[{"data":1,"prerenderedAt":110},["ShallowReactive",2],{"subject-yun-hai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},980,"yun-hai","云海","云海画高清赏析","精选中国历代云海题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F143e5511f0b1ba3b2df7f3e03297c86d.jpg",0,5,[14,38,57,78,96],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":34,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},227059,"chen-tian-mu-yun-hai-tu-gu-ye-wang-227059","陈天目云海图","南北朝","顾野王","藏地不详","顾野王(519-581年)，原名顾体伦，字希冯， 南朝梁陈间官员、文字训诂学家、史学家。\n\n因仰慕西汉冯野王，更名为顾野王，希望自己取得冯野王一样在文学方面取得成绩。人称顾亭林。历梁武帝大同四年太学博士、陈国子博士、黄门侍郎、光禄大夫，博通经史，擅长丹青，著有《玉篇》",[23,24,25,26,27,28,7,29,30,31,32],"国画","书画","山水画","设色","皴法","山","树","岩石","远峰","近石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe5ccca982ec419a5b2128d3f72740fd.jpg","",[],101,"BDBDBD",{"id":39,"slug":40,"title":41,"dynasty":42,"author":43,"museum":44,"description":45,"tags":46,"thumbUrl":53,"material":54,"size":34,"collection":34,"collections":55,"showCount":56,"zanCount":11,"manualWeight":11,"mainColor":37},220500,"e-mei-jin-ding-heng-pi-zhang-da-qian-220500","峨嵋金顶（横披）","民国","张大千","中央美术学院美术馆","云海翻涌将山峦裁出虚实层次，一侧以浅赭勾勒山石，枯涩皴笔尽显崖壁嶙峋苍劲，另一侧以青绿重彩晕染坡峦，层叠笔触晕开蓊郁生机。山巅楼宇隐于翠色之上，在流云间恍若仙阙。\n画作糅合北派山水的雄浑大气与南宗的秀润空灵，打破青绿旧有范式，以色调对冲凸显山川刚柔并济的质感，将峰岳的高华巍峨与清虚空灵凝于尺幅。边角题跋朱印呼应，文气与画韵相融，引观者神游绝顶，揽云听松，坠入烟霞之中。",[23,24,26,47,48,27,49,7,50,51,52],"青绿","山水","山峰","树木","悬崖","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1bb0493805dbede2bd10a16c58db9f5.jpg","纸本设色",[],88,{"id":58,"slug":59,"title":60,"dynasty":61,"author":62,"museum":20,"description":63,"tags":64,"thumbUrl":74,"material":34,"size":34,"collection":34,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":77},235977,"peng-lai-xian-dao-tu-zhou-yuan-jiang-235977","蓬莱仙岛图轴","清","袁江","《蓬莱仙岛图》是清代袁江创作的绢本设色画。\n本幅题：“蓬莱仙岛，戊子凃月邗上袁江画”，钤“袁江之印”、“文涛”印2方。\n“蓬莱仙岛”是中国古代神话传说中的“海上神山”，岛上的宫殿建筑全用黄金白银盖成，奇花异草、珍禽怪兽不计其数，更是藏有“不死之药”。\n此图就是袁江以这些古代神话传说为题材，加上自己的艺术想象而构思创作的仙山仙境。\n作者在描绘这座海上仙山时，着重突出了云烟缭绕的仙境氛围，精美细致的楼阁、雄奇伟岸的山石与烟涛微茫的大海烘托出画家理想的生活境界，令人悠然神往。\n袁江（约 1671—1746年以后），字文涛，江都（今江苏扬州）人。\n擅画山水楼阁。\n早年师法仇英，中年时曾得无名氏画谱，技艺大进。\n其界画在清代被推为第一。",[23,65,66,26,67,68,69,70,71,7,72,48,73],"界画","工笔","绢本","蓬莱仙岛","仙境","楼阁","山石","大海","神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7046a2be5c72aa6e5af46b7e932afdb.jpg",[],50,"795548",{"id":79,"slug":80,"title":81,"dynasty":61,"author":82,"museum":20,"description":83,"tags":84,"thumbUrl":91,"material":92,"size":93,"collection":34,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":37},237402,"fang-li-cheng-yun-hai-shan-xu-ang-237402","仿李成云海扇","徐昂","此作以边角取景，右侧崖畔孤松蟠曲苍劲，松下幽人静坐远眺，淡墨短皴勾勒石体质感，松枝带霜，尽是萧寒清寂之态。左侧以留白晕作浩渺云海，几簇墨林浮沉云间，虚实相生，将平远清旷的山水意韵铺陈开来。\n\n全幅以水墨晕染，凭藉墨色浓淡分出层次，不作艳色修饰，空濛雾气晕化出幽远意境，暗合文人澄怀观道的林下襟怀，把林泉隐逸的静穆冷逸尽数藏在简淡笔墨中，淡而愈真，简而弥远。",[23,24,85,86,87,27,48,7,88,89,90],"扇面","临摹","水墨","老树","人物","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5233ab20a95e74ecb0720e6632edcdd.jpg","未知","Xcm*Xcm",[],8,{"id":97,"slug":98,"title":99,"dynasty":61,"author":100,"museum":20,"description":101,"tags":102,"thumbUrl":107,"material":92,"size":93,"collection":34,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":37},240522,"shi-ti-huang-shan-tu-ce-jiang-chao-zong-240522","诗题黄山图册","江朝宗","江朝宗（1861年－1943年9月20日），原名雨丞，字朝宗，民国时改名宇澄，以字行，道号大中，斋名四勿轩。因排行第四，俗称江四、四先生。",[103,104,87,105,106,48,28,7],"书法","行书","册","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10b619d285e084fb1adae903e3387cd0.jpg",[],1,1777535751556]