[{"data":1,"prerenderedAt":66},["ShallowReactive",2],{"subject-yun-wen-zhuang-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7767,"yun-wen-zhuang-shi","云纹装饰","云纹装饰画高清赏析","精选中国历代云纹装饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf851ba61a25365fd3a4fe03cb37602f.jpg",0,2,[14,41],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},236040,"wu-liang-shou-fu-tu-zhou-ding-guan-peng-236040","无量寿佛图轴","清","丁观鹏","藏地不详","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[23,24,25,26,27,28,29,30,31,32,7],"国画","书画","立轴","工笔","宗教","设色","人物","祥云","金彩","宝台","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d88ab9ac02852e0604343e74e450a77.jpg","未知","Xcm*Xcm","",[],15,1,"37474F",{"id":42,"slug":43,"title":44,"dynasty":18,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":64,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},245748,"yin-yun-long-wen-nuan-jiu-hu-yi-ming-245748","银云龙纹暖酒壶","佚名","此壶丰肩鼓腹，圈足沉稳，活环提梁兼顾握持便利与造型意趣。上部錾刻连绵喜字，铺陈出吉庆融融的氛围，腹部云龙纹饰为点睛之笔，龙身矫健蜿蜒，云纹舒卷灵动，錾刻工艺精细入微，线条劲挺流畅，将神龙威姿刻画得栩栩如生。银身包浆厚重温润，沉淀着岁月摩挲的沉静质感，将大婚吉意与日常暖酒的实用功能巧妙相融，是清代细作银器的精巧缩影，把寻常酒具升华为兼具审美意趣与祥瑞寓意的工艺佳品。",[48,49,50,51,52,53,54,55,56,57,58,59,60,61,62,7,63],"银器","雕刻","龙","云","饮酒器","清代","日用具","云龙纹","暖酒","银制","纹饰","日用器具","清代器物","金属雕刻","龙纹装饰","饮酒器具",[],"BDBDBD",1777535789211]