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and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[41,42,7,43,44,45,46,47],"陶瓷","青花","高足碗","明代","饮酒器","青花技法","明代风格",[],3,"37474F",{"id":52,"slug":53,"title":54,"dynasty":18,"author":19,"museum":20,"description":55,"tags":56,"thumbUrl":59,"material":28,"size":29,"collection":30,"collections":60,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":62},267747,"qing-se-wan-sheng-di-xiao-sui-hua-za-bao-wen-zhi-jin-chou-yi-ming-267747","青色万胜地小碎花杂宝纹织金绸","幽青为底，碎小花朵与杂宝纹样密密铺陈，织金工艺让金辉晕染其上，于沉静底色里漾出雅致华贵。排布齐整的纹样繁而不杂，细碎花型交织呼应，将清代织物的繁复审美藏于细节之中。隐于织物的金纹光泽柔和，衬得整体沉静内敛却暗含金贵，杂宝纹饰悄然寄托着吉祥意涵，尽显传统丝织工艺的细腻匠心，勾勒出古典雅致的东方审美意趣。",[23,57,58,7],"织金","小碎花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff771fd82369c6a956568ceb62b799d5d.jpg",[],1,"F48FB1",{"id":64,"slug":65,"title":66,"dynasty":18,"author":19,"museum":20,"description":67,"tags":68,"thumbUrl":71,"material":28,"size":29,"collection":30,"collections":72,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":73},264248,"shi-qing-se-fu-zai-yan-qian-za-bao-wen-hui-hui-zhi-jin-sha-yi-ming-264248","石青色福在眼前杂宝纹回回织金纱","此件以石青纱为底，圆金线织就福在眼前与杂宝纹样，细碎纹案如星子错落铺陈，将吉庆意趣藏进沉静底色中。\n\n带着西域基因的织金工艺尽显精妙，纱身轻薄通透，金线光泽敛而不耀，繁密纹样排布齐整却无拥塞之感，将吉祥寓意与雅致质感相融，把东方祈愿与旧时匠心凝于这一方织物之上。",[23,69,70,7],"织金纱","福在眼前纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42f12d7352eb948506f1fc9ee9627caa.jpg",[],"795548",{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":81,"material":28,"size":29,"collection":30,"collections":82,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":50},263907,"yue-bai-se-xiao-tuan-long-za-bao-wen-zhi-jin-duan-yi-ming-263907","月白色小团龙杂宝纹织金缎","底色如月白湖水般沉静柔和，织金技法将小团龙与杂宝纹样勾勒于其上。满铺的纹样排布匀整却无壅塞之感，团龙小巧却威仪暗藏，杂宝纹饰错落点缀其间，暗合吉瑞祥和之寓意。\n\n暖调金线在冷色缎面之上熠熠生辉，冷暖碰撞，将雅致内敛与华贵雍容融于一体。经纬交织之间尽显精湛工巧，纹样规整不失灵动，藏着传统审美里柔婉与华贵并存的绝妙意趣。",[23,80,57,26,7],"缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b928493f5ed6bf134b0c5808aefa09a.jpg",[],{"id":84,"slug":85,"title":86,"dynasty":18,"author":19,"museum":20,"description":87,"tags":88,"thumbUrl":92,"material":28,"size":29,"collection":30,"collections":93,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":94},263769,"ming-huang-se-tuan-long-za-bao-wen-xian-chou-yi-ming-263769","明黄色团龙杂宝纹线绸","明黄底色自带庄重威仪，是旧时皇家专属的华贵之色。暗织的团龙纹含蓄盘踞，龙形敛去张扬，却依旧威仪暗藏；周遭杂宝纹样错落排布，暗合祈福纳祥的美好意涵。\n整匹面料以暗花工艺织就，纹样若隐若现，在光影流转间方才缓缓浮现，低调中尽显精工巧思。纱线交织紧密均匀，触感莹润厚实，尽显成熟织造匠心，将礼制规制与织造美学融于一身，静静诉说着旧时宫廷织物的典雅底蕴。",[23,25,7,89,90,91],"明黄色","绸料","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07cff13c8cf1cf9a1bad960f118bc057.jpg",[],"FF9800",{"id":96,"slug":97,"title":98,"dynasty":18,"author":19,"museum":20,"description":99,"tags":100,"thumbUrl":103,"material":28,"size":29,"collection":30,"collections":104,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":73},263754,"lv-se-tuan-long-za-bao-wen-jiang-chou-yi-ming-263754","绿色团龙杂宝纹江绸","沉静的湖绿底色晕着深浅渐变的柔色带，织纹之间，团龙威仪敛于纱线经纬，隐而不发，杂宝暗纹藏纳祈祥纳福的意趣。江绸纱线紧致匀净，带着经年沉淀下的柔糯垂坠感，历经时光仍葆有温润的莹泽。它将礼制纹样的庄重，糅合江南丝织的温婉灵秀，以细腻织造工艺，把东方内敛雅致的审美藏入寸缕之间，静述着旧时匠人的织造匠心，晕开独属于旧时光的丝韵余温。",[101,23,26,7,102],"绿色","丝绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78173779a456a4185239d5b974c4fe5c.jpg",[],{"id":106,"slug":107,"title":108,"dynasty":18,"author":19,"museum":20,"description":109,"tags":110,"thumbUrl":115,"material":28,"size":29,"collection":30,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},269036,"xue-hui-se-di-za-bao-wen-tian-hua-jin-yi-ming-269036","雪灰色地杂宝纹天华锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[111,23,112,7,113,114],"织锦","天华锦","几何纹样","传统织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c4320befbc76b5157a4c3892aa66bd3.jpg",[],"BDBDBD",{"id":119,"slug":120,"title":121,"dynasty":18,"author":19,"museum":20,"description":122,"tags":123,"thumbUrl":127,"material":28,"size":29,"collection":30,"collections":128,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},268887,"xing-huang-se-yun-long-za-bao-wen-zhuang-hua-duan-yi-ming-268887","杏黄色云龙杂宝纹妆花缎","暖柔杏黄为底，晕开融融暖意。灵动云龙辗转腾挪于其间，身姿矫健，杂宝纹样错落排布，暗纳祥瑞吉意。多色绒线巧织提花，朱红、石绿、酱紫、柔粉交织铺陈，在浅金暗纹的衬托下，层次饱满鲜亮，配色和谐却不失跳脱活力。\n整幅织品排布规整有序，繁复纹样却毫无拥塞之感，尽显织绣工艺的华贵工巧。细密平整的织纹，莹润亮泽的彩花，将礼制寓意与装饰美学相融，带着旧时匠人的沉心匠意，尽显古典织绣雍容雅致的绝美风姿。",[23,124,125,7,126,111],"妆花缎","云龙纹","杏黄色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff79c3a2a6ef744558949c691ee7aea70.jpg",[],{"id":130,"slug":131,"title":132,"dynasty":18,"author":19,"museum":20,"description":133,"tags":134,"thumbUrl":136,"material":28,"size":29,"collection":30,"collections":137,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},267841,"hong-qing-se-di-tuan-long-za-bao-wen-zhi-jin-chou-yi-ming-267841","红青色地团龙杂宝纹织金绸","此作以沉敛底色托举织金纹饰，团龙周正威严，杂宝错落环簇，金线在经纬间穿梭出熠熠光泽，华贵之气扑面而来。\n织金工艺细腻精湛，将礼制尊崇的龙纹与纳福的杂宝意象融为一体，纹样排布匀整有序，疏密得当，既凸显皇权的庄重威仪，又饱含吉祥寓意，尽显清代织造工艺的不俗匠心，把传统织锦的装饰性与礼制内涵完美融合，是颇具代表性的清代织锦佳作。",[23,57,135,26,25,7],"绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94dba27d5582359d21b3c2ce65268fa4.jpg",[],{"id":139,"slug":140,"title":141,"dynasty":18,"author":19,"museum":20,"description":109,"tags":142,"thumbUrl":146,"material":28,"size":29,"collection":30,"collections":147,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},267554,"ou-he-se-di-long-feng-za-bao-tuan-hua-wen-zhi-jin-jin-yi-ming-267554","藕荷色地龙凤杂宝团花纹织金锦",[23,143,26,144,145,7],"织金锦","凤","团花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F227c8743eebaf62ea4abc5cb95e3549b.jpg",[],{"id":149,"slug":150,"title":151,"dynasty":18,"author":19,"museum":20,"description":152,"tags":153,"thumbUrl":156,"material":28,"size":29,"collection":30,"collections":157,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},266817,"xiang-se-duan-ji-mi-zhu-za-bao-wen-zao-xie-yi-ming-266817","香色缎缉米珠杂宝纹皂鞋","皂鞋民国初年盛行于平、津、鲁各地，鞋帮为两片，平底或布制，脸极浅，口作尖形，鞋帮窄浅，常制用青色制造，所以故名为皂鞋",[91,154,23,7,155],"鞋履","缉珠工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F145f05baf52115238b4ea6cc1dcc6ced.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":18,"author":19,"museum":20,"description":162,"tags":163,"thumbUrl":166,"material":28,"size":29,"collection":30,"collections":167,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},264508,"tao-hong-se-xiao-tuan-long-za-bao-wen-zhi-jin-duan-yi-ming-264508","桃红色小团龙杂宝纹织金缎","明艳柔润的缎地之上，小团龙与杂宝纹样循规排布。团龙身姿凝练威严，杂宝错落点缀其间，织金暗纹隐现于缎面，光线下漾出细腻金辉，华贵雅致尽显。\n\n面料莹润挺括，下摆晕出浅柔的色彩过渡，温婉动人。边缘流苏微蜷，带着时光摩挲的温润质感，将礼制纹饰的端庄气度，与织锦工艺的精妙工巧相融，尽显不俗织造造诣，静静诉说着旧时匠人的精工匠心。",[23,111,80,164,26,7,57,165],"团龙","桃红色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3adb208984f18fc3a24154b98696cbd1.jpg",[],{"id":169,"slug":170,"title":171,"dynasty":18,"author":19,"museum":20,"description":172,"tags":173,"thumbUrl":177,"material":28,"size":29,"collection":30,"collections":178,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},263948,"qian-lv-se-za-bao-tuan-xi-xiang-feng-wen-zhi-jin-duan-yi-ming-263948","浅绿色杂宝团喜相逢纹织金缎","浅碧缎底晕着鎏金柔光，杂宝与团喜相逢纹样往复铺陈，织纹细密匀整，金线在缎面流转出雅致华贵的肌理。缠枝萦绕间瑞气暗涌，将团圆吉庆的意趣藏入经纬，织金工艺尽显内敛雅致，把东方吉庆寓意揉进每一丝缎纹里，华贵与温婉相融，在流光中沉淀旧时精致匠心，静述织绣的温婉意韵，是兼具审美价值与吉庆意涵的精妙之作。",[23,174,7,175,176,57],"织金缎","喜相逢纹","浅绿色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae1ca3470ee4fb707c473a2dbed34b34.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":18,"author":19,"museum":20,"description":183,"tags":184,"thumbUrl":186,"material":28,"size":29,"collection":30,"collections":187,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},263901,"shi-qing-se-tuan-long-za-bao-wen-zhi-jin-duan-yi-ming-263901","石青色团龙杂宝纹织金缎","石青底色沉穆端雅，织金走线熠熠生辉。团龙纹周正威严，作为主体纹样排布规整，杂宝纹错落点缀其间，暗含富贵吉祥的美好祈愿。整体构图疏密有致，满铺纹样却不显冗杂，尽显织造匠人的精湛工巧。金线与深色底料交相辉映，光泽内敛华贵，既彰显出礼制等级的庄重肃穆，又契合清代富丽雅致的审美风尚，以织物为载体，将礼制规范与装饰美学融于一体，尽显宫廷织造的雍容气度。",[23,174,185,7],"龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07f8adc6f1c2f7ec5a6bde6f1b357252.jpg",[],{"id":189,"slug":190,"title":191,"dynasty":18,"author":19,"museum":20,"description":192,"tags":193,"thumbUrl":194,"material":28,"size":29,"collection":30,"collections":195,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},263755,"jiang-se-tuan-long-za-bao-wen-jiang-chou-yi-ming-263755","绛色团龙杂宝纹江绸","沉稳绛红铺陈全貌，敛去张扬火气，自带古雅静穆的质感。暗织的团龙杂宝隐于料面，龙纹威仪内敛，杂宝纹样暗喻祥瑞祈愿，经纬之间织就旧时礼制与吉庆意涵。纱线紧致细密，仿佛能触到百年前织造时的手心温度。侧边明黄细条提亮沉色，于肃穆之中晕开一丝灵动。\n\n整料气息端方厚重，是旧时织造工艺里礼制面料的缩影，将实用属性与礼制审美相融，藏着旧朝规制与匠人巧思，静默诉说着传统织物里的雅致章法。",[23,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84c051441116f8b4ecff4bec1e76b847.jpg",[],1777535724325]