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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[58,23,59,7,127,128,61],"凤","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb82a97cc7fc9a52b27d6d7c8e4e2be9.jpg",[],"37474F",{"id":133,"slug":134,"title":135,"dynasty":18,"author":19,"museum":20,"description":136,"tags":137,"thumbUrl":143,"material":63,"size":64,"collection":30,"collections":144,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":131},245395,"qian-long-kuan-yin-zan-ke-liu-jin-chan-zhi-lian-wen-hu-lu-shi-zhi-hu-yi-ming-245395","乾隆款银錾刻鎏金缠枝莲纹葫芦式执壶","此执壶取葫芦造型，暗合福禄吉意。以素银为地，局部鎏金錾饰缠枝莲纹，浅地起浮雕缠枝卷叶作为衬底，饱满金莲错落排布，主纹宝相花饱满雍容，尽显富丽堂皇。弯流与执柄衔接处以鎏金瑞兽点缀，线条灵动婉转，盖顶鎏金钮精巧端庄，银质的清冷与金饰的华贵相映成趣，将清代细作金银工艺的精湛造诣展现得淋漓尽致，雅致华贵又不失庄重气度，是清代宫廷风格金银器的上乘之作。",[42,58,23,7,59,138,139,140,61,141,142],"缠枝莲纹","葫芦式","执壶","日用具","花卉纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88861ae0872ee43131dbae1c804e0f84.jpg",[],{"id":146,"slug":147,"title":148,"dynasty":18,"author":19,"museum":20,"description":149,"tags":150,"thumbUrl":157,"material":63,"size":64,"collection":30,"collections":158,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":35},245343,"yin-mei-zhu-ren-wu-tu-long-bing-dai-gai-zhi-hu-yi-ming-245343","银梅竹人物图龙柄带盖执壶","此执壶造型华贵精巧，龙形执柄矫健灵动，龙头探向壶口，似欲衔取壶中琼浆；盖顶瑞狮盘踞，鬃毛毕现威严雄健。鎏金壶嘴提亮器物色调，冷银暖金相映，撞出雅致的视觉层次。\n\n瓜棱形壶身錾刻梅竹人物图景，梅枝清逸、竹影萧萧，其间人物鲜活传神，将文人雅会的闲逸意趣融于银器之上。錾刻工艺细腻入微，衬得画面层次分明，把方寸间的小景勾勒得生动饱满。四足稳稳承托壶身，让整体形制庄重不失灵韵，尽显清代银作工艺的精湛水准，将瑞兽吉意与文人雅景巧妙融合，是一件匠心独具的银作珍品。",[58,140,60,26,151,152,153,154,7,59,155,156],"瑞狮","梅","竹","人物","瓜棱形","文人雅会","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3066668cd747814fe15f921a93728b94.jpg",[],{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":20,"description":163,"tags":164,"thumbUrl":170,"material":63,"size":64,"collection":30,"collections":171,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":131},270995,"wu-tong-zan-si-ji-hua-hui-wen-fang-bi-tong-yi-ming-270995","乌铜錾四季花卉纹方笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[165,7,24,61,141,166,167,168,169],"铜制","荷花","花卉","书法","笔筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0daab73f4298472769e3d70b84409765.jpg",[],{"id":173,"slug":174,"title":175,"dynasty":18,"author":19,"museum":20,"description":116,"tags":176,"thumbUrl":179,"material":63,"size":64,"collection":30,"collections":180,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},245691,"jin-zan-jin-yan-shen-xing-shuang-xi-zi-jie-zhi-yi-ming-245691","金錾“谨言慎行”双喜字戒指",[23,76,7,177,178],"文字","双喜字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18f924088d1e14490bb56c93bf7ed40e.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":18,"author":19,"museum":20,"description":185,"tags":186,"thumbUrl":188,"material":63,"size":64,"collection":30,"collections":189,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":51},245492,"jin-wan-shi-ru-yi-yi-ming-245492","金万事如意","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[42,23,24,61,187,7],"吉祥图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32f7f9ba19670efe4b440f50c6fdd1a1.jpg",[],{"id":191,"slug":192,"title":193,"dynasty":18,"author":19,"museum":20,"description":194,"tags":195,"thumbUrl":196,"material":63,"size":64,"collection":30,"collections":197,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},245354,"jin-zan-yun-long-wen-zhi-hu-yi-ming-245354","金錾云龙纹执壶","此壶金质温润莹亮，瓜棱形壶腹饱满雅致，通体錾刻云龙纹饰，龙躯蜿蜒矫健，祥云缭绕相随，刀锋细腻流畅，将瑞兽威姿晕染得灵动鲜活。细长流口挺拔修长，曲形执柄弧度柔和，盖顶以细链连系执柄，兼顾美观与实用性。\n\n器身线条从盖顶到圈足舒展自然，鎏金光泽尽显华贵雍容，匠师以极致工法，将庄重气派与细腻匠心融于一体，静静伫立间，仿若能窥见旧时雅宴之上，它承装佳酿、流转席间的华贵光景，是金作工艺的绝佳范本。",[23,7,26,42,60,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa12ef3ba2dc9478496d9bd7c15de1780.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":18,"author":19,"museum":20,"description":202,"tags":203,"thumbUrl":204,"material":63,"size":64,"collection":30,"collections":205,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":35},245659,"jin-zan-shuang-xi-zi-ban-zhi-yi-ming-245659","金錾双喜字扳指","扳指是一种射箭工具，戴于拇指，正下方有一个槽，用来扣住弓弦以便拉箭，作用是防止放箭时，急速回抽的弓弦擦伤手指。因功能类似扳机，故又称为“机”\n扳指还被称为“韘”，据《说文·韦部》载：“韘，射决也。所以拘弦。以象骨。韦系，箸右巨指。”明确阐述了扳指的功能以及用法。",[42,23,7,178,76],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbb624c047c4926c45fa712fb454424d.jpg",[],2,{"id":208,"slug":209,"title":210,"dynasty":18,"author":19,"museum":20,"description":211,"tags":212,"thumbUrl":217,"material":63,"size":64,"collection":30,"collections":218,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":131},245579,"jin-he-yi-ming-245579","金鹤","这对瑞鹤体态修长隽雅，昂首相望似喁喁私语，翎羽纹理錾刻细腻写实，翅羽舒张灵动，长腿挺拔劲健，爪部紧扣底座，将丹顶鹤的高洁仙姿尽显无遗。通体鎏金灿然，色泽匀亮莹润，历经岁月仍光华不减。\n\n底座取方台委角造型，轮廓婉转，与仙鹤的清灵雅致相映成趣，既烘托出瑞禽出尘之态，又添端庄稳重之感。整器工艺精湛，将金属的厚重融于仙鹤的飘逸，暗合古人对长寿祥瑞的美好祈愿，尽显精工造物的匠心造诣。",[23,213,59,7,214,215,216],"鹤","瑞禽","长寿祥瑞","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe13de45f05e31f2414cd3dddb1904194.jpg",[],{"id":220,"slug":221,"title":222,"dynasty":18,"author":19,"museum":20,"description":223,"tags":224,"thumbUrl":226,"material":63,"size":64,"collection":30,"collections":227,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":35},245442,"yin-liu-jin-zan-ke-bei-pan-yi-ming-245442","银鎏金錾刻杯盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[58,23,7,59,225,60,141,24,26,127],"杯盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F818a4ce687e6e320fbbd71e01f3f5fcd.jpg",[],{"id":229,"slug":230,"title":231,"dynasty":124,"author":19,"museum":20,"description":232,"tags":233,"thumbUrl":10,"material":63,"size":64,"collection":30,"collections":236,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":51},228013,"gao-jing-tong-ping-yi-ming-228013","高颈铜瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[234,235,165,24,61,74,7],"元代","青铜器",[],{"id":238,"slug":239,"title":240,"dynasty":18,"author":19,"museum":20,"description":241,"tags":242,"thumbUrl":248,"material":63,"size":64,"collection":30,"collections":249,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":35},275468,"tie-zan-long-wen-bing-hei-qi-jin-yin-si-qiao-tai-e-yao-dao-yi-ming-275468","铁錾龙纹柄黑漆金银丝鞘太阿腰刀","刀为单面长刃的短兵器。同时泛指可用于切、削、割、剁、刺的工具，与匕首合称亦为膳食器。刀的最初形态，与钺非常接近。其形状为短柄，翘首，刀脊无饰，刃部较长。到春秋战国时期，刀的形状发生巨大变化，两汉时，刀逐渐发展为步兵的主战兵器之一如环首刀，同时出现了许多不同形式的长柄刀。铜刀存世数量不多，体形均轻薄，最厚处仅0.35厘米，其形制粗分有短柄翘首刀、长柲卷首刀、平刃刀、曲刃刀等数类。\n在原始社会，古人类就用石头、蚌壳、兽骨打制成各种形状的刀。他们选用的石头多半是石英石、砂岩，也有燧石和水晶石。用这些石料打制成的石刀质坚棱利，是很好的砍劈工具。其次是用蚌壳和兽骨磨制的蚌刀、骨刀，这类刀轻便锋利，适于砍削器物。同样古人不仅用刀作为劳动工具，还随身携带作为防身自卫的武器。\n以雄浑、豪迈、挥如猛虎的风格而驰名的兵器，在十八般武器中排名第一。清朝诗人郑世元这样描写道：“秋水飞双腕，冰花散满身。柔看绕肢体，纤不动埃尘。闪闪摇银海，团团滚玉轮。声驰惊白帝，光乱失青春。杀气腾幽朔，寒芒泣鬼神。舞余回紫袖，萧飒满苍旻。”",[243,244,245,7,246,23,247],"兵器","腰刀","龙纹","铁器","漆器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59a95d05b8a6392f7eea8a4bea6f120f.jpg",[],1,{"id":252,"slug":253,"title":254,"dynasty":18,"author":19,"museum":20,"description":163,"tags":255,"thumbUrl":259,"material":63,"size":64,"collection":30,"collections":260,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":51},270996,"wu-tong-zan-mei-lan-song-zhu-wen-fang-bi-tong-yi-ming-270996","乌铜錾梅兰松竹纹方笔筒",[165,7,24,169,152,256,153,257,168,258],"兰","松","楷书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff385e2f527f93b096be3e78f8118f199.jpg",[],{"id":262,"slug":263,"title":264,"dynasty":18,"author":19,"museum":20,"description":265,"tags":266,"thumbUrl":271,"material":63,"size":64,"collection":30,"collections":272,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":35},270553,"xi-ba-jiao-xing-yi-pin-guo-yi-ming-270553","锡八角形一品锅","此器八角形制，轮廓舒展端庄。盖顶蹲坐瑞狮为钮，旁附提叶，既为点睛之饰，又便开盖取用。通体以浅錾技法遍饰缠枝瑞纹，走线婉转而不失利落，层次浅淡却排布精妙，将锡质素净底色衬得愈发雅致。器身两侧铺首衔环，壁面饰以对称耳饰，细节处处流露古典意韵。\n整体兼具食器的实用属性与陈设的观赏价值，把素雅锡材与精工錾刻相融，尽显手作器物的雅致格调，藏着传统造物里器以载美的巧思。",[267,268,61,269,7,270],"锡器","饪食器","狮","八角形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1606162225168602b641afdaac167466.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":277,"author":19,"museum":20,"description":278,"tags":279,"thumbUrl":282,"material":63,"size":64,"collection":30,"collections":283,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":35},270390,"hu-wen-ming-kuan-tong-zan-ke-qian-yin-si-long-feng-er-lu-yi-ming-270390","胡文明款铜錾刻嵌银丝龙凤耳炉","明","此炉口沿双耳鎏金莹亮，与沉深色地子形成鲜明对比，华贵雅致。炉身錾刻龙凤穿游于云间，龙凤身姿矫健灵动，翎羽鳞爪纤毫毕现，嵌银丝衬出纹饰层次，走线匀整细腻。\n\n整器造型端庄舒展，包浆厚重温润，錾刻与错金嵌银工艺相融，尽显明代铜作精工。瑞兽题材自带吉祥意韵，沉稳器型与华美纹饰相辅相成，肃穆不失灵动，尽显庄重雍容的古韵风华，是铜作工艺中的上乘之作。",[235,165,24,7,280,26,127,281],"嵌银丝","炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80e42ec01bf74972c8d4ba97979f2479.jpg",[],{"id":285,"slug":286,"title":287,"dynasty":18,"author":19,"museum":20,"description":288,"tags":289,"thumbUrl":295,"material":63,"size":64,"collection":30,"collections":296,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":51},245917,"guang-xu-xin-chou-kuan-yin-pai-yi-ming-245917","光绪辛丑款银牌","此器取葫芦造型，暗合福禄吉意。上部双龙拱卫御赏字样，尽显皇家颁赐的殊荣礼制。下部以罗盘为底，太极双鱼环拥“春王正月”，外圈环饰符文，将皇权恩赏与民俗祈福相融。银质莹润细腻，錾刻走线流畅匀净，纹饰排布疏密相宜，既带着官造器物的端正规整，又吸纳了民间吉祥纹饰的世俗意趣，是礼制赏赐与传统玄学文化交织的精巧饰物。",[58,76,290,26,291,7,292,293,294],"葫芦造型","太极双鱼","符文","吉祥纹饰","春王正月","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4d1a3ece2e6e1e597677cebc5368007.jpg",[],{"id":298,"slug":299,"title":300,"dynasty":18,"author":19,"museum":20,"description":202,"tags":301,"thumbUrl":304,"material":63,"size":64,"collection":30,"collections":305,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":131},245665,"jin-zan-tong-xin-huan-le-wan-nian-jie-jiu-ban-zhi-yi-ming-245665","金錾同心欢乐万年戒酒扳指",[42,23,7,76,302,303],"扳指","戒酒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\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