[{"data":1,"prerenderedAt":766},["ShallowReactive",2],{"subject-yun-duo":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1138,"yun-duo","云朵","云朵画高清赏析","精选中国历代云朵题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01daf9f4924b8c67e1bb62c82f7033f4.jpg",0,56,[14,45,60,79,98,125,150,163,175,190,204,214,235,250,265,275,285,297,315,328,338,346,359,370,379,391,402,427,441,450,465,478,488,500,507,524,531,539,548,557,571,581,590,602,615,628,641,651,662,673,685,697,706,719,731,751],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":43,"manualWeight":11,"mainColor":44},225895,"antibes-afternoon-effect-1888-mo-nai-225895","Antibes, Afternoon Effect, 1888","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36],"印象派","油画","光影","色彩明快","笔触细碎","海面","远山","雪山","建筑群","城堡","船只","天空","岩石","午后","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa941d4cf8ef5e9c54d2075b9540d6dd3.jpg","未知","Xcm*Xcm","油画精选",[40],167,1,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":18,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":57,"material":38,"size":39,"collection":40,"collections":58,"showCount":12,"zanCount":43,"manualWeight":11,"mainColor":59},225806,"seascape-near-les-saintes-maries-de-la-mer-june-fan-gao-225806","Seascape near Les Saintes-Maries-de-la-Mer (June - )","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[24,52,53,54,55,56,34,7],"厚涂法","大海","海浪","波涛","帆船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1c9982bfc344f25d470cbe36c11b90b.jpg",[40],"795548",{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":21,"tags":64,"thumbUrl":76,"material":38,"size":39,"collection":40,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":44},226038,"study-of-a-figure-outdoors-facing-left-1886-mo-nai-226038","Study of a Figure Outdoors, Facing Left, 1886",[23,65,66,67,68,69,70,71,34,7,72,73,74,75],"外光写生","色彩光影","笔触灵动","人物","美人","草地","花草","伞","白色长裙","绿色伞","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31fe05e594f193a91bd5fa324ae02e5d.jpg",[40],55,{"id":80,"slug":81,"title":82,"dynasty":18,"author":49,"museum":20,"description":50,"tags":83,"thumbUrl":96,"material":38,"size":39,"collection":40,"collections":97,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":59},225721,"boerderij-in-de-provence-fan-gao-225721","Boerderij in de Provence",[84,24,85,86,87,88,89,90,91,92,93,94,68,95,71,34,7],"名画","后印象派","厚涂","色彩浓烈","笔触奔放","田野","农舍","石墙","拱门","干草堆","树木","小路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c0ec8b667688d44a5bb0209d76d2bd1.jpg",[40],{"id":99,"slug":100,"title":101,"dynasty":102,"author":103,"museum":20,"description":104,"tags":105,"thumbUrl":119,"material":120,"size":121,"collection":122,"collections":123,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":44},222422,"lian-peng-tu-song-yin-tu-zhu-zhan-ji-222422","莲蓬图松荫图","明","朱瞻基","画卷破裂为两段，一段为莲蒲段，一段为松荫段。此画为莲蒲段画面。画面绘荷叶、莲蓬、小鸟、湖石、水草。极少勾勒，类似没骨画法，用浓淡墨色晕染，格调简逸质朴。封面为铜版纸印刷，作品为宣纸印刷。",[106,107,108,109,110,111,112,113,114,115,116,117,29,7,118],"高清","国画","书画","设色","工笔","花鸟","莲蓬","鸟","松树","石头","枯荷","水草","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87a1522d7865cbf91ab2342631f19567.jpg","纸本","","山水画精选",[122,124],"水墨画精选",{"id":126,"slug":127,"title":128,"dynasty":102,"author":129,"museum":130,"description":131,"tags":132,"thumbUrl":145,"material":146,"size":147,"collection":122,"collections":148,"showCount":149,"zanCount":43,"manualWeight":11,"mainColor":59},220396,"xia-yun-yu-yu-tu-liu-jue-220396","夏云欲雨图","刘珏","北京故宫博物院","本幅布局饱满，山峦填满大半画面，气势逼人，山体几乎全用长披麻皴，增加了画面的动感。右侧的浓云以细笔勾轮廓，淡墨渲染，生动地刻画出云朵急速翻滚变化之态。蜿蜒的山体，盘旋的山径，翻转的云朵，流动的瀑布，溅起的浪花，共同营造出深山中风云激荡、大雨欲来之势。画面最具静感的是右下角的木桥，并行平直的线条，两侧的过廊，皆增加了桥体的稳定感，而这些则更加衬托出整幅画面的撼人之气。该图画风沉郁清壮，用墨朴茂湿润，主要仿自元代吴镇，而清丽秀润之笔法则与吴镇的厚重粗犷有别。",[106,84,107,133,134,135,136,7,137,138,139,140,141,94,142,143,144],"山水画","水墨","皴法","山峦","瀑布","小桥","流水","山径","村落","风云激荡","大雨欲来","沉郁清壮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba447da9f4712e289e7effc13da529d0.jpg","绢本,水墨","纵165.7厘米，横95厘米",[122,124],52,{"id":151,"slug":152,"title":153,"dynasty":18,"author":49,"museum":20,"description":50,"tags":154,"thumbUrl":160,"material":38,"size":39,"collection":40,"collections":161,"showCount":162,"zanCount":11,"manualWeight":11,"mainColor":44},225833,"the-pink-peach-tree-1888-fan-gao-225833","The Pink Peach Tree 1888",[24,85,155,88,26,156,157,89,34,7,158,159],"厚涂技法","开花树木","木栅栏","地面植被","土地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff87f1a4a0f1ea24f423cbcd65fb1a376.jpg",[40],45,{"id":164,"slug":165,"title":166,"dynasty":18,"author":49,"museum":20,"description":50,"tags":167,"thumbUrl":172,"material":38,"size":39,"collection":40,"collections":173,"showCount":174,"zanCount":11,"manualWeight":11,"mainColor":59},225873,"wheat-field-with-cypresses-fan-gao-225873","Wheat Field with Cypresses",[84,24,85,168,169,29,7,170,89,34,171],"麦田","柏树","橄榄树","丘陵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F552c54bc3a9d5664bd06e595fd8b852f.jpg",[40],42,{"id":176,"slug":177,"title":178,"dynasty":18,"author":49,"museum":20,"description":50,"tags":179,"thumbUrl":186,"material":38,"size":39,"collection":40,"collections":187,"showCount":188,"zanCount":11,"manualWeight":11,"mainColor":189},225832,"the-olive-trees-1889-fan-gao-225832","The Olive Trees 1889",[24,85,52,180,181,182,183,170,184,34,7,159,94,185],"动态笔触","色彩对比","表现主义","油彩","山脉","纹理笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40b33b3dee8102444ea19c423b8d07e7.jpg",[40],41,"37474F",{"id":191,"slug":192,"title":193,"dynasty":18,"author":49,"museum":20,"description":50,"tags":194,"thumbUrl":201,"material":38,"size":39,"collection":40,"collections":202,"showCount":203,"zanCount":11,"manualWeight":11,"mainColor":59},225739,"ebene-bei-auvers-1890-neue-pinakothek-munich-fan-gao-225739","Ebene bei Auvers 1890 Neue Pinakothek Munich",[24,86,89,70,7,34,94,93,195,196,197,198,199,200],"野花","田块","乡村","自然风景","色彩鲜明","笔触明显","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65a6b2bf0e73b570a5f05957088622f0.jpg",[40],38,{"id":205,"slug":206,"title":207,"dynasty":18,"author":49,"museum":20,"description":50,"tags":208,"thumbUrl":211,"material":38,"size":39,"collection":40,"collections":212,"showCount":213,"zanCount":11,"manualWeight":11,"mainColor":59},225874,"wheat-field-with-cypresses-1889-fan-gao-225874","Wheat Field with Cypresses 1889",[84,24,85,86,168,169,34,7,29,89,209,210,87],"花卉","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf1a2ba98df646a99e7b0f8e7364e4c2.jpg",[40],29,{"id":215,"slug":216,"title":217,"dynasty":18,"author":218,"museum":20,"description":219,"tags":220,"thumbUrl":232,"material":38,"size":39,"collection":121,"collections":233,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":59},226151,"conception-giovanni-battista-tiepolo-226151","Conception","Giovanni Battista Tiepolo","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。",[221,24,68,222,223,224,7,209,225,226,227,210,228,25,229,230,231],"宗教","天使","鸽子","龙","披风","翅膀","球体","写实","色彩丰富","神话生物","小天使","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9da7c27f4bcc1dbe29780391e7ba55ab.jpg",[],26,{"id":236,"slug":237,"title":238,"dynasty":239,"author":240,"museum":20,"description":241,"tags":242,"thumbUrl":247,"material":121,"size":121,"collection":121,"collections":248,"showCount":249,"zanCount":43,"manualWeight":11,"mainColor":44},228239,"xiang-yue-chao-yin-wan-shan-ye-yi-ming-228239","香月潮音纨扇页","元","佚名","右幅工笔晕染，墨云翻涌间寒梅虬枝横斜，素衣嫦娥凭枝独立，绿袂随风翩跹，两轮圆月晕出柔润清辉，将月宫清寂融在缥缈云气中，勾勒出幽冷出尘的仙庭之景。\n\n左侧行书题诗笔致秀雅疏朗，诗中月夜潮声、倚梅凝伫的意境与画中景致相互呼应，书画合璧，将清冷出尘的幽思晕染开来，整体雅静淡远，尽显古雅的文人意趣与仙逸之美，把月宫孤清又柔婉的氛围烘托得如梦似幻。",[106,107,108,243,109,68,69,244,245,7,246,118],"扇面","明月","枯树","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f6f728d00ca1270b82eb5fb174b1f88.jpg",[],25,{"id":251,"slug":252,"title":253,"dynasty":18,"author":19,"museum":20,"description":21,"tags":254,"thumbUrl":262,"material":38,"size":39,"collection":40,"collections":263,"showCount":264,"zanCount":11,"manualWeight":11,"mainColor":59},226093,"the-port-at-argenteuil-1872-mo-nai-226093","The Port at Argenteuil, 1872",[23,24,255,256,257,95,94,70,68,258,33,56,259,7,34,260,261,65,26],"光影表现","笔触松散","堤岸","河流","水面","建筑","阳光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2728ccad7694cf240bd131badab46f68.jpg",[40],24,{"id":266,"slug":267,"title":268,"dynasty":18,"author":19,"museum":20,"description":21,"tags":269,"thumbUrl":272,"material":38,"size":39,"collection":40,"collections":273,"showCount":274,"zanCount":11,"manualWeight":11,"mainColor":59},226005,"poppy-field-argenteuil-1875-mo-nai-226005","Poppy Field, Argenteuil, 1875",[23,24,65,26,256,270,89,94,34,7,68,70,195,271],"罂粟花","开阔远景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F916e7e81bab1e39385498ba042fde79e.jpg",[40],22,{"id":276,"slug":277,"title":278,"dynasty":18,"author":19,"museum":20,"description":21,"tags":279,"thumbUrl":282,"material":38,"size":39,"collection":40,"collections":283,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":44},225934,"giverny-mo-nai-225934","Giverny",[24,23,280,245,70,34,7,94,89,281],"风景","自然景物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0800caf2567818f4cbe8a82dad1c4f0.jpg",[40],21,{"id":286,"slug":287,"title":288,"dynasty":18,"author":19,"museum":20,"description":21,"tags":289,"thumbUrl":295,"material":38,"size":39,"collection":40,"collections":296,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":44},225921,"entrance-to-the-port-of-trouville-1870-mo-nai-225921","Entrance to the Port of Trouville, 1870",[23,24,290,56,291,68,292,293,259,34,7,25,294],"港口","沙滩","钓鱼","堤坝","色彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5db62e344f827e5f52418acdc53fb7b.jpg",[40],{"id":298,"slug":299,"title":300,"dynasty":18,"author":19,"museum":20,"description":21,"tags":301,"thumbUrl":312,"material":38,"size":39,"collection":40,"collections":313,"showCount":314,"zanCount":11,"manualWeight":11,"mainColor":44},225944,"hotel-des-roches-noires-trouville-1870-mo-nai-225944","Hotel des Roches Noires, Trouville, 1870",[23,24,255,302,26,303,304,305,306,34,7,307,308,71,260,309,261,310,68,311],"笔触轻快","楼阁","街道","行人","旗帜","路灯","遮阳篷","海滨","阴影","道路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a2076575fd4f3bb9a56637384d389da.jpg",[40],19,{"id":316,"slug":317,"title":318,"dynasty":18,"author":49,"museum":20,"description":50,"tags":319,"thumbUrl":325,"material":38,"size":39,"collection":40,"collections":326,"showCount":327,"zanCount":11,"manualWeight":11,"mainColor":59},225773,"landscape-at-saint-re-my-enclosed-field-with-peasant-fan-gao-225773","Landscape at Saint-Rémy (Enclosed Field with Peasant)",[24,86,88,199,89,320,184,34,7,321,94,322,159,323,324],"农民","房屋","篱笆","灌木","植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd50c19cf3f69bb5b337d215962d61059.jpg",[40],18,{"id":329,"slug":330,"title":331,"dynasty":18,"author":49,"museum":20,"description":50,"tags":332,"thumbUrl":336,"material":38,"size":39,"collection":40,"collections":337,"showCount":327,"zanCount":11,"manualWeight":11,"mainColor":189},225758,"ha-user-in-auvers1-fan-gao-225758","Häuser in Auvers1",[24,85,86,321,333,334,94,70,89,95,335,34,7],"茅草屋顶","烟囱","栅栏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdabe4af1ff762195deae71c5eec1f91.jpg",[40],{"id":339,"slug":340,"title":341,"dynasty":18,"author":49,"museum":20,"description":50,"tags":342,"thumbUrl":344,"material":38,"size":39,"collection":40,"collections":345,"showCount":327,"zanCount":11,"manualWeight":11,"mainColor":59},225757,"green-field-1889-fan-gao-225757","Green Field 1889",[85,24,86,88,26,89,169,321,34,7,70,210,343],"乡村景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d65c08f6c36af04b692061c139fc88f.jpg",[40],{"id":347,"slug":348,"title":349,"dynasty":18,"author":350,"museum":20,"description":351,"tags":352,"thumbUrl":356,"material":38,"size":39,"collection":121,"collections":357,"showCount":358,"zanCount":11,"manualWeight":11,"mainColor":44},230646,"you-hua-titian-landscape-with-st-theodore-overcoming-the-dragon-google-art-project-ti-xiang-230646","油画-Titian---Landscape-with-St.-Theodore-Overcoming-the-Dragon---Google-Art-Project","提香","提香·韦切利奥，又译提齐安诺·维伽略（ Tiziano Vecelli或Tiziano Vecellio，约 1488\u002F1490年 – 1576年8月27日 ），英语系国家常称呼为提香（Titian），他是意大利文艺复兴后期威尼斯画派的代表画家。\n提香出生于意大利东北部阿尔卑斯山地区的卡多列。10岁时随兄长到威尼斯，在乔凡尼·贝利尼的画室学画，与画家乔尔乔内是同学。\n在提香所处的时代，他被称为“群星中的太阳”，是意大利最有才能的画家之一，兼工肖像、风景及神话、宗教主题绘画。他对色彩的运用不仅影响了文艺复兴时代的意大利画家，更对西方艺术产生了深远的影响",[24,353,221,68,224,354,355,32,94,7,35,280],"素描","兽","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7cb8dcd1c64b95edbfe31e5fad71dc4.jpg",[],16,{"id":360,"slug":361,"title":362,"dynasty":18,"author":19,"museum":20,"description":21,"tags":363,"thumbUrl":368,"material":38,"size":39,"collection":40,"collections":369,"showCount":358,"zanCount":11,"manualWeight":11,"mainColor":44},226141,"vetheuil-1879-mo-nai-226141","Vetheuil, 1879",[23,24,255,26,67,258,34,7,364,365,366,94,367],"村庄","教堂","山坡","水面倒影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7992c8caf1090d3811363abf5e49389.jpg",[40],{"id":371,"slug":372,"title":373,"dynasty":18,"author":49,"museum":20,"description":50,"tags":374,"thumbUrl":377,"material":38,"size":39,"collection":40,"collections":378,"showCount":358,"zanCount":11,"manualWeight":11,"mainColor":59},225755,"gogh-vincent-van-cottages-fan-gao-225755","Gogh Vincent van Cottages",[24,86,375,333,89,366,34,7,323,91,376,87],"小屋","土路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F472f92b8719c0935d6a391a002c66dd0.jpg",[40],{"id":380,"slug":381,"title":382,"dynasty":18,"author":19,"museum":20,"description":21,"tags":383,"thumbUrl":388,"material":38,"size":39,"collection":40,"collections":389,"showCount":390,"zanCount":11,"manualWeight":11,"mainColor":59},225999,"poplars-on-the-banks-of-the-epte-1891-mo-nai-225999","Poplars on the Banks of the Epte, 1891",[23,24,65,255,26,384,385,386,34,7,259,94,387],"笔触松动","白杨树","河岸","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dc6f6bbabba3488b693548ce77e07ec.jpg",[40],15,{"id":392,"slug":393,"title":394,"dynasty":18,"author":19,"museum":20,"description":21,"tags":395,"thumbUrl":400,"material":38,"size":39,"collection":40,"collections":401,"showCount":390,"zanCount":43,"manualWeight":11,"mainColor":44},225969,"late-afrternoon-vetheuil-1880-mo-nai-225969","Late Afrternoon, Vetheuil, 1880",[84,23,24,396,26,67,258,397,365,33,366,94,34,7,398,367,387,31,386,399],"光影变化","小镇","午后光线","波光粼粼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9713978577222b76bdeb6e2d34ac97c.jpg",[40],{"id":403,"slug":404,"title":405,"dynasty":18,"author":406,"museum":20,"description":407,"tags":408,"thumbUrl":424,"material":38,"size":39,"collection":121,"collections":425,"showCount":426,"zanCount":11,"manualWeight":11,"mainColor":44},232588,"wei-lian-a-dao-fu-bu-ge-luo-202-wei-lian-a-dao-fu-bu-ge-luo-232588","威廉·阿道夫·布格罗202","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[24,409,228,410,222,226,7,411,412,413,414,415,416,417,418,419,420,421,422,423],"新古典主义","设色柔和","蓝色织物","裸体儿童","拥抱","亲吻","光影细腻","古典写实","人物画","神话题材","柔和色调","细腻笔触","天空背景","卷曲发丝","肌肤质感","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e53e2b5a22ff75918581bcc7fc875a7.jpg",[],13,{"id":428,"slug":429,"title":430,"dynasty":18,"author":19,"museum":20,"description":21,"tags":431,"thumbUrl":439,"material":38,"size":39,"collection":40,"collections":440,"showCount":426,"zanCount":11,"manualWeight":11,"mainColor":44},226101,"the-promenade-near-argenteuil-1873-mo-nai-226101","The Promenade near Argenteuil, 1873",[84,23,24,432,433,256,434,75,70,195,94,68,435,436,89,34,7,437,26,438],"光影捕捉","色彩晕染","自然光线","孩童","雨伞","小径","户外写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf67664132c0d436c714a15e4b669099.jpg",[40],{"id":442,"slug":443,"title":444,"dynasty":18,"author":49,"museum":20,"description":50,"tags":445,"thumbUrl":448,"material":38,"size":39,"collection":40,"collections":449,"showCount":426,"zanCount":11,"manualWeight":11,"mainColor":59},225754,"geploegde-akkers-de-voren-fan-gao-225754","Geploegde akkers ('De voren')",[24,85,446,447,197,34,7,89],"农田","耕地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde1efc81f2f36a69653b518aacf8be7f.jpg",[40],{"id":451,"slug":452,"title":453,"dynasty":18,"author":19,"museum":20,"description":21,"tags":454,"thumbUrl":462,"material":38,"size":39,"collection":40,"collections":463,"showCount":464,"zanCount":11,"manualWeight":11,"mainColor":59},226051,"the-bridge-at-argenteuil-1874-mo-nai-226051","The Bridge at Argenteuil, 1874",[23,25,294,455,367,258,33,456,457,458,459,34,7,260,460,461,387],"笔触","桅杆","石拱桥","塔楼","树林","1874","户外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F221d7867ff2d1bca89f685ab2d4e3019.jpg",[40],11,{"id":466,"slug":467,"title":468,"dynasty":18,"author":19,"museum":20,"description":21,"tags":469,"thumbUrl":476,"material":38,"size":39,"collection":40,"collections":477,"showCount":464,"zanCount":11,"manualWeight":11,"mainColor":59},225950,"houses-of-parliament-stormy-sky-1903-mo-nai-225950","Houses of Parliament, Stormy Sky, 1903",[84,23,24,470,433,67,260,458,259,34,7,471,472,473,474,475],"光影变幻","水波","风云变幻","光线捕捉","色彩交织","城市景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2488e5e1e821531604ec8f592b9b8ff.jpg",[40],{"id":479,"slug":480,"title":481,"dynasty":18,"author":49,"museum":20,"description":50,"tags":482,"thumbUrl":486,"material":38,"size":39,"collection":40,"collections":487,"showCount":464,"zanCount":11,"manualWeight":11,"mainColor":59},225845,"the-hill-of-montmartre-with-stone-quarry-june-july-fan-gao-225845","The hill of Montmartre with stone quarry (June - July )",[24,85,86,483,484,485,7,70,68,376,321,34],"山丘","风车","采石场","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a6a394a5351dd148130966e0055f458.jpg",[40],{"id":489,"slug":490,"title":491,"dynasty":18,"author":19,"museum":20,"description":21,"tags":492,"thumbUrl":497,"material":38,"size":39,"collection":40,"collections":498,"showCount":499,"zanCount":11,"manualWeight":11,"mainColor":44},226028,"seaside-at-honfleur-1864-mo-nai-226028","Seaside at Honfleur, 1864",[24,23,493,494,495,94,56,496,54,34,7,68],"海滩","鹅卵石","悬崖","灯塔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4eb74a62f673c9d5290737718bc4d4b6.jpg",[40],9,{"id":501,"slug":502,"title":503,"dynasty":18,"author":49,"museum":20,"description":50,"tags":504,"thumbUrl":505,"material":38,"size":39,"collection":40,"collections":506,"showCount":499,"zanCount":11,"manualWeight":11,"mainColor":59},225867,"view-of-auvers-may-june-fan-gao-225867","View of Auvers (May - June )",[24,85,86,199,364,321,89,366,94,34,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b2bce3a45c0617b70c9144ffb0b7d17.jpg",[40],{"id":508,"slug":509,"title":510,"dynasty":18,"author":19,"museum":20,"description":21,"tags":511,"thumbUrl":521,"material":38,"size":39,"collection":40,"collections":522,"showCount":523,"zanCount":11,"manualWeight":11,"mainColor":59},226090,"the-pointe-de-la-he-ve-at-low-tide-1865-mo-nai-226090","The Pointe de La Hève at Low Tide, 1865",[23,24,255,512,493,513,495,54,35,514,515,68,516,517,291,34,7,518,519,520],"色彩捕捉","低潮","马车","马匹","小船","木桩","远帆","湿滩涂","礁石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3452ead06af6265c752436484a33985b.jpg",[40],8,{"id":525,"slug":526,"title":527,"dynasty":18,"author":19,"museum":20,"description":21,"tags":528,"thumbUrl":529,"material":38,"size":39,"collection":40,"collections":530,"showCount":523,"zanCount":11,"manualWeight":11,"mainColor":59},226042,"the-banks-of-the-seine-at-port-villez-1885-mo-nai-226042","The Banks of the Seine at Port-Villez, 1885",[24,23,355,258,386,94,34,7,255,229,67],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe96ec56cd645cbeadbfbd70108d65c95.jpg",[40],{"id":532,"slug":533,"title":534,"dynasty":18,"author":19,"museum":20,"description":21,"tags":535,"thumbUrl":537,"material":38,"size":39,"collection":40,"collections":538,"showCount":523,"zanCount":11,"manualWeight":11,"mainColor":44},226002,"poppy-field-in-giverny-03-1890-mo-nai-226002","Poppy Field in Giverny 03, 1890",[84,23,24,26,67,432,536,94,29,34,7,89,387,209],"罂粟花田","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b6542e1a8773f2316f2eee87a754d77.jpg",[40],{"id":540,"slug":541,"title":542,"dynasty":18,"author":49,"museum":20,"description":50,"tags":543,"thumbUrl":546,"material":38,"size":39,"collection":40,"collections":547,"showCount":523,"zanCount":11,"manualWeight":11,"mainColor":59},225875,"wheat-fields-with-reaper-auvers-1890-fan-gao-225875","Wheat Fields with Reaper Auvers 1890",[85,24,86,168,544,545,34,7,89,94],"麦垛","收割者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7466bf76578d661aad6fa074125fc751.jpg",[40],{"id":549,"slug":550,"title":551,"dynasty":18,"author":49,"museum":20,"description":50,"tags":552,"thumbUrl":555,"material":38,"size":39,"collection":40,"collections":556,"showCount":523,"zanCount":11,"manualWeight":11,"mainColor":59},225740,"enclosed-field-with-ploughman-1889-fan-gao-225740","Enclosed Field with Ploughman 1889",[24,85,52,88,87,89,447,553,554,484,184,34,7,159],"耕者","牛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb656f155a13974f8465431b23043dc4.jpg",[40],{"id":558,"slug":559,"title":560,"dynasty":18,"author":19,"museum":20,"description":21,"tags":561,"thumbUrl":568,"material":38,"size":39,"collection":40,"collections":569,"showCount":570,"zanCount":11,"manualWeight":11,"mainColor":59},226104,"the-railway-bridge-at-argenteuil-1874-2-mo-nai-226104","The Railway Bridge at Argenteuil, 1874 [2]",[23,24,25,562,563,564,258,259,94,70,565,7,34,566,386,324,567],"色彩并置","外光","铁路桥","蒸汽","桥墩","波纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a5be3f8e05a9ef299557cd04e38e64.jpg",[40],7,{"id":572,"slug":573,"title":574,"dynasty":18,"author":49,"museum":20,"description":50,"tags":575,"thumbUrl":579,"material":38,"size":39,"collection":40,"collections":580,"showCount":570,"zanCount":11,"manualWeight":11,"mainColor":59},225765,"houses-in-auvers-fan-gao-225765","Houses in Auvers",[84,24,85,86,88,199,321,576,577,95,94,34,7,305,578,89],"草顶","红顶","绿植","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfef57e96049a9ee0182a14132868945.jpg",[40],{"id":582,"slug":583,"title":584,"dynasty":18,"author":19,"museum":20,"description":21,"tags":585,"thumbUrl":587,"material":38,"size":39,"collection":40,"collections":588,"showCount":589,"zanCount":11,"manualWeight":11,"mainColor":59},226103,"the-railway-bridge-at-argenteuil-1874-mo-nai-226103","The Railway Bridge at Argenteuil, 1874",[84,24,23,25,294,455,564,258,56,94,70,7,34,586,367,386],"桥梁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc123b1d63ae667c737349ac39a9cb24.jpg",[40],6,{"id":591,"slug":592,"title":593,"dynasty":102,"author":594,"museum":20,"description":595,"tags":596,"thumbUrl":600,"material":121,"size":121,"collection":121,"collections":601,"showCount":589,"zanCount":11,"manualWeight":11,"mainColor":44},224558,"shu-hua-ce-ye-23-xiao-yun-cong-wang-shi-zhen-224558","《书画册页》-23","萧云从 王士祯","此作用笔清隽秀逸，以刀削般奇崛林立的峰林为骨，以留白晕染出漫谷云气，将山居轻揽其中。屋舍雅致，有人闲坐凭栏，尽显幽居林下的悠然意趣，左下角浮屠松石点缀，更添古雅沉静。\n设色糅合浅绛与青绿，淡雅柔和，勾勒简练却苍劲奇峭，将山水灵秀与文人遁世之思相融。尺幅间淡远空灵，悠悠古韵漫溢，尽显超然出尘的林下之风，将山水之美与文人心底的丘壑悄然铺展。",[107,597,109,134,598,135,68,303,599,94,7],"册","界画","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac4216ea4ffef16e9d20f2e0892fc054.jpg",[],{"id":603,"slug":604,"title":605,"dynasty":102,"author":606,"museum":607,"description":608,"tags":609,"thumbUrl":10,"material":612,"size":613,"collection":121,"collections":614,"showCount":589,"zanCount":11,"manualWeight":11,"mainColor":59},219063,"xiao-xiang-ba-jing-ce-7-zhang-fu-219063","潇湘八景册-7","张复","天津博物馆","字复阳，以字行（佩文斋书画谱、复阳重截）号南山，浙江平湖人。",[106,107,84,597,109,134,355,610,245,114,260,516,68,611,599,259,7,118],"雪景","马","纸本,设色","30x33厘米",[],{"id":616,"slug":617,"title":618,"dynasty":18,"author":240,"museum":20,"description":619,"tags":620,"thumbUrl":625,"material":121,"size":121,"collection":121,"collections":626,"showCount":627,"zanCount":11,"manualWeight":11,"mainColor":44},225319,"fu-shi-hui-60-yi-ming-225319","浮世绘60","高拱木桥横跨水泽，桥上行人摩肩接踵，铺陈开江户市井的鲜活烟火。浅青长天晕开柔淡底色，远处富士山覆着素白雪顶，为热闹市景晕开一抹清寂闲雅。桥下滩湾错落，茶摊凉伞散落其间，黛瓦屋舍依水而建，晕染出水乡的温婉日常。\n\n构图舒展雅致，明快柔和的配色将俗世喧嚣与远山静穆相融，把江户浮生的鲜活日常同东瀛山水意趣揉为一体，尽显浮世绘独有的市井诗意，让观者窥见旧日东瀛鲜活的人间暖意，于烟火中静赏山水闲情。",[621,622,109,623,258,624,30,94,321,68,7,72,34],"浮世绘","木刻","桥","山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6d8cdb469b69f6af8a32c5f6cd26751.jpg",[],5,{"id":629,"slug":630,"title":631,"dynasty":18,"author":240,"museum":20,"description":632,"tags":633,"thumbUrl":638,"material":38,"size":39,"collection":121,"collections":639,"showCount":640,"zanCount":11,"manualWeight":11,"mainColor":44},288852,"giovanni-battista-tiepolo-time-and-truth-yi-ming-288852","Giovanni Battista Tiepolo--Time and Truth","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[353,417,634,635,636,637,7,226],"神话","裸女","老者","太阳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ba57e9a64c5e352cb08df87bfd62186.jpg",[],3,{"id":642,"slug":643,"title":644,"dynasty":18,"author":240,"museum":20,"description":645,"tags":646,"thumbUrl":649,"material":121,"size":121,"collection":121,"collections":650,"showCount":640,"zanCount":11,"manualWeight":11,"mainColor":44},225327,"fu-shi-hui-76-yi-ming-225327","浮世绘76","以俯视视角铺展水乡盛景，朱红桥柱托举弧形长桥，桥上行人摩肩接踵，尽显江户市井的鲜活烟火气。河道蜿蜒穿绕屋舍，町屋黛瓦错落排布晕开温婉底色。远景富士静立天际，覆雪山巅融于澄澈碧空，将悠然禅意揉入俗世日常。\n\n雅致清润的蓝调铺陈底色，朱红桥柱跳脱提亮画面，柔细线条勾勒出分明层次，将人间喧闹与山川静美相融，把江户水乡的风物日常凝为隽永的美学定格，尽显浮世绘描摹市井与自然共生的独特韵味。",[621,622,109,647,258,29,321,94,68,7,72,648],"大桥","圆形物体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11c7a86da0204df500daaffb008f8492.jpg",[],{"id":652,"slug":653,"title":654,"dynasty":18,"author":240,"museum":20,"description":632,"tags":655,"thumbUrl":659,"material":38,"size":39,"collection":121,"collections":660,"showCount":661,"zanCount":11,"manualWeight":11,"mainColor":44},288915,"giovanni-battista-tiepolo-two-seated-women-and-a-boy-on-clouds-yi-ming-288915","Giovanni Battista Tiepolo--Two Seated Women and a Boy on Clouds",[656,417,657,353,658,435,7,418],"西洋画","淡彩","女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb147d9340b8bb9f938edebe10011efa2.jpg",[],2,{"id":663,"slug":664,"title":665,"dynasty":18,"author":666,"museum":20,"description":667,"tags":668,"thumbUrl":671,"material":38,"size":39,"collection":121,"collections":672,"showCount":661,"zanCount":11,"manualWeight":11,"mainColor":189},232428,"he-er-bai-yin-87-he-er-bai-yin-232428","荷尔拜因87","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[221,353,669,68,222,7,670,355,260],"白描","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac9e9efb04eccd8ccc4559bbf943a53c.jpg",[],{"id":674,"slug":675,"title":676,"dynasty":18,"author":240,"museum":20,"description":677,"tags":678,"thumbUrl":683,"material":38,"size":39,"collection":121,"collections":684,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},289491,"bernardo-bellotto-padua-from-the-east-with-san-francesco-and-the-salone-yi-ming-289491","Bernardo Bellotto--Padua from the East, with San Francesco and the Salone","以松弛简练的钢笔线条铺展城郊全景，近坡的小人物与野趣植被开篇，晕开日常烟火气。错落的屋舍顺着地势铺陈，教堂尖顶利落刺破天际，撑起画面骨架。空阔的天际间，云絮以疏淡线条漫卷，留白处烘托出老城舒展松弛的氛围。\n\n没有繁复晕染，仅以线条疏密区分建筑体量与草木层次，将漫步途中偶遇的片刻风景随性定格，质朴留存下老城平缓慵懒的日常质感，带着随手速写的鲜活意趣，把宁静松弛的老城烟火藏进每一笔线条中。",[669,353,679,680,681,34,7,68,682],"城镇风景","宗教建筑","民居","郊外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca9dd0608b18d1940cced02dd4d44b00.jpg",[],{"id":686,"slug":687,"title":688,"dynasty":18,"author":240,"museum":20,"description":689,"tags":690,"thumbUrl":695,"material":38,"size":39,"collection":121,"collections":696,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},289098,"jean-honore-fragonard-a-gathering-at-woods-edge-yi-ming-289098","Jean Honoré Fragonard--A Gathering at Woods' Edge","以赭色排线晕染铺陈光影，疏密交错的笔触勾勒出古木苍劲肌理，繁叶层叠簇拥将浓荫铺满画幅。留白的流云柔化天际，为沉郁林景晕开透气的轻盈。\n\n郊野浓荫隔绝暑热，林间空地的旅人或卧或坐，舒展松弛的姿态消解山野荒寂，将闲逸慵懒揉入清旷林景。以素描的质朴质感，铺展出避世偷闲的悠然意趣，将乡野漫游的松弛心境，藏进每一缕枝叶纹路与憩息身影之中。",[353,657,691,417,459,692,70,34,7,693,694],"风景画","老树","林间聚会","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf242e51e3e60ea81e6c8b4cc9185fd1.jpg",[],{"id":698,"slug":699,"title":700,"dynasty":18,"author":240,"museum":20,"description":632,"tags":701,"thumbUrl":704,"material":38,"size":39,"collection":121,"collections":705,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},288855,"giovanni-battista-tiepolo-three-winged-female-figures-yi-ming-288855","Giovanni Battista Tiepolo--Three Winged Female Figures",[656,417,657,353,702,658,226,7,703],"神话人物","飘逸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe9b3a1ad426a19fbe733eb7800cbd0a.jpg",[],{"id":707,"slug":708,"title":709,"dynasty":18,"author":240,"museum":20,"description":710,"tags":711,"thumbUrl":717,"material":38,"size":39,"collection":121,"collections":718,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},288783,"pieter-cornelisz-kunst-allegorical-figure-faith-yi-ming-288783","Pieter Cornelisz Kunst--Allegorical Figure (Faith)","###\n这幅钢笔版画以细腻线条刻画出信仰的化身，华冠层袍缀满珠络蕾丝，每一处褶皱都尽显精工雅致。女子左手紧握苦像长杆，圣光自基督身形间淌落，右手抬起似在颂赞虔心。脚下流云将她托于尘世之上，远景河畔小城炊烟轻绕、舟楫漾波，平和俗世恰好衬出信仰的超然澄澈。\n\n排线铺陈出明暗层次，精准区分衣料的柔润与饰件的冷硬，带着北方文艺复兴版画的典型特质，将信仰的庄严肃穆融于写实笔触间，静静诉说信仰对俗世的庇佑与指引。",[712,417,669,713,714,715,7,716,258,56],"宗教画","基督教","十字架","耶稣","城镇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8567fac4f1d9db10758aba587352404c.jpg",[],{"id":720,"slug":721,"title":722,"dynasty":18,"author":240,"museum":20,"description":723,"tags":724,"thumbUrl":729,"material":38,"size":39,"collection":121,"collections":730,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},288724,"valentin-lefebvre-david-chooses-three-days-of-pestilence-yi-ming-288724","Valentin Lefebvre--David Chooses Three Days of Pestilence","褐棕水彩晕开帷幔的垂坠褶皱，跪坐的圣者仰首向天，光晕环衬他虔诚惶惑的面容。云端天使振翼持械，充满力量感的肌肉线条裹挟着神性威严破空而来。古典拱门的背景，将神域与凡世悄然分割，器物细节暗藏宿命抉择的隐喻。明暗交叠间，巴洛克式戏剧张力拉满，将天启降临时的震颤瞬间定格，让观者直面信仰之中的惊惧与赤诚。",[712,417,353,657,222,725,7,726,260,727,728],"宗教人物","帷幔","跪拜","狮像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6446478d209163e07b51b39a1fc6407.jpg",[],{"id":732,"slug":733,"title":734,"dynasty":18,"author":666,"museum":20,"description":667,"tags":735,"thumbUrl":749,"material":38,"size":39,"collection":121,"collections":750,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":189},232407,"he-er-bai-yin-66-he-er-bai-yin-232407","荷尔拜因66",[221,24,109,68,736,737,738,739,740,741,742,7,743,744,745,746,747,748],"服饰","火焰","文字","装饰边框","金属质感","织物","圣物","流星","盔甲","长袍","古典人物","光效","场景叙事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6a1073583404a7a873472a4cfc3f797.jpg",[],{"id":752,"slug":753,"title":754,"dynasty":18,"author":755,"museum":20,"description":756,"tags":757,"thumbUrl":764,"material":38,"size":39,"collection":121,"collections":765,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":59},232014,"seascape-musee-d-orsay-france-de-jia-232014","Seascape - - Musee d'Orsay (France)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[24,23,758,34,7,28,33,759,433,760,761,762,198,763],"海景","地平线","笔触轻盈","水域","阴天氛围","远景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7499704ecb79c0ef4c5f9cb64c6fa15.jpg",[],1777535708276]