[{"data":1,"prerenderedAt":552},["ShallowReactive",2],{"subject-zhan-chang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3012,"zhan-chang","战场","战场画高清赏析","精选中国历代战场题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe62942e70c5fd9595ca982bd78f5c59.jpg",0,49,[14,43,64,82,99,116,137,152,159,168,179,187,198,205,223,237,244,259,269,279,294,301,310,322,333,342,351,367,374,381,390,402,411,421,429,438,446,453,467,473,480,488,495,503,512,519,526,536,542],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},231680,"fu-shi-hui-ping-feng-yi-ming-231680","浮世绘屏风","不详","佚名","藏地不详","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[23,24,25,26,27,28,29,30,31,32,7,33,34,35],"高清","浮世绘","屏风","设色","工笔","人物","楼阁","旗帜","山水","云纹","士兵","建筑","兵器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9b8fbc85ceb5ed9e8c405e27e3e9b00.jpg","未知","Xcm*Xcm","",[],18,"795548",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":20,"description":49,"tags":50,"thumbUrl":59,"material":60,"size":39,"collection":39,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},216843,"zhan-zheng-tong-ban-hua-5-lang-shi-ning-216843","战争铜版画-5","清","郎世宁","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[51,52,53,28,54,55,56,57,7,58],"铜版画","战争画","历史画","马","山地","河流","营帐","军事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe08a96a4a454605b60f07827bf939dce.jpg","水墨",[],15,"BDBDBD",{"id":65,"slug":66,"title":67,"dynasty":47,"author":19,"museum":20,"description":68,"tags":69,"thumbUrl":78,"material":39,"size":39,"collection":79,"collections":80,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":63},238638,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-238638","平定苗疆战图册","全景式铺展西南崇山战事，左侧隘楼雄峙，苗民凭险据守，河谷中短兵相接，刀戈交错间硝烟翻涌，清军列阵衔枚疾突，将平乱鏖战的肃杀张力尽数铺陈。\n刀工笔触细致入微，山石褶皱、将士甲胄纹理皆清晰可辨，既还原了山地地貌的奇崛险峻，也将攻防拉锯的实景如实复刻。右上角御题诗文与战事图景相映，融纪实叙事与帝王题咏于一体，以铜版镂刻定格边疆平乱的宏大场面，兼具纪实史料价值与清代版画工艺之美。",[70,71,27,72,73,31,28,54,29,74,75,76,35,77,7],"清代","白描","皴法","册","山石","树木","军队","城墙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82a5ad1038662987587c2d95a68d04a4.jpg","人物画精选",[79],12,{"id":83,"slug":84,"title":85,"dynasty":47,"author":19,"museum":86,"description":87,"tags":88,"thumbUrl":95,"material":96,"size":97,"collection":39,"collections":98,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":63},233043,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-233043","平定台湾战图册","北京故宫博物院","乾隆五十一年（1786），台湾天地会北路首领林爽文起事，并得到南路首领庄大田的响应，旋即占领全岛，林爽文自称盟主大元帅，建元顺天；庄大田自称洪号，辅国大元帅。《战图》所绘即清大学士福康安和侍卫大臣海兰等于乾隆五十三年率军剿灭林爽文起事的战况。图十二幅，图目为：福康安奏报诸罗解围图、福康安奏报攻克斗六门图、福康安奏报攻克大里杙图、福康安奏报进攻小半天图、集集埔之战图、大埔林之战、大武垄之战图、枋寮之战图、生擒林爽文图、生擒庄大田图、福康安奏报抵厦门图、赐宴凯旋诸将图。\n据清内务府造办处乾隆五十三年档案记载：先是福康安进呈《台湾战图》御览，乾隆帝看过后并不满意，下旨：“图内人物绘画尚未合式，将原图十六幅寄京交如意馆，着伊兰泰将从前画过战图尺寸查清再画一份。五十三年九月二十日：姚文瀚将起得渡海凯旋图稿呈览，奉旨准画，着杨大章、贾全、谢遂、庄豫德、黎明分画。”十月初五太监鄂勒里传旨：“姚文瀚等现画台湾战图着以册十二幅，如画得一两幅，陆续交如意馆照西域战图画法一样画十二幅，俟画得时交造办处刻铜板。”[《活计档》。第3554册，中国第一历史档案馆藏。]即这是第一部完全由中国人绘稿和雕刻铜版的《战图》。但这套战图刻印完成后，也许乾隆帝并不十分满意，或者是对《平定准部回部战图》的西洋画法更感兴趣，又于乾隆五十四八月十七太监鄂鲁里传旨：“台湾战图册页画稿俟刻铜板完成时，将原稿掣回，着西洋人贺清泰、潘廷璋照铜板画法一样成画一份。”据《清内府造办处舆房目录》记载：《平定台湾战图》六份，其中绘本一份，内有原签注：“贾全起稿，黎明画稿”等字样。据故宫博物院藏清宫档案记载：“台湾战图铜板一份计十二块，压过二百份，各处陈设一百十九份，赏用八十一份。”",[89,90,91,73,26,27,28,31,92,30,35,34,75,93,94,76,7],"名画","国画","书画","战马","岩石","丘陵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0be05ec6ab04eff3cb82e85ab4fc6c0.jpg","纸本，设色","长55.6厘米，宽91.1厘米",[],{"id":100,"slug":101,"title":102,"dynasty":47,"author":48,"museum":20,"description":49,"tags":103,"thumbUrl":113,"material":60,"size":39,"collection":39,"collections":114,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":63},216842,"zhan-zheng-tong-ban-hua-6-lang-shi-ning-216842","战争铜版画-6",[51,104,105,33,92,106,107,108,75,109,30,110,34,111,112,57,7],"写实","战争场景","帐篷","营地","山峦","城堡","人群","田野","队列","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F077b9e9d01ac61cce9d171c5922ad00c.jpg",[],8,{"id":117,"slug":118,"title":119,"dynasty":47,"author":19,"museum":86,"description":120,"tags":121,"thumbUrl":132,"material":133,"size":134,"collection":39,"co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Battista Tiepolo--Illustration for a Book Troops Advancing toward a City 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Allegrini--Battle Scene","以红棕色调铺陈古战场，将短兵相接的狂乱与张力凝于纸面。中心武将挥戈振臂，座下战马扬鬃嘶吼，带着破阵锐势翻卷而来，雄健姿态尽显武将悍勇。前景里，落马士兵与倾覆战马狼狈纠缠，肌肉紧绷的躯体与濒死的颓败形成强烈反差，右侧奔逃的身影更衬出厮杀的惨烈。\n\n粗粝却精准的线条，以明暗块面堆叠出躯体的力量感与兵刃的冷硬，不加多余修饰，便将金铁交鸣与震天呼号藏入纸面，将古典战争的雄浑悲壮定格，让观者仿佛能亲临这热血贲张的厮杀瞬间。",[193,52,92,33,7,316,28,317,35,318],"激战","铠甲","红棕色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8f465679ac5623deba931c3b6e50b01.jpg",[],1,{"id":323,"slug":324,"title":325,"dynasty":18,"author":19,"museum":20,"description":326,"tags":327,"thumbUrl":331,"material":37,"size":38,"collection":39,"collections":332,"showCount":321,"zanCount":11,"manualWeight":11,"mainColor":42},289315,"francesco-casanova-cavalry-skirmish-with-a-fallen-soldier-at-right-yi-ming-289315","Francesco Casanova--Cavalry Skirmish with a Fallen Soldier at Right","以明暗铺陈满幅战场张力，前冲的骏马肌肉线条在晕染间尽显爆发力，将领挥指厉声呼喝，身旁号手高举长号，火星似从号口迸裂而出，点燃暗沉天际。\n\n前景倒地的士兵与奔涌骑兵形成强烈反差，冷灰阴影将败者的颓丧烘托尽致，远处厮杀的人马隐没在朦胧烟霭中，让战场残酷悄然蔓延至画外。\n\n创作者以单色薄涂与擦笔技巧，将光影揉作弥漫硝烟，把冲锋一瞬定格为带着嘶吼的凝固史诗。粗放笔触精准戳中战斗的野性与悲怆，仿佛能听见马蹄踏过尸身的闷响，号角穿透云层的震颤，将短兵相接的肃杀氛围牢牢攥住。",[212,28,92,7,174,328,329,330],"战斗","硝烟","倒地士兵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ae5f496a638b08aab9da53822aa6f99.jpg",[],{"id":334,"slug":335,"title":336,"dynasty":18,"author":19,"museum":20,"description":191,"tags":337,"thumbUrl":340,"material":37,"size":38,"collection":39,"collections":341,"showCount":321,"zanCount":11,"manualWeight":11,"mainColor":63},288903,"giovanni-battista-tiepolo-illustration-for-a-book-cardinal-with-troops-facing-yi-ming-288903","Giovanni Battista Tiepolo--Illustration for a Book Cardinal with Troops 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