[{"data":1,"prerenderedAt":80},["ShallowReactive",2],{"subject-yun-qi-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8425,"yun-qi-wen","云气纹","云气纹画高清赏析","精选中国历代云气纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F425494f4efd137fb3f20d5248b1fe4be.jpg",0,4,[14,35,52,67],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},248927,"miao-cai-qi-yun-qi-wen-yin-kou-lian-yi-ming-248927","描彩漆云气纹银扣奁","汉","佚名","藏地不详","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[23,24,25,7,26,27],"汉代","漆器","描彩","银","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff57d6f4b060fb0e9a00362f5c4d6b0a6.jpg","未知","Xcm*Xcm","",[],9,"BDBDBD",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":48,"material":29,"size":30,"collection":31,"collections":49,"showCount":50,"zanCount":11,"manualWeight":11,"mainColor":51},254981,"ye-zhu-wen-wa-dang-yi-ming-254981","野猪纹瓦当","瓦当，是指古代中国建筑中覆盖建筑檐头筒瓦前端的遮挡。特指东汉和西汉时期，用以装饰美化和蔽护建筑物檐头的建筑附件。瓦当上刻有文字、图案，也有用四方之神的“朱雀”“玄武”“青龙”“白虎”做图案的， [1] 是屋檐最前端的一片瓦为瓦当，瓦面上带着有花纹垂挂圆型的挡片。\n瓦当的图案设计优美，字体行云流水，极富变化，有云头纹、几何形纹、饕餮纹、文字纹、动物纹等等，为精致的艺术品，属于中国特有的文化艺术遗产。",[23,41,42,43,44,45,7,46,47],"陶制","模印","浅浮雕","兽纹","野猪","圆形","瓦当","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5b2acd8079b7e1cea6043a878a69dd9.jpg",[],5,"795548",{"id":53,"slug":54,"title":55,"dynasty":56,"author":19,"museum":20,"description":57,"tags":58,"thumbUrl":65,"material":29,"size":30,"collection":31,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},243677,"cuo-jin-yin-shou-mian-wen-ding-yi-ming-243677","错金银兽面纹鼎","宋","敛口鼓腹，三兽足沉稳托举器身，线条圆融兼具古雅气度。器身错金为饰，云气纹缠绕间隐现兽面，金辉在苍润铜色上流转，明暗相映。\n\n既有三代礼器的端严遗意，又揉进宋人的审美意趣，以仿古之形寄寓追慕古礼的雅好。包浆苍古温润，错金走线细致妥帖，将上古肃穆与宋式雅致相融，静立间自有沉静雍容的古韵，尽显匠思工巧。",[59,60,61,7,62,63,64],"青铜器","错金银","兽面纹","礼器","饪食器","仿古","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a3805b2c338a6bcf8cf3ceb3120d981.jpg",[],{"id":68,"slug":69,"title":70,"dynasty":56,"author":19,"museum":20,"description":71,"tags":72,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":79,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},243201,"cuo-jin-yin-yi-yi-ming-243201","错金银匜","此器承袭商周水器经典形制，弧曲流口线条舒展柔雅，兽首衔环耳古拙灵动。器身以错金银技法妆点，深褐铜色为底，金丝银线盘绕出缠卷云气，贴金叶点缀其间，如星子浮沉云霭，古韵悠然。腹部浮雕小兽与耳饰呼应，稚拙憨趣。铜身晕染的斑驳绿锈，晕开时光浸润的厚重质感，将复古雅致的审美意趣凝于方寸，铜色沉敛、金银熠然，尽显沉静古雅的宋韵美学。",[59,60,73,74,75,76,7,77,78],"水器","铜制","雕刻","兽","古雅","铜锈",[],1777535761343]