[{"data":1,"prerenderedAt":81},["ShallowReactive",2],{"subject-zao-hong-se":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11085,"zao-hong-se","枣红色","枣红色画高清赏析","精选中国历代枣红色题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7a5e70975003190c6a89f7c31ea6cdf.jpg",0,5,[14,37,50,59,70],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},264133,"zao-hong-se-fu-shou-san-duo-wen-er-se-duan-yi-ming-264133","枣红色福寿三多纹二色缎","清","佚名","藏地不详","枣红底色晕着柔润缎光，宝蓝纹样鲜亮醒目，撞色浓烈又和谐。福寿三多纹错落铺陈，寿桃、石榴、佛手携着多福、多寿、多子的祈愿，与团寿纹交错排布，规整间藏着灵动生机。\n\n二色缎工艺让花地界限清晰，绒面光泽沉静柔糯，经纬之间织就旧时对世俗圆满的向往，将质朴的烟火祈盼，熔铸为一方绮丽鲜活的吉庆织物，尽显传统织造的精巧匠心。",[23,24,25,26,27,28,7,29],"布料","缎面","福寿三多纹","花卉纹","寿字纹","设色","蓝色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7897a79577aa48b12afa5963fa8fdaa.jpg","未知","Xcm*Xcm","",[],8,"2A56C6",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},263873,"zao-hong-se-man-cao-bao-xiang-hua-shou-zi-wen-zhi-jin-duan-yi-ming-263873","枣红色蔓草宝相花寿字纹织金缎","枣红底色沉敛热烈，织金圆纹次第铺陈。宝相花雍容端雅，缠枝蔓草回环萦连，将寿字包裹于团窠之中，把绵长祈愿藏进经纬脉络。金线凝着华贵光泽，在朱红底晕出暖亮光晕，织纹细腻密实，排布匀净齐整。吉庆寓意与精工织绣相融，把岁时祝福凝在寸寸锦缎之中，尽显传统织绣的雅致工巧，是兼具审美意趣与吉祥内涵的织绣佳作。",[23,43,44,45,27,46,7],"织金缎","蔓草纹","宝相花纹","织金工艺",[],2,"795548",{"id":51,"slug":52,"title":53,"dynasty":18,"author":19,"museum":20,"description":54,"tags":55,"thumbUrl":57,"material":31,"size":32,"collection":33,"collections":58,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},267810,"zao-hong-se-pu-lu-yi-ming-267810","枣红色氆氇","这一抹浓郁枣红，似揉碎了高原落霞，沉稳厚重又带着哑光温润的质感。手工织就的肌理藏着经纬交错的细密心意，没有繁复纹样，仅凭纯粹匀净的色泽，勾勒出沉静大气的古韵。羊毛的绒感在岁月里沉淀出柔和的温度，带着高原织造的质朴匠心，将藏地暖阳揉进每一缕线迹之中，静静诉说着旧时光里的日常图景，朴素之间尽显高原风物的厚重底色。",[23,56,7],"衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62334c8383a4b23828a3eaa6bed6c133.jpg",[],{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":67,"material":31,"size":32,"collection":33,"collections":68,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},267524,"zao-hong-se-di-ba-bao-wen-zhi-jin-jin-yi-ming-267524","枣红色地八宝纹织金锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[65,23,66,46,7],"织锦","八宝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09e8f10badae948e340d9a2a4835dc5a.jpg",[],"37474F",{"id":71,"slug":72,"title":73,"dynasty":18,"author":19,"museum":20,"description":74,"tags":75,"thumbUrl":79,"material":31,"size":32,"collection":33,"collections":80,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},263789,"zao-hong-se-ju-hua-dun-lan-wen-zhou-chou-yi-ming-263789","枣红色菊花墩兰纹绉绸","沉敛雅致的枣红色调，历经岁月仍鲜亮饱满，自带古典华贵气韵。绉绸肌理自带细微褶皱，触感柔润莹滑，尽显丝织物独有的温婉质感。\n暗纹隐于经纬之间，菊花团簇敦实饱满，兰叶舒展清雅柔婉，一动一静间勾勒出中式雅致意趣，暗合君子如兰、秋菊傲霜的传统审美意涵。整体形制规整，织造工艺精良，将实用性与审美性相融，把东方内敛含蓄的美学藏入丝丝缕缕之中，静静诉说着旧时织造技艺的精妙造诣。",[23,76,7,77,78],"绉绸","菊花纹","兰纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a89b69c45ff46576f68d766c6722e8d.jpg",[],1777535754012]