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porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[117,137,138,139,7],"青花","明代","灵芝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf7a66fd9cb201932468950d8e0c4930.jpg",[],6,{"id":144,"slug":145,"title":146,"dynasty":134,"author":42,"museum":67,"description":135,"tags":147,"thumbUrl":150,"material":102,"size":103,"collection":57,"collections":151,"showCount":152,"zanCount":11,"manualWeight":11,"mainColor":61},256864,"qing-hua-zhe-zhi-shi-liu-wen-ling-hua-kou-xi-yi-ming-256864","青花折枝石榴纹菱花口洗",[117,137,138,7,148,149],"石榴纹","菱花口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7a11e8c09adf0d719724471ced916c6.jpg",[],5,{"id":154,"slug":155,"title":156,"dynasty":134,"author":42,"museum":67,"description":135,"tags":157,"thumbUrl":160,"material":102,"size":103,"collection":57,"collections":161,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},228508,"qing-hua-zhe-zhi-bao-lian-bei-yi-ming-228508","青花折枝宝莲杯",[138,117,137,7,158,159],"宝莲","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F767980e53d0fd954239de6d0db753f52.jpg",[],{"id":163,"slug":164,"title":165,"dynasty":110,"author":42,"museum":67,"description":135,"tags":166,"thumbUrl":170,"material":102,"size":103,"collection":57,"collections":171,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":36},259066,"qing-hua-zhe-zhi-hua-guo-wen-mei-ping-yi-ming-259066","青花折枝花果纹梅瓶",[117,137,7,167,168,169],"花果","清代","开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2fd95b3c94e3b079e3f5a9738b4fac0.jpg",[],{"id":173,"slug":174,"title":175,"dynasty":41,"author":42,"museum":67,"description":176,"tags":177,"thumbUrl":183,"material":102,"size":103,"collection":57,"collections":184,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":36},251995,"bai-yu-zhe-zhi-ying-tao-wen-pei-yi-ming-251995","白玉折枝樱桃纹佩","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[178,179,180,181,7,182],"宋代","玉石","雕刻","樱桃","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c5f14bd0a9aba0e77bcca1629023d26.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":110,"author":42,"museum":67,"description":189,"tags":190,"thumbUrl":194,"material":102,"size":103,"collection":57,"collections":195,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":36},248494,"hong-qi-miao-jin-zhe-zhi-hua-guo-wen-gai-wan-yi-ming-248494","红漆描金折枝花果纹盖碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[191,192,27,7,193,159],"漆器","描金","花果纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d8999d09de70accb3bab2e5ca302153.jpg",[],{"id":197,"slug":198,"title":199,"dynasty":134,"author":42,"museum":67,"description":135,"tags":200,"thumbUrl":202,"material":102,"size":103,"collection":57,"collections":203,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":204},257191,"qing-hua-zhe-zhi-pu-tao-wen-dun-shi-wan-yi-ming-257191","青花折枝葡萄纹墩式碗",[138,117,137,7,201,159],"葡萄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadff9e2946e896dc4e9645ca97f42005.jpg",[],"37474F",{"id":206,"slug":207,"title":208,"dynasty":134,"author":42,"museum":67,"description":209,"tags":210,"thumbUrl":215,"material":102,"size":103,"collection":57,"collections":216,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":204},257064,"you-li-hong-zhe-zhi-tao-ju-hua-wen-pan-yi-ming-257064","釉里红折枝桃菊花纹盘","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[138,211,7,212,213,117,214],"釉里红","桃","菊","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F219f59b19be30f1ede4cdb062bb14454.jpg",[],{"id":218,"slug":219,"title":220,"dynasty":41,"author":42,"museum":67,"description":221,"tags":222,"thumbUrl":225,"material":102,"size":103,"collection":57,"collections":226,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":204},256798,"bai-di-hei-hua-zhe-zhi-hua-wen-mei-ping-yi-ming-256798","白地黑花折枝花纹梅瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[117,223,7,224,159],"白地黑花","花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8cc6ee2bd4981c84f7b0ba6afc21873.jpg",[],{"id":228,"slug":229,"title":230,"dynasty":110,"author":42,"museum":67,"description":135,"tags":231,"thumbUrl":233,"material":102,"size":103,"collection":57,"collections":234,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258849,"ti-he-dian-kuan-qing-hua-zhe-zhi-ju-hua-wen-yuan-hua-pen-yi-ming-258849","体和殿款青花折枝菊花纹圆花盆",[137,117,232,7],"菊花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57e3cbac81aa9999381190af3af43c6e.jpg",[],{"id":236,"slug":237,"title":238,"dynasty":110,"author":42,"museum":67,"description":135,"tags":239,"thumbUrl":240,"material":102,"size":103,"collection":57,"collections":241,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258848,"ti-he-dian-kuan-qing-hua-zhe-zhi-hua-hui-wen-hua-pen-yi-ming-258848","体和殿款青花折枝花卉纹花盆",[168,137,117,7,49,159],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9033a4548b78ce7ea2dbb496a9df68d4.jpg",[],{"id":243,"slug":244,"title":245,"dynasty":110,"author":42,"museum":67,"description":135,"tags":246,"thumbUrl":247,"material":102,"size":103,"collection":57,"collections":248,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258846,"ti-he-dian-kuan-qing-hua-zhe-zhi-ju-hua-wen-chang-fang-hua-pen-yi-ming-258846","体和殿款青花折枝菊花纹长方花盆",[117,137,7,232,159],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ac4a6d50cab381c0e189f12cd165d66.jpg",[],{"id":250,"slug":251,"title":252,"dynasty":110,"author":42,"museum":67,"description":135,"tags":253,"thumbUrl":254,"material":102,"size":103,"collection":57,"collections":255,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258733,"jia-qing-kuan-qing-hua-zhe-zhi-hua-guo-wen-suan-tou-ping-yi-ming-258733","嘉庆款青花折枝花果纹蒜头瓶",[168,117,137,7,167,159],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d73f63e988db25807dff49d54629809.jpg",[],{"id":257,"slug":258,"title":259,"dynasty":110,"author":42,"museum":67,"description":135,"tags":260,"thumbUrl":261,"material":102,"size":103,"collection":57,"collections":262,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258334,"qing-hua-zhe-zhi-hua-guo-wen-wan-yi-ming-258334","青花折枝花果纹碗",[117,137,7,167,168],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe945fc17a8ef5f7659a3e483247c8458.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":110,"author":42,"museum":67,"description":267,"tags":268,"thumbUrl":272,"material":102,"size":103,"collection":57,"collections":273,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258278,"yong-zheng-kuan-dou-cai-zhe-zhi-san-guo-wen-wan-yi-ming-258278","雍正款斗彩折枝三果纹碗","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[117,269,27,7,270,271,52,159,168],"斗彩","三果纹","果纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87b9f7c6ac2006fb5103bbf079a4552c.jpg",[],{"id":275,"slug":276,"title":277,"dynasty":110,"author":42,"museum":67,"description":135,"tags":278,"thumbUrl":280,"material":102,"size":103,"collection":57,"collections":281,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},258232,"qing-hua-zhe-zhi-hua-wen-die-yi-ming-258232","青花折枝花纹碟",[168,117,137,279,7,51],"釉下彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3a361d54e7ed6fa5afb42ee9962cfcb.jpg",[],{"id":283,"slug":284,"title":285,"dynasty":110,"author":42,"museum":67,"description":267,"tags":286,"thumbUrl":287,"material":102,"size":103,"collection":57,"collections":288,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":204},258208,"yong-zheng-kuan-qing-hua-zhe-zhi-hua-guo-wen-mei-ping-yi-ming-258208","雍正款青花折枝花果纹梅瓶",[117,137,7,167,159],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ef9aaf736672e3e1db6e405ba27615c.jpg",[],{"id":290,"slug":291,"title":292,"dynasty":110,"author":42,"museum":67,"description":135,"tags":293,"thumbUrl":294,"material":102,"size":103,"collection":57,"collections":295,"showCount":11,"zanCount":11,"manualWeight":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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[117,134,364,7,167,159],"白地酱彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ced7c9b5154e24cde71bd64b7990463.jpg",[],{"id":368,"slug":369,"title":370,"dynasty":41,"author":42,"museum":67,"description":371,"tags":372,"thumbUrl":377,"material":102,"size":103,"collection":378,"collections":379,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":204},256309,"ding-yao-bai-you-ke-hua-hua-zhe-zhi-fu-rong-wen-hua-kou-wan-yi-ming-256309","定窑白釉刻划花折枝芙蓉纹花口碗","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[117,373,374,375,7,376,159],"白釉","刻划花","芙蓉","花口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57c9e79f32c906ca007983d0f5766c57.jpg","瓷器精选",[378],{"id":381,"slug":382,"title":383,"dynasty":134,"author":42,"museum":67,"description":135,"tags":384,"thumbUrl":386,"material":102,"size":103,"collection":57,"collections":387,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},256212,"cheng-hua-kuan-qing-hua-zhe-zhi-lian-wen-wan-yi-ming-256212","成化款青花折枝莲纹碗",[117,137,7,385,138],"莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F974a8e7b224674bc6f64d005703693b4.jpg",[],{"id":389,"slug":390,"title":391,"dynasty":110,"author":42,"museum":67,"description":392,"tags":393,"thumbUrl":395,"material":102,"size":103,"collection":57,"collections":396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},246452,"ti-hong-zhe-zhi-mu-dan-wen-yuan-he-yi-ming-246452","剔红折枝牡丹纹圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[168,191,394,180,51,7,159],"剔红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb723fdbb9b93e44e332be1948ef27245.jpg",[],1777535712471]