[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"subject-zhe-yao-zao-xing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10329,"zhe-yao-zao-xing","折腰造型","折腰造型画高清赏析","精选中国历代折腰造型题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29dd39ce7694536c996e8e1ab861cbb3.jpg",0,2,[14,35],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},258582,"qian-long-kuan-qing-hua-hai-shui-wen-gua-leng-zhe-yao-shui-cheng-yi-ming-258582","乾隆款青花海水纹瓜棱折腰水丞","清","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,26,27,28,7],"清代","陶瓷","青花","海水纹","文房用具","瓜棱造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e63e07496ffe29bb2e6c1297d918dc4.jpg","未知","Xcm*Xcm","",[],"BDBDBD",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":10,"material":30,"size":31,"collection":45,"collections":46,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},257844,"lang-yao-hong-you-zhe-yao-wan-yi-ming-257844","郎窑红釉折腰碗","清代康熙后期景德镇官窑。康熙四十四年到五十一年（1705—1712），江西巡抚郎廷极在景德镇督造瓷器，故名。釉色以宝石红、宝石蓝、宝石绿最佳，宝石红有“郎窑红”之称。法国人称“牛血红”。在红釉中最杰出。洒蓝和霁蓝瓷，再上一道极薄釉子，然后加绘金花金彩，华丽静穆，匠心独运。素三彩创于此时。青花和斗彩也很有名。\n清初郎廷极所监督的江西景德镇窑及其所督造的瓷器之代称。其瓷器仿古暗合，摹仿明永乐、宣德红釉烧制，釉水颜色，桔皮砂眼几可乱真，款字也酷肖，极难辨识。刘廷玑《在园杂记》谈及此事，事距郎廷极督造瓷器时间很近，极可能系刘所目睹。",[24,41,42,43,23,44,7],"郎窑红釉","高温铜红釉","器","红釉","瓷器精选",[45],"37474F",1777535806389]