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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[82,23,83,45,27,25,7],"清代","五彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3054711753b061059978dd54024a731.jpg",[],{"id":87,"slug":88,"title":79,"dynasty":39,"author":19,"museum":20,"description":80,"tags":89,"thumbUrl":90,"material":29,"size":30,"collection":31,"collections":91,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257954,"zai-chuan-zhi-le-kuan-wu-cai-yu-zao-wen-pan-yi-ming-257954",[23,83,45,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9eb8520f6281e630958b0d33fecfe356.jpg",[],{"id":93,"slug":94,"title":95,"dynasty":39,"author":19,"museum":20,"description":80,"tags":96,"thumbUrl":97,"material":29,"size":30,"collection":31,"collections":98,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257953,"jia-jing-kuan-wu-cai-yu-zao-wen-pan-yi-ming-257953","嘉靖款五彩鱼藻纹盘",[82,23,83,45,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1521766aad7e4193d0fc461025a7a014.jpg",[],{"id":100,"slug":101,"title":79,"dynasty":39,"author":19,"museum":20,"description":80,"tags":102,"thumbUrl":105,"material":29,"size":30,"collection":31,"collections":106,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257764,"zai-chuan-zhi-le-kuan-wu-cai-yu-zao-wen-pan-yi-ming-257764",[23,83,45,25,7,103,104],"花卉","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdda924c65ba6d470ee62bdb931df6337.jpg",[],{"id":108,"slug":109,"title":110,"dynasty":39,"author":19,"museum":20,"description":111,"tags":112,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},249424,"qia-si-fa-lang-yu-zao-gou-lian-wen-xi-kou-ping-yi-ming-249424","掐丝珐琅鱼藻勾莲纹洗口瓶","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[39,113,114,45,25,115,7,57],"掐丝珐琅","珐琅器","莲花",[],1777535737258]