[{"data":1,"prerenderedAt":70},["ShallowReactive",2],{"subject-zan-tai-fa-lang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9227,"zan-tai-fa-lang","錾胎珐琅","錾胎珐琅画高清赏析","精选中国历代錾胎珐琅题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe636a8e98c202304e7b93f36888ef56b.jpg",0,4,[14,34,42,57],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},270520,"zan-tai-fa-lang-tong-shi-pen-bi-yu-wan-nian-qing-pen-jing-yi-ming-270520","錾胎珐琅筒式盆碧玉万年青盆景","清","佚名","藏地不详","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[23,24,25,26,7],"琺瑯器","盆景","万年青","碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13755cf885248ece0978fe67bbb71984.jpg","未知","Xcm*Xcm","",[],2,"795548",{"id":35,"slug":36,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":37,"thumbUrl":39,"material":28,"size":29,"collection":30,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":33},270521,"zan-tai-fa-lang-tong-shi-pen-bi-yu-wan-nian-qing-pen-jing-yi-ming-270521",[23,24,26,25,7,38],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46aab320eeb7a3c7944fb4435323049a.jpg",[],1,{"id":43,"slug":44,"title":45,"dynasty":18,"author":19,"museum":20,"description":46,"tags":47,"thumbUrl":54,"material":28,"size":29,"collection":30,"collections":55,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},250072,"zan-tai-fa-lang-kai-guang-yu-fu-wen-liu-fang-hua-pen-yi-ming-250072","錾胎珐琅开光鱼蝠纹六方花盆","六方敞口造型舒展端庄，线条利落雅致。以錾胎珐琅工艺精心打造，松石绿地衬起缠枝宝相花，婉转连绵间铺陈出灵动雅致的装饰底色。\n\n开光内取柔润粉地，鱼蝠纹样搭配清供饰件，鱼谐余、蝠谐音福，暗合吉庆有余的美好祈愿，两侧蝙蝠展翼环绕，满溢祥瑞之气。填色匀净鲜亮，錾刻线条细腻流畅，金边勾勒凸显层次，配色明丽却不俗艳，华贵雅致兼具，尽显精湛考究，藏着旧时对圆满富足的深切期许。",[48,49,7,50,51,52,53,38],"清代","珐琅器","开光","鱼","蝠纹","六方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0555a85627e2fb7fd63eb42e22c1171.jpg",[],"37474F",{"id":58,"slug":59,"title":60,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":69,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},248986,"zan-tai-fa-lang-fang-gu-xi-zun-yi-ming-248986","錾胎珐琅仿古牺尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[18,7,63,64,65,38,66,67,49,68],"仿古","雕刻","设色","牛","兽","铜制",[],1777535763261]