[{"data":1,"prerenderedAt":65},["ShallowReactive",2],{"subject-zan-pan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10648,"zan-pan","攒盘","攒盘画高清赏析","精选中国历代攒盘题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd68bd743e803851346f7f588cf9b9761.jpg",0,4,[14,35,48,58],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},262083,"su-san-cai-he-lian-tu-zan-pan-yi-ming-262083","素三彩荷莲图攒盘","清","佚名","藏地不详","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,24,7,25,26,27,28],"陶瓷","素三彩","荷","荷花","饪食器","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9732170ad55db3abb98aebb10f46696d.jpg","未知","Xcm*Xcm","",[],"37474F",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":45,"material":30,"size":31,"collection":32,"collections":46,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},262036,"qing-hua-yun-long-wen-zan-pan-yi-ming-262036","青花云龙纹攒盘","明","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,42,43,7,44,27,28],"青花","龙","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e769520475425dbecf9f32e2418dce9.jpg",[],"795548",{"id":49,"slug":50,"title":51,"dynasty":18,"author":19,"museum":20,"description":21,"tags":52,"thumbUrl":56,"material":30,"size":31,"collection":32,"collections":57,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},261471,"su-san-cai-lin-wen-zan-pan-yi-ming-261471","素三彩麟纹攒盘",[23,24,7,53,54,55,44,27],"麟纹","山水","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76adb6f8a644eec8052287aaf09fa128.jpg",[],{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":21,"tags":62,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":64,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},260117,"su-san-cai-hua-hui-wen-zan-pan-yi-ming-260117","素三彩花卉纹攒盘",[23,24,63,7,44],"花卉纹",[],1777535765571]