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明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[43,23,7,239,240,241],"双喜纹","寿字纹","茶碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc02e9f3c04ea6a847b0abf2e61fbabf2.jpg",[],"F48FB1",{"id":246,"slug":247,"title":236,"dynasty":18,"author":19,"museum":20,"description":237,"tags":248,"thumbUrl":250,"material":31,"size":32,"collection":33,"collections":251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},245546,"tong-zhi-kuan-jin-zan-hua-shuang-xi-yuan-shou-zi-cha-wan-yi-ming-245546",[43,23,7,249,27,117],"双喜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aae9d099bfb6a108a603b37c20748cf.jpg",[],{"id":253,"slug":254,"title":236,"dynasty":18,"author":19,"museum":20,"description":237,"tags":255,"thumbUrl":257,"material":31,"size":32,"collection":33,"collections":258,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},245545,"tong-zhi-kuan-jin-zan-hua-shuang-xi-yuan-shou-zi-cha-wan-yi-ming-245545",[23,7,43,256,27,117],"双喜字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d54ebda49946b3f6fd07506b0b3d4d8.jpg",[],{"id":260,"slug":261,"title":262,"dynasty":18,"author":19,"museum":20,"description":237,"tags":263,"thumbUrl":265,"material":31,"size":32,"collection":33,"collections":266,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},245544,"jin-zan-hua-shuang-xi-yuan-shou-zi-cha-wan-yi-ming-245544","金錾花双喜圆寿字茶碗",[43,23,7,256,27,264,26],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8e12f9650f4878d701f314505e86c14.jpg",[],{"id":268,"slug":269,"title":270,"dynasty":18,"author":19,"museum":20,"description":271,"tags":272,"thumbUrl":274,"material":31,"size":32,"collection":33,"collections":275,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},245531,"guang-xu-kuan-jin-zan-hua-zhi-hu-yi-ming-245531","光绪款金錾花执壶","此执壶取玉壶春身形制，线条舒展秀挺，曲流与执柄对称呼应，器型端庄雅致。周身以细金錾刻工艺妆点，器身浅刻卷草纹为地，开光内浮雕花鸟图景，灵动鲜活，生机盎然。\n\n流与柄的衔接处以镂空螭纹构件过渡，精巧华贵。盖顶圆珠钮以金链系于执柄之上，细节处尽显匠心。整体金水厚重匀净，光泽内敛温润，纹饰繁简相宜，既有皇家器物的威仪华贵，又暗含雅致隽永的审美意趣，是晚清细金工艺的上乘之作，尽显造办精湛水准。",[43,23,211,7,273,155,117],"执壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c0c8f7af9a8f7fd21acdd2656f23a4e.jpg",[],{"id":277,"slug":278,"title":279,"dynasty":18,"author":19,"museum":20,"description":280,"tags":281,"thumbUrl":282,"material":31,"size":32,"collection":33,"collections":283,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},245478,"jin-zan-hua-wan-shou-shi-yi-ming-245478","金錾花万寿匙","此件金质餐匙錾刻工艺精妙入微。勺面以规整回纹铺底，中心开光内錾万寿纹样，环绕缠枝卷叶，线条细腻婉转，层次分明繁而不乱，将绵长寿庆的吉祥寓意凝于方寸之间。长柄通体錾刻柔婉卷草纹饰，末端造型圆润合宜，兼顾美观与握持手感。整体金泽内敛华贵，纹饰排布疏密有致，尽显细金作的不俗功力，把祈福纳祥的美好愿景融于日常器物，雅致端庄尽显造物的气韵风骨。",[23,7,118,117],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febbc4abd9c32363fc4c76af950b217f5.jpg",[],{"id":285,"slug":286,"title":287,"dynasty":18,"author":19,"museum":20,"description":288,"tags":289,"thumbUrl":292,"material":31,"size":32,"collection":33,"collections":293,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},245432,"tong-zhi-jiu-nian-kuan-yin-zan-hua-dai-tuo-er-bei-yi-ming-245432","同治九年款银錾花带托耳杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[18,24,7,26,290,291,155,200],"耳杯","托","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feae88f8f83b714ff18d68b820e8e53b9.jpg",[],{"id":295,"slug":296,"title":297,"dynasty":18,"author":19,"museum":20,"description":298,"tags":299,"thumbUrl":301,"material":31,"size":32,"collection":33,"collections":302,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},245387,"jin-zan-hua-ba-bao-luo-yi-ming-245387","金錾花八宝-螺","此件以右旋法螺为主体，内嵌于鎏金方牌之中。錾刻工艺细腻入微，螺身满饰圆点涡纹，右旋螺线灵动舒展，尽显法螺的神圣质感，环绕的卷草祥云柔婉灵动，将圣物烘托得愈发高洁不凡。\n乌木底座回纹缠枝错落雅致，沉穆底色更衬金饰流光溢彩。它承载着清净平安的祈愿，金辉里凝缩着精湛錾金工艺水准，把宗教器物的庄严肃穆与传统金属造办的审美意趣融为一体，尽显华贵雅致的藏地工艺美学。",[43,23,7,26,66,64,300],"螺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd088d0bc0e03f9978a64c889c7fb088.jpg",[],{"id":304,"slug":305,"title":306,"dynasty":18,"author":19,"museum":20,"description":307,"tags":308,"thumbUrl":310,"material":31,"size":32,"collection":33,"collections":311,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},245383,"jin-zan-hua-ba-bao-gai-yi-ming-245383","金錾花八宝-盖","此器通体鎏金，色泽沉敛明润，历久弥新。宝盖形制主体满錾缠枝瑞纹，线条细密灵动，辗转回旋间尽显錾刻工艺的精妙独到，将佛前器物的庄严感融于华贵细节之中。\n\n外框以如意云纹环绕勾勒，柔化方正轮廓，上下云纹交错呼应，暗合吉祥圆满之意。搭配浮雕缠枝牙板与回纹束腰的雕花底座，更衬器物雍容端雅。整体将宗教的肃穆与宫廷金作的精工冶为一炉，静穆间尽显礼佛重器的雍容质感，藏着极致的匠心巧思。",[43,23,7,26,64,309,65],"吉祥图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5c4c78663e872aa4c3a528cc24c8b55.jpg",[],{"id":313,"slug":314,"title":315,"dynasty":18,"author":19,"museum":20,"description":316,"tags":317,"thumbUrl":319,"material":31,"size":32,"collection":33,"collections":320,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},245379,"jin-zan-hua-ba-bao-san-yi-ming-245379","金錾花八宝-伞","此器以纯金铸就，主体宝伞造型端庄雅致，两面錾刻团寿纹样，暗含福寿绵长的美好祈愿。四周透雕缠枝祥云，云纹灵动舒展，将宝伞烘托得愈发华贵祥瑞。\n錾刻刀法细腻流畅，线条饱满圆润，把宝伞的庄静与云纹的柔美相融，尽显清代细金工艺的精湛水准。宝伞寓意遮蔽魔障、护佑安乐，整器金光璀璨，纹饰层次分明，兼具宗教器物的肃穆意蕴与工艺美学的精巧雅致，是清代金属细作的上乘之作。",[43,23,211,7,66,318,65,26,29],"佛教器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1cc1b1f681d7f66f3e1c040d7b3ba87.jpg",[],{"id":322,"slug":323,"title":324,"dynasty":18,"author":19,"museum":20,"description":325,"tags":326,"thumbUrl":327,"material":31,"size":32,"collection":33,"collections":328,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},245369,"jin-zan-hua-man-da-yi-ming-245369","金錾花满达","纯金为胎，外壁錾刻齐整的六字真言，佛龛式开光内嵌珊瑚、松石，宝光莹润。盖面密缀各色珠石，顶饰攒嵌法螺宝顶，尽显藏传法器的神圣质感。\n\n器物配搭紫檀透雕须弥座，重层莲瓣舒展灵动，束腰缠枝镂空通透，底足莲纹与器身呼应，木色沉敛中和金器的耀目华贵，冷暖互衬更显雅致。\n\n整体錾刻线条饱满流畅，宝饰配搭繁而不乱，金工卓绝，木雕精妙，是藏地手工技艺与宗教美学融合的典范。",[43,23,7,26,66],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feab32ef3ef5d8a39ac984e8d48375c14.jpg",[],{"id":330,"slug":331,"title":332,"dynasty":18,"author":19,"museum":20,"description":288,"tags":333,"thumbUrl":336,"material":31,"size":32,"collection":33,"collections":337,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},245100,"liu-yin-zan-hua-tuo-bei-yi-ming-245100","鎏银錾花托杯",[43,334,7,24,155,26,335],"鎏银","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47751937a7b5907a8f75b5af1d810a76.jpg",[],{"id":339,"slug":340,"title":341,"dynasty":342,"author":19,"museum":20,"description":343,"tags":344,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},243981,"liu-jin-zan-hua-shou-mian-wen-xi-yi-ming-243981","鎏金錾花兽面纹洗","汉","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[345,346,90,101,7,26,347,264],"汉代","青铜器","兽面纹",[],1777535714278]