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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[23,20,24,25,26,27,7],"壁画","宗教","兽","狮子","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf0b86238b96498c6a292cd931c6f8b4.jpg","未知","Xcm*Xcm","",[],43,"795548",{"id":36,"slug":37,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":38,"thumbUrl":40,"material":29,"size":30,"collection":31,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},226444,"ku-zhu-shi-zao-jing-yi-ming-226444",[23,20,24,7,27,39],"装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0944218d2ee5984b000c4457f3ceb3e6.jpg",[],30,"37474F",{"id":45,"slug":46,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":47,"thumbUrl":52,"material":29,"size":30,"collection":31,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":34},226351,"ku-zhu-shi-zao-jing-yi-ming-226351",[23,27,24,7,48,49,39,50,51],"卷草纹","几何图案","唐代风格","圆形纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26a0898cef25572fbc8344285ae23daf.jpg",[],27,{"id":56,"slug":57,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":58,"thumbUrl":61,"material":29,"size":30,"collection":31,"collections":62,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":34},226496,"ku-zhu-shi-zao-jing-yi-ming-226496",[20,23,7,59,25,60],"佛教","装饰画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03b0f4a0f5e4b87ae81202f2d3c8a6c3.jpg",[],17,{"id":65,"slug":66,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":67,"thumbUrl":68,"material":29,"size":30,"collection":31,"collections":69,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":34},226184,"ku-zhu-shi-zao-jing-yi-ming-226184",[23,20,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d75a97c61062144274e9b9f9bf4e05d.jpg",[],16,{"id":72,"slug":73,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":74,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":34},226161,"ku-zhu-shi-zao-jing-yi-ming-226161",[23,24,75,27,76,7],"界画","莲花",[],11,{"id":80,"slug":81,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":82,"thumbUrl":83,"material":29,"size":30,"collection":31,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":34},226259,"ku-zhu-shi-zao-jing-yi-ming-226259",[23,20,24,7,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85ecba4fcc99578682de7f50176285ff.jpg",[],7,{"id":87,"slug":88,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":89,"thumbUrl":90,"material":29,"size":30,"collection":31,"collections":91,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":43},226197,"ku-zhu-shi-zao-jing-yi-ming-226197",[23,20,24,7,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff5c98ba16ed900fc904c8780c3a91f7.jpg",[],{"id":93,"slug":94,"title":95,"dynasty":96,"author":19,"museum":97,"description":98,"tags":99,"thumbUrl":107,"material":31,"size":31,"collection":31,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":34},227364,"yu-lin-ku-003-ku-zhu-shi-dong-pi-yi-ming-227364","榆林窟003窟主室东披","宋","藏地不详","第三窟建于西夏统治瓜州晚期。窟内纷呈汉、藏民族及显宗、密宗的内容和艺术，是这一时期艺术最成熟、最典型的洞窟，独具特色。窟呈长方形，穹窿顶。窟中央偏后设八角形三级曼荼罗（坛城），上存清塑数身。窟四壁下部清代环砌双层台基，上存清塑十八罗汉像。顶绘曼荼罗，中画五方佛，东壁中央绘佛传，南北侧分绘汉密五十一面千手千眼观音曼荼罗、胎藏界曼荼罗及显宗天请问经变。南壁东起画曼荼罗、观无量寿经变、曼荼罗各一铺。北壁东起画曼荼罗、净土变、曼荼罗各一铺。西壁门上方绘维摩变，门南北侧绘普贤变、文殊变。甬道南北壁绘供养人。",[100,23,24,101,27,102,103,104,105,39,7,106],"高清","宋代","工笔","白描","佛像","飞天","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeb069be1ae65f6bcb551c3f0c74ded6.jpg",[],6,1777535736467]