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Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,7,28],"油画","后印象派","麦田","柏树","远山","田园风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6c94f8d9359ec8f553e4e94c2c9c138.jpg","未知","Xcm*Xcm","油画精选",[32],279,2,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":21,"tags":41,"thumbUrl":57,"material":30,"size":31,"collection":32,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":60},225776,"les-vessenots-in-auvers-1890-fan-gao-225776","Les Vessenots in Auvers 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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[68,23,46,69,53,70,51,7,71,72,73,74,75,76],"印象派","黄色鸢尾花","树林","花卉","自然景观","绿色植被","户外风景","色彩丰富","笔触轻快","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4efacf5197b0328112515b63a23a001a.jpg",[32],42,1,{"id":82,"slug":83,"title":84,"dynasty":85,"author":86,"museum":20,"description":87,"tags":88,"thumbUrl":100,"material":30,"size":31,"collection":101,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":104},272997,"zi-tan-bian-fa-lang-gua-ping-yi-ming-272997","紫檀边珐琅挂屏","清","佚名","此作以金地为底，珐琅填色绘就青绿山水。上部远山衔云，月色垂悬，清辉遍洒山巅，意境幽寂旷远；下部山居临溪而立，飞瀑穿谷而下，林木蓊郁苍劲，流云柔化金地的厚重华贵，将山林隐逸的清趣晕染开来。\n\n石青、石绿层层晕染出山石肌理，色彩明丽细腻，勾勒皴擦皆见匠心。左侧题诗呼应画中逸境，诗画相映，将文人山水的清雅意趣，与珐琅工艺的宫廷华贵质感相融，把林泉高致的隐逸之美凝于方寸，是清代装饰工艺与文人审美合璧的精巧之作。",[89,90,91,92,93,94,95,96,97,98,7,99],"挂屏","琺瑯器","木质","青绿","设色","山水","明月","亭","楼阁","流水","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05c8d59e8f26f75adfce4ef08e06c672.jpg","",[],17,"0D904F",{"id":106,"slug":107,"title":108,"dynasty":18,"author":19,"museum":20,"description":21,"tags":109,"thumbUrl":118,"material":30,"size":31,"collection":32,"collections":119,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":60},225787,"olive-trees1889-fan-gao-225787","Olive 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首领。\n作者为了烘染画面吉庆安祥的气氛，画面的三分之一处，绘制了正乘祥云而来的佛国使者，他们正在为此次重大的法事祝福。\n全图以鲜艳的朱红、闪亮的金黄、明快的翠绿等亮丽的色彩为主色调，其丰富多彩并具有装饰性的设色，令庄严静穆的场景增添了几分皇家富贵之气。\n土尔扈特部是厄鲁特蒙古四部之一。\n他们主营牧业兼及农业，原居住塔尔巴哈台及额尔齐斯河中游以西，17世纪年代，西迁至额济勒河（今俄罗斯伏尔加河）下游居住。\n乾隆三十六年（1771年），土尔扈特人不堪沙皇俄国压迫，在汗王渥巴锡率领下举族东返，归附清廷。\n对于土尔扈特部的回归，清政府十分重视，时年61岁的乾隆皇帝对他们热情款待，特地安排他们与自己在新建的万法归一殿内听高僧讲佛法。\n万法归一殿是河北承德普陀宗乘庙内的重要建筑物，乾隆皇帝希望在所统辖的辽阔疆域内，各个民族都因拥有共同的信念而团结一致，万法归一。",[110,178,93,129,190,128,130,97,94,7,191,192,193,50],"界画","殿堂","群像","建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56821dbb3af0bd580b897c1be4ec502f.jpg","绢本，设色","长163.8cm，宽110.8cm",[],{"id":199,"slug":200,"title":201,"dynasty":18,"author":86,"museum":20,"description":202,"tags":203,"thumbUrl":210,"material":30,"size":31,"collection":101,"collections":211,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":139},289094,"jean-jacques-lagrene-e-landscape-with-a-scene-from-fe-nelon-s-yi-ming-289094","Jean Jacques Lagrenée--Landscape with a Scene from 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