[{"data":1,"prerenderedAt":154},["ShallowReactive",2],{"subject-zhan-zheng-ti-cai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3005,"zhan-zheng-ti-cai","战争题材","战争题材画高清赏析","精选中国历代战争题材题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3f63a98aae9e9d6cf6bab4da81450b9.jpg",0,8,[14,46,73,81,95,112,124,137],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":40,"material":41,"size":42,"collection":42,"collections":43,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},216781,"zhan-zheng-tong-ban-hua-64-lang-shi-ning-216781","战争铜版画-64","清","郎世宁","藏地不详","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[23,24,25,7,26,27,28,29,30,31,32,33,34,35,36,37,38,39],"清代","铜版画","中西合璧风格","山水","树木","河流","山峦","植被","人物","马匹","军队","士兵","战斗场景","写实技法","历史场景","人物群像","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6fe0cfecd110f3a024825bafa4e1cfb.jpg","水墨","",[],6,"BDBDBD",{"id":47,"slug":48,"title":49,"dynasty":18,"author":50,"museum":51,"description":52,"tags":53,"thumbUrl":68,"material":69,"size":70,"collection":42,"collections":71,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":45},233090,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233090","平定苗疆战图册","佚名","北京故宫博物院","《平定苗疆得胜图》亦称《湖南战役图》，十六幅图依次为：兴师图、剿捕秀山苗匪、攻克木山、攻解松桃之围、大剿土空寨苗匪解永绥城围、攻克兰草坪滚牛坡、攻克黄瓜寨剿贼、攻克苏麻寨、攻得茶它柳夯等处贼巢、攻克高多寨生擒逆首吴半生、攻克廖家冲生擒首逆石三保、收复乾州、攻克强虎哨、攻克平陇贼巢、捷来图、攻克石隆苗寨。\n清乾隆五十九年（1794年），湖南、贵州的苗民在石三堡、石柳邓、吴半生等人的率领下起义。清政府先后派云贵总督福康安、四川总督和琳等出兵镇压。《平定苗疆得胜图》是以这一历史事件中的几次重大战役为题材创作而成。\n作者采用了中国传统绘画中的皴法刻画山石麻皮状的纹理和峭立的山势，并以细腻的刻画手法及娴熟的线条运用较好地勾勒出物象的质感。战争场面气势恢宏，人物造型受中国传统木版画的影响，呈头大身小的特点，古朴稚拙。",[54,55,56,7,57,58,59,26,60,61,62,34,63,64,65,66,67],"国画","册页","历史画","皴法","设色","工笔","山石","林木","民居","将领","骑兵","战旗","硝烟","平定苗疆战役","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25b351eee676a3fc28ea7abe7e5fa57e.jpg","纸本","纵55.4cm，横90.8cm",[],4,{"id":74,"slug":75,"title":49,"dynasty":18,"author":50,"museum":51,"description":52,"tags":76,"thumbUrl":77,"material":69,"size":70,"collection":42,"collections":78,"showCount":79,"zanCount":80,"manualWeight":11,"mainColor":45},233087,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233087",[54,55,56,57,58,59,31,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8076863820818571f41bf227ea75af01.jpg",[],3,1,{"id":82,"slug":83,"title":84,"dynasty":18,"author":19,"museum":20,"description":21,"tags":85,"thumbUrl":10,"material":41,"size":42,"collection":42,"collections":94,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":45},216815,"zhan-zheng-tong-ban-hua-27-lang-shi-ning-216815","战争铜版画-27",[18,24,7,86,87,88,89,90,34,35,91,27,92,93],"线条刻画","明暗表现","山地","城墙","堡垒","岩石","建筑","防御工事",[],{"id":96,"slug":97,"title":98,"dynasty":99,"author":50,"museum":20,"description":100,"tags":101,"thumbUrl":108,"material":109,"size":110,"collection":42,"collections":111,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":45},288885,"giovanni-battista-tiepolo-illustration-for-a-book-siege-of-a-city-yi-ming-288885","Giovanni Battista Tiepolo--Illustration for a Book Siege of a City","不详","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[102,56,7,34,89,103,104,105,31,106,107],"素描","弓箭","盾牌","攻城","旗帜","军事场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f25638e1f1045f77ef825bfbb3808a8.jpg","未知","Xcm*Xcm",[],{"id":113,"slug":114,"title":115,"dynasty":99,"author":50,"museum":20,"description":100,"tags":116,"thumbUrl":122,"material":109,"size":110,"collection":42,"collections":123,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":45},288879,"giovanni-battista-tiepolo-illustration-for-a-book-soldiers-surrendering-to-an-emperor-yi-ming-288879","Giovanni Battista Tiepolo--Illustration for a Book Soldiers Surrendering to an Emperor",[102,117,118,56,119,120,34,121,7],"速写","人物画","战马","帝王","投降场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dcfb34216bce6e1c6262ff2cb13110e.jpg",[],{"id":125,"slug":126,"title":127,"dynasty":18,"author":19,"museum":20,"description":21,"tags":128,"thumbUrl":135,"material":41,"size":42,"collection":42,"collections":136,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":45},216823,"zhan-zheng-tong-ban-hua-28-lang-shi-ning-216823","战争铜版画-28",[129,23,24,130,131,7,29,89,33,119,106,31,60,132,133,93,134],"名画","写实","透视","云雾","战场","题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20ddc7e338ce325db6b67f77e9d71c3c.jpg",[],{"id":138,"slug":139,"title":140,"dynasty":18,"author":50,"museum":20,"description":141,"tags":142,"thumbUrl":151,"material":42,"size":152,"collection":42,"collections":153,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},233104,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233104","平定西域战图页","《平定西域战图》又称《平定准噶尔回部得胜图》、《平定伊犁回部战图》等。册页装，一函。图版十六幅，法国铜板制印，图版下署画家、刻工姓名。本馆藏有两部，一部首为乾隆御制序，乾隆诗文墨题画上，末有大学士傅恒、尚书舒赫德、于敏中等跋；另一部前为御制序，每图后附御题诗文，后为傅恒等跋，清内府造办处木版刷印。\n清廷在入主中原后，康、雍、乾三朝屡屡用兵西北，以肃清厄鲁特蒙古噶尔部割据势力。乾隆二十年至二十六年间（公元1755-1761年），两次平定准噶尔部叛乱的战役，对于维护国家稳定起到重要作用。 为了纪念平叛的胜利，乾隆让宫廷中的西洋画家郎世宁创作了大型历史纪实组画《平定西域战图册》。并决定将它送往欧洲制作成铜版画。",[23,143,130,144,26,31,106,145,33,146,27,29,147,133,148,65,149,88,150,7],"版画","线条勾勒","帐篷","战阵","队列","群像","营帐","平原","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac4969d6a1cd8835650a29c261ca9be.jpg","87.3×50cm",[],1777535740253]