[{"data":1,"prerenderedAt":138},["ShallowReactive",2],{"subject-zhi-ji-2789":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2789,"zhi-ji-2789","织机","织机画高清赏析","精选中国历代织机题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f7e9908103ef308f7fb222efa60235e.jpg",0,7,[14,47,73,88,105,115,125],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},221612,"can-zhi-tu-juan-liang-kai-221612","蚕织图卷","宋","梁楷","黑龙江省博物馆","图描绘江浙一带的蚕织户自“腊月浴蚕”到“下机入箱”为止的养蚕、织帛的整个生产过程。该卷由二十四个场面组成，用长房贯穿，每个场面下有楷书小字，注明内容。全卷场面宏大，共绘七十四人，翁媪长幼，皆服宋装。图中人物的神态举止，惟妙惟肖，桑树、户牖、几席、蚕具、织具等，富有写真写实之风。",[23,24,25,26,27,28,29,7,30,31,32,33,34,35,36,37],"高清","国画","长卷","工笔","设色","界画","人物","蚕桑","庭院","房屋","树木","劳作","水墨","日用具","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5708c7869732c0eddc83d2007b004137.jpg","绢本","27.5x513","宋画精选",[41,43,44],"人物画精选","设色画精选",79,"795548",{"id":48,"slug":49,"title":50,"dynasty":51,"author":52,"museum":53,"description":54,"tags":55,"thumbUrl":66,"material":67,"size":68,"collection":69,"collections":70,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":72},222847,"meng-mu-jiao-zi-tu-kang-shou-222847","孟母教子图","清","康寿","北京故宫博物院","此图出自典故《孟母断机》，讲述的是孟子逃课后孟母割掉织好的布以此教育孟子。图绘孟母镰刀回头看着儿子，孟子双手拢起小心翼翼。人物额头点白有着明人绘法",[23,56,26,27,57,58,59,60,61,62,7,63,64,65],"清代","白描","传统绘画","线条细腻","设色淡雅","古代女性","孩童","古装服饰","发髻","互动场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8713e7a4d3396fbe48cc631455acfc95.jpg","绢本，设色","64x142cm","",[],15,"BDBDBD",{"id":74,"slug":75,"title":76,"dynasty":51,"author":77,"museum":53,"description":78,"tags":79,"thumbUrl":84,"material":69,"size":85,"collection":69,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":72},223216,"geng-zhi-tu-ce-jiao-bing-zhen-223216","耕织图册","焦秉贞","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图像资料，它的绘写渊源可上溯至南宋，绘者为楼璹。楼璹在宋高宗时期任於潜（今浙江省临安市）县令时，深感农夫、蚕妇之辛苦，即作耕、织二图诗来描绘农桑生产的各个环节。《耕织图》成为后人研究宋代农业生产技术最珍贵的形象资料。南宋嘉定三年（1210年），楼璹之孙楼洪、楼深等以石刻之传于后世，南宋理熙元年（1237年）有汪纲木刻复制本。宋以后关于本书的记载已不多见，较著名的有南宋刘松年编绘的《耕织图》，元代程棨的《耕织图》45幅。明代初年编辑的《永乐大典》曾收《耕织图》，已失传。明天顺六年（1462年）有仿刻宋刻之摹本，虽失传，但日本延宝四年（1676年）京都狩野永纳曾据此版翻刻，今均以狩野永纳本《耕织图》作楼璹本《耕织图》之代表。\n清康熙二十八年（1689年）康熙帝南巡时，江南士子进献藏书甚丰，其中有“宋公重加考订，诸梓以传”的《耕织图》。康熙帝即命焦秉贞据原意另绘耕图、织图各23幅，并附有皇帝本人的七言绝句及序文。绘画内容略有变动，耕图增加“初秧”、“祭神”二图，织图删去“下蚕”、“喂蚕”、“一眠”三图，增加“染色”、“成衣”二图，图序亦有变换。宋、清《耕织图》的布景与人物活动大同小异，但焦图画中的风俗易为清代，所绘更为工细纤丽，在技法上还参用了西洋焦点透视法。\n《耕织图》初印于康熙三十五年（1696年），后又出现了很多不同版本，木刻本、绘本、石刻本、墨本、石印本均行于世。如康熙年间的康熙三十八年（1699年）张鹏翮刻本，康熙五十一年（1712年）内府刻本，雍亲王胤禛绢底彩绘本，康熙五十三年（1714年）歙县汪希古恭摹刻48块墨板，宫廷绘白描本等，乾隆年间的康熙、雍正、乾隆三帝题诗刊本，清内府刻《授时通考》本，袖珍彩绘本，乾隆四年（1739年）清内府图为木刻、诗为石刻的经折装本，乾隆三十四年（1769年）北京刻朱墨套印本，杨大章彩绘本，乾隆三十四年（1769年）高宗命画院据元代程棨本临摹之《耕织图》，石刻嵌在皇家清漪园延赏斋左右廊壁的拓本，乾隆三十五年（1770年）徽州守臣摹刻的墨版。此外，还有嘉庆十三年（1808年）《耕织图诗》补刊本，同治十一年（1872年）刊本，光绪五年（1879年）上海点石斋《御制耕织图》石印本，光绪十一年（1885年）上海文瑞楼本，光绪十二年（1886年）上海点石斋石印本。民国时期也有多种版本，较著名的为武进陶兰泉刊本；日本、朝鲜、琉球等国亦有《耕织图》的摹本、翻刻本。\n《耕织图》不但版本众多，版式等也不尽相同，如上文下图本，左图右文本，版框带有龙纹的装饰本，袖珍刻本，木刻填色本，书中序文、诗文前后玺印朱色钤印本，前后玺印为刊版墨印本等。",[24,80,81,26,27,28,29,7,32,82,83,34],"书画","册页","石头","纺织","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bac5db85afd5f566ac05862b663b2ad.jpg","34.7cm×27.7cm",[],12,{"id":89,"slug":90,"title":76,"dynasty":51,"author":77,"museum":53,"description":78,"tags":91,"thumbUrl":102,"material":69,"size":85,"collection":69,"collections":103,"showCount":104,"zanCount":11,"manualWeight":11,"mainColor":72},223219,"geng-zhi-tu-ce-jiao-bing-zhen-223219",[92,24,80,93,26,27,29,94,7,95,96,97,98,83,31,99,32,100,101],"名画","册","农具","田园","桑麻","作物","农事","草木","写实","生活场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F621157e3c8c47823c84252dafac863e5.jpg",[],3,{"id":106,"slug":107,"title":76,"dynasty":51,"author":77,"museum":53,"description":78,"tags":108,"thumbUrl":113,"material":69,"size":85,"collection":69,"collections":114,"showCount":104,"zanCount":11,"manualWeight":11,"mainColor":72},223214,"geng-zhi-tu-ce-jiao-bing-zhen-223214",[24,80,26,27,28,29,32,33,109,110,31,111,7,112],"栅栏","纺织工具","棕榈树","纺车","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06ec065cf78bf41aaaa49cfef9ca237f.jpg",[],{"id":116,"slug":117,"title":76,"dynasty":51,"author":77,"museum":53,"description":78,"tags":118,"thumbUrl":122,"material":69,"size":85,"collection":69,"collections":123,"showCount":124,"zanCount":11,"manualWeight":11,"mainColor":46},223169,"geng-zhi-tu-ce-jiao-bing-zhen-223169",[24,80,93,26,27,56,29,119,94,7,95,120,121,83],"牛","农家","耕作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b47df9ca67dfaccb0c5384c8fc267dd.jpg",[],2,{"id":126,"slug":127,"title":128,"dynasty":51,"author":129,"museum":130,"description":131,"tags":132,"thumbUrl":10,"material":35,"size":69,"collection":69,"collections":136,"showCount":137,"zanCount":11,"manualWeight":11,"mainColor":46},215638,"yu-zhi-geng-zhi-tu-11-kang-xi-215638","御制耕织图-11","康熙","哈佛艺术博物馆","画面以左右分幅铺展农桑画卷：左畔桑林蓊郁，枝叶间光影错落，采桑人携篮穿行，衣袂轻扬里藏着蚕事的殷切；右幅织室轩敞，木机横陈，织女们或理丝或投梭，指尖起落间似有经纬流转。线条以白描勾勒，细腻处见枝叶纹理、衣物褶皱，粗放处显屋舍轮廓、桑田旷远，笔致流畅却不失朴拙。题字与画面相映成趣，墨迹浓淡与线条疏密呼应，将农桑劳作的日常升华为纪实与艺术兼具的篇章。整幅作品藏着对民生本业的关切，以鲜活场景、温润笔触，定格古代耕织文明里生动的烟火气，让观者触摸到根植土地的质朴与勤勉。",[23,24,80,57,26,29,33,7,94,32,133,134,135],"田地","书法","印章",[],1,1777535742735]