"thumbUrl":5053,"material":113,"size":114,"collection":58,"collections":5054,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274796,"tong-bo-yi-ming-274796","铜钹","这对铜钹器型饱满内敛，宽扁盘面舒展平缓，弧顶小巧圆润，凝厚的古铜色包浆晕开时光浸淫的温润质感。链索穿系钮扣将二者牵连为整体，既便于收纳携行，也暗含呼应之趣。\n\n作为佛门法器与民间响器，轻撞可振出清越悠长的余韵，曾在梵呗声里伴诵禅意，也曾在社火中烘托欢腾热络的氛围。器身无繁复纹饰修饰，将金属肌理的质朴美感全然彰显，尽显清代造物重实用、尚朴拙的审美意趣，静静诉说着旧时礼乐相伴的日常图景。",[286,7,285,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09370a60454ed2c46cd28a9b2b635806.jpg",[],{"id":5056,"slug":5057,"title":5058,"dynasty":101,"author":156,"museum":67,"description":5059,"tags":5060,"thumbUrl":5061,"material":113,"size":114,"collection":58,"collections":5062,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274696,"zheng-de-kuan-tong-du-jin-fa-ling-yi-ming-274696","正德款铜镀金法铃","此铃顶部五股金刚杵挺拔庄重，衔接处人面造像线条古拙，神态威严沉静，凝住了宗教仪轨的肃穆气场。铃身錾刻排布层次分明，上层缠枝莲纹婉转灵动，中层垂幔璎珞饱满华贵，下缘环列的小造像细密精巧，将藏地法器的神性意蕴具象化。通体包浆厚重温润，冶铸工艺精湛规整，纹饰錾刻细腻入微，金属的沉稳质感和宗教造像的庄严气韵相融相合，静静伫立间便自带震慑心神的沉静力量，尽显古器工艺与信仰内核的完美交织。",[286,287,92,2252,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa50f5b68807259acd39ca5bd53615c31.jpg",[],{"id":5064,"slug":5065,"title":5066,"dynasty":422,"author":156,"museum":67,"description":5067,"tags":5068,"thumbUrl":5073,"material":113,"size":114,"collection":58,"collections":5074,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274627,"xi-yang-jun-yue-yao-qin-yi-ming-274627","西洋军乐摇琴","它是流淌着乐声的装饰瑰宝，以洛可可风格铺陈满身华彩，朱红、墨绿底上描金缠枝肆意舒展，热烈又雅致。立面错落排布的音管泛着哑光铜色，凝着旧时光的厚重质感。两侧侍立的人偶衣袂纹饰细腻，执灯握铃仿若乐声的守护者，顶楣浮雕刻画卷草涡旋，张扬精巧。\n作为街头流动的音乐厅，将机械匠心与装饰美学相融，摇动手柄即可奏响明快乐章。藏着十九世纪欧陆的绮靡风情，木与铜的肌理里，沉睡着旧日街巷里鲜活的市井乐声，是工业初兴时，手工装饰与机械音律碰撞的浪漫注脚。",[7,5069,930,5070,5071,3957,5072],"西洋乐器","彩绘","人物装饰","工艺制品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F128ecbe4f4fc751be49785e6ffe3a0b9.jpg",[],{"id":5076,"slug":5077,"title":3035,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":5078,"thumbUrl":5079,"material":113,"size":114,"collection":58,"collections":5080,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274621,"ba-yin-he-yi-ming-274621",[7,930,3035,3694],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed110e841133a15641e39d173a85843b.jpg",[],{"id":5082,"slug":5083,"title":3035,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":5084,"thumbUrl":5085,"material":113,"size":114,"collection":58,"collections":5086,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274619,"ba-yin-he-yi-ming-274619",[7,930,287,3694],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadd96c8114a7b946fcae0121324b1193.jpg",[],{"id":5088,"slug":5089,"title":3035,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":5090,"thumbUrl":5092,"material":113,"size":114,"collection":58,"collections":5093,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274618,"ba-yin-he-yi-ming-274618",[3035,7,930,5091,54],"金属装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c37da8bd6d7dda179d35a89e778ceeb.jpg",[],{"id":5095,"slug":5096,"title":5097,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":5098,"thumbUrl":5100,"material":113,"size":114,"collection":58,"collections":5101,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274617,"mu-zhi-qian-biao-ba-yin-he-yi-ming-274617","木质嵌表八音盒",[930,7,3035,5099,54],"嵌表","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8628d221e82e335567fd55c0c3555b45.jpg",[],{"id":5103,"slug":5104,"title":5105,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":5106,"thumbUrl":5107,"material":113,"size":114,"collection":58,"collections":5108,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274606,"mu-ting-shi-xiao-ba-yin-he-yi-ming-274606","木亭式小八音盒",[930,1625,7,5070,29,110,326],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85b93db6d768da4f437626a50764f044.jpg",[],{"id":5110,"slug":5111,"title":5112,"dynasty":422,"author":156,"museum":67,"description":5113,"tags":5114,"thumbUrl":5116,"material":113,"size":114,"collection":58,"collections":5117,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274541,"tong-du-jin-niao-yin-long-yi-ming-274541","铜镀金鸟音笼","鎏金笼身线条穹顶圆融雅致，顶钮带着复古铜饰，周身的格栅规整又不失灵动。笼中翠羽小鸟栩栩如生，俏立蜿蜒舒展的粉花枝上，柔艳花影晕开春日生机，笼底布景衬出幽谧小景，将春日一隅藏入方寸之间。\n\n这不止是雅室陈设，更是匠心独具的机械奇技。上弦之后，雀鸟便可振翼啼鸣，宛转动人的啼声伴着灵动姿态，将静态陈设化作鲜活的春日小景。它将清代手工的雅致工巧融于笼中，带着东西工艺交融的别致美感，藏着旧时光里独有的温柔意趣，是凝萃匠人心思的雅致珍玩。",[286,2251,54,110,5115,287,7],"桃花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d3ff5b42d8c828212243a1babc3fb45.jpg",[],{"id":5119,"slug":5120,"title":5121,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5122,"thumbUrl":5125,"material":113,"size":114,"collection":58,"collections":5126,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274514,"tong-du-jin-qian-liao-shi-shou-feng-qin-zhong-yi-ming-274514","铜镀金嵌料石手风琴钟",[286,2251,5123,7,287,5124,54],"钟表","嵌料石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc92cb619fcd2bae6bc8d88aa63ed47b5.jpg",[],{"id":5128,"slug":5129,"title":5130,"dynasty":422,"author":156,"museum":67,"description":3043,"tags":5131,"thumbUrl":5135,"material":113,"size":114,"collection":58,"collections":5136,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},274496,"tong-du-jin-qian-ma-nao-yin-yue-xiang-biao-yi-ming-274496","铜镀金嵌玛瑙音乐箱表",[2251,286,5132,5133,5123,287,399,7,5134],"玛瑙","音乐箱","金属工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8225b035418c01fc68d42973f2208ed0.jpg",[],{"id":5138,"slug":5139,"title":5140,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5141,"thumbUrl":5142,"material":113,"size":114,"collection":58,"collections":5143,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},274469,"tong-du-jin-qian-ma-nao-le-zhong-yi-ming-274469","铜镀金嵌玛瑙乐钟",[2251,286,287,7,5123,5132,1647],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73eb6c9d4fa7f76a9843b68ef19abd0d.jpg",[],{"id":5145,"slug":5146,"title":5147,"dynasty":422,"author":156,"museum":67,"description":5148,"tags":5149,"thumbUrl":5152,"material":113,"size":114,"collection":58,"collections":5153,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274468,"tong-du-jin-bo-li-zhu-qian-yang-ci-yin-yue-biao-jing-yi-ming-274468","铜镀金玻璃柱嵌洋瓷音乐表镜","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[286,5150,5151,2617,5123,7,3694,399,287,5070],"玻璃","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4440bf9459ae680bc27f70961fb5c178.jpg",[],{"id":5155,"slug":5156,"title":5157,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5158,"thumbUrl":5161,"material":113,"size":114,"collection":58,"collections":5162,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},274465,"tong-du-jin-ting-shi-fan-ren-jin-bao-le-zhong-yi-ming-274465","铜镀金亭式番人进宝乐钟",[54,286,2251,5151,5123,5159,7,326,29,5160,287],"乐钟","象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66a6dc0029a42254178ecee074f612d3.jpg",[],{"id":5164,"slug":5165,"title":5166,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5167,"thumbUrl":5169,"material":113,"size":114,"collection":58,"collections":5170,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274459,"tong-du-jin-le-xiang-zhe-gu-niao-zhong-yi-ming-274459","铜镀金乐箱鹧鸪鸟钟",[2251,286,5168,110,29,287,5159,5151,581,7],"鹧鸪鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F278a7d0c739693da5375547b8bcc85bf.jpg",[],{"id":5172,"slug":5173,"title":5174,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5175,"thumbUrl":5177,"material":113,"size":114,"collection":58,"collections":5178,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},274439,"tong-du-jin-le-xiang-shui-fa-pao-ren-shuang-ma-tuo-zhong-yi-ming-274439","铜镀金乐箱水法跑人双马驮钟",[3237,286,2251,287,702,29,7,5176],"水法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccf12bfd0cb3b200b64fdbfd412f2fcc.jpg",[],{"id":5180,"slug":5181,"title":5182,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5183,"thumbUrl":5187,"material":113,"size":114,"collection":58,"collections":5188,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274430,"tong-du-jin-zhuan-pi-qiu-hua-san-ren-da-le-zhong-yi-ming-274430","铜镀金转皮球花三人打乐钟",[286,2251,5123,287,5184,5185,7,5186],"皮球花","打乐","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c76dfbaed1b8bec8de1d7c462d30bd6.jpg",[],{"id":5190,"slug":5191,"title":5192,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5193,"thumbUrl":5195,"material":113,"size":114,"collection":58,"collections":5196,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274425,"tong-du-jin-le-xiang-shang-ting-shi-ren-da-le-zhong-yi-ming-274425","铜镀金乐箱上亭式人打乐钟",[286,2251,5123,287,29,5159,7,5194],"亭式造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab8fe16db4665f4327f62b7633a6bc1f.jpg",[],{"id":5198,"slug":5199,"title":5200,"dynasty":422,"author":156,"museum":67,"description":3043,"tags":5201,"thumbUrl":5202,"material":113,"size":114,"collection":58,"collections":5203,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},274278,"tong-du-jin-qian-ma-nao-yin-hua-gui-ju-xiang-yin-yue-biao-yi-ming-274278","铜镀金嵌玛瑙银花规矩箱音乐表",[286,2251,5044,5132,287,7,5123,543,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55cdfa8e98318db1cc6cd121663d93f5.jpg",[],{"id":5205,"slug":5206,"title":5200,"dynasty":422,"author":156,"museum":67,"description":3043,"tags":5207,"thumbUrl":5208,"material":113,"size":114,"collection":58,"collections":5209,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274276,"tong-du-jin-qian-ma-nao-yin-hua-gui-ju-xiang-yin-yue-biao-yi-ming-274276",[2251,286,5044,689,287,543,507,7,3694,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4bf5d4af2e306576606a2a29d000ee2.jpg",[],{"id":5211,"slug":5212,"title":5213,"dynasty":422,"author":156,"museum":67,"description":3043,"tags":5214,"thumbUrl":5216,"material":113,"size":114,"collection":58,"collections":5217,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274118,"tong-du-jin-shi-nv-chui-di-fa-lang-hua-huai-biao-yi-ming-274118","铜镀金仕女吹笛珐琅画怀表",[3045,3694,2251,286,5151,108,7,5215],"珐琅画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25a217091f661e89329e5dc77b265b49.jpg",[],{"id":5219,"slug":5220,"title":5221,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5222,"thumbUrl":5224,"material":113,"size":114,"collection":58,"collections":5225,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},274098,"tong-du-jin-xiang-tuo-pi-pa-bai-zhong-yi-ming-274098","铜镀金象驮琵琶摆钟",[54,507,2251,286,287,7,5223],"摆钟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23374755bb95fca982a47e1b4bf4a8d9.jpg",[],{"id":5227,"slug":5228,"title":5229,"dynasty":422,"author":156,"museum":67,"description":5230,"tags":5231,"thumbUrl":5232,"material":113,"size":114,"collection":58,"collections":5233,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},273376,"kong-zhu-yi-ming-273376","空竹","这是一对承载着旧时闲趣的木器，一者漆色斑驳，朱红旧彩裹挟着剥落的漆皮，藏着经年把玩的痕迹；一者素面无饰，原生木理尽显质朴本真。腰状木柱衔接起上下轮盘，轮身开槽穿绳，曾在扯动之间旋起嗡嗡脆响，将巷陌的闲暇欢愉具象其中。它们是民间游乐的鲜活注脚，指尖曳绳，轮盘飞转，把市井里的轻快日常凝缩在小小器形中，带着烟火余温，静诉着百年前的鲜活意趣。",[5229,930,7,3694],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0c92775821403e73aa59e1680110a72.jpg",[],{"id":5235,"slug":5236,"title":5237,"dynasty":422,"author":156,"museum":67,"description":5238,"tags":5239,"thumbUrl":5240,"material":113,"size":114,"collection":58,"collections":5241,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},273017,"zi-tan-mu-pai-ban-yi-ming-273017","紫檀木拍板","这三件紫檀拍板质地沉穆温润，周身晕染着经年摩挲出的厚重包浆，纹理如墨线蜿蜒舒展，自带古雅拙朴的气韵。修长板身打磨圆融柔和，两枚以朱红细绳束起，错落静卧间，恍若仍留存着登台时的雅致余韵。\n\n它曾是丝竹雅集里的节拍骨血，起落叩击间，脆响托着婉转唱腔与丝弦鸣和，衬起梨园堂前的鲜活热闹。如今声息敛去，木质肌理将旧时光里的乐韵悄然封存，每一道深浅纹路，都晕开往昔的堂前余温，静述旧时礼乐的风华过往。",[930,7,3711],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48f78c321501a590da0f5151013e9c2e.jpg",[],{"id":5243,"slug":5244,"title":5245,"dynasty":422,"author":156,"museum":67,"description":5246,"tags":5247,"thumbUrl":5251,"material":113,"size":114,"collection":58,"collections":5252,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},272964,"zi-tan-mu-bian-hua-bo-li-ren-wu-tu-gua-ping-yi-ming-272964","紫檀木边画玻璃人物图挂屏","这幅玻璃反画以细腻笔触铺就林下闲趣，老者身披素黄披帛，侧耳凝神静听，苍然神态间尽显悠然意趣。红衣童子握笛轻吹，曲调似随晚风漫过古拙山石，引得灵鹿驻足垂耳，流连不去。\n\n画面糅合西洋写实技法与东方隐逸意境，衣褶晕染柔润自然，须发肌理分毫毕现，灵鹿的皮毛纹路写实生动。背景花树朦胧晕染，将山林幽寂晕染开来，冷暖色调交织，既保留中式林下雅趣的禅意，又带着西洋光影的精致质感，把世外寻幽的静谧氛围勾勒得恰到好处，尽显东西方审美交融的别致韵味。",[5248,2034,28,29,5249,7,111,5250],"玻璃画","鹿","崖壁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b83b8ad516c2246ab47c3b878e5c12e.jpg",[],{"id":5254,"slug":5255,"title":5256,"dynasty":422,"author":156,"museum":67,"description":5257,"tags":5258,"thumbUrl":5261,"material":113,"size":114,"collection":58,"collections":5262,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},272418,"liu-yuan-yu-xiang-mo-xiao-chun-lei-mo-yi-ming-272418","刘源御香墨-小春雷墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[74,5259,1901,5260,7],"墨锭","古琴造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f9bb5304c06d63ff61b78693bdbe785.jpg",[],{"id":5264,"slug":5265,"title":5266,"dynasty":422,"author":156,"museum":67,"description":5257,"tags":5267,"thumbUrl":5270,"material":113,"size":114,"collection":58,"collections":5271,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},271426,"zhan-gong-san-jian-zhi-tian-ya-he-chu-mi-zhi-yin-qin-shi-mo-yi-ming-271426","詹公三监制天涯何处觅知音琴式墨",[74,5268,7,69,1901,5269],"琴式","知音难觅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb49736943ab2b2d96aa7e88254e22e6.jpg",[],{"id":5273,"slug":5274,"title":5275,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":5276,"thumbUrl":5277,"material":113,"size":114,"collection":58,"collections":5278,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},270964,"cheng-fen-wen-ju-qing-yu-ji-gu-ren-yi-ming-270964","成份文具-青玉击鼓人",[689,287,29,7,143,690],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33e5c4bae18a30a4da6bd1e8d559643e.jpg",[],{"id":5280,"slug":5281,"title":3059,"dynasty":422,"author":156,"museum":67,"description":5282,"tags":5283,"thumbUrl":5284,"material":113,"size":114,"collection":58,"collections":5285,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},269963,"xiang-ya-diao-ga-ba-la-gu-yi-ming-269963","这件牙雕取料莹润黄洁，质感温腻凝实。形制复刻嘎巴拉鼓，整体线条圆融饱满，不加过多纹饰，以素净造型传递肃穆禅意。匠师依循牙料本形琢磨，将宗教法器的庄重意蕴，藏于简约规整的器型之中，没有繁复镂刻，却在平滑的弧面与过渡里，尽显沉静古朴的气质，在素雅内敛间，诠释出藏地法器独有的空灵美学，自带静谧平和的氛围感。",[2484,287,7,92,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4663d19b4fbc37986f0b2670b60137d5.jpg",[],{"id":5287,"slug":5288,"title":5289,"dynasty":422,"author":156,"museum":67,"description":5290,"tags":5291,"thumbUrl":5293,"material":113,"size":114,"collection":58,"collections":5294,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},269700,"pao-zhi-san-xian-gu-zi-yi-ming-269700","匏制三弦鼓子","以天然匏材随形塑形，扁圆鼓身搭配短敦颈，自带朴拙古雅的沉静气质。浅浮雕缠枝花卉蔓延器身，卷叶柔婉萦回，团花饱满雍容，刀工圆融细腻，将匏质温润肌理烘托得愈发雅致。\n\n整体形制古雅沉稳，把天然生趣与人工巧思揉合无间，静静诠释着传统文玩雅趣，将日常器形化作案头可赏可玩的清逸之品，尽显旧时工艺造物的细腻心思。",[7,5292,287,212,54],"匏器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd22a7dac3e2e6098172012055e4aa756.jpg",[],{"id":5296,"slug":5297,"title":5298,"dynasty":422,"author":156,"museum":67,"description":5299,"tags":5300,"thumbUrl":5301,"material":113,"size":114,"collection":58,"collections":5302,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},269420,"mu-yu-yi-ming-269420","木鱼","取天然瘿木随形而就，周身带着树木瘤疤苍皱起伏的肌理，深浅色泽交叠晕染，凝着岁月浸养出的温润包浆。摒弃繁复雕饰，仅以一处简素开孔来契合木鱼之用，搭配的木槌依材成形，缠系的绳穗带着质朴的古意。\n它将佛门器物的沉静禅意与自然天工相融，没有人工斧凿的刻意痕迹，仿佛携带着山林间的清寂之气，静静晕开松弛安宁的侘寂之美，藏着岁月沉淀下的淡然禅韵。",[7,930,287,92,2252],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f133ea18c81a5d19884d17fe7d93745.jpg",[],{"id":5304,"slug":5305,"title":5306,"dynasty":422,"author":156,"museum":67,"description":5307,"tags":5308,"thumbUrl":5309,"material":113,"size":114,"collection":58,"collections":5310,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},269106,"xiang-ya-diao-yue-man-qing-you-shi-yi-yue-jing-ce-yi-ming-269106","象牙雕月曼清游十一月景册","以象牙为材，佐玉石点染池台栏基，雕出深闺初冬雅集之景。仕女或环立听琴，或凭栏私语，衣袂柔婉飘逸，鬓发丝缕分明，亭台窗棂的回纹、枯木霜枝的肌理皆细腻入微，将闺中闲雅意趣尽显。右侧行书题诗，墨色浓莹与牙色温润相映，诗画合璧，把深闺清赏的温婉闲情定格在方寸之间，尽显匠艺精工与雅致意境。",[2484,287,426,29,30,236,69,373,7,109],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ec834c464e8092a52f739b2ba65d863.jpg",[],{"id":5312,"slug":5313,"title":5314,"dynasty":422,"author":156,"museum":67,"description":3088,"tags":5315,"thumbUrl":5317,"material":113,"size":114,"collection":58,"collections":5318,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},261645,"qing-hua-dan-miao-wu-ren-tu-bi-tong-yi-ming-261645","青花淡描舞人图笔筒",[2263,54,5316,29,30,2435,7,236,469],"青花淡描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16f9f263affa2b1e89e8df1327e755ec.jpg",[],{"id":5320,"slug":5321,"title":5322,"dynasty":46,"author":156,"museum":67,"description":5323,"tags":5324,"thumbUrl":5325,"material":113,"size":114,"collection":2496,"collections":5326,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},260382,"liu-li-chang-yao-huang-you-xiao-tao-ling-yi-ming-260382","琉璃厂窑黄釉小陶铃","琉璃厂窑又称华阳窑，在四川华阳县城以南胜利乡一村，是一家生产青釉、黄釉、褐釉、黑釉、白釉、绿釉等为主的制造厂。\n当地俗称琉璃厂，故叫“琉璃厂”或“琉璃厂窑”。瓷器烧制于唐、宋时代。\n器物的胎体多叶砖红色，宋代为繁荣时期，其中黄釉绿彩中比较突出的有大盆，盆里中心刻双鱼纹，两鱼逆水并游，辅以水草，线条自然流畅。褐釉器有鸭嘴流式壶、长流壶、碗、盘等，纹饰多绘花草纹，涂白粉。白釉器有碗、盘，釉色有白、黄两种，有的饰绿口及绿彩花草纹。",[2263,7,2265,2549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f24406c0ce7361ca304d2ac0b816205.jpg",[2496],{"id":5328,"slug":5329,"title":5330,"dynasty":46,"author":156,"museum":67,"description":5323,"tags":5331,"thumbUrl":5332,"material":113,"size":114,"collection":2496,"collections":5333,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},260381,"liu-li-chang-yao-qing-you-xiao-tao-ling-yi-ming-260381","琉璃厂窑青釉小陶铃",[2263,7,2549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74e0751dec53047d8c98c16595f2d664.jpg",[2496],{"id":5335,"slug":5336,"title":5337,"dynasty":46,"author":156,"museum":67,"description":5338,"tags":5339,"thumbUrl":5341,"material":113,"size":114,"collection":58,"collections":5342,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},260197,"san-cai-shao-yi-ming-260197","三彩哨","圆润小巧的球形器身，将玩乐意趣与陶瓷工艺相融。黄绿褐三色釉彩晕染柔和，带着独有的古朴温润质感。腹部模印卷草纹婉转舒展，似有灵动生机扑面而来，顶面飞鸟羽翼纹路清晰，栩栩如生。暗藏于纹饰间的开孔，既是出声的巧思设计，又让整体视觉虚实相映，不显突兀。\n\n器物整体朴稚可爱，尽显旧时民间工匠的生活巧思，将日常玩乐的意趣，藏入施釉与刻画的细节之中，带着浓郁的世俗烟火气，是民间陶瓷玩具里的精巧之作。",[2263,5340,7,594,287],"三彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc676937e12d3e344d1a53e23159e2c74.jpg",[],{"id":5344,"slug":5345,"title":5346,"dynasty":422,"author":156,"museum":67,"description":5148,"tags":5347,"thumbUrl":5349,"material":113,"size":114,"collection":58,"collections":5350,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},258637,"fang-ma-nao-wen-tong-liu-jin-bian-ci-qing-yi-ming-258637","仿玛瑙纹铜鎏金边瓷磬",[422,286,2263,2559,5348,287,54,7],"仿玛瑙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d54f0795e95fcb17df13b5ee63ab38b.jpg",[],{"id":5352,"slug":5353,"title":5354,"dynasty":422,"author":156,"museum":67,"description":5355,"tags":5356,"thumbUrl":5358,"material":113,"size":114,"collection":58,"collections":5359,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},257883,"bai-you-tu-hua-wen-long-niu-zhong-yi-ming-257883","白釉凸花纹龙纽钟","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[688,2263,2504,5357,547,7],"凸花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25793e42e7f3dc56e092902a398c9405.jpg",[],{"id":5361,"slug":5362,"title":5363,"dynasty":1936,"author":156,"museum":67,"description":2519,"tags":5364,"thumbUrl":5365,"material":113,"size":114,"collection":58,"collections":5366,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},256136,"tao-fu-qin-yong-yi-ming-256136","陶抚琴俑",[1936,3111,2266,29,287,7,197,823,2264],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3565d5f168f8f131089aa98eaa3de1e.jpg",[],{"id":5368,"slug":5369,"title":5370,"dynasty":155,"author":156,"museum":67,"description":3078,"tags":5371,"thumbUrl":5373,"material":113,"size":114,"collection":58,"collections":5374,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},256102,"tao-qing-you-ren-shou-kou-shao-yi-ming-256102","陶青釉人首口哨",[2263,5372,287,29,7],"青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc823d7e37baab1770cb235d807f29f3f.jpg",[],{"id":5376,"slug":5377,"title":5378,"dynasty":46,"author":156,"museum":67,"description":5355,"tags":5379,"thumbUrl":5381,"material":113,"size":114,"collection":58,"collections":5382,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},256076,"bai-you-hei-hong-cai-bao-qin-yong-yi-ming-256076","白釉黑红彩抱琴俑",[2152,2263,2266,29,7,5380],"白釉黑红彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b93cf0472ad110d4c869f5d91a5174d.jpg",[],{"id":5384,"slug":5385,"title":5386,"dynasty":46,"author":156,"museum":67,"description":5387,"tags":5388,"thumbUrl":5390,"material":113,"size":114,"collection":58,"collections":5391,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},255908,"san-cai-shou-tou-shao-yi-ming-255908","三彩兽头哨","狞厉憨拙的兽首造型上，黄绿釉彩晕染交融，斑驳釉面是时光摩挲的痕迹。匠者将稚气与狞厉揉合为一，兽目孔洞既是传神点睛之笔，亦是传声巧思，让陶土化作可吹响的嬉玩之器。\n\n粗粝胎质带着手作的温度，无精雕细琢的刻意，反倒留存着民间造物的随性野趣。釉色剥落处露出的胎土，似岁月吻过的印记，将巷陌间孩童嬉闹的声响封存在陶土肌理里，是兼具实用与意趣的市井小品，藏着平淡日常里的灵动巧思与烂漫童真。",[2152,2263,5340,507,5389,54,7],"兽头","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72a15b5f8d96607ea6d44ee81be1408b.jpg",[],{"id":5393,"slug":5394,"title":5395,"dynasty":46,"author":156,"museum":67,"description":5396,"tags":5397,"thumbUrl":5399,"material":113,"size":114,"collection":58,"collections":5400,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},255108,"hei-you-ci-shou-tou-shao-yi-ming-255108","黑釉瓷兽头哨","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[2263,5398,507,287,7],"黑釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00e63b6c014a7a7bf7b3376c03176d15.jpg",[],{"id":5402,"slug":5403,"title":5404,"dynasty":101,"author":156,"museum":67,"description":5396,"tags":5405,"thumbUrl":5407,"material":113,"size":114,"collection":58,"collections":5408,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},254816,"tao-lv-you-qing-jia-yi-ming-254816","陶绿釉磬架",[101,2263,5406,287,54,7],"绿釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba81d9498d8774856c43c4a25c878639.jpg",[],{"id":5410,"slug":5411,"title":5412,"dynasty":101,"author":156,"museum":67,"description":2519,"tags":5413,"thumbUrl":5416,"material":113,"size":114,"collection":58,"collections":5417,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},254768,"tao-lv-you-da-yao-gu-nan-li-yong-yi-ming-254768","陶绿釉打腰鼓男立俑",[2263,5406,2266,29,7,651,5414,5415],"立俑","陶制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd945141403cec48b41e4c8d0490454fd.jpg",[],{"id":5419,"slug":5420,"title":5421,"dynasty":155,"author":156,"museum":67,"description":2260,"tags":5422,"thumbUrl":5423,"material":113,"size":114,"collection":58,"collections":5424,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},254591,"huang-you-chui-pai-xiao-nv-tao-yong-yi-ming-254591","黄釉吹排箫女陶俑",[2266,2263,28,287,29,30,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc95e66499aa3d7b114298e3aff31a31.jpg",[],{"id":5426,"slug":5427,"title":5428,"dynasty":155,"author":156,"museum":67,"description":2519,"tags":5429,"thumbUrl":5430,"material":113,"size":114,"collection":58,"collections":5431,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},254430,"tao-qi-ma-ji-le-yong-yi-ming-254430","陶骑马伎乐俑",[155,2263,2266,29,702,7,287,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96c9f23b8a5290a8815f20048145d754.jpg",[],{"id":5433,"slug":5434,"title":5428,"dynasty":155,"author":156,"museum":67,"description":2519,"tags":5435,"thumbUrl":5436,"material":113,"size":114,"collection":58,"collections":5437,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},254268,"tao-qi-ma-ji-le-yong-yi-ming-254268",[2263,2266,29,702,7,2493,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7701c138796673ea5a2e352c438101ff.jpg",[],{"id":5439,"slug":5440,"title":5441,"dynasty":1936,"author":156,"museum":67,"description":2519,"tags":5442,"thumbUrl":5443,"material":113,"size":114,"collection":58,"collections":5444,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},254066,"tao-chui-xun-zuo-yong-yi-ming-254066","陶吹埙坐俑",[2015,2266,2263,29,287,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe44c696770526d00a2a20b5cb90861aa.jpg",[],{"id":5446,"slug":5447,"title":5448,"dynasty":155,"author":156,"museum":67,"description":2519,"tags":5449,"thumbUrl":5450,"material":113,"size":114,"collection":58,"collections":5451,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},253914,"tao-hua-cai-ji-le-nan-zuo-yong-yi-ming-253914","陶画彩伎乐男坐俑",[2263,2266,28,29,287,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F911c328c80e8e246a1088f664fd00791.jpg",[],{"id":5453,"slug":5454,"title":5455,"dynasty":101,"author":156,"museum":67,"description":2519,"tags":5456,"thumbUrl":5460,"material":113,"size":114,"collection":58,"collections":5461,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},253897,"tao-huang-lv-you-da-gu-yong-yi-ming-253897","陶黄绿釉打鼓俑",[101,2263,5457,2266,29,7,854,5458,2264,5459],"黄绿釉","釉陶","打鼓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83ad76a274cebd79a0a5e7484d4ff897.jpg",[],{"id":5463,"slug":5464,"title":5465,"dynasty":101,"author":156,"museum":67,"description":2519,"tags":5466,"thumbUrl":5467,"material":113,"size":114,"collection":58,"collections":5468,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},253896,"tao-huang-lv-you-ji-le-yong-yi-ming-253896","陶黄绿釉伎乐俑",[2263,5457,2266,29,7,651],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c022be4368d7f32454fefb4febb2957.jpg",[],{"id":5470,"slug":5471,"title":5465,"dynasty":101,"author":156,"museum":67,"description":2519,"tags":5472,"thumbUrl":5473,"material":113,"size":114,"collection":58,"collections":5474,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},253895,"tao-huang-lv-you-ji-le-yong-yi-ming-253895",[651,2263,5415,287,28,5457,2266,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dafa3d795f8df420769a23061c6fcd7.jpg",[],{"id":5476,"slug":5477,"title":5478,"dynasty":101,"author":156,"museum":67,"description":2519,"tags":5479,"thumbUrl":5483,"material":113,"size":114,"collection":58,"collections":5484,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},253684,"tao-lv-you-nan-li-yong-yi-ming-253684","陶绿釉男立俑",[2266,5480,5406,5481,5414,5482,7],"陶俑","人物俑","明器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73986ca4ac73d00bdd1ea0eb344ae807.jpg",[],{"id":5486,"slug":5487,"title":5488,"dynasty":1936,"author":156,"museum":67,"description":2519,"tags":5489,"thumbUrl":5490,"material":113,"size":114,"collection":58,"collections":5491,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},253511,"tao-fu-zheng-nan-yong-yi-ming-253511","陶抚筝男俑",[2263,2266,29,7,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02b3852e8c843969e2aead4bfb92d9c0.jpg",[],{"id":5493,"slug":5494,"title":5495,"dynasty":46,"author":156,"museum":67,"description":5496,"tags":5497,"thumbUrl":5499,"material":113,"size":114,"collection":58,"collections":5500,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},253197,"ji-gu-chang-fang-zhuan-yi-ming-253197","击鼓长方砖","浅浮雕技法将伎乐击鼓的瞬间凝于青砖之上，匠人以刀为笔，刻画出灵动鲜活的乐舞剪影。乐伎低首侧身，一手扬槌将落，一手按定鼓面，衣袂随动作轻扬翻卷，仿佛下一刻就能听见鼓槌落时的咚咚振响。\n鼓台纹饰简约稳重，恰好衬出乐伎翩然的身姿，一动一静间晕开世俗宴乐的雅致意趣。青砖蒙着岁月的尘痕，却依旧藏着千年前市井的鲜活烟火，将刹那的韵律定格成永恒的砖石华章。",[5498,3169,29,7,54],"砖雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3749564198ccc6bf36518e4038cc9298.jpg",[],{"id":5502,"slug":5503,"title":5504,"dynasty":46,"author":156,"museum":67,"description":5505,"tags":5506,"thumbUrl":5508,"material":113,"size":114,"collection":58,"collections":5509,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},253196,"zhang-gu-ji-le-ren-wu-zhuan-diao-yi-ming-253196","杖鼓伎乐人物砖雕","青砖之上，浅浮雕定格伎乐一瞬。匠人以刀为笔，将击鼓的鲜活情态凝于坯土。高挽的发髻带着灵动飞饰，眉眼低垂，敛着专注安然的神态，双手环持杖鼓，似正将腕间力道倾注于鼓面。衣褶朴拙厚重，随身形垂坠，带着宋时特有的写实意趣，将市井宴饮的鲜活烟火气刻入砖中。\n\n岁月侵蚀让边角略有残损，却更添古旧韵味，仿佛能闻声听见彼时堂前的鼓点轻振，窥见民间宴乐的融融意趣，把俗世欢愉定格为永恒的砖上风华。",[2152,5498,287,29,3129,7,5507],"杖鼓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff906931954915d7bf0b68e670b674b33.jpg",[],{"id":5511,"slug":5512,"title":3118,"dynasty":155,"author":156,"museum":67,"description":2519,"tags":5513,"thumbUrl":5514,"material":113,"size":114,"collection":58,"collections":5515,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},253073,"tao-hua-cai-chi-yue-qi-nv-li-yong-yi-ming-253073",[155,2263,2266,28,29,30,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F760338d1c753635efa6f54a052668288.jpg",[],{"id":5517,"slug":5518,"title":5519,"dynasty":101,"author":156,"museum":67,"description":2519,"tags":5520,"thumbUrl":5521,"material":113,"size":114,"collection":58,"collections":5522,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},252974,"tao-lv-you-qi-ma-zou-yue-yong-yi-ming-252974","陶绿釉骑马奏乐俑",[2263,2266,5406,29,702,7,651,2264],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04d63dd24cff73fed5b7bef2bdb71237.jpg",[],{"id":5524,"slug":5525,"title":5519,"dynasty":101,"author":156,"museum":67,"description":2519,"tags":5526,"thumbUrl":5527,"material":113,"size":114,"collection":58,"collections":5528,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},252970,"tao-lv-you-qi-ma-zou-yue-yong-yi-ming-252970",[2263,2266,29,702,7,28,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77aa2eeb740aa709158c893f45998f0c.jpg",[],{"id":5530,"slug":5531,"title":5532,"dynasty":155,"author":156,"museum":67,"description":3126,"tags":5533,"thumbUrl":5534,"material":113,"size":114,"collection":58,"collections":5535,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},252966,"shi-ji-gu-ji-le-zuo-xiang-yi-ming-252966","石击鼓伎乐坐像",[155,287,3130,29,3129,7,92,2521],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F850386350865b8739ddd8d443f26cc12.jpg",[],{"id":5537,"slug":5538,"title":5539,"dynasty":155,"author":156,"museum":67,"description":3126,"tags":5540,"thumbUrl":5541,"material":113,"size":114,"collection":58,"collections":5542,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},252916,"shi-ji-le-zuo-xiang-yi-ming-252916","石伎乐坐像",[2493,715,287,28,92,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cb053f74bbcff5c37836681c71fc733.jpg",[],{"id":5544,"slug":5545,"title":5546,"dynasty":422,"author":156,"museum":67,"description":5547,"tags":5548,"thumbUrl":5550,"material":113,"size":114,"collection":58,"collections":5551,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},252712,"bai-yu-shuang-feng-chi-yun-wen-qing-yi-ming-252712","白玉双凤螭云纹磬","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[689,287,3020,5549,654,688,7],"螭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8635ab965e494b10c9119c5ecaab3857.jpg",[],{"id":5553,"slug":5554,"title":5555,"dynasty":422,"author":156,"museum":67,"description":5547,"tags":5556,"thumbUrl":5560,"material":113,"size":114,"collection":58,"collections":5561,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},251803,"bai-yu-suo-zi-qing-yi-ming-251803","白玉索子磬",[422,5557,689,287,930,7,5558,5559],"白玉","雕花","索链","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87a106bd7214550871f6946ac648975a.jpg",[],{"id":5563,"slug":5564,"title":5565,"dynasty":101,"author":156,"museum":67,"description":5547,"tags":5566,"thumbUrl":5568,"material":113,"size":114,"collection":58,"collections":5569,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},251774,"zi-gang-kuan-jing-huo-bai-yu-qin-shi-he-yi-ming-251774","子刚款经火白玉琴式盒",[101,689,54,287,7,5557,5567],"经火","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff56c054fdd49d58ff50c8c664c03bda7.jpg",[],{"id":5571,"slug":5572,"title":5573,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":5574,"thumbUrl":5575,"material":113,"size":114,"collection":58,"collections":5576,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},251654,"qian-long-kuan-qing-yu-ling-yi-ming-251654","乾隆款青玉铃",[689,287,92,54,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd95fa1de2bf4ddbc345fc708e00679f.jpg",[],{"id":5578,"slug":5579,"title":5580,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":5581,"thumbUrl":5582,"material":113,"size":114,"collection":58,"collections":5583,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},251539,"qian-long-kuan-qing-yu-ga-ba-la-gu-yi-ming-251539","乾隆款青玉嘠巴拉鼓",[688,689,7,287,2251,582,399,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dcafeec88695b30c3ac4900d44a9add.jpg",[],{"id":5585,"slug":5586,"title":5587,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":5588,"thumbUrl":5590,"material":113,"size":114,"collection":58,"collections":5591,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},251307,"qing-yu-ru-ding-wen-zhong-yi-ming-251307","青玉乳丁纹钟",[651,689,287,5589,54,7],"乳丁纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39ef1fc53863aa48358dc93828a752fb.jpg",[],{"id":5593,"slug":5594,"title":5595,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":5596,"thumbUrl":5598,"material":113,"size":114,"collection":58,"collections":5599,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},250854,"qing-yu-kui-feng-ru-ding-wen-zhong-yi-ming-250854","青玉夔凤乳丁纹钟",[651,689,287,5597,5589,7,288],"夔凤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbac1f2e855a7938cabc1252c8658d169.jpg",[],{"id":5601,"slug":5602,"title":5603,"dynasty":101,"author":156,"museum":67,"description":1835,"tags":5604,"thumbUrl":5606,"material":113,"size":114,"collection":58,"collections":5607,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},250715,"qing-yu-long-wen-zhong-yi-ming-250715","青玉龙纹钟",[651,5605,287,2352,7,54],"青玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5bb8be2afafd144e558ddf983bc44ae2.jpg",[],{"id":5609,"slug":5610,"title":5611,"dynasty":422,"author":156,"museum":67,"description":5612,"tags":5613,"thumbUrl":5615,"material":113,"size":114,"collection":58,"collections":5616,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},249110,"qia-si-fa-lang-shou-mian-wen-zhong-yi-ming-249110","掐丝珐琅兽面纹钟","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[688,5614,2033,1442,547,507,54,7],"掐丝珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c3fa4253a9f8a9045ada3695c2b2218.jpg",[],{"id":5618,"slug":5619,"title":5620,"dynasty":101,"author":156,"museum":67,"description":5621,"tags":5622,"thumbUrl":5626,"material":113,"size":114,"collection":58,"collections":5627,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},246011,"ti-hong-xie-qin-fang-you-tu-lian-ban-shi-pan-yi-ming-246011","剔红携琴访友图莲瓣式盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[1625,5623,2277,651,29,236,469,237,5624,7,145,629,111,5625,495],"雕漆","莲瓣","携琴访友","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a607a99de92ff953b39f15ffa49293a.jpg",[],{"id":5629,"slug":5630,"title":5631,"dynasty":422,"author":156,"museum":67,"description":5632,"tags":5633,"thumbUrl":5635,"material":113,"size":114,"collection":58,"collections":5636,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245978,"jin-bian-zhong-yi-ze-yi-ming-245978","金编钟-夷则","整体鎏金煌煌夺目，盖钮为双首共躯矫龙，犄角虬张，利齿森然，霸气毕现。钟身高浮雕双龙穿云踏浪，龙爪遒劲锋锐，鳞片细密灵动，二龙戏珠于云涛之间，缠枝祥云铺陈环绕，纹饰繁丽却层次分明。立面题签规整端庄，下缘鼓钉饱满圆润，尽显造办技艺的精湛匠心。\n\n静穆庄重间，它既是礼乐重器，又将皇权龙纹运用到极致，每一处细节都凝萃顶级金属细作的巅峰水准，自带庙堂雅韵与盛世奢华的礼制威仪。",[2251,287,547,7,688,5134,289,5634,3169],"文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a90d7a15cbe12eb29b579c76ef3106c.jpg",[],{"id":5638,"slug":5639,"title":5640,"dynasty":422,"author":156,"museum":67,"description":5641,"tags":5642,"thumbUrl":5643,"material":113,"size":114,"collection":58,"collections":5644,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245977,"jin-bian-zhong-zhong-lv-yi-ming-245977","金编钟-仲吕","此器通体鎏金，宝光熠熠。盖钮取双首连体龙形，角髯张扬，神态凶悍威严，尽显皇家威仪。器身上层满雕祥云八宝，云纹舒卷缭绕，衬出吉瑞雍容；主体高浮雕双龙戏游于云水之间，龙身蜿蜒遒劲，利爪张舞，于惊涛间尽显磅礴气势，正中竖框题名，形制古雅规整。钟底缀以圆乳纹，循古钟制式。整器铸錾工艺精湛细腻，将皇权象征的龙纹与吉祥纹饰相融，既恪守礼乐重器的庄重规制，又尽显清代金属细作的顶尖水准，是礼制内涵与工艺美学兼备的绝世佳品。",[688,2251,287,7,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ae1c6476cf219c91e04a3f1862b22f9.jpg",[],{"id":5646,"slug":5647,"title":5648,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5649,"thumbUrl":5651,"material":113,"size":114,"collection":58,"collections":5652,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},245976,"jin-bian-zhong-huang-zhong-yi-ming-245976","金编钟-黄钟",[688,2251,7,287,3169,547,5134,289,5650],"钟形器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5faea534ae3d3f6acee64ada6f93482c.jpg",[],{"id":5654,"slug":5655,"title":5656,"dynasty":422,"author":156,"museum":67,"description":5657,"tags":5658,"thumbUrl":5659,"material":113,"size":114,"collection":58,"collections":5660,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245975,"jin-bian-zhong-gu-xi-yi-ming-245975","金编钟-姑洗","此器纯金铸就，宝光熠熠。盖顶双桥形双龙钮，二龙探首相向，犄角峥嵘，鳞爪分明，威严灵动。钟身纹饰层叠有致，上层铺展云纹迤逦，如腾烟霭。主体高浮雕双龙戏珠，龙躯矫健盘绕，须发张扬飞舞，爪握火珠灵动欲活，磅礴气势扑面而来。开光内錾刻题识，下部环饰乳钉纹，承续上古礼器规制，尽显庄重堂皇。\n\n它既是肃穆的礼乐器物，亦是金作工艺的巅峰之作，锤揲錾刻细腻入微，将皇权威仪与造办极致匠心融为一体，静穆中暗含金石之韵，尽显华贵庄严的皇家气度。",[2251,7,287,547,688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ab702c8ef7509732ab19cef854130e6.jpg",[],{"id":5662,"slug":5663,"title":5664,"dynasty":422,"author":156,"museum":67,"description":5665,"tags":5666,"thumbUrl":5667,"material":113,"size":114,"collection":58,"collections":5668,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245973,"jin-bian-zhong-da-lv-yi-ming-245973","金编钟-大吕","整体鎏金煌煌夺目，盖钮取双首共身龙形，二龙怒目圆睁，矫健拱立，威严灵动。钟身高浮雕双龙穿云破雾，辗转腾挪于云海福山之间，龙爪张弛刚劲，龙鳞细密逼真，将神龙威仪尽显无余。立面竖款挺括雅致，下部鼓钉纹搭配卷云衬饰，层次分明规整。\n此器錾刻锤揲工艺登峰造极，将皇权象征的龙纹演绎得磅礴大气，既承载礼乐重器的庄重肃穆，又尽显宫廷金作工艺的精妙卓绝，静静诉说着昔日宫廷雅乐的恢弘底蕴。",[688,2251,287,7,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F767ca6c891bf9d2dcd1d38d0d4a65305.jpg",[],{"id":5670,"slug":5671,"title":5672,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5673,"thumbUrl":5674,"material":113,"size":114,"collection":58,"collections":5675,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245972,"jin-bian-zhong-bei-ying-zhong-yi-ming-245972","金编钟-倍应钟",[688,2251,287,547,7,291],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a4e570741b048dbc9095457c58308c3.jpg",[],{"id":5677,"slug":5678,"title":5679,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5680,"thumbUrl":5681,"material":113,"size":114,"collection":58,"collections":5682,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},245971,"jin-bian-zhong-ying-zhong-yi-ming-245971","金编钟-应钟",[2251,7,287,547,3178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80fafbe395df75b3c230e69fe6c489e8.jpg",[],{"id":5684,"slug":5685,"title":5686,"dynasty":422,"author":156,"museum":67,"description":5687,"tags":5688,"thumbUrl":5689,"material":113,"size":114,"collection":58,"collections":5690,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},245969,"jin-bian-zhong-bei-nan-lv-yi-ming-245969","金编钟-倍南吕","整体鎏金熠熠生辉，盖钮取双首连体龙形，昂首探爪，威严雄浑，尽显瑞兽威仪。钟身高浮雕双龙戏游于祥云之间，龙身矫健灵动，鳞片纹理分毫毕现，祥云层叠舒展，环绕蜿蜒，与祥龙相映成趣。方正款识嵌于纹饰间隙，古意悠然。钟底弦纹界出圆润饰区，规整雅致。\n\n此器造型端庄沉稳，錾刻工艺精湛入微，将祥龙的遒劲与云纹的柔美相融，尽显华贵庄重的礼器气度，凝萃顶级金属细作工艺水准，静述往昔宫廷雅乐的肃穆回响。",[688,2251,287,7,547,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f73edd288a723264e0b6c28e7189449.jpg",[],{"id":5692,"slug":5693,"title":5694,"dynasty":422,"author":156,"museum":67,"description":5695,"tags":5696,"thumbUrl":5697,"material":113,"size":114,"collection":58,"collections":5698,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245968,"jin-bian-zhong-nan-lv-yi-ming-245968","金编钟-南吕","此器鎏金璨然，宝光内敛华贵不凡。顶部双龙钮盘踞对峙，怒目张吻，筋骨虬劲刚健，尽显威仪赫赫。钟身以云纹为底，双龙穿梭翻涌，追戏火珠，鳞爪纤毫毕现，灵动矫健似将破云而出。钟间题额规整端方，古韵盎然。底部涡纹圆饰沉稳厚重，承托起整体形制。\n\n整器将錾刻、铸造工艺融会贯通，纹饰繁而不乱，线条凌厉流畅，既彰显礼乐重器的庄严肃穆，又尽显皇家御制的奢华大气，是清代金属工艺登峰造极之作，静静诉说着昔日宫廷雅乐的恢弘盛景。",[688,2251,287,3169,547,654,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd78cfe19ed55dcd380d8963f80c4fc6.jpg",[],{"id":5700,"slug":5701,"title":5702,"dynasty":422,"author":156,"museum":67,"description":5703,"tags":5704,"thumbUrl":5705,"material":113,"size":114,"collection":58,"collections":5706,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245967,"jin-bian-zhong-tai-cu-yi-ming-245967","金编钟-太簇","此器鎏金厚重莹润，宝光内敛凝沉。顶部双龙钮怒目扬爪，筋骨遒劲，尽显威严肃杀之气，仿佛将腾云而去。钟身双龙高浮雕穿梭祥云之间，龙鳞细密灵动，辗转腾挪间气势雄浑，祥云卷舒自如，与游龙相映成趣。正中牌记周匝宝相缠枝，秀雅端庄，衬得器物更具庙堂贵气。下沿弦纹界出乳钉环带，古意盎然，平衡了全器的灵动，更显端方厚重。\n\n整器熔铸錾刻工艺登峰造极，线条刚柔并济，将皇家的威仪与顶尖匠艺融为一体，静静承载着昔日宫廷雅乐的肃穆回响，是清代金细作的绝佳典范。",[688,2251,287,7,288,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79d57aa919fb195cd4aabaeadd00e452.jpg",[],{"id":5708,"slug":5709,"title":5710,"dynasty":422,"author":156,"museum":67,"description":5711,"tags":5712,"thumbUrl":5713,"material":113,"size":114,"collection":58,"collections":5714,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245966,"jin-bian-zhong-bei-yi-ze-yi-ming-245966","金编钟-倍夷则","整体鎏金明丽华贵，盖钮瑞龙盘踞，昂首咆啸，身姿矫健威严。器身高浮雕游龙蜿蜒穿梭于云海之间，龙鳞龙爪分毫毕现，祥云纹饰层叠环绕，舒展灵动。下部饰以弦纹圆饰与如意底足，规整雅致，中和了龙纹的张扬，尽显平衡端庄。\n錾刻工艺精湛绝伦，线条利落流畅，将皇权专属的威仪气象融于细作之中，既是肃穆古雅的礼乐器具，亦是清代金属工艺的上乘之作，凝聚宫廷造办的极致匠心，流转金辉间承载着厚重的礼乐底蕴。",[2251,287,7,547,688],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83cf4805c92317c224c4d13a3971646e.jpg",[],{"id":5716,"slug":5717,"title":5718,"dynasty":422,"author":156,"museum":67,"description":5719,"tags":5720,"thumbUrl":5721,"material":113,"size":114,"collection":58,"collections":5722,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245965,"jin-bian-zhong-wu-she-yi-ming-245965","金编钟-无射","此器通体鎏金，莹润华贵。盖顶双兽钮张牙舞爪，威严雄浑，器身高浮雕双龙翻腾于云海之间，龙姿矫健灵动，须发鳞爪分毫毕现，祥云缠枝错落铺陈，满溢祥瑞之气。腹间款识镌刻规整隽秀，底部乳钉纹饰古朴厚重，将礼制庄重与金作匠心完美相融，尽显雍容气度，是金细作工艺登峰造极的典范之作。",[688,2251,287,7,547,291],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cf900d809116b383c1c408fe3d4bb96.jpg",[],{"id":5724,"slug":5725,"title":5726,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5727,"thumbUrl":5728,"material":113,"size":114,"collection":58,"collections":5729,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},245964,"jin-bian-zhong-jia-zhong-yi-ming-245964","金编钟-夹钟",[688,2251,287,547,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F061689361bb27e5e07f6b002ca9c3f6b.jpg",[],{"id":5731,"slug":5732,"title":5733,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5734,"thumbUrl":5736,"material":113,"size":114,"collection":58,"collections":5737,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245961,"jin-bian-zhong-lin-zhong-yi-ming-245961","金编钟-林钟",[688,2251,7,287,547,654,3169,5134,289,5735],"器形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdb236cc77b6f47cd50c156382145a17.jpg",[],{"id":5739,"slug":5740,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5741,"thumbUrl":5742,"material":113,"size":114,"collection":58,"collections":5743,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},245274,"kui-wen-zhong-yi-ming-245274",[285,286,287,7,2306,1701,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe21ca2a3c0f6d29e6ea0603253fd9236.jpg",[],{"id":5745,"slug":5746,"title":5747,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5748,"thumbUrl":5749,"material":113,"size":114,"collection":58,"collections":5750,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245270,"liu-jin-zhong-yi-ming-245270","鎏金钟",[2015,285,2559,7,287,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff383c3c369efe6f1e3a0047fe58981d6.jpg",[],{"id":5752,"slug":5753,"title":5754,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5755,"thumbUrl":5756,"material":113,"size":114,"collection":58,"collections":5757,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245269,"ru-ding-wen-zhong-yi-ming-245269","乳钉纹钟",[285,7,286,287,290,1701,288,289,1702],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2c6afaa3083e7cbbc249bb3cb048524.jpg",[],{"id":5759,"slug":5760,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5761,"thumbUrl":5762,"material":113,"size":114,"collection":58,"collections":5763,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},245247,"ling-yi-ming-245247",[2015,285,286,287,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32ed40fafe03eaf690df0c05c3a6505d.jpg",[],{"id":5765,"slug":5766,"title":2549,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5767,"thumbUrl":5768,"material":113,"size":114,"collection":58,"collections":5769,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},245246,"ling-yi-ming-245246",[285,7,286],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5874636a2927691fb65b7ead2ba5bbdf.jpg",[],{"id":5771,"slug":5772,"title":2549,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5773,"thumbUrl":5775,"material":113,"size":114,"collection":58,"collections":5776,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},245245,"ling-yi-ming-245245",[285,7,286,287,282,5774],"古代器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2878d4a5d0e2f804cae0551178eecab.jpg",[],{"id":5778,"slug":5779,"title":2318,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5780,"thumbUrl":5781,"material":113,"size":114,"collection":58,"collections":5782,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245219,"chun-yu-yi-ming-245219",[285,286,287,7,288,282,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F391c2967924729bd2188de3bc6beab61.jpg",[],{"id":5784,"slug":5785,"title":5786,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5787,"thumbUrl":5789,"material":113,"size":114,"collection":58,"collections":5790,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245138,"zhi-wen-duo-yi-ming-245138","直纹铎",[2015,285,7,286,5788,287],"直纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0954052d0ae05f4606dbb041a8d87d03.jpg",[],{"id":5792,"slug":5793,"title":1439,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5794,"thumbUrl":5795,"material":113,"size":114,"collection":58,"collections":5796,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245095,"shou-mian-wen-ling-yi-ming-245095",[285,286,1702,1442,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa3454c54374948e436e1bc5dcd81a54.jpg",[],{"id":5798,"slug":5799,"title":1439,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5800,"thumbUrl":5801,"material":113,"size":114,"collection":58,"collections":5802,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245094,"shou-mian-wen-ling-yi-ming-245094",[285,286,287,7,507,1442],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1a4dd148ced2d6222874a13f7aec99d.jpg",[],{"id":5804,"slug":5805,"title":2549,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5806,"thumbUrl":5807,"material":113,"size":114,"collection":58,"collections":5808,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245045,"ling-yi-ming-245045",[285,286,7,287,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadfa7a9b802ca8a18e4d040126e01cd6.jpg",[],{"id":5810,"slug":5811,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5812,"thumbUrl":5813,"material":113,"size":114,"collection":58,"collections":5814,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},245035,"pan-chi-wen-zhong-yi-ming-245035",[285,7,286,287,1419,282,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79a99753013af56cffc8997edd4cd543.jpg",[],{"id":5816,"slug":5817,"title":3237,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5818,"thumbUrl":5819,"material":113,"size":114,"collection":58,"collections":5820,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244978,"zhong-yi-ming-244978",[285,7,286,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34d60695c1b2b6e98315a7f78442ddf2.jpg",[],{"id":5822,"slug":5823,"title":5824,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5825,"thumbUrl":5826,"material":113,"size":114,"collection":58,"collections":5827,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244977,"ru-ding-wen-ling-yi-ming-244977","乳钉纹铃",[2015,285,286,287,7,290],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F703e4a6b4c48353d284a1da7876fc782.jpg",[],{"id":5829,"slug":5830,"title":5831,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5832,"thumbUrl":5836,"material":113,"size":114,"collection":58,"collections":5837,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244923,"pan-chi-wen-niu-zhong-yi-ming-244923","蟠螭纹钮钟",[285,286,287,7,1419,5833,1701,289,5834,5835],"兽纹","古铜色","青铜锈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0e1f191b18a88857a0a91f7f80e837e.jpg",[],{"id":5839,"slug":5840,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5841,"thumbUrl":5842,"material":113,"size":114,"collection":58,"collections":5843,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244859,"pan-chi-wen-zhong-yi-ming-244859",[285,286,7,287,1419,5833,1420],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fcb6f1305798dcd5251ba342a2422aa.jpg",[],{"id":5845,"slug":5846,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5847,"thumbUrl":5848,"material":113,"size":114,"collection":58,"collections":5849,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244790,"kui-wen-zhong-yi-ming-244790",[285,286,7,288,287,289,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7ca5049728155b4d24eefafe130b1b8.jpg",[],{"id":5851,"slug":5852,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5853,"thumbUrl":5854,"material":113,"size":114,"collection":58,"collections":5855,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244789,"kui-wen-zhong-yi-ming-244789",[285,7,286,2306],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a18999af85cd1f7398e85e536175218.jpg",[],{"id":5857,"slug":5858,"title":5859,"dynasty":155,"author":156,"museum":67,"description":5860,"tags":5861,"thumbUrl":5862,"material":113,"size":114,"collection":58,"collections":5863,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244734,"feng-wen-ling-yi-ming-244734","凤纹铃","苍绿铜锈凝着经年包浆，造型似钟却带着柔缓弧面，底沿的三角出戟让古拙中添了几分灵动。往昔悬垂檐下时，清越铃声定能穿破长风，摇响大唐的晨昏。\n\n周身凤纹已被岁月晕开，却仍能窥见錾刻的婉转肌理，瑞鸟身姿隐在铜色间舒展蜷曲，将盛唐的浪漫意趣凝铸于青铜之中。质朴的挂钮留着穿绳的孔洞，仿佛还能牵系起千年前祈愿的丝线，让祈福的心意随铃声飘向四方，古韵至今不曾消弭。",[3133,285,286,287,7,3940],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25094ea5d2577111401f586422095f3c.jpg",[],{"id":5865,"slug":5866,"title":2549,"dynasty":155,"author":156,"museum":67,"description":5867,"tags":5868,"thumbUrl":5869,"material":113,"size":114,"collection":58,"collections":5870,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},244733,"ling-yi-ming-244733","铜锈覆身，凝着千年苔色。浑圆饱满的器身带着质朴巧思，一道开口与侧孔，藏着往昔脆响的秘密。它曾系于车马，伴过长安古道的扬尘；或是悬在檐下，听遍市井晨昏的烟火。\n\n如今声响归于沉寂，绿锈爬满肌理，将旧时光封存在厚重铜胎中。素朴无饰的造型里，藏着实用与审美兼具的匠心，每一处斑驳都在诉说着穿越岁月的温柔回响。",[2493,285,286,7,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48b0e18cb0aff25ed73a4baa2de52d33.jpg",[],{"id":5872,"slug":5873,"title":3365,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5874,"thumbUrl":5875,"material":113,"size":114,"collection":58,"collections":5876,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244623,"shou-wen-zhong-yi-ming-244623",[1701,285,7,288,286,287,5833],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3968b029cab344dbbd2d5c9342f35924.jpg",[],{"id":5878,"slug":5879,"title":2061,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5880,"thumbUrl":5881,"material":113,"size":114,"collection":58,"collections":5882,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244387,"pan-hui-wen-zhong-yi-ming-244387",[285,286,7,288,287,2064,1420],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bb376fdea64e9bc3a932b4e5c173efc.jpg",[],{"id":5884,"slug":5885,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5886,"thumbUrl":5887,"material":113,"size":114,"collection":58,"collections":5888,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244386,"kui-wen-zhong-yi-ming-244386",[285,7,288,286,287,507,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6b5bfe0e1a711a94ef81cec2d6f071f.jpg",[],{"id":5890,"slug":5891,"title":5892,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5893,"thumbUrl":5895,"material":113,"size":114,"collection":58,"collections":5896,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244374,"yu-zhuang-wen-zhong-yi-ming-244374","羽状纹钟",[285,7,286,287,5894,1701,288,289],"羽状纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F779cd0302fea4fd620608d079fd8134f.jpg",[],{"id":5898,"slug":5899,"title":5900,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5901,"thumbUrl":5904,"material":113,"size":114,"collection":58,"collections":5905,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244245,"hu-yi-ming-244245","壶",[285,286,287,288,7,1701,289,1704,5902,5650,5903,5774],"青铜纹饰","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd76930efb18938d018943c1d8ba0e41.jpg",[],{"id":5907,"slug":5908,"title":2061,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5909,"thumbUrl":5910,"material":113,"size":114,"collection":58,"collections":5911,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244191,"pan-hui-wen-zhong-yi-ming-244191",[285,7,2064],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F695cc0a6730e5118ed011fa9f2dadd9d.jpg",[],{"id":5913,"slug":5914,"title":5915,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5916,"thumbUrl":5917,"material":113,"size":114,"collection":58,"collections":5918,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244165,"pan-qiu-wen-zhong-yi-ming-244165","蟠虯纹钟",[285,286,287,7,288,3381,2352,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff79984edb3f3ad37dbc02293d1dcd181.jpg",[],{"id":5920,"slug":5921,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5922,"thumbUrl":5923,"material":113,"size":114,"collection":58,"collections":5924,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244159,"pan-chi-wen-zhong-yi-ming-244159",[285,7,286,287,1419,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1842a71b0d7aa49c59be0a7ae5cfea2.jpg",[],{"id":5926,"slug":5927,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5928,"thumbUrl":5929,"material":113,"size":114,"collection":58,"collections":5930,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244158,"pan-chi-wen-zhong-yi-ming-244158",[285,7,286,287,1419,1701,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bc630703910bc5643c4dd8276b92c23.jpg",[],{"id":5932,"slug":5933,"title":5934,"dynasty":46,"author":156,"museum":67,"description":2974,"tags":5935,"thumbUrl":5937,"material":113,"size":114,"collection":58,"collections":5938,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244145,"da-cheng-zhong-yi-ming-244145","大晟钟",[285,286,287,7,2352,291,290,1869,5936,5834,5650],"纹饰繁复","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ed0ccbe056cf85780bad3be23c7a84a.jpg",[],{"id":5940,"slug":5941,"title":5942,"dynasty":422,"author":156,"museum":67,"description":2974,"tags":5943,"thumbUrl":5945,"material":113,"size":114,"collection":58,"collections":5946,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},244114,"wan-gu-liu-fang-zhong-yi-ming-244114","万古流芳钟",[286,287,285,547,289,5634,7,5944],"纹饰雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cff3adc2916e3beeefe81f403ff0d77.jpg",[],{"id":5948,"slug":5949,"title":2149,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5950,"thumbUrl":5951,"material":113,"size":114,"collection":58,"collections":5952,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},244008,"duo-yi-ming-244008",[285,286,2015,54,287,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fd792a21d454c4b8ca43362a561e8e6.jpg",[],{"id":5954,"slug":5955,"title":5956,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5957,"thumbUrl":5958,"material":113,"size":114,"collection":58,"collections":5959,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243944,"hou-zhong-yi-ming-243944","侯钟",[285,7,282,286,287,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf33072f112bd8e2254046de8b6cbdb2.jpg",[],{"id":5961,"slug":5962,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5963,"thumbUrl":5964,"material":113,"size":114,"collection":58,"collections":5965,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243914,"pan-chi-wen-zhong-yi-ming-243914",[285,286,287,1419,7,1701,289,1704],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31bfe1a9c8dda413aef9f98b0e6b5d7e.jpg",[],{"id":5967,"slug":5968,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5969,"thumbUrl":5971,"material":113,"size":114,"collection":58,"collections":5972,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243910,"kui-wen-zhong-yi-ming-243910",[285,7,286,287,2306,5970,289,288],"商周风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F478ffe4007fc237e02a6e5173ddf6637.jpg",[],{"id":5974,"slug":5975,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":5976,"thumbUrl":5977,"material":113,"size":114,"collection":58,"collections":5978,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243875,"pan-chi-wen-zhong-yi-ming-243875",[285,286,7,288,1419],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F571670451922fd48bdceecb117fe933e.jpg",[],{"id":5980,"slug":5981,"title":3237,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5982,"thumbUrl":5984,"material":113,"size":114,"collection":58,"collections":5985,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243853,"zhong-yi-ming-243853",[2015,285,7,286,287,5983],"锈蚀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f931d5486fab93e5821624c00662689.jpg",[],{"id":5987,"slug":5988,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5989,"thumbUrl":5990,"material":113,"size":114,"collection":58,"collections":5991,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":133},243833,"ling-yi-ming-243833",[2015,285,286,287,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2f6d9bf9628b2b2205fdfb83a1b5091.jpg",[],{"id":5993,"slug":5994,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":5995,"thumbUrl":5996,"material":113,"size":114,"collection":58,"collections":5997,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243826,"ling-yi-ming-243826",[285,286,287,2015,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0476e3d65f5283b1da6df2259584916.jpg",[],{"id":5999,"slug":6000,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":6001,"thumbUrl":6002,"material":113,"size":114,"collection":58,"collections":6003,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243825,"ling-yi-ming-243825",[2015,285,286,287,7,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ecbfb6a46a91e1392ae368f43ad8e07.jpg",[],{"id":6005,"slug":6006,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":6007,"thumbUrl":6008,"material":113,"size":114,"collection":58,"collections":6009,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243823,"ling-yi-ming-243823",[285,286,287,7,3403,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7626b7b7b929cf6b901bf56c80f76f1a.jpg",[],{"id":6011,"slug":6012,"title":2549,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":6013,"thumbUrl":6014,"material":113,"size":114,"collection":58,"collections":6015,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243822,"ling-yi-ming-243822",[285,286,287,7,2015],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc6dd19a4f9d41146e98795b99cb1408.jpg",[],{"id":6017,"slug":6018,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6019,"thumbUrl":6020,"material":113,"size":114,"collection":58,"collections":6021,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243817,"kui-wen-zhong-yi-ming-243817",[285,7,288,286,287,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb989a7e1ce96bd07edd979de70487b2f.jpg",[],{"id":6023,"slug":6024,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6025,"thumbUrl":6026,"material":113,"size":114,"collection":58,"collections":6027,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243816,"pan-chi-wen-zhong-yi-ming-243816",[1701,285,7,286,287,1419,5833,288,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cd7969882508aa577ca22793eb435c1.jpg",[],{"id":6029,"slug":6030,"title":6031,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6032,"thumbUrl":6033,"material":113,"size":114,"collection":58,"collections":6034,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243813,"shou-mian-wen-zhong-yi-ming-243813","兽面纹钟",[285,286,287,1442,7,1701,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65fb82371825642bd695ecab0fc6cc44.jpg",[],{"id":6036,"slug":6037,"title":6038,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6039,"thumbUrl":6041,"material":113,"size":114,"collection":58,"collections":6042,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243717,"chi-wen-duo-yi-ming-243717","螭纹铎",[285,286,287,7,6040,1701,289],"螭纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57fdd8a297d3eed34f3a25a4a1948068.jpg",[],{"id":6044,"slug":6045,"title":6046,"dynasty":1936,"author":156,"museum":67,"description":1937,"tags":6047,"thumbUrl":6048,"material":113,"size":114,"collection":58,"collections":6049,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243654,"ru-ding-wen-duo-yi-ming-243654","乳钉纹铎",[285,7,290,286,287,2015],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdabe7f2a8fd149461ee6ccc6cc7ea95.jpg",[],{"id":6051,"slug":6052,"title":6053,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6054,"thumbUrl":6055,"material":113,"size":114,"collection":58,"collections":6056,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243651,"lei-wen-zhong-yi-ming-243651","雷纹钟",[285,286,287,3285,7,282,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea22ae21a3de2ae327de2dadf1d98f12.jpg",[],{"id":6058,"slug":6059,"title":3184,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6060,"thumbUrl":6062,"material":113,"size":114,"collection":58,"collections":6063,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243600,"kui-wen-zhong-yi-ming-243600",[285,7,286,287,5833,1420,289,6061],"青铜器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbf184b258b64f61839d0f62875740e3.jpg",[],{"id":6065,"slug":6066,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6067,"thumbUrl":6068,"material":113,"size":114,"collection":58,"collections":6069,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243578,"pan-chi-wen-zhong-yi-ming-243578",[1701,285,7,1419,287,507,547,286,288],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d2afa75ab6eee36ea606f18792c0554.jpg",[],{"id":6071,"slug":6072,"title":6073,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6074,"thumbUrl":6075,"material":113,"size":114,"collection":58,"collections":6076,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243551,"chi-wen-zhong-yi-ming-243551","螭纹钟",[285,287,7,1701,6040,286,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a4f83e44eb8573616a564c7910d411c.jpg",[],{"id":6078,"slug":6079,"title":5754,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6080,"thumbUrl":6081,"material":113,"size":114,"collection":58,"collections":6082,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243542,"ru-ding-wen-zhong-yi-ming-243542",[285,7,286,287,290,1420,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee5ed07714387f16890397e44ebc85d6.jpg",[],{"id":6084,"slug":6085,"title":6086,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6087,"thumbUrl":6088,"material":113,"size":114,"collection":58,"collections":6089,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243495,"pan-chi-wen-duo-yi-ming-243495","蟠螭纹铎",[285,286,287,1419,7,282,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F848995236ecd387ffb4554bb9eafc7b4.jpg",[],{"id":6091,"slug":6092,"title":4546,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6093,"thumbUrl":6094,"material":113,"size":114,"collection":58,"collections":6095,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},243372,"qing-yi-ming-243372",[285,286,287,291,7,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a3285dc4523c35dbb514d7214b07b35.jpg",[],{"id":6097,"slug":6098,"title":6099,"dynasty":46,"author":156,"museum":67,"description":2974,"tags":6100,"thumbUrl":6101,"material":113,"size":114,"collection":58,"collections":6102,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},243116,"da-cheng-huang-zhong-qing-zhong-yi-ming-243116","大晟黄钟清钟",[285,7,286,287,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74be57210fffbf792e84227f6b30cd1f.jpg",[],{"id":6104,"slug":6105,"title":2549,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6106,"thumbUrl":6107,"material":113,"size":114,"collection":58,"collections":6108,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243020,"ling-yi-ming-243020",[1701,285,286,287,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54857e8f17af2344396eb7b2460903c7.jpg",[],{"id":6110,"slug":6111,"title":5915,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6112,"thumbUrl":6113,"material":113,"size":114,"collection":58,"collections":6114,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243018,"pan-qiu-wen-zhong-yi-ming-243018",[285,7,286,287,3381,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67930de44b167e68f12c41c75f0ad0a6.jpg",[],{"id":6116,"slug":6117,"title":6053,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6118,"thumbUrl":6119,"material":113,"size":114,"collection":58,"collections":6120,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},243017,"lei-wen-zhong-yi-ming-243017",[285,7,286,287,3285,288,1420,289],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66635b44daf44be4c1a7b8b00dd9f644.jpg",[],{"id":6122,"slug":6123,"title":6124,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6125,"thumbUrl":6126,"material":113,"size":114,"collection":58,"collections":6127,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},242935,"shuang-long-niu-zhong-yi-ming-242935","双龙钮钟",[285,286,287,7,547],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91e30fa7003cb38b91e6f69ba72dc72c.jpg",[],{"id":6129,"slug":6130,"title":2061,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6131,"thumbUrl":6132,"material":113,"size":114,"collection":58,"collections":6133,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},242934,"pan-hui-wen-zhong-yi-ming-242934",[285,286,7,288,2064,287,289,1701],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb0911e4062afb85369b81804449fbbb.jpg",[],{"id":6135,"slug":6136,"title":1416,"dynasty":282,"author":156,"museum":67,"description":1728,"tags":6137,"thumbUrl":6138,"material":113,"size":114,"collection":58,"collections":6139,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":296},242933,"pan-chi-wen-zhong-yi-ming-242933",[285,7,282,1419,287],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F461998784cb5a9fbdc44ac44b3de6a92.jpg",[],{"id":6141,"slug":6142,"title":6143,"dynasty":843,"author":6144,"museum":67,"description":6145,"tags":6146,"thumbUrl":6151,"material":113,"size":114,"collection":58,"collections":6152,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},231313,"su-miao-567-xi-fang-231313","素描567","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[2199,848,29,6147,7,6148,6149,6150,3411],"老人","手部细节","面部刻画","炭笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8bfc9d833be0d7bde35f65e9325e744a.jpg",[],{"id":6154,"slug":6155,"title":6156,"dynasty":843,"author":6144,"museum":67,"description":6145,"tags":6157,"thumbUrl":6159,"material":113,"size":114,"collection":58,"collections":6160,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},231306,"su-miao-560-xi-fang-231306","素描560",[2199,29,7,848,3529,6158],"胡子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c476d2fe15ebf89f56b4af72e91819b.jpg",[],{"id":6162,"slug":6163,"title":6164,"dynasty":843,"author":6144,"museum":67,"description":6145,"tags":6165,"thumbUrl":6166,"material":113,"size":114,"collection":58,"collections":6167,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},231146,"su-miao-400-xi-fang-231146","素描400",[2199,848,849,29,7,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8438ee7f68445c5d5d68087681ad7da.jpg",[],{"id":6169,"slug":6170,"title":6171,"dynasty":422,"author":156,"museum":67,"description":1835,"tags":6172,"thumbUrl":6178,"material":113,"size":114,"collection":58,"collections":6179,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},229880,"bi-yu-chang-ban-yi-ming-229880","碧玉唱板",[689,54,7,287,688,581,6173,6174,6175,6176,6177,3178],"玉石制品","雕刻工艺","清代器物","乐器类","玉石雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f8cfc3d2c51f4ca63d5c8eb0a64475d.jpg",[],{"id":6181,"slug":6182,"title":6183,"dynasty":422,"author":156,"museum":67,"description":5547,"tags":6184,"thumbUrl":6185,"material":113,"size":114,"collection":58,"collections":6186,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},229857,"bai-yu-qing-yi-ming-229857","白玉磬",[3178,689,287,930,289,54,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F944a4108105217ebb719b514cca587ca.jpg",[],{"id":6188,"slug":6189,"title":6190,"dynasty":422,"author":156,"museum":67,"description":2275,"tags":6191,"thumbUrl":6192,"material":113,"size":114,"collection":58,"collections":6193,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},229697,"ga-bu-la-gu-wai-dai-yuan-mu-he-yi-ming-229697","嘎布拉鼓外带圆木盒",[688,92,54,7,930,287,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb93cdef9f1ffcda66cdb26a585884bd9.jpg",[],{"id":6195,"slug":6196,"title":6197,"dynasty":155,"author":156,"museum":67,"description":6198,"tags":6199,"thumbUrl":6200,"material":113,"size":114,"collection":58,"collections":6201,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":62},227155,"dun-huang-26-yi-ming-227155","敦煌26","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[2493,91,28,29,92,90,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c265c06c9b9e53ad1ce831c313c2cdb.jpg",[],{"id":6203,"slug":6204,"title":6205,"dynasty":422,"author":156,"museum":67,"description":6206,"tags":6207,"thumbUrl":6208,"material":263,"size":1453,"collection":58,"collections":6209,"showCount":40,"zanCount":40,"manualWeight":40,"mainColor":41},215793,"min-jian-yan-zou-tu-ce-14-yi-ming-215793","民间演奏图册-14","画面晕开烟火气的乐韵：竹笛清越穿林，二胡弦音绕檐，锣鼓轻叩着乡野的节拍。人们围聚在老树下，或坐或立，指尖起落间是岁月沉淀的默契。眉眼间的笑意漫过衣角褶皱，空气里浮着麦香与乐声交织的暖。没有刻意雕琢的精致，却把民间演奏的鲜活揉进每一笔：孩童踮脚张望的好奇，老者闭目轻和的安然，乐器上磨亮的木纹是时光的印记。这是生活里长出的歌，每一个音符都带着泥土芬芳，每一张脸庞都写着平凡日子里的欢喜，把民间艺术的质朴生命力藏进方寸之间。",[24,51,426,28,29,7,1451],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d8a53765878d7252dd9ce5a53a0a66f.jpg",[],1777535697111]