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吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。 1927年11月29日，吴昌硕逝于上海寓所。\n吴昌硕作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等，诗作集有《缶庐集》。",[23,55,56,57,24,58,59,7],"立轴","花鸟","写意","菊","石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee122e684142d4f2b96c49a249c633f3.jpg","未知","Xcm*Xcm","",[],100,"BDBDBD",{"id":68,"slug":69,"title":70,"dynasty":71,"author":72,"museum":52,"description":73,"tags":74,"thumbUrl":85,"material":61,"size":62,"collection":86,"collections":87,"showCount":88,"zanCount":89,"manualWeight":11,"mainColor":90},225713,"avenue-of-poplars-in-autumn-october-fan-gao-225713","Avenue of poplars in autumn (October - )","不详","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[75,76,77,78,79,80,81,28,30,82,7,83,84],"油画","后印象派","秋天","白杨树","林荫道","小径","房屋","光影","色彩浓郁","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2365dd392564d9ae5188c6ce8b116d5.jpg","油画精选",[86],74,2,"37474F",{"id":92,"slug":93,"title":94,"dynasty":71,"author":72,"museum":52,"description":73,"tags":95,"thumbUrl":113,"material":61,"size":62,"collection":86,"collections":114,"showCount":115,"zanCount":44,"manualWeight":11,"mainColor":45},225733,"daubigny-s-garden-june-fan-gao-225733","Daubigny's garden (June - 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)",[75,76,96,138,139,140,141,142,125,7,30,143,144,145,146,81,147],"麦田","收获场景","干草堆","农舍","远山","马车","农民","田野","土地","作物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35f6054f82c98bf41a6f35ab5e3ee208.jpg",[86],50,{"id":152,"slug":153,"title":154,"dynasty":50,"author":155,"museum":52,"description":156,"tags":157,"thumbUrl":167,"material":63,"size":63,"collection":63,"collections":168,"showCount":169,"zanCount":44,"manualWeight":11,"mainColor":66},230118,"xie-sheng-hua-niao-tu-qu-zhao-lin-230118","写生花鸟图","屈兆麟","此作以工笔设色绘就庭院清秋小景，桂树新枝缀着嫩绿叶瓣与细碎繁花，枝头双雀依偎和鸣，另有群雀或振翅掠空，或伫立于朱漆栏杆，将灵雀憨态描摹得鲜活入微。\n\n下方幽石错落，阔叶草木舒展柔姿，淡色小花点缀其间，晕染出静谧雅致的庭间氛围。设色清妍柔和，线条匀净秀润，兼具院体花鸟的工致写实，又暗含文人写意的清幽意趣，将寻常庭院的花鸟日常，晕染为一方诗意盎然的雅致画境，尽显写生花鸟的细腻妙趣。",[158,23,159,55,25,24,56,160,161,162,163,164,7,165,166],"高清","书画","飞鸟","树","枝干","叶子","麻雀","石头","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0eac61a99c9ad9c38167017ba4112f0.jpg",[],49,{"id":171,"slug":172,"title":173,"dynasty":71,"author":120,"museum":52,"description":121,"tags":174,"thumbUrl":182,"material":61,"size":62,"collection":86,"collections":183,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":66},226082,"the-magpie-1869-mo-nai-226082","The Magpie, 1869",[123,75,175,176,30,81,7,177,145,178,179,180,181],"光影表现","雪景","冬季","雪覆屋顶","木栅栏","雪地小径","树木枝干","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0824463157f0fab1ae34a57a4aa1805b.jpg",[86],32,{"id":186,"slug":187,"title":188,"dynasty":71,"author":72,"museum":52,"description":73,"tags":189,"thumbUrl":199,"material":61,"size":62,"collection":86,"collections":200,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":66},225781,"montmartre-windmills-and-allotments-march-april-fan-gao-225781","Montmartre windmills and allotments (March - April 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，设色\u002F墨笔","纵27.7cm，横39.7cm",[],18,{"id":242,"slug":243,"title":244,"dynasty":71,"author":72,"museum":52,"description":73,"tags":245,"thumbUrl":248,"material":61,"size":62,"collection":86,"collections":249,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":90},225758,"ha-user-in-auvers1-fan-gao-225758","Häuser in 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among Trees","灵动松弛的线条铺陈出悠然乡野意趣，高大林木环拥着茅草小屋。苍劲枝干与蓬松叶丛形成疏密对比，线条浓淡晕染出林木的深浅层次，将郊野植被的蓬勃生机藏在笔锋起落间。蜿蜒土路漫向屋前，木栅栏随性散落，带着未经修饰的朴拙质感。\n\n全画未施繁复色彩，仅以利落速写笔触勾勒光影氛围，留白处任由乡野的静谧漫溢，将郊野日常的慵懒松弛定格在纸面。随性自然的笔触带着鲜活张力，把平凡乡居的清宁诗意娓娓道来，尽显速写捕捉刹那氛围感的动人魅力。",[375,435,377,234,30,7,286,107],"风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1674e477343fb08cadf003de8f85ddaf.jpg",[],{"id":439,"slug":440,"title":441,"dynasty":71,"author":254,"museum":52,"description":442,"tags":443,"thumbUrl":447,"material":61,"size":62,"collection":63,"collections":448,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},288623,"jean-baptiste-oudry-view-in-the-gardens-of-arcueil-yi-ming-288623","Jean-Baptiste Oudry--View in the Gardens of Arcueil","这幅素描以细腻排线晕染林间光影，左侧林木与围栏错落交织，繁密叶片以疏密线条铺陈层次，将幽谧的林下氛围缓缓铺展开来。蜿蜒园路顺着视线向前延伸，尽头的铁艺门扉隐在树影朦胧间，牵引出更深邃的园林意韵。画师以精细线条勾勒皴擦树干肌理，用明暗调子区分光影边界，将林荫午后松弛静谧的氛围精准定格，仿佛能让人踏入这方园林，触摸微凉的树干，呼吸草木浸润的清新空气，沉溺在郊野花园的悠然意趣之中。",[375,444,445,30,7,80,446],"风景画","园林","静谧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8835df83b1ef58facb2679e18f1ea0b7.jpg",[],{"id":450,"slug":451,"title":452,"dynasty":71,"author":254,"museum":52,"description":453,"tags":454,"thumbUrl":458,"material":61,"size":62,"collection":63,"collections":459,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":66},225468,"fu-shi-hui-226-yi-ming-225468","浮世绘226","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[257,258,24,28,455,456,457,7,36],"兽","大象","和服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb02b41e9a4eb4cab846f7194f0d815f0.jpg",[],{"id":461,"slug":462,"title":463,"dynasty":50,"author":395,"museum":52,"description":396,"tags":464,"thumbUrl":470,"material":230,"size":63,"collection":63,"collections":471,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":66},216810,"zhan-zheng-tong-ban-hua-35-lang-shi-ning-216810","战争铜版画-35",[399,400,232,28,35,32,30,465,466,467,274,468,401,7,469,381],"战场","军队","攻防","山地","道路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5833dd319d8beb69e15897be0c24d156.jpg",[],{"id":473,"slug":474,"title":475,"dynasty":50,"author":395,"museum":52,"description":396,"tags":476,"thumbUrl":480,"material":230,"size":63,"collection":63,"collections":481,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":66},216786,"zhan-zheng-tong-ban-hua-58-lang-shi-ning-216786","战争铜版画-58",[399,381,400,28,232,30,210,477,7,478,479,465,274,32,35],"城墙","马匹","骆驼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe62942e70c5fd9595ca982bd78f5c59.jpg",[],{"id":483,"slug":484,"title":485,"dynasty":50,"author":414,"museum":415,"description":486,"tags":487,"thumbUrl":492,"material":230,"size":63,"collection":63,"collections":493,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},215634,"yu-zhi-geng-zhi-tu-13-kang-xi-215634","御制耕织图-13","素笔勾勒的茅舍间，灯火摇曳映着蚕织人的身影，夜露沾衣仍劳作不辍。题句里的“养蚕苦”“弱躯”，道尽蚕妇晨昏不息的辛劳。线条简练却入微，从屋舍的结构到人物的姿态，皆透着对民生的体察。左侧织机旁的专注，右侧蚕筐边的忙碌，将耕织的日常化为纸上的温度。没有浓墨重彩，却以清简之笔，留存下对农桑的重视与对劳动者的体恤，让千年耕织传统在尺幅间静静流淌，每一道线条都藏着对烟火人间的深情凝视。",[158,23,159,418,25,28,210,300,422,30,146,315,107,103,488,7,316,318,81,489,317,490,491],"石阶","门窗","文字题跋","农耕场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feef8fdc203e96184cf1dcaf781ed53ba.jpg",[],{"id":495,"slug":496,"title":497,"dynasty":50,"author":254,"museum":52,"description":498,"tags":499,"thumbUrl":506,"material":63,"size":63,"collection":63,"collections":507,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":66},238645,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-238645","平定苗疆战图册","这幅纪实铜版画以全景式构图铺展平叛鏖战全貌。远山烽烟翻涌，村寨壁垒森然，清军步骑协同突进，与敌短兵相接。画面疏密得宜，线条劲挺工细，将人马错杂的厮杀场景精细摹刻，士卒或死战不退，或仆地挣扎，神态动作各有其态，硝烟裹挟着肃杀之气扑面而来。\n它以冷峻纪实的刀笔留存战地实景，将冷兵器时代平叛战事的惨烈壮阔凝于尺幅，既是对一役战事的鲜活复刻，也尽显清代战争版画兼具史料价值与艺术表现力的独特质感。",[398,25,500,231,229,28,501,502,30,7,210,465,503,504,505],"墨笔","马","山峦","兵器","岩石","土坡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F058bdfc4b39bc9702a2ce3018e703267.jpg",[],1777535714870]